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February 2015
Issue 115 February 2015 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY 2015: Chinese New Year of the Sheep Q i o n g Wa n g If I have to name one day of an en- sight of a piece of bright red paper on the poems on a background of red paper. Ex- tire year that I wish dearly to be with my door. Suddenly, firecrackers began to ex- pressing sentiments about life’s renewal, family-on-the-other-side-of-the-planet, plode. Terrified, Nian ran away from the the arrival of spring, and wishes for a it’s the Chinese New Year. Also called village. prosperous year ahead, they’re pasted on Spring Festival, it is the most cherished When the villagers returned the fol- both sides of the main door. These Spring and celebrated holiday in China, as fami- lowing day, they were surprised to find Festival couplets originate from ancient lies reunite to ring out the old year and that everything was safe and sound. The “peach wood charms,” which are carved celebrate the coming new year. According old woman told the story of the beggar. or painted charms depicting protective to the Chinese Animal Zodiac, every year Noticing the red paper on the door and door gods. During the Five Dynasty Pe- is associated with one of twelve animals: the remnants of candles, lanterns, and riod (897-979 AD), Emperor Meng Chang Rat, Ox, Tiger, Rabbit, Dragon, Snake, firecrackers, the villagers suddenly real- ordered his counselor to engrave an in- Horse, Sheep, Monkey, Rooster, Dog, and ized that Nian feared the color red, bright spirational couplet on a pair of peach Pig. -
Gone Girl : a Novel / Gillian Flynn
ALSO BY GILLIAN FLYNN Dark Places Sharp Objects This author is available for select readings and lectures. To inquire about a possible appearance, please contact the Random House Speakers Bureau at [email protected] or (212) 572-2013. http://www.rhspeakers.com/ This book is a work of ction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used ctitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2012 by Gillian Flynn Excerpt from “Dark Places” copyright © 2009 by Gillian Flynn Excerpt from “Sharp Objects” copyright © 2006 by Gillian Flynn All rights reserved. Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York. www.crownpublishing.com CROWN and the Crown colophon are registered trademarks of Random House, Inc. Library of Congress Cataloging-in-Publication Data Flynn, Gillian, 1971– Gone girl : a novel / Gillian Flynn. p. cm. 1. Husbands—Fiction. 2. Married people—Fiction. 3. Wives—Crimes against—Fiction. I. Title. PS3606.L935G66 2012 813’.6—dc23 2011041525 eISBN: 978-0-307-58838-8 JACKET DESIGN BY DARREN HAGGAR JACKET PHOTOGRAPH BY BERND OTT v3.1_r5 To Brett: light of my life, senior and Flynn: light of my life, junior Love is the world’s innite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnicent rose smelling faintly of blood. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Orphan Black"
CLONING THE IDEAL? UNPACKING THE CONFLICTING IDEOLOGIES AND CULTURAL ANXIETIES IN "ORPHAN BLACK" Danielle Marie Howell A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2016 Committee: Bill Albertini, Advisor Kimberly Coates © 2016 Dani Howell All Rights Reserved iii ABSTRACT Bill Albertini, Advisor In this project, I undertake a queer Marxist reading of the television series Orphan Black. Specifically, I investigate the portrayal of women and queer characters in order to discover the conflicting dominant and oppositional ideologies circulating in the series. Doing so allows me to reveal cultural anxieties that haunt the series even as it challenges normative power relations. I argue that while Orphan Black’s narrative subverts traditional gender roles, critiques heteronormativity, and offers sexually fluid queer characters, the series still reifies the traditionally ideal Western female body—thin, attractive, legibly gendered, and fertile. I draw on Antonio Gramsci’s theory of ideology and hegemony, Heidi Hartman’s analysis of Marxism and feminism, and Judith Butler’s theory of gender performativity to unpack the series’ non-normative depiction of gender and its simultaneous reliance on a stable gender binary. I frame my argument with Todd Gitlin’s understanding of hegemony’s ability to domesticate radical ideas in television. I argue that Orphan Black imagines spaces and scenarios that offer the potential to liberate women from heteronormative expectations and limit patriarchy’s harm. The series privileges a queer female collective and envisions a world where women have freedom from normative conceptions of gender and sexuality. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
Reading Across the United States
