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“Carlos Valderrama” “Análisis Musical Del 0CONSERVATORIO REGIONAL DE MÚSICA DEL NORTE PÚBLICO “CARLOS VALDERRAMA” “ANÁLISIS MUSICAL DEL CONCIERTO PARA TROMPETA Y ORQUESTA EN Eb MAYOR DE FRANZ JOSEPH HAYDN” TRUJILLO 2019 TESIS PARA OBTENER EL TÍTULO DE LICENCIADO EN MÚSICA - TROMPETA AUTOR Wilson Artemio Anticona Saldaña ASESOR Willy Saavedra Villacrez TRUJILLO - PERU 2019 “ANÁLISIS MUSICAL DEL CONCIERTO PARA TROMPETA Y ORQUESTA EN Eb MAYOR DE FRANZ JOSEPH HAYDN” ii Dedicatorias Al ser más bondadoso que existe, Dios, por acompañarme en este difícil camino que es la vida y gracias a Él puedo considerarme un ser útil a la sociedad. A mis padres, Orlando Anticona Carranza y María Saldaña Villanueva, A mi esposa Rossmery Linares Panta y mis hermanos por su inmenso amor, comprensión, y su apoyo incondicional en la realización de mi carrera profesional. iii Agradecimiento Agradezco a todos los profesores del Conservatorio Regional de Música del Norte Publico “CARLOS VALDERRAMA” por las buenas enseñanzas que me brindaron durante los años de mi formación profesional. En especial a mi maestro Edinson Quispe, por el apoyo incondicional durante mis años de estudio, siendo mi modelo a seguir. iv PRESENTACIÓN Señores miembros del Jurado: En cumplimiento de las normas establecidas por el reglamento de titulación del Conservatorio Regional de Música del Norte Público “Carlos Valderrama” de Trujillo, con el fin de obtener el título profesional de Licenciado en Música, pongo a su consideración el trabajo titulado. ANÁLISIS MUSICAL DEL CONCIERTO PARA TROMPETA Y ORQUESTA EN Eb MAYOR DE FRANZ JOSEPH HAYDN - 2019” El presente trabajo es de una investigación básica que busca el análisis musical del concierto para trompeta y orquesta en Eb mayor de Franz Joseph Haydn. Esta investigación nos permita mejorar la enseñanza musical, empleando una metodología de fácil aplicación por parte de los docentes de trompeta. Se pone a disposición y consideración para fines de evaluación, el presente informe descriptivo satisfactoriamente. Señores del jurado, se sirvan dar su veredicto y emitir vuestras observaciones que el contenido amerite, las cuales tendremos en cuenta para superarlas oportunamente, a la vez deseo sirva de aporte a quien desea continuar un estudio de esta naturaleza. Br. Wilson Artemio Anticona Saldaña. v INDICE PORTADA ............................................................................................................. i TITULO ................................................................................................................. ii DEDICATORIA ................................................................................................... iii AGRADECIMIENTO ........................................................................................... iv PRESENTACIÓN. ................................................................................................ v INDICE ................................................................................................................ vi ANEXOS .............................................................................................................. x RESUMEN ........................................................................................................... xi ABSTRACT ........................................................................................................ xii INTRODUCCIÓN .............................................................................................. xiii CAPITULO I PROBLEMA DE INVESTIGACIÓN 1.1. DESCRIPCIÓN DE LA REALIDAD PROBLEMÁTICA ........................... 15 1.2. FORMULACION DEL PROBLEMA ......................................................... 16 1.3. JUSTIFICACION DE LA INVESTIGACIÓN ............................................. 16 1.4. ANTECEDENTES DE ESTUDIO ............................................................. 16 a. A Nivel Internacional ............................................................................. 16 b. A Nivel Nacional .................................................................................... 17 c. A Nivel Local .......................................................................................... 18 1.5. OBJETIVOS DE LA INVESTIGACIÓN .................................................. 18 1.5.1. OBJETIVO GENERAL ......................................................................... 18 1.5.2. OBJETIVOS ESPECÍFICOS ............................................................... 19 vi CAPITULO II MARCO TEORICO 2.1. ANALISIS .................................................................................................... 21 2.1.1. Principio del Análisis Musical ........................................................... 21 2.1.2. Objetivos Básicos del Análisis Musical ............................................ 22 2.1.3. Categorías en las relaciones de la Obra Musical ............................. 23 2.1.4. Tipos de Análisis .............................................................................. 24 2.1.4.1 El esquema Formal .............................................................. 24 2.1.4.2 Análisis temático .................................................................. 27 2.1.4.3 Análisis armónico ................................................................. 30 2.1.4.4 Análisis Shenkeriano ............................................................ 32 2.2. Aspectos técnicos, procedimentales ...................................................... 34 2.2.1. Melodía .............................................................................................................. 34 2.2.2. Armonía y Acompañamiento .......................................................................... 35 2.2.3. Ritmo .................................................................................................................. 36 2.2.4. Textura ............................................................................................................... 37 2.2.5. Tonalidad ........................................................................................................... 37 2.2.6. Conduccion de Voces ...................................................................................... 37 2.2.7. Timbre ................................................................................................................ 38 2.2.8. Dinamica ............................................................................................................ 38 2.2.9. Forma ................................................................................................................ 38 2.2.10. Varios ................................................................................................................. 39 vii 2.3. EL CONCIERTO ......................................................................................... 39 2.3.1. Definición .......................................................................................... 39 2.3.2. Características del concierto solista ................................................. 41 2.4. La Trompeta ............................................................................................... 41 2.4.1. Historia .............................................................................................. 41 2.4.2. Trompeta Natural .............................................................................. 43 2.4.3. Trompeta de Llaves .......................................................................... 44 2.5. LA ORQUESTA SINFÓNICA ..................................................................... 46 2.5.1. Historia .............................................................................................. 46 2.5.2. Origen ............................................................................................... 47 2.5.3. La Orquesta Barroca ........................................................................ 47 2.5.4. La Orquesta Clásica ......................................................................... 49 2.5.5. La Orquesta de Beethoven ............................................................... 51 2.5.6. La Orquesta Posterior a Beethoven ................................................. 53 2.5.7. La Orquesta Contemporánea ........................................................... 55 2.5.8. El Director de Orquesta .................................................................... 60 2.6. ANTECEDENTE HISTORICO DEL CONCIERTO PARA TROMPETA Y ORQUESTA EN Eb MAYOR DE FRANZ JOSEPH HAYDN ................. 60 2.6.1 Historia6 ................................................................................................ 0 2.7. BIOGRAFÍA DE FRANZ JOSEPH HAYDN ............................................... 65 2.7.1. Obras ................................................................................................ 66 2.7.2. Catálogo de las Obras de Haydn ...................................................... 67 2.7.3. Otros Trabajos de Música .................................................................. 68 viii CAPITULO III MARCO METODOLÓGICO 3.1. HIPOTESIS ................................................................................................. 70 3.2 VARIABLE .................................................................................................... 70 3.3. POBLACIÓN – MUESTRA .......................................................................... 70 3.4. TIPO DE INVESTIGACIÓN ......................................................................... 70 3.5. DISEÑO DE LA INVESTIGACION .............................................................
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