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PILGRIMAGE a Project of Lorelei, Unplugged
FOR IMMEDIATE RELEASE Contact: Jonah Kappraff, [email protected] 862-205-9563 Cambridge, MA- April 22, 2013 PILGRIMAGE a project of Lorelei, unPLUGGED Friday, May 10 BU, Marsh Chapel 735 Commonwealth Avenue Boston, MA 8pm Purchase Tickets at: www.loreleiensemble.com $20 General Admission/$12 Students/Seniors The eight women of Boston’s Lorelei Ensemble announce the third concert series of their 2012- 13 season featuring music of Hildegard von Bingen and Guillaume Du Fay alongside the premiere of two new multimedia works by composer/videographer collaborators Reiko Yamada/Sibylle Irma and Isaac Schankler/Chris O’Leary. The program will be presented on Friday, January 10 at Boston University’s Marsh Chapel (8pm). Pilgrimage, a project of Lorelei’s new unPLUGGED multimedia series, explores concepts of spirituality and pilgrimage from ancient and contemporary perspectives. Consistent with Lorelei’s commitment to programming early and new music side-by-side, small ensembles set the stage for each half of the program with the music of Hildegard von Bingen and Guillaume Du Fay. Selected responsories from Hildegard’s Scivias portray some of the composer’s earliest visions. Hildegard’s transcendent melodies elevate the already rich symbolism in her deeply rooted poetry. The strength and optimism of Guillaume Du Fay’s motet Rite Majorem reflect its ties to the service for St. James the Greater, patron saint of pilgrims. His shrine at Santiago de Compostela in Northwest Spain continues to be a destination for Christian pilgrims from around the world. The World Premiere of two new works commissioned by the ensemble explore both secular and sacred concepts of spirituality: The Familiar Spirit (2013) turns the first recorded instance of "spirit-rapping" communication into a series of poetic vignettes that explore the spiritual and social significance of the medium in the 19th-century. -
Boston Symphony Orchestra Concert Programs, Season 62,1942-1943, Trip
Jfletropolttan Gtfjeatre • Jkototbence Tuesday Evening, April 6 Friends of the Boston Symphony and Opera Lovers WFCI has the honor to present The Boston Symphony Orchestra under the direction of Dr. SERGE KOUSSEVITZKY Saturday Nights at 8.15 o'clock also The Metropolitan Opera Saturday Afternoons at 2 o'clock fffleirojrolttan QHj^aire • Prmritottre SIXTY-SECOND SEASON, 1942-1943 Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor RICHARD Burgin, Associate Conductor Concert Bulletin of the Fifth Concert TUESDAY EVENING, April 6 with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Jerome D. Greene . President Henry B. Sawyer . Vice-President Henry B. Cabot . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Roger I. Lee Reginald C. Foster Richard C. Paine Alvan T. Fuller William Phillips N. Penrose Hallowell Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager [ 1 ] SYMPHONY HALL, BOSTON Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor PENSION FUNP CONCERT SUNDAY, APRIL 25, 1943 AT 3:30 BEETHOVEN OVERTURE TO "EEONORE" NO. 3 NINTH SYMPHONY with the assistance of the HARVARD GLEE CLUB and the RADCLIFFE CHORAL SOCIETY (G. WALLACE WOODWORTH, Conductor) Soloists IRMA GONZALES, Soprano ANNA KASKAS, Contralto KURT BAUM, Tenor JULIUS HUEHN, Bass Tickets: $1.50, $2.00, $2.50, $3.00, $3.50, $4.00 (Plus Tax, Address mail orders to Symphony Hall, Boston [2] Hetrnpnlttatt Sljeatr? • Protrifottre Two Hundred and Seventy-first Concert in Providence Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor FIFTH CONCERT TUESDAY EVENING, April 6 Programme i Handel Concerto Grosso for String Orchestra in D minor, Op. -
95.3 Fm 95.3 Fm
October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op. -
1969 Compassion and Care
