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The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
Noteworthy 16-2006
F.A.P. December 2OO7 Note-Worthy Music Stamps, Part 16 by Ethel Bloesch (Note: Part 16 describes stamps with musical notation that were issued in 2006.) ANTIGUA & BARBUDA Scott 2887 Michel 4353-4356 A sheet issued July 3, 2006 for the 250 th anniversary of the birth of Wolfgang Amadeus Mozart (1756- 1791). On the left side of the sheet are four stamps (three portraits of the young Mozart and a violin). The right side features a page of music superimposed on the unfinished portrait of Mozart by Joseph Lange, 1789. The music is the first page of the solo horn part to Mozart's Horn Concerto No. 3 in E-flat major, KV 447, now thought to have been written in 1787. The orchestration (clarinets and bassoons, rather than oboes and horns) and the lyrical musical style make this work more intimate and less extroverted than Mozart's three other horn concertos. ARMENIA Scott 730 Michel 540 A stamp issued March 28, 2006 for the 125 th anniversary of the birth of the Armenian musician Spiridon Melikian (1880-1933). His contributions to the musical culture of Armenia were wide- ranging: he engaged in expeditions to study Armenian folklore, wrote text-books and other musicological works, taught in the conservatory in Yerevan, and was one of the founders of the Armenian Choral Society. He also composed two children's operas, choral works, and songs. The stamp features a portrait of Melikian, with unidentified music in the background. AUSTRIA Scott 2067 Michel 2617 This stamp has been issued jointly by Austria and China on September 26, 2006. -
The Magic Flute
OCTOBER 09, 2015 THE FRIDAY | 8:00 PM OCTOBER 11, 2015 MAGIC SUNDAY | 4:00 PM OCTOBER 13, 2015 FLUTE TUESDAY | 7:00 PM FLÂNEUR FOREVER Honolulu Ala Moana Center (808) 947-3789 Royal Hawaiian Center (808) 922-5780 Hermes.com AND WELCOME TO AN EXCITING NEW SEASON OF OPERAS FROM HAWAII OPERA THEATRE. We are thrilled to be opening our 2014) conducts, and Allison Grant As always we are grateful to you, season with one of Mozart’s best- (The Merry Widow, 2004) directs this our audience, for attending our loved operas: The Magic Flute. This new translation of The Magic Flute by performances and for the support colorful production comes to us Jeremy Sams. you give us in so many ways from Arizona Opera, where it was throughout the year. Without your created by Metropolitan Opera This will be another unforgettable help we simply could not continue stage director, Daniel Rigazzi. season for HOT with three to bring the world’s best opera to Inspired by the work of the French sensational operas, including Hawaii each year. surrealist painter, René Magritte, a stunning new production of the production is fi lled with portals– Benjamin Britten’s A Midsummer But now sit back and enjoy Mozart’s doorways and picture frames–that Night’s Dream, directed by Henry The Magic Flute. lead the viewer from reality to Akina, with videography by Adam dreams. With a cast that includes Larsen (Siren Song, 2015) and a MAHALO Antonio Figueroa as Tamino and So spectacular production of Verdi’s Il Young Park as the formidable Queen Trovatore designed by Peter Dean Henry G. -
Media Release
Media Release FOR IMMEDIATE RELEASE: December 14, 2017 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s Main Stage Season Closes on March 17, 2018 with Daniel Catán’s Florencia en el Amazonas All Spanish speaking cast led by soprano Elaine Alvarez as Florencia Most famous work by Mexican composer Daniel Catán inspired by the Magical Realism of author Gabriel García Márquez San Diego, CA – San Diego Opera’s 2017-2018 mainstage season comes to close with Daniel Catán’s ode to magic realism, Florencia en el Amazonas, which opens on Saturday, March 17, 2018 at 7 PM at the San Diego Civic Theatre. Additional performances are March 20, 23, and 25 (matinee), 2018. Daniel Catán’s history with the Company goes back quite some time as San Diego Opera gave Catán’s opera, Rappacini’s Daughter, its American premiere, making him the first Mexican composer to have his work presented professionally in the United States. The success of Rapaccini’s Daughter led to international acclaim that resulted in the commissioning for Florencia en el Amazonas by Houston Grand Opera. Loosely inspired by Gabriel García Márquez’s novel, Love in the Time of Cholera, the opera follows the fictional opera singer Florencia Grimaldi as she returns to perform in her home town with the hopes of attracting the attention of her long lost love who has vanished in the Amazon forest collecting butterflies. As she journeys down the Amazon on a riverboat, Florencia becomes entwined in the lives of the other passengers whose conversations and passions lead her to self-realization and a metamorphosis. -
John Corigliano Was Born Into a Musical
