S. D. Burman, Majrooh - Baat Ek Raat Ki / Bombai Ka Babu Chitra Gupta / Ravi - Aulad / Anmol Moti Various - Ram Aur Shyam / Sunghursh Vasant Desai, C

Total Page：16

File Type：pdf, Size：1020Kb

S. D. Burman, Majrooh - Baat Ek Raat Ki / Bombai Ka Babu Chitra Gupta / Ravi - Aulad / Anmol Moti Various - Ram Aur Shyam / Sunghursh Vasant Desai, C

S. D. Burman Talash mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country / Stage & Screen Album: Talash Country: India Style: Soundtrack, Bollywood, Hindustani MP3 version RAR size: 1365 mb FLAC version RAR size: 1959 mb WMA version RAR size: 1807 mb Rating: 4.6 Votes: 690 Other Formats: AAC DMF MMF MP2 AIFF VOC MIDI Tracklist A1 –S. D. Burman Meri Duniya Hai Maa A2 –Lata Mangeshkar Kitni Akeli A3 –Lata Mangeshkar, Mohd. Rafi* & Chorus* Aaj Ki Junili Raat Ma A4 –Asha Bhosle & Mahendra Kapoor Mera Kya Sanam B1 –Asha Bhosle Kar Le Pyar B2 –Lata Mangeshkar & Mohd. Rafi* Palkon Ke Peeche Se B3 –Lata Mangeshkar Khai Hai Re Hamne Qasam B4 –Manna Dey Tere Naina Talash Kare Companies, etc. Record Company – EMI Manufactured By – The Gramophone Company Of India Ltd. Distributed By – The Gramophone Company Of India Ltd. Printed By – The Eagle Lithographing Co. (P) Ltd. Credits Lyrics By – Majrooh* Music By – S. D. Burman Notes "Original Soundtrack Recording" "Hindustani Film : Talash" "Ralhan Productions" Barcode and Other Identifiers Matrix / Runout (Side One): 2XJE 1255 (04-124) Matrix / Runout (Side Two): 2XJE 1256 (24-351) Other versions Category Artist Title (Format) Label Category Country Year Angel 3AEX. 5235, 3AEX. 5235, S. D. Burman Talash (LP) Records, India 1969 3AEX.5235 3AEX.5235 Angel Records S. D. Burman, S. D. Majrooh* - LKDA-115 Burman, Odeon LKDA-115 Pakistan 1975 Talash (LP, Majrooh* Album) His Master's 3AEX. 5235, 3AEX. 5235, S. D. Burman Talash (LP) Voice, His Israel Unknown 3AEX 5235 3AEX 5235 Master's Voice Related Music albums to Talash by S. D. Burman Kalyanji Anandji - Bairaag / Gopi Rahul Dev Burman, Majrooh Sultanpuri, Anand Bakshi - Phir Kab Milogi / Teesra Kaun Shankar Jaikishan - Arzoo / Ayee Milan Ki Bela Laxmikant-Pyarelal - Jeet / Anjaana Various - Film Hits Volume 2 Roshan, Sahir Ludhianvi - Bahu Begum S. D. Burman, Majrooh - Baat Ek Raat Ki / Bombai Ka Babu Chitra Gupta / Ravi - Aulad / Anmol Moti Various - Ram Aur Shyam / Sunghursh Vasant Desai, C. Ramchandra - Navrang / Jhanak Jhanak Payal Baje.