Justice Holmes • Inflammation • Harry Widener MAY-JUNE 2019 • $4.95 Compassion 1969 and Care Physician-Poet Rafael Campo Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 May 2019 Dear Reader, In 1898, an association of Harvard graduates established the Harvard Alumni Bulletin, “to give selected and summarized Harvard news to graduates who want it” and “to serve as a medium for publishing promptly all notices and announcements of interest to graduates.” members and students extend the limits of discovery and human understanding—in service to an ever more far- ung, diverse group of alumni around the globe. Today, nearly a century and a quarter later, the name has changed, to Harvard Magazine (as have the look and contents), but the founding Your Harvard Magazine can capture alumni voices (see the letters responding to the March-April principles have not: feature on the events of April 1969, beginning on page 4 of this issue), dive deep into critical research (read the feature on the scientists exploring in ammation, and how their work contributes • e magazine exists to serve the interests of its readers (now including all University to understanding disease, on page 46), and keep you current on the critical issues facing higher alumni, faculty, and sta )—not any other agenda. education on campus and around the world (see John Harvard’s Journal, beginning on page 18). • Readers’ support is the most important underpinning of this commitment to high- Your contribution underwrites the journalism you are reading now, the expanded coverage quality, editorially independent journalism on readers’ behalf. -
The Harvard-Radcliffe Collegium Musicum Joseph Fort, Conductor
The Radcliffe Choral Society Beth Willer, Conductor & The Harvard-Radcliffe Collegium Musicum Joseph Fort, Conductor present Requiescat Saturday, November 1, 2014 8 P.M. Sanders Theatre Program The Radcliffe Choral Society Be Like the Bird Abbie Betinis (b. 1980) Requiescat William Schuman (1910-1992) "Den Tod niemand zwingen kunnt" Johann Sebastian Bach from Christ Lag in Todes Banden, BWV 4 (1685-1750) Meg Weckworth, conductor Echoes Paul Fowler (b. 1978) O sacrum convivium Tomás Luis de Victoria (c. 1548-1611) evening morning day David Lang (b. 1957) Spaséniye sodélal, Op. 25, No. 5 Pavel Chesnokov (1877-1944) Radcliffe Now Emily Coolidge Radcliffe Class of 1908 R-A-D Alice Hunnewell-Hemmens Radcliffe Class of 1911 arr. Kevin Leong I Want It That Way The Backstreet Boys The 'Cliffe Notes arr. Stella Fiorenzoli and Josh Graham The Harvard-Radcliffe Collegium Musicum Their Hearts Were Full of Spring Bobby Troup Collegium Underground (1918-1999) arr. Kirby Shaw Intermission Civitas sancti tui William Byrd (1543-1623) When David Heard Thomas Tomkins (1573-1656) Requiem Herbert Howells I. Salvator mundi (1892-1983) II. Psalm 23 Eliza Wiant, Aliza Theis, and Andrew Hausmann, soloists III. Requiem aeternam (I) IV. Psalm 121 Kyle Whelihan and Lijia Xie, soloists V. Requiem aeternam (II) VI. I heard a voice from heaven Miranda Chang, Kyle Whelihan, and Connor Harris, soloists beautiful dreamer Lang We kindly ask that you silence all electronic devices. Texts and Translations BETINIS: BE LIKE THE BIRD Be like the bird that, pausing in her flight awhile on boughs too slight, feels them give way beneath her -- and sings -- knowing she hath wings. -
Boston Symphony Orchestra Concert Programs, Season 74, 1954-1955
jCfa BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 7 fe X •ml UIIHIl H #1 SEVENTY-FOURTH SEASON 1954-1955 Academy of Music, Brooklyn Under the auspices of the Brooklyn Institute of Arts and Sciences and the Philharmonic Society of Brooklyn 1954 - 1955 THE WOMEN'S COMMITTEE FOR The Boston Symphony Orchestra Concerts IN BROOKLYN Mrs. Carroll J. Dickson, Chairman Mrs. Edward C. Blum Mrs. William H. Good Mrs. H. Haughton Bell Vice-Chairman Vice-Chairman Vice-Chairman Mrs. Frederick H. Rohlfs Mrs. Miles Kastendieck Chairman Membership Co-Chairman Membership Mrs. Irving G. Idler Mrs. Thomas K. Ware Chairman Boxes Chairman Junior Committee Mrs. Elias J. Audi Mrs. Percy R. Gray Mrs. Valentine K. Raymond Mrs. Charles L. Babcock, Jr. Mrs. Arthur C. Hallan Mrs. Donald Ross Mrs. Bernard S. Barr Mrs. J. Morton Halstead Mrs. Irving J. Sands Mrs. John R. Bartels Mrs. James M. Hills Mrs. Donald Gray Schenk Mrs. George M. Billings Mrs. Raymond V. Ingersoll Mrs. Oscar P. Schoenemann Mrs. Robert E. Blum Mrs. Henry A. Ingraham Mrs. Eliot H. Sharp Mrs. Irving L. Cabot Mrs. Charles Jaffa Mrs. Frank E. Simmons Mrs. Otis Swan Carroll Mrs. Darwin R. James, Jr. Mrs. Donald G. C. Sinclair Mrs. Oliver G. Carter Mrs. James Vincent Keogh Mrs. Ainsworth L. Smith Mrs. Francis T. Christy Mrs. John Bailey King Mrs. Harry H. Spencer Mrs. Donald M. Crawford Mrs. Warner King Mrs. E. A. Sunde Mrs. Russell V. Cruikshank Mrs. Almet R. Latson, Jr. Mrs. David W. Swanson Mrs. Sidney W. Davidson Mrs. M. Paul Luther Mrs. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
