1 Qlassics' Stirs Quiet Controversy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Crazy Narrative in Film. Analysing Alejandro González Iñárritu's Film
Case study – media image CRAZY NARRATIVE IN FILM. ANALYSING ALEJANDRO GONZÁLEZ IÑÁRRITU’S FILM NARRATIVE TECHNIQUE Antoaneta MIHOC1 1. M.A., independent researcher, Germany. Corresponding author: [email protected] Abstract Regarding films, many critics have expressed their dissatisfaction with narrative and its Non-linear film narrative breaks the mainstream linearity. While the linear film narrative limits conventions of narrative structure and deceives the audience’s expectations. Alejandro González Iñárritu is the viewer’s participation in the film as the one of the directors that have adopted the fragmentary narrative gives no control to the public, the narration for his films, as a means of experimentation, postmodernist one breaks the mainstream con- creating a narrative puzzle that has to be reassembled by the spectators. His films could be included in the category ventions of narrative structure and destroys the of what has been called ‘hyperlink cinema.’ In hyperlink audience’s expectations in order to create a work cinema the action resides in separate stories, but a in which a less-recognizable internal logic forms connection or influence between those disparate stories is the film’s means of expression. gradually revealed to the audience. This paper will analyse the non-linear narrative technique used by the In the Story of the Lost Reflection, Paul Coates Mexican film director Alejandro González Iñárritu in his states that, trilogy: Amores perros1 , 21 Grams2 and Babel3 . Film emerges from the Trojan horse of Keywords: Non-linear Film Narrative, Hyperlink Cinema, Postmodernism. melodrama and reveals its true identity as the art form of a post-individual society. -
BABEL and the GLOBAL HOLLYWOOD GAZE Deborah Shaw
02_shaw:SITUATIONS 10/16/11 12:40 PM Page 11 BABEL AND THE GLOBAL HOLLYWOOD GAZE Deborah Shaw BABEL AND THE GLOBAL HOLLYWOOD GAZE n popular imaginaries, “world cinema” and Hollywood commercial cinema appear to be two opposing forms of filmic production obeying Idiverse political and aesthetic laws. However, definitions of world cin- ema have been vague and often contradictory, while some leftist discourses have a simplistic take on the evils of reactionary Hollywood, seeing it in rather monolithic terms. In this article, I examine some of the ways in which the term “world cinema” has been used, and I explore the film Babel (2006), the last of the three films of the collaboration between the Mexicans Alejandro González Iñárritu and screenwriter Guillermo Arriaga.1 Babel sets out to be a new sort of film that attempts to create a “world cinema” gaze within a commercial Hollywood framework. I exam- ine how it approaches this and ask whether the film succeeds in this attempt. I explore the tensions between progressive and conservative political agendas, and pay particular attention to the ways “other” cul- tures are seen in a film with “Third World” pretensions and U.S money behind it. I frame my analysis around a key question: does the Iñárritu-led outfit successfully create a paradigmatic “transnational world cinema” text that de-centers U.S. hegemony, or is this a utopian project doomed to failure in a film funded predominantly by major U.S. studios?2 I examine the ways in which the film engages with the tourist gaze and ask whether the film replaces this gaze with a world cinema gaze or merely reproduces it in new ways. -
April 2018 Vol
News We’re All a Part Of . April 2018 Vol. 7 Issue 6 Observer Contents 2 Vol. 7 Issue 6 April 2018 Cover Design: Joshua Mission & Vision Carstens & Dekanuva News We’re All a 3. Announcements Part Of 4. Titanic Panic Dear Readers, It is our mission as the Alfred-Almond Observer to provide truthful, 6. Cherry Blossoms Welcome to the sixth unbiased, and accurate edition of The Observer! information to the student 7. Different, Not Less body. Our goal is to In this edition we’ll cover deliver relevant stories 8. March for Our Lives how the Alfred-Almond focused on both informing and entertaining the alumni are handling Alfred-Almond community. 10. School Safety We strive to promote a college, and how the positive school climate 12. Youth Summit track team is ready to and will use the Observer spring into action. Did as a way to give all voices 14. Who is it? at Alfred-Almond a platform. you miss the March For 16. Alumni Answers Our Lives event? No Observer Staff: worries, we have it 19. Track Previews covered! Having trouble DJ Don and the Bees: Duncan B-C: DJ Don; Public 21. Spring Break trying to figure out what Relation Manager to do over spring break? Josh C. : Bee 2.253; Design Bee 23. Coachella Attilo C. : Bee 6; Worker Bee We have some options! Jessie M. : Queen Bee/ Editor-in-Chief 25. Amazing eBay and Want to see the peculiar Sophie N. : Bee Numba 5; Writer Amazon Products Bee things you can buy on Maya R. -
El Hollywood: Alejandro González Iñarritu
