Philosophy in Berlin: University Reforms from Kant to the Bologna Process
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Spaces Between Beginning and End.Indd
Spaces between Beginning and End: Thoughts on Peter Voigt’s Film Essay Dusk: 1950s East Berlin Bohemia BY CLAUS LÖSER Oh, joyful time of beginnings! The page white and the pencil sketches the overall plan! First line in nothingness, boldly rising through the void into everything! Excavate the ground and depth: the building will be tall. Seeing what has never been seen! Testing the new! —Bertolt Brecht, “Ach, wie doch einst ich sie sah!“1 When Peter Voigt’s documentary Dämmerung – Ostberliner Bohème der 50er Jahre (Dusk: 1950s East Berlin Bohemia) celebrated its premiere in the Grüne Salon of Berlin’s Volksbühne, only those in the know and especially interested • A 2018 DVD Release by the DEFA Film Library • A 2018 DVD Release by the DEFA viewers came to the screening. There were very few reviews. A regular theatrical release did not occur afterwards. In a certain sense, the film arrived both too early and too late. Five years earlier, it would have been a sensation. At the time of its premiere, however, the systematic—and still continuing—examination of phenomena of GDR cultural history had not yet begun. Besides, in the early 1990s, many potentially interested viewers were preoccupied with the reorganization of their daily lives that accompanied the fundamental paradigm change of 1989-90. In view of an uncertain future, affected contemporaries had no relevant interest in tracing the peculiarities of a 1950s East Berlin Bohemia, as Voigt’s title promised. The film did not fit the political mainstream either. Because, back then, the history of the GDR was, “above all, interpreted Dusk: 1950s East Berlin Bohemia in light of its inglorious end,” as film historian Ralf Schenk noted in relation to this film, in particular.2 Public discourse focused primarily on clear victim-perpetrator scenarios; perspectives that dealt with differentiated formations located between opportunism and resistance during the SED dictatorship were not in demand. -
Antique-Collecting-Berlin.Pdf
VISITING CAPITALS Berlin Saturday 1 THE ART AND FLEA MARKET ON FEHRBELLINER PLATZ Start your weekend on the outskirts of Berlin’s city ring, in the Wilmersdorf district, at the traditional Insider flea market tip (trödelmarkt) on the Discover the dealer’s “pain threshold” Fehrbelliner (Schmerzgrenze in Platz. It German) and offer is known just under it. throughout the Museum Island, image © visitBerlin city as the place where art lovers hours and flea market fans meet. It is open two days a week (depending on the 48 season), taking place on the esplanade in of the metro station Fehrbelliner Platz, which makes it easy to reach by public transport. While it mostly showcases Berlin art and antiques, clothing, furniture and other vintage items are also on offer. In With many of the city’s famous Christmas addition to which, artists, gallery owners and art dealers show up at the flea markets starting this month, why not take a trip market to sell their paintings. From fine art and portraits to crafts and smaller to Berlin, which boasts a collectors’ paradise installations, it is possible to find pretty writes Nicholas Martin much everything. Experienced buyers who have visited this flea market for years, know that ith 600 galleries and 153 was given the prestigious title of UNESCO haggling at the Fehrbelliner Platz market museums it is no surprise World Heritage site. requires a bit of negotiating skills. Don’t Apart from Museum Island, Berlin is home that Berlin is at the centre of be afraid to walk away (or pretend to) W Europe’s cultural scene. -
Present B Ü R O
Beiträge von Gabriel Busquets Aparicio Klaus Bräunig Manfred Kurz Nachrichten aus dem Haus Berlin und dem Würth Büro Brüssel Würth 01.2006 present 6 0 0 2 . 1 0 L E S S Ü R B O R Ü B H T R Ü W E H T D N A N I L R E B S U A H H T R Ü W E H T M O R F S W E N r p e s t n present NACHRICHTEN AUS DEM WÜRTH HAUS BERLIN UND DEM WÜRTH BÜRO BRÜSSEL 01.2006 e pr the Würth OfficeBrussels the Würth HouseBerlinandfrom Würth 01.2006 Ne e ws fromthe s ent Manfred Kurz Klaus Bräunig Gabr Contributions by iel BusquetsApar icio present 01.2006eNEU 06.06.2006 15:41 Uhr Seite 2 Contents Editorial 3 5 New Year’s concert: Mozart ushers in 2006 Company news 6 A PRES ENC E AROU N D TH E WORLD, BUT AT HOME IN EUROPE The opening of the Würth office in Brussels HE Gabriel Busquets Aparicio11 BERLI N and MADRI D A tale of two European capitals Interview16 TAKI NG U P TH E BATON An interview with Bettina Würth, new head of the Advisory Board Vox populi22 In Berlin they’re looking for… Klaus Bräunig24 Grandma’s Little House Reform of the inheritance tax law Manfred Kurz27 Polt: almost like real life Gerhard Polt and the Flour Primroses at Würth Haus, Berlin Berlin Tip30 The noble art of cigar-smoking Madrid has capitulated – Berlin is still putting up a fight (just) present is the magazine of the Würth present Vol. -