*l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. -
Winning Fellowship Proposals: Predissertation Fellowship Proposals
SCHOLARLY PURSUITS: A GUIDE TO PROFESSIONAL DEVELOPMENT DURING THE GRADUATE YEARS Seventh Edition by Cynthia Verba A publication of the Graduate School of Arts and Sciences Harvard University SCHOLARLY PURSUITS: A GUIDE TO PROFESSIONAL DEVELOPMENT DURING THE GRADUATE YEARS SEVENTH EDITION WITH SAMPLE APPLICATION ESSAYS, FELLOWSHIP PROPOSALS, CURRICULUM VITAE AND COVER LETTERS FROM CANDIDATES IN THE GRADUATE SCHOOL OF ARTS AND SCIENCES OF HARVARD UNIVERSITY by Cynthia Verba A Publication of the Graduate School of Arts and Sciences Very special gratitude goes to all the graduate students and PhD’s who shared so generously about their experiences in academe, without whom this booklet could not have been written. Copyright © 2005 by the President & Fellows of Harvard University ABOUT THE AUTHOR Cynthia Verba has been serving as Director of Fellowships in the Graduate School of Arts and Sciences since 1986. Prior to that, she was Associate Director at Harvard’s Office of Career Services, with responsibility for overseeing academic and nonacademic career services for graduate students and PhDs. Her work at Harvard in the area of professional development for PhDs began in 1978. She holds a PhD in musicology from the University of Chicago, and continues to be active as a publishing scholar and teacher. She was a fellow at the Bunting Institute of Radcliffe College in 1987, and received a fellowship from the National Endowment of the Humanities in 1983 to further her research in musicology. She has also served as Chair of the Committee on Academic and Nonacademic Employment of the American Musicological Society from 1979-1985. She has been teaching courses in music history at the Harvard University Extension School since 1977. -
Boston Symphony Orchestra Concert Programs, Season 85, 1965
I K , 4 ^.^-M&i^s.V ^OOte. y/ /j L. r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY // /f HENRY LEE HIGGINSON TUESDAY EVENING CAMBRIDGE" SERIES S • 1 4 *««/] X'SS :.''% < S^^*$>5^ %v.' r?^ =~-y~ ~*«»0/ '-<-» "»» /^ Sir' C»S. —.'""' f\ EIGHTY-FIFTH SEASON 1965-1966 The Boston Symphony BEETHOVEN "EROICA SYMPHONY BOSTON SYMPHONY ORCH. |! under Leinsdorf ERICH LEINSDORF "There is a daring quality in Beethoven that should never be lost" says Leinsdorf with particular reference to the great Third Symphony . the " Eroica". There is also a daring, prophetic quality in Mahler's First Symphony, though in a very different idiom. Leinsdorf and the Boston Symphony give each of these works performances characterized by profound understanding and sonic beauty. Hear them in Dynagroove sound on RCA Victor Red Seal albums. RCA Victor* @The most trusted name in sound ! EIGHTY-FIFTH SEASON, 1965-1966 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks • Vice-President John L. Thorndike • Treasurer Abram Berkowitz E. Morton Jennings, Jr. Theodore P. Ferris Henry A. Laughlin Robert H. Gardiner Edward G. Murray Francis W. Hatch John T. Noonan Andrew Heiskell Mrs. James H. Perkins Harold D. Hodgkinson Sidney R. Rabb Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Rosario Mazzeo Harry J. Kraut Orchestra Personnel Manager Assistant to the Manager Sanford R. -
N E W S L E T T
Harvard University Department of M usic MUSICnewsletter Vol. 21, No. 2 Summer 2021 From Adaptation to Innovation The Harvard Choruses Sing On Harvard University This spring, the Department of Music Harvard Glee Club 3 Oxford Street embarked on an Cambridge, MA 02138 extraordinary world 617-495-2791 tour, learning from choral experts in music.fas.harvard.edu Russia, South Africa, Italy, and China— and all from the comfort of their INSIDE own homes. The Glee Club’s tour is an 2 Conferencing Through the annual tradition that Apocalypse Professor Andrew Collegium performs the Messiah (with the Harvard Baroque Chamber Orchestra) 3 Faculty News Clark, Director of 4 Around Campus Choral Activities, transformed to fit the performed together in virtual concerts. possibilities of our current moment. As Clark