EL HOLLYWOOD : ALEJANDRO GONZ ÁLEZ I ÑARRITU, ALFONSO CUAR ÓN, AND GUILLERMO DEL TORO By ANA-MARIA LUNGU Bachelor of Arts in Film Edinburgh Napier University Edinburgh, United Kingdom 2016 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS July, 2018 EL HOLLYWOOD : ALEJANDRO GONZ ÁLEZ I ÑARRITU, ALFONSO CUAR ÓN, AND GUILLERMO DEL TORO Thesis Approved: Dr. Jeff Menne Thesis Adviser Dr. Stacy Takacs Dr. Graig Uhlin ii ACKNOWLEDGEMENTS I would like to express my gratitude to my committee, Dr. Jeff Menne, Dr. Stacy Takacs, and Dr. Graig Uhlin for their guidance throughout my time at Oklahoma State, especially during the thesis writing process. I would like to thank my colleagues Dillon Hawkins, Jared Ashburn, Skyler Osburn and my husband Jacob for their continuous support and their dedication to reading my work and providing helpful comments. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: ANA-MARIA LUNGU Date of Degree: AUGUST, 2018 Title of Study: THESIS Major Field: ENGLISH Abstract: The three Mexican filmmakers, Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro, dubbed The Three Amigos by scholar Deborah Shaw, have received a lot of critical attention in recent years. While the term Three Amigos and the scholarship that analyzes their early works from a transnational perspective seeks to other them and distinguish them from Hollywood, I argue that the three filmmakers did not depart from a place of difference, and that they embraced Hollywood filmmaking all along, from the beginning of their careers, to the most recent Academy Award recognitions. -
Guillermo Arriaga, El Cazador De Historias
Guillermo Arriaga, el cazador de historias Luis José Galvis Díaz Guillermo Arriaga, el cazador de historias Guillermo Arriaga, Entrevista ULIBRO 2017. Foto: Andrés Serrano Aunque quisiera pasar inadvertido, esconder los 1.88 La T3RA: En tu más reciente novela, “El salvaje”, hay metros de su estatura es una tarea difícil para el escritor un componente narrativo que es la cacería. Uno de mexicano Guillermo Arriaga. Aunque por su apariencia los personajes es Amaruq, un nativo en el río Yukón puede lucir más como boxeador que como escritor, él no que persigue a un lobo y, asimismo, en Ciudad de pudo pasar inadvertido en su visita a la Feria del Libro, México hay una cacería humana al personaje de Carlos, el Ulibro 2017, de la Universidad Autónoma de Bucaramanga, hermano de Juan Guillermo el protagonista de la novela. donde presentó su más reciente novela, “El Salvaje”. Esa ¿Por qué la pasión por la cacería en tu vida y en tus misma estatura fue la causante de tantas peleas en su obras? adolescencia, porque los jóvenes más grandes de su barrio lo buscaban para pelear, aunque él fuera mucho menor que ellos. Y aunque lo rompieron a puñetazos con GA: Cuando digo que soy cazador, las opiniones son tal dureza que quedó con la pérdida del sentido del olfato, muy divididas. Hay quien me mienta la madre, quien Guillermo aprendió a defenderse para sobrevivir y estas me insulta, quien no entiende, pero no es una afición experiencias de su barrio, en Ciudad de México, las contó la cacería. La cacería es un rito y una forma que tanto a la literatura como al cine. -
To Download The
FREE EXAM Complete Physical Exam Included New Clients Only Must present coupon. Offers cannot be combined Wellness Plans Extended Hours Multiple Locations www.forevervets.com4 x 2” ad Your Community Voice for 50 Years PONTEYour Community Voice VED for 50 YearsRA RRecorecorPONTE VEDRA dderer entertainment EEXXTRATRA! ! Featuring TV listings, streaming information, sports schedules, puzzles and more! July 16 - 22, 2020 INSIDE: has a new home at The latest THE LINKS! house & home 1361 S. 13th Ave., Ste. 140 ‘The Alienist: Angel of listings Jacksonville Beach Page 21 Darkness’ — A child killer Offering: plagues Manhattan · Hydrafacials · RF Microneedling · Body Contouring · B12 Complex / Dakota Fanning stars in Lipolean Injections “The Alienist: Angel of Get with it! Darkness,” premiering Skinny (904) 999-0977 Sunday on TNT. 1 x 5” ad www.SkinnyJax.com Now is a great time to It will provide your home: Kathleen Floryan List Your Home for Sale • Complimentary coverage while REALTOR® Broker Associate the home is listed • An edge in the local market LIST IT because buyers prefer to purchase a home that a seller stands behind • Reduced post-sale liability with WITH ME! ListSecure® I will provide you a FREE America’s Preferred 904-687-5146 Home Warranty for [email protected] your home when we put www.kathleenfloryan.com it on the market. 4 x 3” ad A new case bedevils sleuth BY GEORGE DICKIE T A What’s Available NOW On A Turn-of-the-century secretary Sara Kreizler and kind of earn her position Howard has a new role and a new case within the trio. -
Masculinity in Iñárritu's Films