Announcement
Announcement 51 articles, 2016-07-23 06:15 1 Kanye West to Present Art Installation at Watermill Summer Benefit, Leonardo DiCaprio Hosts $45 Million Art Auction, and More (1.02/2) A daily round-up of must-read news from the art world and beyond. 2016-07-22 10:40 696Bytes www.blouinartinfo.com 2 Alexis Silk, 2016 Spotlight Artist Alexis Silk is breaking exciting ground with dramatic new works in blown glass and metal that are at once timeless and thought (0.02/2) provoking. Emerging from the intersection of the artist's fascination with the human figure, passion for her molten medium, and desire for conceptual expression,... 2016-07-23 06:00 2KB artexponewyork.com 3 DAY 3 AT ARTEXPO: CROWDS CONVERGE ON PIER 94 Saturday at Artexpo marked the show's busiest day yet, drawing (0.01/2) thousands of attendees eager for artistic invigoration to the halls of Pier 94. Boasting booth after booth of extraordinary paintings, sculpture, glassworks, and photography, the 38th annual Artexpo New York offered something for... 2016-07-23 06:06 1KB artexponewyork.com 4 On Lynn Hershman Leeson’s Lorna — Untitled (Blog) — Walker Art Center As evidenced by the wonderful interview between Lynn Hershman (0.01/2) Leeson (b. 1941) and Juliana Huxtable (b. 1987) in Art Forum this summer, Hershman Leeson's pioneering media legacy continues to provo... 2016-07-23 03:01 905Bytes blogs.walkerart.org 5 DAY 2 AT ARTEXPO: SPECIAL KEYNOTE, LIVE ART DEMOS & MORE Friday at Artexpo brought throngs of visitors through the gates of Pier 94 to see artwork from over 400 exhibitors from around the world, comprising more than 1,000 artists in total. -
The Centropa Source Book
THE CENTROPA SOURCE BOOK VOLUME ONE THE BERLIN WALKING TOUR BERLIN AND HISTORY WEIMAR CULTURE KINDERTRANSPORT REICHSPOGROMNACHT THE JEWISH SOLDIER’S RED STAR “Listen attentively, and remember above all that true tales are meant to be transmitted—to keep them to oneself is to betray them.” Elie Wiesel, Souls on Fire Table of Contents Table of Contents INTRODUCTION CENTROPA SOURCE BOOK, VOLUME ONE You are holding in your hands the first in a series of sourcebooks created specifically for those attending our Summer Academies in the great cities of Central Europe. Tourists visiting Berlin, armchair travelers and students of every age will find this compendium useful, and we have divided this portrait of Berlin into two main parts. PART I: JEWISH HISTORY AND BERLIN MITTE Section 1: a brief history of the old Jewish quarter of the city Section 2: a walking tour of Mitte, Section 3: a timeline for Berlin in the 20th century Section 4: an overview of Weimar culture and Jews This history spans the period when Moses Mendelssohn arrived in what was then a sleepy provincial backwater in 1743, and ends around two hun- dred years later, when the Nazis began to rule the most cosmopolitan city in Europe. The walking tour included here is unique: it is comprised of descriptions of the most famous Jewish addresses in Mitte (most of them betray no hint of their former use), and it contains stories told to us by two people who grew up there. Their stories—Rosa Rosenstein and Hillel Kempler—bring history to life in ways no guide book can. -
An Exploration of the Impact of Friedrich Hegel's Dialectic on Truth