Students would record themselves singing 5 Fall Events: Laurie Anderson, says, “The idea was to bring the world to our their part to a guide track consisting of Parker Quartet, Barwicks Zoom rehearsal space.” the accompaniment with a click track or a 6 Alumni News When the pandemic forced the entire video of Clark conducting with the score 8 Graduate Student News Harvard community (and academia in beneath. Part of what made the concerts general) online last year, professors had possible was the expertise provided by the 9 Espionage and Music in 17th- to make the most radical changes to their Harvard Media Production Center, where Century Venice and England pedagogies, and students had to adjust audio and video engineers synched, edited, 10 Library News; Staff News their learning strategies. Performance-based and mastered sometimes over a thousand 11 Undergraduate Student News classes were hit especially hard. -
Boston Symphony Orchestra Concert Programs, Season 61,1941
(E0tt0tttutt0n Ifall * JiaBljtngton BOSTON SYAPnONY ORCnCSTRS FOUNDED IN 1881 DY HENRY L. HIGGINSON SIXTY-FIRST SEASON 1941-1942 Tuesday Evening, March 31 SYMPHONY HALL, BOSTON SUNDAY AFTERNOON, APRIL 26, at 3.30 PENSION FUND Concert BY THE Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Programme BACH'S MAGNIFICAT BEETHOVEN'S NINTH SYMPHONY HARVARD GLEE CLUB and RADCLIFFE CHORAL SOCIETY G. Wallace Woodworth^ Conductor SOLOISTS ZINA LISICHKINA, Soprano ANNA KASKAS, Contralto WILLIAM HAIN, Tenor JULIUS HUEHN, Bass Tickets now $1.65 to $440. Address mail orders to Symphony Hall, Boston QIunBtitultntt i^M • Maalitttgtcn SIXTY-FIRST SEASON, 1941-1942 Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor ^ Concert Bulletin TUESDAY EVENING, Manii ^^i with historical and descriptive notes by John N. Burk The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Ernest B. Dane . , . President Henry B. Sawyer Vice-President Ernest B. Dane ...... Treasurer Henry B. Cabot N. Penrose Hallowell Ernest B. Dane M. A. De Wolfe Howe Reginald C. Foster Roger I. Lee Alvan T. Fuller Richard C. Paine Jerome D. Greene Henry B- Sawyer Bentley W. Warren G. E. JUDD, Manager C. W. Spalding, Assistant Manager [1] Boston Symphony Orchestra [Sixty-first Season, 1941-1942] SERGE KOUSSEVITZKY, Conductor Personnel ViOUNS BURGIN, R. ELCUS^ G. LAUGA, N. KRIPS, A. resnikoff, v. \ r. Concert -master tapley, KASSMAN, N. CHERKASSKY, p. LEIBOVia, J. THEODOROWICZ, J. HANSEN^ E. DICKSON, H. FEDOROVSKY, P. zazofsky, g. EISLER, D. PINFIELD, C. BEALE, M. sauvlet, h. KNUDSON, C. ZUNG, M. LEVEEN, P. gorodetzky, l. MAYER, P. DIAMOND, S. DEL SORDO, R. fiedler, b. BRYANT, M. -
Radcliffe Choral Society April, 2009
News from the Radcliffe Choral Society April, 2009 A Letter from Our President Dear Alumnae, After such a great year, I find it bitter-sweet to write to you my last letter as President of RCS. In the beginning of May, we will be holding our elections and ushering in a new group of dedicated and responsible women to take the reins and continue to push RCS forward. I cannot describe how honored I am to have been the President of such a Erin McKenna ‘09 and Kavita Kannan ‘09 intro- remarkable organization, especially in seeing how duce the Festival of Women’s Choruses in Memorial much we have accomplished in this past year. Our Church. year began with a fun-filled retreat with the Glee received significant honoraria for its performances on Club and a very musical concert with the Collegium tour – something that we hope continues for future Musicum. We then continued with our tradition of tours as RCS becomes more and more prominent a Christmas Concert with HGC in December before throughout the country and the world. Now, as we a well-deserved holiday break. Perhaps RCS’ most enter our final weeks of rehearsals for the Beethoven outstanding accomplishment this year was the Festival Missa Solemnis, I think it is very valuable for us to of Women’s Choruses in February, which was a great look back and see how much we have accomplished success! It allowed for a musical exchange and a in the last year. None of this could have been done strengthening of alumnae connections that could only without the gracious support of our alumnae, and for come about from such a large-scale celebration of this we sincerely thank you.