1 January 2014 Burlington Public Library 22 Sears Street, Burlington, MA 01803 Reading Across the United States Selected fiction with a ‘Strong Sense of Place’ for all 50 states Books with a time and location so ‘real’ you might feel you are actually there! Take a readers’ tour of the fifty states without leaving home. All of these books can be borrowed from the Burlington Public Library Compiled by the staff of the Burlington Public Library, with thanks to the Noel Wien Library in Fairbanks, Alaska, for the inspiration! Alabama 1. To Kill a Mockingbird, by Harper Lee 2. Fried Green Tomatoes at the Whistlestop Café by Fannie Flagg 3. Southern Sisters mysteries by Anne George Alaska 1. The Boy in the Snow, by M.J. McGrath 2. Northern Lights, by Nora Roberts 3. Kate Shugak mysteries by Dana Stabenow Arizona 1. The Bean Trees, by Barbara Kingsolver 2. Joanna Brady series by J.A. Jance 3. Joe Leaphorn/Jim Chee series by Tony Hillerman Arkansas 1. A Painted House, by John Grisham 2. Arly Hanks series by Joan Hess 3. Fallen Angels, by Patricia Hickman California 1. Virgin River series by Robyn Carr 2. Harry Bosch series by Michael Connolly 3. Easy Rawlins series by Walter Mosley Colorado 2 January 2014 1. Plainsong, by Kent Haruf 2. Alan Gregory series by Stephen White 3. Diary of Mattie Spenser, by Sandra Dallas Connecticut 1. Berger & Autry series by David Handler 2. Dirty Business mysteries by Rosemary Harris 3. Summer’s Child, by Luanne Rice Delaware 1. Saint of Lost Things, by Christopher Castellani 2. -
English Department Course Descriptions Spring 2017 Macomb
English Department Course Descriptions Spring 2017 Macomb Campus Undergraduate Courses English Literature & Writing ENG 200 Introduction to Poetry Section 1 – Merrill Cole Aim: Marianne Moore’s famous poem, “Poetry,” begins, “I too dislike it.” Certainly many people would agree, not considering that their favorite rap or song lyric is poetry, or perhaps forgetting the healing words spoken at a grandparent’s funeral. We often turn to poetry when something happens in our lives that needs special expression, such as when we fall in love or want to speak at a public event. It is true that poems can be difficult, but they can also ring easy and true. Poems may cause us to think hard, or make us feel something deeply. This course offers a broad introduction to poetry, across time and around the globe. The emphasis falls, though, on contemporary poetry more relevant to our everyday concerns. For most of the semester, the readings are organized around formal topics, such as imagery, irony, and free verse. The course also attends to traditional verse forms, which are not only still in use, but also help us better to understand contemporary poetry. Toward the end of the semester, we shift focus to look at two important books of poetry, Frank O’Hara’s 1964 Lunch Poems and Kim Addonizio’s 2000 Tell Me. Although Marianne Moore recognizes that many people “dislike” poetry, she insists that “one discovers in / it after all, a place for the genuine.” William Carlos Williams concurs: ‘ Look at what passes for the new. You will not find it there but in despised poems. -
1 Unlikability and Female Villains in the Works of Gillian Flynn Cannon
1 Unlikability and Female Villains in the Works of Gillian Flynn Cannon Elder Lane High Point, North Carolina Bachelor of Arts, English, University of Virginia, 2017 Bachelor of Arts, Spanish, University of Virginia, 2017 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia May 2018 2 Introduction: In recent years, television and popular fiction have begun to feature a new type of female character termed the “unlikable” woman. From popular novels such as Gillian Flynn’s Gone Girl and Paula Hawkins’ The Girl on the Train to TV shows such as Phoebe Waller-Bridge’s Fleabag and Lena Dunham’s Girls, popular cultural products in recent years have begun to center on a depiction of women distinct from any before—at least in terminology.1 In each of these works, female writers depict troubled women, from murderers and alcoholics to narcissists, each unwilling to conform to the standards and expectations of representations of women. In each of these works, the authors of these characters refuse to position them as role models, instead focusing on their extreme negative capacity, presenting their story arcs not as ones of redemption or correction, but as ones of continuous development and iteration of personal defect. Against the trend of hailing positive representations of women in fiction, these flawed and profoundly human characters slide the scale in the opposite direction. Instead of proving the equal intelligence, strength, and positive capacity of women, these characters work to accentuate the negative. -
American Odyssey,' 'Last Ship,' 'Orphan Black' and More on Day 2 of Wonder-Con
'American Odyssey,' 'Last Ship,' 'Orphan Black' and more on Day 2 of Wonder-Con 04.05.2015 Day 2 of WonderCon 2015 has arrived and with it comes oodles of panels for shows about to premiere. The Last Ship (TNT) TNT joined the fray on Saturday, with banners advertising the second season of the show, as well as brand new "R U Immune 2?" t-shirts for those that attended the show's panel. TNT also released a season-two trailer on Friday. The Last Ship premieres June 28 at 9/8 c. The Messengers (CW) In Attendance: creator Eoghan O'Donnell; Executive Producer Trey Callaway; stars Jon Fletcher, Shantel VanSanten, Craig Frank, Diogo Morgado, Anna Diop, Joel Courtney and J.D. Pardo. CW's newest genre show certainly has a high concept: five different characters are given gifts and are tasked with the responsibility to prevent the end of days on Earth. Given the Easter weekend background and the appearance of angels and a Devil-like character in its pilot, it's easy to see the show's religious themes. But, Trey Callaway explains, "it's not a show about religion. It's a show about faith." Shantel VanSanten continues, "it's not about a specific faith or message, it's about coming together." This is a theme Callaway hopes can be explored "over many seasons." While The Messengers is about hope, that's not the show's main priority. "I'm a big sucker for a rollercoaster. Our first job is to entertain in a way a rollercoaster does. -