AN EXPLORATION OF THE IMPACT OF FRIEDRICH HEGEL’S DIALECTIC ON TRUTH VS. TRUTH AS EXPRESSED IN THE GOSPEL OF JOHN by RONALD A. CIESLAK B.Arch., Lawrence Technological University, 1977 A THESIS Submitted to the faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Religion at Reformed Theological Seminary Charlotte, North Carolina March 2019 Accepted: ______________________________ [First Reader] ______________________________ [Second Reader] ii. ABSTRACT Why is it so difficult to talk to others about the truth of Christ? We often respond that it is just because of the skepticism of “today”. But is it really a “today” issue? This paper will examine this question by looking at one of the roots of today’s skepticism in an attempt to better help Christians to effectively structure their evangelistic conversations. This will be accomplished by first examining three current obstacles to discussing Christ: postmodernism, the millennial subculture, and popular culture. We will then look back to the 16th century philosopher Georg Wilhelm Friedrich Hegel, his dialectic method of determining truth, and how it influences epistemology within the current plausibility structure. The Gospel of John will provide an alternative approach to the pursuit of truth during the time of Jesus and today. Hegel’s dialectic will be compared and contrasted to the Gospel of John to see how it has shaped the reigning plausibility structures. Due to Hegel’s current influence on how we think, this paper will examine what we can learn from the Gospel of John that will help to promote the truth of Jesus and develop strategies for resisting the skepticism of today. -
LT 460 – MODERN GERMAN LITERATURE IES Abroad Berlin
LT 460 – MODERN GERMAN LITERATURE IES Abroad Berlin DESCRIPTION: This course is a non-chronological survey of German literature from 1945 to the present with an emphasis on the development of literary traditions, subjects, and themes. One emphasis of the course will be put on important biographies of German-language authors that illustrate changing times. Particularly important is the conflictual history of a “divided” and, in 1989, “reunited” German literature that begins in 1945. Using short stories, novels, and poems, we will discuss current developments in the literary process. The year 1989 constitutes an important turning point which is continuously reflected in the works of authors of different generations. CREDITS: 3 credits CONTACT HOURS: 45 contact hours LANGUAGE OF PRESENTATION: German ADDITIONAL COST: none PREREQUISITES: none METHOD OF PRESENTATION: • Lectures • Discussions • Student Presentations (optional) • Films • Field trips • Moodle will be used to enhance students' learning experiences. REQUIRED WORK AND FORM OF ASSESSMENT: Analysis, interpretation and discussion of literary texts. Final grades will be based on: • Course participation - 10% • Midterm Exam - 20% • Final Exam - 30% • Short Papers - 30% • Oral presentation - 10% Course Participation This includes attendance, active participation in class discussions, bringing up pertinent questions, and familiarity with the literary texts. In order to prepare in advance for the seminars, students should take notes for the assigned readings, summarize the main ideas and formulate questions on the topic. The grading rubric for participation is available in the IES Berlin Academics Manual on Moodle. Midterm and Final Exam Midterm and final will be written exams in essay format. Papers Students will write three papers during the course (each around 3 pages in length). -
RELEASE Press Contact: Brett Oberman at Keith Sherman & Assoc.,212-764-7900, [email protected]
234 West 44th Street New York City, 10036 212-764-7900 FAX 764-0344 www.ksa-pr.com July 29, 2015 FOR IMMEDIATE RELEASE Press contact: Brett Oberman at Keith Sherman & Assoc.,212-764-7900, [email protected] ATTENTION FALL PREVIEW EDITORS: FOR YOUR CONSIDERATION ERIC BENTLEY’S BRECHT-EISLER SONG BOOK DEBUT CD FROM CELEBRATED SOPRANO KARYN LEVITT SINGING THE MUSIC OF HANNS EISLER TEXT BY BERTOLT BRECHT TRANSLATED BY ERIC BENTLEY AVAILABLE FROM ROVENRECORDS OCTOBER 30, 2015 CLICK HERE TO ACCESS PHOTOS OF KARYN LEVITT, ERIC BENTLEY, & ARTWORK FOR THE NEW CD “ERIC BENTLEY’S BRECHT-EISLER SONGBOOK. www.RovenRecords.com "Karyn Levitt is doing something which, to my ears, is new. She allows (these songs) to bloom and be beautiful in a way which is undoubtedly musically expressive." – Irving Wardle, music critic of The London Times “Eric Bentley’s Brecht-Eisler Songbook,” the debut CD from soprano actress Karyn Levitt, will be available from Roven Records on October 30. From her rich collaboration with world-renowned Brecht translator Eric Bentley, Levitt sings over 20 Brecht-Eisler songs in English translation, all rarely-heard and many never-before recorded until now. Bentley adapted the song texts (poems and theater ballads by Brecht) from their original German into English, unlocking Eisler’s starkly beautiful songs for English-speaking audiences. “Eric Bentley’s Brecht-Eisler Songbook” is produced by four-time Emmy award winner Glen Roven. Karyn Levitt is an Oberlin-trained performer who has appeared at Carnegie Hall and other distinguished venues. Levitt initiated her collaboration with Bentley in 2011 when she wrote a letter to the Theatre Hall of Fame inductee requesting counsel on a pending Weill-Brecht show she was planning. -