Representation of Latinos in Hollywood: Masculinity in Iñárritu’s Films Mohammad A. Mousavi1 Samar Sadeghi2 Abstract: This paper studies the image of Latinos in the United States of America through the Hollywood films production by the well-known Mexican director,Alejandro González Iñárritu. Using content analysis of the Latinos characters in the three films directed by him and in collaboration with screenwriter Guillermo Arriaga, the present paper examines the masculinity frame to see whether the Latinos are portrayed positively or negatively in Hollywood movies. Semiotics in films and the Character theory are used as the theoretical framework. The reason for choosing this director is to control the research for the racializationthat might exist if we pick a non-Latino director. The hypothesis is that the portrayal of the main characters is a violent masculinity and a negative one. Regardless of the intentional or unintentional reasons behind it, the effect of such portrayal on the overall picture of Latinos is a negative one in the sense that according to the representation theory, using Goffman Character and Christian Metz’s Semiotics theories, people tend to accept something that is repeated enough for them as the reality and therefore act upon it. Key words: Hollywood, Masculinity, Latinos, Semiotic, Character theory, Iñárritu. 1- Associate Professor, Faculty of World Studies, University of Tehran, e-mail: [email protected] 2- MA Student, North American Studies, Faculty of World Studies, University of Tehran, e-mail: [email protected] International Journal of Women’s Research, Vol.2, No.1, Spring 2013, pp. 95 - 110 . Received: November 24, 2012 , Accepted January 10, 2013 International Journal of Women’s Research Volume 2, No. -
Ange Your Fe in 2007
JACKSONVILLE NING! OPE love your river city entertaining u newspaper change your free weekly guide to entertainment and more | february 8-15, 2007 | www.eujacksonville.com life in 2007 2 february 8-14, 2007 | entertaining u newspaper table of contents COVER ART: courtesy of Jimmy Pines feature Why I Love Jacksonville ......................................................................PAGES 16-21 Simone’s Belly Dancing ..............................................................................PAGE 18 Valentine’s Books .......................................................................................PAGE 19 movies Music & Lyrics (movie review) .....................................................................PAGE 6 Movies In Theatres This Week ...............................................................PAGES 6-10 Seen, Heard, Noted & Quoted .......................................................................PAGE 7 Norbit (movie review) ...................................................................................PAGE 8 From Sundance To Jacksonville Film Festival ................................................PAGE 9 The Messengers (movie review) .................................................................PAGE 10 at home Half Nelson (DVD review) ..........................................................................PAGE 12 Dogfight (TV Review) .................................................................................PAGE 13 Reality Check - John Shepard (interview)....................................................PAGE -
“I'm Just a Cowboy”: Transnational Identities of the Borderlands In
European journal of American studies 1 (2012) Varia ................................................................................................................................................................................................................................................................................................ Matthew Carter “I’m Just a Cowboy”: Transnational Identities of the Borderlands in Tommy Lee Jones’ The Three Burials of Melquiades Estrada. ................................................................................................................................................................................................................................................................................................ Warning The contents of this site is subject to the French law on intellectual property and is the exclusive property of the publisher. The works on this site can be accessed and reproduced on paper or digital media, provided that they are strictly used for personal, scientific or educational purposes excluding any commercial exploitation. Reproduction must necessarily mention the editor, the journal name, the author and the document reference. Any other reproduction is strictly forbidden without permission of the publisher, except in cases provided by legislation in force in France. Revues.org is a platform for journals in the humanites and social sciences run by the CLEO, Centre for open electronic publishing (CNRS, EHESS, UP, UAPV). ............................................................................................................................................................................................................................................................................................... -
GUILLERMO ARRIAGA SCREENWRITING MASTERCLASS Kristian B