Copy Link

Recommended publications

Ffiffi Ffiffiffiffi Ffiffiffi Ffiffiffi
of Bilaspur Reoion Date : 15.06.2019 Time: 08.00 AM Centre: Directorate General of Mines Safety (DGMS), Bitaspur Region, Beside Metrological Department of lndia, Bahatrai Road, Bilaspur (C.G.) pin- 495006 SN I Name (Sri) t--r' 1 I Aasif Khan l-- 2 Abhishek ffi I Sehoia a mbhEhek @ sin6ii--=-- Ehimsen Sinoh 4 l-Aditva rhak;----- ffi 5 I Amar Das --.=--- ffi 6 mritra sen 7 Avush Sinoh ffi B Dipak Kumar ffi 9 Ghanshvam ffi 10 Harjeet Kumar ffi 11 Hemant Kumar r:_- Kffi 12 Javant Rawte ffi 13 Khageshwar Prasad Knoje ffi L4 Likeshwar _----"- ffi 15 Ittahendra uulram ------.------------.--- 16 Mahendra Kurnar -.- -amanEEt 17 ffihenara Kumar Verma ffi 1B Manish Kumar Yadav ffi 19 Manoi Kumar ffi 20 Manoj Kumar Yadav 21 ffi Mithilesh tsniKhu Ram 22 Mohit KumtIhare Balu Ram Khare 23 Monu Kumar Yashwant Kumar 24 Mukesh Kumar Singh Nawal Kishor Singh 25 lNarayan Umend 20 I tttarendra fashyap Shivarn Kashvap 27 I Onkar Sinqh Mahendr Singh Paras 28 I Mahto Awdhesh Kumar Mahto 29 I Patros Horo Samson Horo 30 I Rahul Sinsh Shvam BahtiLtr Sinqh* 31 Ram Kishan Meena Ramji Lal Meena 32 I Ravi Das Suphal Das 33 Ravi Sahare Bishal Singh Sahare 34 Roshan Kumar Bisal 35 Sachin Kumar Charan Lal --.- 36 Samru Singh Ram Charan 37 Sawan Karihar Rajesh Karihar ?o Shishil Kant Albert S.K. Albert 39 Shree Kishan Meena Bhairusahav Meena 40 Shrikrishn Jyotki Dhaniram. 4L Sudama Shankar Sharma 42 Sumendra Kumar Sinha Dilaep Kumar Sinht- 43 Suresh Kumar Saqram Sinoh 44 Vimal Kumar Bhikhari Lal 45 Vimal Nabhvani Late Prkash Nabhvani 46 Vinay Singh Buddhiman Singh 47 Virendra
[Show full text]
App for Downloading Older Songs App for Downloading Older Songs
app for downloading older songs App for downloading older songs. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66aa3d60eb3084bc • Your IP : 188.246.226.140 • Performance & security by Cloudflare. , Old Hindi Songs MP3 Music App. Old Hindi Songs is a music App that has been especially created for Bollywood music fans who love listening to Old Hindi Music. Download Old Hindi Songs, Unlimited MP3 Music & Old Hindi Classics. The app has the largest collection of Purane gane in wide genres like - Romantic Old Songs, Sad Songs, Retro Classics, Ghazals etc. Find all your favourite Retro singers’ songs: Mohammad Rafi, Lata Mangeshkar, Manna Dey, Kishore Kumar, Asha Bhosle, S.D. Burman, Mahendra Kapoor, Mukesh, Talat Mahmood, Geeta Dutt, Hemant Kumar, Shamshad Begum, Jagjit Singh. O.P. Nayyar, Naushad, Madan Mohan, Khayyam, Shankar Jaikishan, Laxmikant Pyarelal, Kalyanji Anand, Salil Choudhury, Roshan. You can search for your favourite Old songs or play music from thousands of playlists created by Gaana editorial experts.
[Show full text]
Volume-13-Skipper-1568-Songs.Pdf
HINDI 1568 Song No. Song Name Singer Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14040 Aa Hosh Mein Sun Suresh Wadkar Vidhaata Volume-9 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13617 Aadmi Zindagi Mohd Aziz Vishwatma Volume-9 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 14132 Aah Ko Chajiye Jagjit Singh Mirza Ghalib Volume-9 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 13620 Aaina Mujhse Meri Talat Aziz Suraj Sanim Daddy Volume-9 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj
[Show full text]
Ajeeb Aadmi—An Introduction Ismat Chughtai, Sa'adat Hasan Manto
Ajeeb Aadmi—An Introduction I , Sa‘adat Hasan Manto, Krishan Chandar, Rajinder Singh Bedi, Kaifi Azmi, Jan Nisar Akhtar, Majrooh Sultanpuri, Ali Sardar Jafri, Majaz, Meeraji, and Khawaja Ahmed Abbas. These are some of the names that come to mind when we think of the Progressive Writers’ Movement and modern Urdu literature. But how many people know that every one of these writers was also involved with the Bombay film indus- try and was closely associated with film directors, actors, singers and pro- ducers? Ismat Chughtai’s husband Shahid Latif was a director and he and Ismat Chughtai worked together in his lifetime. After Shahid’s death Ismat Chughtai continued the work alone. In all, she wrote scripts for twelve films, the most notable among them ◊iddµ, Buzdil, Sån® kµ ≤µ∞y≥, and Garm Hav≥. She also acted in Shyam Benegal’s Jun∑n. Khawaja Ahmed Abbas made a name for himself as director and producer for his own films and also by writing scripts for some of Raj Kapoor’s best- known films. Manto, Krishan Chandar and Bedi also wrote scripts for the Bombay films, while all of the above-mentioned poets provided lyrics for some of the most alluring and enduring film songs ever to come out of India. In remembering Kaifi Azmi, Ranjit Hoskote says that the felicities of Urdu poetry and prose entered the consciousness of a vast, national audience through the medium of the popular Hindi cinema; for which masters of Urdu prose, such as Sadat [sic] Hasan Manto, wrote scripts, while many of the Progressives, Azmi included, provided lyrics.