I Research Text
I Research Text Did you know that... Surprising facts and figures about the capital Berlin, December 2018 Berlin sets trends: Whether it’s sightseeing or hip neighbourhoods, galleries or gastronomy, music or fashion, there is always something new to discover in the German capital. Yet what is it exactly that makes Berlin so attractive? It is the capital’s diversity, contrasts and its virtually inexhaustible possibilities that excite visitors from all around the world. Did you know that... ●… Berlin is Germany’s number one city destination? Almost thirteen million visitors travelled to Berlin in 2017. They spent 31.1 million nights in booked accommodation. ●… Berlin is one of the few cities that has three UNESCO World Heritage sites? In addition to the famous Museum Island and the Prussian palaces and gardens, the Berlin Modernist housing estates are also among them. Furthermore, the German capital has also been bestowed the title of UNESCO City of Design and is thus included in the UNESCO Creative Cities Network. ●... Berlin is the only city in the world that has three opera houses holding performances? The Deutsche Oper, the Staatsoper Unter den Linden and the Komische Oper offer more than 4,400 seats to their audiences. Berlin also has more than 150 theatres and live show stages catering to all genres. ●... Berlin is the only European city that has more museums than rainy days? On average there are 99 rainy days a year, and there are around 170 museums. In 2017, Berlin’s museums and memorials registered 16.5 million visitors. ●... the Gemäldegalerie (portrait gallery) at the Kulturforum, which opened in 1998, unites the collections of the Bode Museum (in the former East) and the Gemäldegalerie in Dahlem (in the former West) that were separated when the city was divided? ●… on average, almost 500,000 guests stay in Berlin every day? This corresponds to approximately the population of Nuremberg. -
GWF Hegel: Key Concepts
G. W. F. Hegel The thought of G. W. F. Hegel (1770–1831) has had a deep and lasting influence on a wide range of philosophical, political, religious, aes- thetic, cultural and scientific movements. But despite the far-reaching importance of Hegel’s thought, there is often a great deal of confusion about what he actually said or believed. G. W. F. Hegel: Key Concepts provides an accessible introduction to both Hegel’s thought and Hegel-inspired philosophy in general, demonstrating how his concepts were understood, adopted and critically transformed by later thinkers. The first section of the book covers the principal philosophical themes in Hegel’s system: epistemology, meta- physics, philosophy of mind, ethical theory, political philosophy, phi- losophy of nature, philosophy of art, philosophy of religion, philosophy of history and theory of the history of philosophy. The second section covers the main post-Hegelian movements in philosophy: Marxism, existentialism, pragmatism, analytic philosophy, hermeneutics and French post-structuralism. The breadth and depth of G. W. F. Hegel: Key Concepts makes it an invaluable introduction for philosophical beginners and a useful reference source for more advanced scholars and researchers. Michael Baur is Associate Professor of Philosophy at Fordham University, USA. Key Concepts Theodor Adorno: Key Concepts Martin Heidegger: Key Concepts Edited by Deborah Cook Edited by Bret W. Davis Hannah Arendt: Key Concepts Immanuel Kant: Key Concepts Edited by Patrick Hayden Edited by Will Dudley and Kristina Engelhard Alain Badiou: Key Concepts Edited by A. J. Bartlett and Merleau-Ponty: Key Concepts Justin Clemens Edited by Rosalyn Diprose and Jack Reynolds Pierre Bourdieu: Key Concepts Edited by Michael Grenfell Jacques Rancière: Key Concepts Edited by Jean-Philippe Deranty Gilles Deleuze: Key Concepts Edited by Charles J.