GUILLERMO ARRIAGA SCREENWRITING MASTERCLASS Kristian B. Walters har vært på en Masterclass med Guillermo Arriaga, som blant annet har skrevet manus til Babel. Arriaga står for en ikke lineær dramaturgi og en del av hans skriveråd vil sikkert være befriende for mange, som ikke liker å jobbe med treatment, outline mm Vi har fått lov til å legge Kristians blogg fra masterclass´ut her: Non linear feature screenplay construction London, Regent’s College 28th-29th January 2012. Guillermo has written Babel, 21 Grams, Amores Perros, The Three Burials of Melquiades Estrada. He has won best screenplay at Cannes and has been Oscar and Bafta nominated. He also wrote and directed The Burning Plain starring Jennifer Lawrence, Charlize Theron and Kim Basinger in 2008. After reading a great many screenwriting books and been on several masterclasses I jumped at the chance to participate in Arriaga’s class because of his non linear approach to screenwriting. The only screenwriting book I’ve read where this is covered extensively is Linda Aronson’s excellent The 21st Century Screenplay. Arriaga is a charming teacher with a devilish gleam in his eye and a penchant for really, really, nasty and/or rude jokes – by his own admission – and we got a few samples of that. He also ‘breaks the rules’ in his writing method and often contradicts most other books on the subject – which is great and felt like a breath of fresh air. When his big break came in 2003 with 21 Grams he was referred to as the Mexican Quentin Tarantino – which confused him because he had never heard of Quentin or seen his films. -
Film Adaption and Transnational Cultures of Production: the Case of Guillermo Arriaga
Vol. 13, Number 3, Spring 2016, 129-158 Film Adaption and Transnational Cultures of Production: The Case of Guillermo Arriaga Daniel Chávez The University of New Hampshire The circulation of Latin American cinema in a transnational context has widened the options that actors and directors from the region have regarding their involvement in the different aspects of film production. In order to analyze Guillermo Arriaga’s transnational career as a writer of novels and screenplays I contrast his work with that of other writers and filmmakers who have participated in both the cinematic and literary fields. The fact that Arriaga has crossed the lines between writing, adapting, and directing his own works in Spanish and English leads me to review the current relationship between film and literature in general. Finally, by comparing Arriaga’s novels and films, I propose that the contemporary practice of film adaptation contributes to the “flexibilization” in the roles writers, actors, and directors play in filmmaking and in the circulation of cultural capital between film and literature in the current media markets. Regarding the current phase of transnationalization of Latin American cinema, two of the most frequently discussed phenomena include: the participation of actors and directors in international co-productions in Europe and Hollywood, and Chávez 130 the distribution of films written and produced in the region for other markets (Alvaray 2008; Linhard 2008; Shaw 2007; Smith 2003; Velazco 2011). These two general trends are indeed the most palpable transformations in the recent era of global circulation of Latin American visual spectacles. However, a number of other aspects intrinsic to film production have undergone a process of flexibilization1 in the filmmaking field. -
Eddie Murphy Edward Regan "Eddie" Murphy Was Born on April 3, 1961 and Is an American Stand-Up Comedian,Actor, Writer, Singer, Director, and Musician
Eddie Murphy Edward Regan "Eddie" Murphy was born on April 3, 1961 and is an american stand-up comedian,actor, writer, singer, director, and musician. Early life : Murphy grew up in the Bushwick neighborhood of Brooklin.His mother, Lillian, was a telephone operator, and his father, Charles Edward Murphy, was a transit police officer and an amateur actor and comedian.His father died when he was young. Around the age of 15, Murphy was writing and performing his own routines, which were heavily influenced by Bill Cosby and Richard Priop Career : Stand-up comedy : Murphy performed stand-up at the same Bay Area Comedy Club as Robin Williams and Whoopi Goldberg . His early comedy was characterized by frequent swearing and sketches lampooning a diverse group of people. Personal life : Following his divorce from Mitchell, in 2006, Murphy began dating former Spice Girl Melanie Brown, who became pregnant and stated that the child was Murphy's. When questioned about the pregnancy in December 2006 by RTL Boulevard, Murphy told Dutch reporter Matthijs Kleyn, "I don't know whose child that is until it comes out and has a blood test. You shouldn't jump to conclusions, sir". Brown gave birth to a baby girl, Angel Iris Murphy Brown, on Murphy's 46th birthday, April 3, 2007. On June 22, 2007, representatives for Brown announced in People that a DNA test had confirmed that Murphy was the father.Brown has stated in an interview that Murphy has not sought a relationship with Angel. Murphy exchanged marriage vows with film producer Tracey Edmonds former wife of Kenneth “Babyface” Edmons on January 1, 2008, in a private ceremony on an island off Bora Bora.On January 16, the couple released a statement saying, "After much consideration and discussion, we have jointly decided that we will forego having a legal ceremony as it is not necessary to define our relationship further," and called the Bora Bora wedding a "symbolic union".