[Show full text]
Hindi Song Book
1 Hindi Text Listing 33 Movie/singer order NO. TITLE MOVIE/SINGER COMPOSED BY 206 EK LADKI KO DEKHA TO AISA LAGA 1942 A LOVE STORY KUMAR SANU 521 PYAR HUA CHUPKE SE 1942 A LOVE STORY KAVITA KRISHNAMURTHY 539 RIMJHIM RIMJHIM 1942 A LOVE STORY KUMAR SANU , KAVITA K. 544 ROOTH NA JANA 1942 A LOVE STORY KUMAR SANU 677 YE SAFAR BAHUT HAI KATHIN MAGAR 1942 A LOVE STORY SHIVAJI CHATOPADHYAYA 421 MERA DIL TERA DIWAANA AA AB LAUT CHALEN ALKA UDIT 6038 KILIYE KILIYE AA RATHRI S. JANAKI 399 MAI GAREEBON KA DIL HOON AABE HYAAT HEMANT KUMAR 9 AAJ MERE YAAR KI SHAADI HAI AADMI SADAK KA MOHD.RAFI 11 AAJ PURANI RAAHON SE AADMI MOHD. RAFI 452 NA AADMI KA KOI BHAROSA AADMI MO. RAFI 13 AAJA RE AAH LATA MANGESHKAR & MUKESH 284 JAANE NA NAZAR AAH LATA MANGESHKAR, MUKESH 533 RAJA KI AAYEGI BARAT AAH LATA MANGESHKAR 222 GORIYA RE GORIYA RE AAINA LATA, JOLLY MUKHARJEE 43 ACHHA TO HUM CHALTE HAI AAN MILO SAJANA LATA, KISHORE KUMAR 19 AAN MILO SAJNA AAN MILO SAJNA LATA MANGESHKAR, MOHD.RAFI 661 YAHAAN WAHAAN SAARE AAN MILO SAJNA KISHORE KUMAR 8 AAJ MERE MANN MEIN SAKHI AAN LATA MANGESHKAR 105 BUS MERI JAAN BUS AANCHAL LATA, KISHORE KUMAR 275 IS MOD SE JAATE HAI AANDHI LATA MANGESHKAR 215 GAYA BACHPAN AANKHON ANKHON MEIN LATA MANGESHKAR 434 MERI AANKHON MEIN TUM HO AANKHON MEIN TUM HO ALKA, UDIT NARAYAN 227 GUNI JANO BHAKT JANO AANSOON AUR MUSKAAN KISHORE KUMAR 22 AAP AAYE BAHAAR AAYI AAP AAYE BAHAAR AAYI MOHD.
[Show full text]
Filmography Dilip Kumar – the Substance and the Shadow
DILIP KUMAR: THE SUBSTANCE AND THE SHADOW Filmography Year Film Heroine Music Director 1944 Jwar Bhata Mridula Anil Biswas 1945 Pratima Swarnlata Arun Kumar 1946 Milan Meera Mishra Anil Biswas 1947 Jugnu Noor Jehan Feroz Nizami 1948 Anokha Pyar Nargis Anil Biswas 1948 Ghar Ki Izzat Mumtaz Shanti Gobindram 1948 Mela Nargis Naushad 1948 Nadiya Ke Par Kamini Kaushal C Ramchandra 1948 Shaheed Kamini Kaushal Ghulam Haider 1949 Andaz Nargis Naushad 1949 Shabnam Kamini Kaushal S D Burman 1950 Arzoo Kamini Kaushal Anil Biswas 1950 Babul Nargis Naushad 1950 Jogan Nargis Bulo C Rani 1951 Deedar Nargis Naushad 1951 Hulchul Nargis Mohd. Shafi and Sajjad Hussain 1951 Tarana Madhubala Anil Biswas 1952 Aan Nimmi and Nadira Naushad 1952 Daag Usha Kiran and Nimmi Shankar Jaikishan 1952 Sangdil Madhubala Sajjad Hussain 1953 Footpath Meena Kumari Khayyam 1953 Shikast Nalini Jaywant Shankar Jaikishan 1954 Amar Madhubala Naushad 1955 Azaad Meena Kumari C Ramchandra 1955 Insaniyat Bina Rai C Ramchandra 1955 Uran Khatola Nimmi Naushad 1955 Devdas Suchitra Sen, Vyjayanti S D Burman Mala 1957 Naya Daur Vyjayantimala O P Nayyar 1957 Musafir Usha Kiran, Suchitra Salil Chaudhury Sen 1 DILIP KUMAR: THE SUBSTANCE AND THE SHADOW 1958 Madhumati Vyjayantimala Salil Chaudhury 1958 Uahudi Meena Kumari Shankar Jaikishan 1959 Paigam Vyjayantimala, B Saroja C Ramchandra Devi 1960 Kohinoor Meena Kumari Naushad 1960 Mughal-e-Azam Madhubala Naushad 1960 Kala Bazaar (Guest Appearance) 1961 Gunga Jumna Vyjayantimala Naushad 1964 Leader Vyjayantimala Naushad 1966 Dil Diya Dara Liya
[Show full text]
SD Burman Booklet
SD BURMAN - 200 SONGS 11. Phoolon Ke Rang Se Artiste: Kishore Kumar 01. Kora Kagaz Tha Film: Prem Pujari Artistes: Lata Mangeshkar & Lyricist: Neeraj Kishore Kumar 12. Aaj Phir Jeene Ki Film: Aradhana Artiste: Lata Mangeshkar Lyricist: Anand Bakshi Film: Guide 02. Khoya Khoya Chand Lyricist: Shailendra Artiste: Mohammed Rafi 13. Tere Mere Sapne Ab Film: Kala Bazar Artiste: Mohammed Rafi Lyricist: Shailendra Film: Guide 03. Teri Bindiya Re Lyricist: Shailendra Artistes: Lata Mangeshkar & 14. Hum Aap Ki Ankhon Mein Mohammed Rafi Artistes: Geeta Dutt & Mohammed Rafi Film: Abhimaan Film: Pyaasa Lyricist: Majrooh Sultanpuri Lyricist: Sahir Ludhianvi 04. Mana Janab Ne Pukara 15. Ab To Hai Tumse Har Artiste: Kishore Kumar Artiste: Lata Mangeshkar Film: Paying Guest Film: Abhimaan Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri 05. Mere Sapnon Ki Rani 16. Din Dhal Jaye Haye Artiste: Kishore Kumar Artiste: Mohammed Rafi Film: Aradhana Film: Guide Lyricist: Anand Bakshi Lyricist: Shailendra 06. Ek Ladki Bheegi Bhagi Si 17. Aasman Ke Neeche Artiste: Kishore Kumar Artistes: Lata Mangeshkar & Film: Chalti Ka Nam Gaadi Kishore Kumar Lyricist: Majrooh Sultanpuri Film: Jewel Thief 07. Tere Mere Milan Ki Lyricist: Majrooh Sultanpuri Artistes: Lata Mangeshkar & 18. Aaye Tum Yaad Mujhe Kishore Kumar Artiste: Kishore Kumar Film: Abhimaan Film: Mili Lyricist: Majrooh Sultanpuri Lyricist: Yogesh 08. Gaata Rahe Mera Dil 19. Yeh Dil Na Hota Bechara Artistes: Lata Mangeshkar & Artiste: Kishore Kumar Kishore Kumar Film: Jewel Thief Film: Guide Lyricist: Majrooh Sultanpuri Lyricist: Shailendra 20. Hum Bekhudi Mein Tum Ko 09. Dil Ka Bhanwar Artiste: Mohammed Rafi Artiste: Mohammed Rafi Film: Kala Pani Film: Tere Ghar Ke Samne Lyricist: Majrooh Sultanpuri Lyricist: Hasrat Jaipuri 21.
[Show full text]
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
[Show full text]
International Research Journal of Management Sociology & Humanities
International Research Journal of Management Sociology & Humanities ISSN 2277 – 9809 (online) ISSN 2348 - 9359 (Print) An Internationally Indexed Peer Reviewed & Refereed Journal Shri Param Hans Education & Research Foundation Trust www.IRJMSH.com www.SPHERT.org Published by iSaRa Solutions IRJMSH Vol 6 Issue 8 [Year 2015] ISSN 2277 – 9809 (0nline) 2348–9359 (Print) Shakespeare’s Romeo & Juliet : A boon to B- Town “So long as men can breath or eyes can see, So long lives this, and this gives life to thee” (Shakespeare’s sonnet no. 18) Subhrasleta Banerjee Department of English Balurghat Mahila Mahavidyalaya The name is William Shakespeare who can easily prophesied about the power of his golden pen through which his beloved might not need children to preserve his youthful beauty and can defy time and last forever. It is surprisingly related today. The main theme of Shakespeare’s work is ‘LOVE’- ‘the blind fool’. He indirectly acknowledges there may be obstacles in true love and urges to marry with true ‘mind’ rather than merely two people. This love is a bold subject matter that has always lacked rules and always attracts controversy - specially within the strict norms of Asian Culture. These various challenges and obstacles make multistory-love-complex silently. Cinema woos audiences by offering this emotion. Modern Indian Cineme is already an indestructible massive field of art work which has been successfully taken the extract of the Shakespearean drama to serve the common. The literary works of Shakespeare reinvigorate uncountable people of the world. The unique excellence of Bard’s ‘violent delights’ and ‘violent ends’; excessive passion and love full of zeal; jealousy and romance; greed for empowerment and assassination; laughter and satire; aesthetic sensibility and of course the plot construction both in comedy and tragedy- are all time favourite to Bollywood screen.
[Show full text]
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social.
[Show full text]
Nahiiin! Face Gallery the Nahiiin! Face Gallery Celebrating the finest Histrionic Achievements in Indian Cinema, One Actor at a Time
The Nahiiin! Face Gallery The Nahiiin! Face Gallery Celebrating the finest histrionic achievements in Indian cinema, one actor at a time. Celebrating the finest histrionic achievements in Indian cinema, one actor at a time. http://memsaabstory.wordpress.com http://memsaabstory.wordpress.com Ajit Amjad Khan Amrish Puri A. Nageswara Rao Anil Kapoor Bindu Biswajeet Brownie Moti Heeralal Pannalal Mooga Manasulu Hare Kanch Ki Teri Meherbaniyan Yaarana (1981) Kasam Paide Karne Bandie (1978) Trishna (1978) (1977) Wale Ki (1984) (1963 - Telugu) Beta (1992) Mastan Dada (1977) Chooriyan (1967) (1985) Anwar Hussein Aruna Irani Asha Parekh Chandramohan Chandrima Bhaduri Chiranjeevi Chiranjeevi Chitra Zindagi Aur Maut Kirathakudu SP Parasuram Trip to Moon (1967) Gaddar (1973) Doodh Ka Karz Shikar (1968) Chirag (1969) Shaheed (1948) Zimbo (1958) (1990) (1965) (1986 - Telugu) (1994 - Telugu) Asha Parekh Ashoo Deepti Naval Dev Kumar Dharmendra Mere Hamdum Mere Kati Patang (1970) Samadhi (1974) Rani Aur Lalpari Kab? Kyon? Aur Yeh Ishq Nahin Yalgaar (1992) Jeevan Mrityu (1971) (1975) Kahaan? (1972) Dhund (1973) Aasaan (1982) Alibaba (1977) Dost (1968) Babita Baby Rani Bindu Dharmendra Dilip Kumar Haseena Maan Jayegi Kab? Kyon? Aur Nanha Farishta Rani Aur Lalpari Ab Kya Hoga Yaadon Ki Baarat Kahani Kismat Ki Badle Ki Aag (1982) Shaheed (1948) Aadmi (1968) (1968) Kahaan? (1972) (1969) (1975) (1977) (1972) (1973) All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession. If any copyright has been All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession.
[Show full text]
Majrooh: the Poet Who Captured the Times
Majrooh: The poet who captured the times. The Hindu Business Line, March 18, 2021 https://www.thehindubusinessline.com/blink/watch/majrooh-sultanpuri-wrote-songs- for-more-than-250-films-in-his-five-decade-long-stint-in-bollywood/article34099511.ece Few people would have heard what can possibly be classified as the first pseudo-rap song in Hindi films- the song “Dekhiye, Sahibo, Who koi, Aur thi”, from the 1966 musical suspense thriller “Teesri Manzil”. All the other songs of this film are heard on the radio even now. All, except this one. And yet, this is an amazingly creative composition with words and phrases sung in a staccato fashion, which could easily pass for what later became the rap style. The song, sung brilliantly by Rafi and Asha and composed by R.D. Burman was written by the eminently versatile Majrooh Sultanpuri. R.D.Burman was a young, unknown composer then. Majrooh of course knew him well as S.D. Burman’s son and assistant. After all Majrooh had worked with S.D. Burman in many of Dev Anand films from the 1950s and the duo had given us hit songs like “Hum hain Rahi pyaar ke hum se kuch na boliye” and “Chal ri sajni ab kya soche” among many others. The story goes that Majrooh recommended him to Shammi Kapoor who was very picky about his songs. Shammi Kappor agreed to listen to this young upstart. The first composition that R.D. Burman played was the one which ultimately became “Deewana mujh sa nahin”- Kapoor immediately recognized it as based on a Nepali folk song which he had heard in Darjeeling! And the rest was history- Teesri Manzil was Burman’s first major hit.
[Show full text]