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent fun title that everyone’s talking about. Designed for both 9781936975044 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $12.99/$14.99 Can. cofounders Gene Simmons and Paul Stanley, Archie 112 pages expects this title to be a breakout success. Paperback / softback / Trade paperback (US) Comics & Graphic Novels / Fantasy From the the company that’s sold over 1 billion comic books Ctn Qty: 0 and the band that’s sold over 100 million albums and DVDs 0.8lb Wt comes this monumental crossover hit! Immortal rock icons 363g Wt KISS join forces ... Author Bio: Alex Segura is a comic book writer, novelist and musician. Alex has worked in comics for over a decade. Before coming to Archie, Alex served as Publicity Manager at DC Comics. Alex has also worked at Wizard Magazine, The Miami Herald, Newsarama.com and various other outlets and websites. Author Residence: New York, NY Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS: Collector's Edition Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent, Gene Simmons fun title that everyone’s talking about. Designed for both 9781936975143 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $29.99/$34.00 Can. -
Evanovich Janet Evanovich Janet Evanovich Why Not Try: Why Not Try: Why Not Try
If you like Reading If you like Reading If you like Reading Janet Evanovich Janet Evanovich Janet Evanovich Why Not Try: Why Not Try: Why Not Try: Sheryl Anderson—Molly Forrester series Sheryl Anderson—Molly Forrester series Sheryl Anderson—Molly Forrester series Donna Andrews—Meg Langslow series Donna Andrews—Meg Langslow series Donna Andrews—Meg Langslow series Nancy Bartholomew—Sierra Lavotini series Nancy Bartholomew—Sierra Lavotini series Nancy Bartholomew—Sierra Lavotini series Anthony Bruno—Loretta Kovacs series Anthony Bruno—Loretta Kovacs series Anthony Bruno—Loretta Kovacs series Nancy Bush—Jane Kelly series Nancy Bush—Jane Kelly series Nancy Bush—Jane Kelly series Tori Carrington—Sofie Metropolis series Tori Carrington—Sofie Metropolis series Tori Carrington—Sofie Metropolis series Jill Churchill—Jane Jeffry series Jill Churchill—Jane Jeffry series Jill Churchill—Jane Jeffry series Jennifer Crusie Jennifer Crusie Jennifer Crusie Sparkle Hayter—Robin Hudson series Sparkle Hayter—Robin Hudson series Sparkle Hayter—Robin Hudson series Marne Davis Kellogg—Lilly Bennett series Marne Davis Kellogg—Lilly Bennett series Marne Davis Kellogg—Lilly Bennett series Harley Jane Kozak—Wollie Shelley series Harley Jane Kozak—Wollie Shelley series Harley Jane Kozak—Wollie Shelley series Charlotte MacLeod—Sarah Kelling series Charlotte MacLeod—Sarah Kelling series Charlotte MacLeod—Sarah Kelling series Sarah Strohmeyer—Bubbles Yablonsky series Sarah Strohmeyer—Bubbles Yablonsky series Sarah Strohmeyer—Bubbles Yablonsky series MENTOR PUBLIC LIBRARY MENTOR PUBLIC LIBRARY MENTOR PUBLIC LIBRARY www.mentorpl.org www.mentorpl.org www.mentorpl.org Janet Evanovich Janet Evanovich Janet Evanovich Checklist Checklist Checklist Stephanie Plum series: Jamie Swift & Stephanie Plum series: Jamie Swift & Stephanie Plum series: Jamie Swift & Max Holt series: Max Holt series: 1. -
Lightspeed Magazine, Issue 78 (November 2016)
TABLE OF CONTENTS Issue 78, November 2016 FROM THE EDITOR Editorial, November 2016 SCIENCE FICTION Dinosaur Killers Chris Kluwe Under the Eaves Lavie Tidhar Natural Skin Alyssa Wong For Solo Cello, op. 12 Mary Robinette Kowal FANTASY Two Dead Men Alex Jeffers Shooting Gallery J.B. Park A Dirge for Prester John Catherynne M. Valente I've Come to Marry the Princess Helena Bell NOVELLA Karuna, Inc. Paul Di Filippo EXCERPTS The Genius Asylum Arlene F. Marks NONFICTION Media Review: Westworld The Geek’s Guide to the Galaxy Book Reviews, November 2016 Kate M. Galey, Jenn Reese, Rachel Swirsky, and Christie Yant Interview: Stephen Baxter The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Chris Kluwe Lavie Tidhar J.B. Park Alyssa Wong Catherynne M. Valente Mary Robinette Kowal Helena Bell Paul di Filippo MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2016 Lightspeed Magazine Cover by Reiko Murakami www.lightspeedmagazine.com Editorial, November 2016 John Joseph Adams | 1064 words Welcome to issue seventy-eight of Lightspeed! We have original science fiction by Chris Kluwe (“Dinosaur Killers”) and Alyssa Wong (“Natural Skin”), along with SF reprints by Lavie Tidhar (“Under the Eaves”) and Mary Robinette Kowal (“For Solo Cello, op. 12”). Plus, we have original fantasy by J.B. Park (“Shooting Gallery”) and Helena Bell (“I’ve Come to Marry the Princess”), and fantasy reprints by Alex Jeffers (“Two Dead Men”) and Catherynne M. Valente (“A Dirge for Prester John”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns.