DOCSLIB.ORG

Z We Have a New Name ..

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Artists & Music DEF JAM BOXED SET CELEBRATES 10 YEARS OF MUSIC AND CULTURE (Continued from page 51) Tashan; all had mediocre chart per- per Domino, who is expected to re- of a new distribution pact through Cohen says that RAL had reve- Burke, and A&R VP Chris Lighty, formances. lease an album in mid -1996. The set Island (Billboard, May 14, 1994). nues of $54 million during its first who is also CEO of Violator. Other less- than -successful im- will follow his self-titled 1993 debut As a result of the move, Rush six months with PGD. Def Jam recently reactivated its prints included Fever, P.R.O. Divi- album, which sold 668,000 units, ac- Communications formed a corpo- West Coast office, which was origi- sion, No Face, and Dew Dew Man cording to SoundScan. rate tier under the banner of the STRONG CATALOG nally established in 1992. The satel- Records. However, some of the la- PMP, to which hip -hop R &B act Def Jam Music Group, which Working in a genre in which acts lite branch is headed by West Coast bels have managed to survive. Jordan is signed, maintains its asso- encompasses Rush Associated La- have notoriously short careers, Def A &R director Tina Davis, whose JMJ Records, was founded by Ja- ciation with RAL. However, a legal bels. Jam has been able to develop sev- task is to bolster the company's son Mizell (aka DJ Jam Master Jay dispute with West Coast -based label The move opened up greater op- eral rap acts with longevity. cross -country presence. of Run-D.M.C.) in 1989 and pacted owner Paul Stewart will determine portunities, especially on the film The Beastie Boys' "Licensed To "With the aggregate of PGD for with RAL a year later. After ineffec- the relationship's future. front, because of the backing Sim- Ill" has remained at the top of the support, we're set to be very com- tive releases by Famlee and the G -Funk Records features West mons gained from his new partner's Top Pop Catalog Albums chart for petitive in the coming years," says Afros, the label hit in 1993 with Coast rap trio the Dove Shack and motion picture arm, PolyGram more than two years and has been Cohen. "Bacdafucup" by rap act Onyx, twin siblings the Twinz. Debut sets Filmed Entertainment. certified quintuple -platinum. Upcoming September releases which sold 1 million units, according from both acts are scheduled for re- Simmons recently formed his own Other platinum -certified Def Jam through Def Jam and its associated to SoundScan. lease in September: "This Is The film company, Def Pictures. In addi- catalog titles include L.L. Cool J's labels include an untitled Onyx al- JMJ recently signed female rap- Shack" and "Conversation," respec- tion to the Rysher Entertainment "Radio," "Bigger And Deffer," bum and a new set from veteran Def per Suga, whose "What's Up Star" tively. rap concert film "The Show," on "Walking With A Panther," and Jam rapper Erick Sermon, whose is included on the soundtrack for The first release from African which he served as executive pro- "Mama Said Knock You Out "; Pub- 1993 debut solo album, "No Pres- "The Show." Star, headed by producer/manager ducer, Simmons is associated with lic Enemy's "Fear Of A Black sure," sold 247,000 copies, according Chris Lighty formed Violator Stuart Brown and founded in March three feature films in various stages Planet," "It Takes A Nation Of Mil- to SoundScan. Records in 1990 and sealed a distri- 1995, is "Prophecy" by reggae artist of production: "The Nutty Profes- lions To Hold Us Back," and "Apoc- Simmons says that although its bution deal with RAL three years Capleton. It is due Oct. 2. sor," "The Funeral," and "The Ad- alypse 91 ... The Enemy Strikes planned "farewell" concert in Lon- later. Its first release via RAL was Juicee Entertainment, headed by diction." Black "; Slick Rick's "The Great Ad- don is on hold due to an injury sus- West Coast rapper Warren G's de- former Columbia A &R director "The Show" was produced and di- ventures Of Slick Rick "; and Onyx's tained by rapper Flavor Flay, Pub- but album, "Regulate ... G Funk Kurt Woodley, will release its first rected by Brian Robbins. "Bacdafucup." lic Enemy will 'release another Era." The se,t sold 2.4 million copies, album in 1996, by male vocalist Jo- Def Jam COO Lyor Cohen says Cohen says the company is be- studio album for the label in late according to SoundScan. siah. that Def Jam's new distribution has coming more aggressive in market- 1996. Violator was initially distributed King Recordings, founded by helped the label develop. "PGD is by ing its catalog product, beginning Simmons says he also expects a by Relativity, a relationship Lighty Scott Konig, and No Doubt, headed far the most dynamic distributor in with the label's boxed set. Cohen solo album from Public Enemy still maintains through under- by former Elektra A &R VP Dante the business and really understands says the set "is the best way for us founder Chuck D, but no release ground acts Fat Joe and the Beat - Ross, currently have no artists on Def Jam and our product, and it's to introduce consumers to the rich date has been set. At press time, nuts. their rosters. easier to sell something you under- catalog that we have here at the there were no solo projects planned Outburst Records opened its stand," he says. "We have a much company." for other P.E. members. doors in 1993 and is run by Greedy THE MOVE TO POLYGRAM closer financial relationship with Among Def Jam's 52 employees Greg and Anti. Its roster includes In September 1994, Simmons PGD and have quarterly budget are promotion senior VP Wes John- Assistance in preparing this story MoKenStef; rap team BG KnoccOut parted with former distributor Sony meetings and know where every son, marketing VP Julie Greenwald, was provided by Havelock Nelson & Dresta, whose debut album will and sold 50% of Rush to PolyGram dime is going- something we didn't promotion GM Kevin Liles, A &R in New York. be released in September; and rap- for an estimated $33 million, as part have in our former relationship." administration director Linda z We have a new name .. Hudson Bay Music, Inc., which administers the music publishing interests of Freddy Bienstock in the United States, is changing its name to Carlin America, Inc. s . and a new address Carlin America together with the companies that it administers are relocating to their new J building at 126 East 38th Street in New York City. Beginning on August 28, 1995, Freddy, Johnny and Caroline Bienstock, Lester Boles and each of the following companies cc ALAMEDA MUSIC CO. CARLIN MUSIC CORP. HUDSON BAY MUSIC INC. J. ALBERT & SON (USA) INC. CAROB BEAN SONGS INC. J & F RECORDED MUSIC ALLEY MUSIC CORP. GEORGE M. COHAN PUBLISHING EDWARD B. MARKS MUSIC CO. ANGLO AMERICAN MUSIC ELVIS MUSIC INC. PIEDMONT MUSIC CO. BRO N' SIS MUSIC INC. FMJ COMPANY RANGE ROAD MUSIC. FREDDY BIENSTOCK MUSIC FORT KNOX MUSIC INC. RED BARON PRODUCTIONS INC. JOHNNY BIENSTOCK MUSIC FRANK & NANCY MUSIC STEVEN SCHARF ENTERTAINMENT CARBERT MUSIC INC. HERALD SQUARE MUSIC INC. WHITE HAVEN MUSIC may be reached in care of CARLIN AMERICA, INC. 126 East 38th Street New York, New York 10016 U Tel (212) 779 -7977 - Fax (21) 779 -7920 BILLBOARD SEPTEMBER 2. 1995 55 www.americanradiohistory.com.
Recommended publications
  • A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, Rasantos@Miners.Utep.Edu

    A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected]

    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 Exile in the Gramola: A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the American Literature Commons, Ethnic Studies Commons, Fine Arts Commons, and the Literature in English, North America Commons Recommended Citation Santos, Roberto Alejandro, "Exile in the Gramola: A Jewinican (Re)Collection" (2010). Open Access Theses & Dissertations. 2777. https://digitalcommons.utep.edu/open_etd/2777 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION ROBERTO ALEJANDRO SANTOS Department of Creative Writing APPROVED: _____________________________________________ Benjamin Alire Sáenz, Committee Chair _____________________________________________ Sasha Pimentel Chacón, M.F.A. _____________________________________________ Maceo Dailey, Ph.D. _____________________________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © 2010 by Roberto Alejandro Santos All Rights Reserved. Livication For my family & friends EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION by ROBERTO ALEJANDRO SANTOS, B.A., M.F.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2010 Preface to Exile in the Gramola : A Jewinican (Re)Collection What is a book of poetry but a collection of words and lines, truths and lies, questions and almost-answers.
  • The United Eras of Hip-Hop (1984-2008)

    The United Eras of Hip-Hop (1984-2008)

    qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS
  • Patti Labelle Singer and Actor Known for Her Passionate Stage Performances and Family and Friends Gave Labelle the Nickname Patsy

    Patti Labelle Singer and Actor Known for Her Passionate Stage Performances and Family and Friends Gave Labelle the Nickname Patsy

    African Americans LaBelle, Patti L. L. Cool J.’s first role as an actor came in 1985 in a vancement of Colored People (NAACP). He received a film about the early days of Def Jam Recordings called Source Foundation Image Award for his philanthropy Krush Groove. The next year, he appeared in a film called and his work with JumpStart, a literacy program for low- Wildcats. Although he had only cameo appearances in income children. L. L. Cool J.’s longevity in the enter- both films, he won a starring role in Out of Sync in 1995. tainment industry is a testimony to his versatility and The film did not do well at the box office, but it did help talent. him earn a starring role in a sitcom called In the House. —Alison S. Burke The sitcom aired on NBC from 1995 to 1999. L. L. has appeared in several other films, including Halloween Further Reading H20 (1998), Deep Blue Sea (1999), Any Given Sunday Baughman, Brian. Hip-Hop: L. L. Cool J. Broomall, Pa.: (1999), Deliver Us from Eva (2003), S.W.A.T. (2003), Mason Crest, 2007. This biography for teenage read- and Last Holiday (2006). In 2009, L. L. Cool J. was given ers provides a general overview of the life of L. L. a prominent role as former Navy SEAL and special agent Cool J. and contains many full-color photographs Sam Hanna in the CBS drama series NCIS: Los Angeles. from different stages in his career. In addition to his music and acting careers, L.
  • Abstract One Love: Collective Consciousness in Rap and Poetry

    Abstract One Love: Collective Consciousness in Rap and Poetry

    Abstract One Love: Collective Consciousness in Rap and Poetry of the Hip-Hop Generation by Austin Harold Hart April, 2012 Thesis Director: John Hoppenthaler Major Department: English (Literature and Poetry) This study aims to offer an understanding of hip-hop culture through which three concepts are elucidated: (1) the existence and dimensions of a collective consciousness within rap and poetry of the hip-hop generation (Allison Joseph, A. Van Jordan, Terrance Hayes, Major Jackson, Taylor Mali, and Kevin Coval); (2) a poetics of rap—to parallel the influence seen/suggested among the selected poets; and (3) an analysis of the manner(s) in which the poetry of these more serious, academic artists reflects an influence of hip-hop culture. My thesis suggests that these poets are indeed influenced by the culture in which they grew up, and in their verse, this influence can be seen through linguistic playfulness, sonic density, layered meaning and usage through form and content, and the connection to a larger cultural, collective consciousness fed by specific social bodies. Poetic analysis, as well as studies of vernacular and oral traditions, has allowed me to explore these concepts and theories from a wider spectrum, and with regard to the work of the poets, an original perspective. Providing a deeper understanding of artists, their identities, places, and dreams within their work, this study begins to offer some insight into notions of the ways in which individuals might participate in cultural conservation. One Love: Collective Consciousness
  • 1990S Playlist

    1990S Playlist

    1/11/2005 MONTH YEAR TITLE ARTIST Jan 1990 Too Hot Loverboy Jan 1990 Steamy Windows Tina Turner Jan 1990 I Want You Shana Jan 1990 When The Night Comes Joe Cocker Jan 1990 Nothin' To Hide Poco Jan 1990 Kickstart My Heart Motley Crue Jan 1990 I'll Be Good To You Quincy Jones f/ Ray Charles and Chaka Khan Feb 1990 Tender Lover Babyface Feb 1990 If You Leave Me Now Jaya Feb 1990 Was It Nothing At All Michael Damian Feb 1990 I Remember You Skid Row Feb 1990 Woman In Chains Tears For Fears Feb 1990 All Nite Entouch Feb 1990 Opposites Attract Paula Abdul w/ The Wild Pair Feb 1990 Walk On By Sybil Feb 1990 That's What I Like Jive Bunny & The Mastermixers Mar 1990 Summer Rain Belinda Carlisle Mar 1990 I'm Not Satisfied Fine Young Cannibals Mar 1990 Here We Are Gloria Estefan Mar 1990 Escapade Janet Jackson Mar 1990 Too Late To Say Goodbye Richard Marx Mar 1990 Dangerous Roxette Mar 1990 Sometimes She Cries Warrant Mar 1990 Price of Love Bad English Mar 1990 Dirty Deeds Joan Jett Mar 1990 Got To Have Your Love Mantronix Mar 1990 The Deeper The Love Whitesnake Mar 1990 Imagination Xymox Mar 1990 I Go To Extremes Billy Joel Mar 1990 Just A Friend Biz Markie Mar 1990 C'mon And Get My Love D-Mob Mar 1990 Anything I Want Kevin Paige Mar 1990 Black Velvet Alannah Myles Mar 1990 No Myth Michael Penn Mar 1990 Blue Sky Mine Midnight Oil Mar 1990 A Face In The Crowd Tom Petty Mar 1990 Living In Oblivion Anything Box Mar 1990 You're The Only Woman Brat Pack Mar 1990 Sacrifice Elton John Mar 1990 Fly High Michelle Enuff Z'Nuff Mar 1990 House of Broken Love Great White Mar 1990 All My Life Linda Ronstadt (f/ Aaron Neville) Mar 1990 True Blue Love Lou Gramm Mar 1990 Keep It Together Madonna Mar 1990 Hide and Seek Pajama Party Mar 1990 I Wish It Would Rain Down Phil Collins Mar 1990 Love Me For Life Stevie B.
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of

    No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of

    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
  • "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M

    "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude.
  • AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got

    AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got

    AC/DC AEROSMITH BONFIRE PANDORA’S BOX DISC II 01 Toys in the Attic 01 Jailbreak 02 Round and Round 02 It’s a Long Way to the Top 03 Krawhitham 03 She’s Got the Jack 04 You See Me Crying 04 Live Wire 05 Sweet Emotion 05 T.N.T. 06 No More No More 07 Walk This Way 06 Let There Be Rock 08 I Wanna Know Why 07 Problem Child 09 Big 10” Record 08 Rocker 10 Rats in the Cellar 09 Whole Lotta Rosie 11 Last Child 10 What’s Next to the Moon? 12 All Your Love 13 Soul Saver 11 Highway to Hell 14 Nobody’s Fault 12 Girls Got Rhythm 15 Lick and a Promise 13 Walk All Over You 16 Adam’s Apple 14 Shot Down in Flames 17 Draw the Line 15 Dirty Deeds Done Dirt Cheap 18 Critical Mass 16 Ride On AEROSMITH PANDORA’S BOX DISC III AC/DC 01 Kings and Queens BACK IN BLACK 02 Milk Cow Blues 01 Hells Bells 03 I Live in Connecticut 02 Shoot to Thrill 04 Three Mile Smile 05 Let It Slide 03 What Do You Do For Money Honey? 06 Cheesecake 04 Given the Dog a Bone 07 Bone to Bone (Coney Island White Fish) 05 Let Me Put My Love Into You 08 No Surprize 06 Back in Black 09 Come Together 07 You Shook Me All Night Long 10 Downtown Charlie 11 Sharpshooter 08 Have a Drink On Me 12 Shithouse Shuffle 09 Shake a Leg 13 South Station Blues 10 Rock and Roll Ain’t Noise Pollution 14 Riff and Roll 15 Jailbait AEROSMITH 16 Major Barbara 17 Chip Away the Stone PANDORA’S BOX DISC I 18 Helter Skelter 01 When I Needed You 19 Back in the Saddle 02 Make It 03 Movin’ Out AEROSMITH 04 One Way Street PANDORA’S BOX BONUS CD 05 On the Road Again 01 Woman of the World 06 Mama Kin 02 Lord of the Thighs 07 Same Old Song and Dance 03 Sick As a Dog 08 Train ‘Kept a Rollin’ 04 Big Ten Inch 09 Seasons of Wither 05 Kings and Queens 10 Write Me a Letter 06 Remember (Walking in the Sand) 11 Dream On 07 Lightning Strikes 12 Pandora’s Box 08 Let the Music Do the Talking 13 Rattlesnake Shake 09 My Face Your Face 14 Walkin’ the Dog 10 Sheila 15 Lord of the Thighs 11 St.
  • LL COOL J Is an Entertainment Icon Who Has Found Great Success Crossing Into Multiple Mediums

    LL COOL J Is an Entertainment Icon Who Has Found Great Success Crossing Into Multiple Mediums

    LL COOL J is an entertainment icon who has found great success crossing into multiple mediums. He is a two-time Grammy® Award winner, multi-platinum recording artist, talented television and film actor, author, entrepreneur and philanthropist. Celebrating 30 years since he first burst onto the scene, LL today continues his vibrant, trailblazing career and display’s his wide range of talents with every project he takes on. First introduced to the world as Def Jam Records flagship artist, LL released his debut studio album Radio on November 18, 1985. Since then, he has become the first rap artist to amass ten consecutive platinum-plus selling albums. Currently starring in the hit television show NCIS: Los Angeles (CBS), the two-time Rock and Roll Hall of Fame nominee continues his unprecedented musical expedition three decades after he first released music. Albums - Billboard certified Gold and Platinum 2006 Todd Smith - Gold 2004 The DEFinition - Gold 2002 10 - Gold 2000 G.O.A.T.- Platinum 1997 Phenomenon - Platinum 1995 Mr. Smith - 2x Platinum 1993 14 Shots to the Dome - Gold 1990 Mama Said Knock You Out - 2x Platinum 1989 Walking with a Panther- Platinum 1987 Bigger and Defter - 2x Platinum 1985 Radio - Platinum Grammy Awards 2012 - 2015 Host of the Grammy Awards 2005 Nominated The DEFinition - Best Rap Album 2004 Nominated Luv U Better- Best Rap/Sung Collaboration 1998 Nominated Ain't Nobody - Best Rap Solo Performance 1998 Nominated Ain’t Nobody - Best Rap Solo Performance 1997 Won Hey Lover- Best Rap Solo Performance 1997 Nominated
  • Students Demand Say on Hiring Offaculty

    Students Demand Say on Hiring Offaculty

    BARDtH 'P·ER10DICALS· DESK .. , 3rd Floor (NON-CIRCULATING) .Information Now December2,1996 York Security ·Careerott"'­ Head Resigns / .Services- ... -. ". .. !• CitesAbuse ofStudents' Rights ,, By Deirdre A. Hussey .Revamped , The .Director of Security atYark College resigned last June claiming .By' Helen McFarlane /". CityUniversitySecurityDirector,Jose Baruch's Career Services Elique, wasestablishingpolicies that Centerhas been reorganized due wouldviolatestudents'constitutional:.c to its poor performance- in its right to freedom ofspeech. primary area of responsibitity: In his letter of resignation, Wm- == preparing students with the stonA Burrows, DirectorofSecurity-appropriate skills for finding at York College for over 17 years, ce employment. According to states that in a directors meeting in Provost Cronholm, Prfs. Meyers and Beone addrees students at Samuel Johnson, Vice President .Goverance Charter Forum. 1Novemher . 0 f 1995 Elique and his of Student Development, (in deputyMartinRodiniproposedthata Sch·00·1 Ch R- -t· d whose charge the Center has feebetween$5,500to $7,500wouldbe . .•. ar r .. ev Ie been placed since this past sum- assessed to each campus whenever mer), reorganization was a must . By Josep M. Ma th e SAFE Team is dispatched. This at Career Services because un- proposal, accordingtoBurrrows, was A b derprevious leadership it had intended to give Elique control over the cha been "under-funded, underde- who spoke-on campuses. Yeloped, and antiquated-not This fee was proposedfollowing organized in a way to do busi- theincidents duringBlackSolidarity ness in the nineties." Dayat York College on November 6~·· the Day Session Student vern- elude Colle e, School, andDepart- Maintenance of the status 1995. Student organi?-el"S ofthe day~entandEveningSes··' tudent mental, hire,·promote, give raises quo, by measuring success by ·~~~:_~~'~'-';:-=~~~~~·i;~~~;~~:::~~ lJiir:rOWs .: \Vhen-:Cb8Dr.eDorW~·.Ann ·gU~~Prding.~tuf;lent~repre- ingis ~ studentvoteonall Oftliese -.
  • Music 18068 Songs, 47.6 Days, 99.18 GB

    Music 18068 Songs, 47.6 Days, 99.18 GB

    Music 18068 songs, 47.6 days, 99.18 GB Name Time Album Artist A. F. U. (Naturally Wired) 4:31 Ou812 Van Halen A.B.C. 3:52 Coolin' At The Playground Ya' Know! Another Bad Creation ABC 2:56 The Ultimate Collection The Jackson 5 Abi Gezundt (A Bee Gezindt) 2:48 The King Of Hi-De-Ho 1934-1937 Cab Calloway Abigail Beecher 2:25 The EP Collection Freddy Cannon Abilene 2:15 Billboard Top Country Hits - 1963 George Hamilton IV About You (Feat. Will.I.Am and Nina Sim... 4:05 The Breakthrough Mary J. Blige Above the Rim 3:38 Hootie Mack Bell Biv DeVoe Abracadabra 3:39 Now That's What I Call The 80s Steve Miller Abracadabra 5:06 Steve Miller Band Abscretions 7:03 Music, Inc. Big Band Music Inc. Absolutely Nothing's Changed 3:43 Twenty Four Seven Tina Turner AC 3e 7:1010000 Days Tool Acapulco 1922 2:42 Definitive Hits Herb Alpert Accidentally In Love 3:09 Shrek 2 Counting Crows Accidently On Purpose 2:23 Best of Vol. 1: Hardcore Honky George Jones According To You (Top 40 Edit) 3:20 Promo Only Mainstream Radio December Orianthi Ace in the Hole 2:35 50 Number Ones Disc 1 George Strait Ace in the Hole 5:44 One Trick Pony Paul Simon Ace Of Hearts 3:06 Here In The Real World Alan Jackson Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Aching, Breaking, Heart 2:49 Best of Vol.
  • Mediamonkey Filelist

    Mediamonkey Filelist

    MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Local 1 Luke I Wanna Rock 4:23 Luke - Greatest Hits 8 1996 Rap 128 Disk Local 2 Angie Stone No More Rain (In this Cloud) 4:42 Black Diamond 1999 Soul 3 128 Disk Local 3 Keith Sweat Merry Go Round 5:17 I'll Give All My Love to You 4 1990 RnB 128 Disk Local 4 D'Angelo Brown Sugar (Live) 10:42 Brown Sugar 1 1995 Soul 128 Disk Grand Verbalizer, What Time Is Local 5 X Clan 4:45 To the East Blackwards 2 1990 Rap 128 It? Disk Local 6 Gerald Levert Answering Service 5:25 Groove on 5 1994 RnB 128 Disk Eddie Local 7 Intimate Friends 5:54 Vintage 78 13 1998 Soul 4 128 Kendricks Disk Houston Local 8 Talk of the Town 6:58 Jazz for a Rainy Afternoon 6 1998 Jazz 3 128 Person Disk Local 9 Ice Cube X-Bitches 4:58 War & Peace, Vol.1 15 1998 Rap 128 Disk Just Because God Said It (Part Local 10 LaShun Pace 9:37 Just Because God Said It 2 1998 Gospel 128 I) Disk Local 11 Mary J Blige Love No Limit (Remix) 3:43 What's The 411- Remix 9 1992 RnB 3 128 Disk Canton Living the Dream: Live in Local 12 I M 5:23 1997 Gospel 128 Spirituals Wash Disk Whitehead Local 13 Just A Touch Of Love 5:12 Serious 7 1994 Soul 3 128 Bros Disk Local 14 Mary J Blige Reminisce 5:24 What's the 411 2 1992 RnB 128 Disk Local 15 Tony Toni Tone I Couldn't Keep It To Myself 5:10 Sons of Soul 8 1993 Soul 128 Disk Local 16 Xscape Can't Hang 3:45 Off the Hook 4 1995 RnB 3 128 Disk C&C Music Things That Make You Go Local 17 5:21 Unknown 3 1990 Rap 128 Factory Hmmm Disk Local 18 Total Sittin' At Home (Remix)