Symphony No. 1 John Corigliano ohn Corigliano was born into a musical represented the first time in two decades Jfamily; his father (John Corigliano, Sr.) that the company presented a new work it served for more than two decades as con- had commissioned. In March 2000 Corigli- certmaster of the New York Philharmonic. ano won another notable honor: an Acade- As a young composer, he studied with Otto my Award for The Red Violin, his third film Luening at Columbia University and Vit- score, music that has gone on to become torio Giannini at the Manhattan School of popular as a concert work quite apart from Music and worked for nearly a decade with its original cinematic context. This was not Leonard Bernstein on the CBS broadcasts of the only distinction accorded to his music the New York Philharmonic Young People’s for The Red Violin; it also won the Canadian Concerts. Following an early period during Genie Award for best film score, the Quebec which his music — as he has described it Jeutra Award, and the German Critics’ Prize. — was a “tense, histrionic outgrowth of the With his Symphony No. 2 (an expanded ‘clean’ American sound of Barber, Copland, re-composition of his 1995 String Quartet) Harris, and Schuman,” he embraced a pos- he was awarded the Pulitzer Prize for Mu- ture in which Romantic grandeur can rub sic in 2001. Since 1991 Corigliano has been elbows with a modernist musical vocabu- a member of the American Academy of Arts lary. The New York Philharmonic has a long and Letters; in 1992 Musical America named and deep history with his work, having per- him its first Composer of the Year; and in formed 15 of his symphonic compositions 2002 he was honored with the Gold Medal since 1980. -
GRETCHEN KRUPP Mezzo-Soprano
GRETCHEN KRUPP Mezzo-Soprano Named a Grand Finalist in the 2018 Metropolitan Opera National Council auditions, American mezzo-soprano Gretchen Krupp is gaining recognition in major competitions and festivals on the operatic scene. Ms. Krupp recently performed the role of Samira in Corigliano’s The Ghosts of Versailles in her European debut at the Château de Versailles Spectacles. She was also awarded the prestigious Georgina Joshi International Fellowship for opera studies in Berlin. In the summer of 2020, Gretchen was a Filene Artist with Wolf Trap Opera where she sang a number of virtual programs including excerpts from Eugene Onegin, Orfeo ed Euridice, and L’Orfeo. Her much-anticipated 2021 debut with The Dallas Opera as Tebaldo in Verdi’s Don Carlo, as well as standing by for Princess Eboli, Marcellina in Le nozze di Figaro and Sylvie in the world premiere of Talbot’s The Diving Bell and the Butterfly, was unfortunately canceled due to the Covid-19 pandemic. The 2018-2019 season included her return to the Glimmerglass Festival where she made role debuts as Samira in The Ghosts of Versailles and Mrs. Noye in Britten’s Noye’s Fludde. She made a mainstage debut with Greensboro Opera as the Witch in Hansel and Gretel, and role debuts as Cornelia in Giulio Cesare under the baton of Gary Thor Wedow, and Mè re Marie in Dialogues des Carmélites, directed by Francesca Zambello. In 2018 Gretchen debuted with the Glimmerglass Festival performing the roles of Chocholka, Woodpecker, and Innkeeper’s Wife in The Cunning Little Vixen. In 2017, she was a Studio Artist at Wolf Trap Opera in Vienna, VA. -
Albert Herring Music by Benjamin Britten Libretto by Eric Crozier
Four Hundred Ninety-Sixth Program of the 2011-12 Season _______________________ Indiana University Opera Theater presents as its 422nd production Albert Herring Music by Benjamin Britten Libretto by Eric Crozier Based on the novella Le Rosier de Madame Husson by Guy de Maupassant Arthur Fagen, Conductor James Marvel, Stage Director James Marvel, Set & Costume Concept Patrick Mero, Lighting Designer _________________ Musical Arts Center Thursday, February Ninth Friday, February Tenth Saturday, February Eleventh Eight O’Clock Sunday, February Twelfth Two O’Clock music.indiana.edu Rosenkavalier Richard Strauss Conductor: David Effron Stage Director: Vincent Liotta Set & Costume Designers: William Forrester & Linda Pisano Last produced in 1966! Couple photo by Ken Howard, courtesy of The Santa Fe Opera. NEW Production Your once-in-a lifetime opportunity to FEBRUARY enjoy Strauss’s elegant world of the 7PM glitterati in this grand new production! 24, 25 MARCH For tickets and subscriptions, visit the Musical Arts Center Box Office, (812) 855-7433, or go online to music.indiana.edu/operaballet. 2, 3 7PM Opera Insights 6pm Synopsis Takes place in the village of Loxford, East Suffolk. Act I Scene 1: Home of Lady Billows The aristocratic Lady Billows has decided to revive the local May Day Festival. She appoints a small committee to help identify a suitably chaste village girl to be crowned May Queen and offers 25 guineas as the prize. When the committee has its final meeting in April, the evidence against its nominees is universally damning—not one of the local girls still qualifies to win the prize. The Superintendent of Police comes to the rescue. -
Percorso Didattico Su “Le Nozze Di Figaro” Di Mozart a Cura Di Benedetta Toni
Percorso didattico su “Le Nozze di Figaro” di Mozart a cura di Benedetta Toni Scopriamo i personaggi dell’opera e l’intreccio attraverso le arie di rilievo: Arie di rilievo Atto I - Cavatina: "Se vuol ballare, signor Contino" (Figaro) - Aria: "Non so più cosa son, cosa faccio" (Cherubino) - Aria: "Non più andrai, farfallone amoroso" (Figaro) Atto II - Cavatina: "Porgi, amor, qualche ristoro" (Contessa) - Canzone: "Voi che sapete" (Cherubino) - Aria: "Venite, inginocchiatevi" (Susanna) Atto III - Recitativo e Aria: "Hai già vinta la causa! – Vedrò mentr'io sospiro" (Conte) - Recitativo e Aria: "E Susanna non vien – Dove sono i bei momenti" (Contessa) Atto IV - Cavatina: "L'ho perduta" (Barbarina) - Recitativo e Aria: "Tutto è disposto – Aprite un po' quegl'occhi" (Figaro) - Recitativo e Aria: "Giunse alfin il momento – Deh, vieni, non tardar" (Susanna) ATTO PRIMO Scena II: Se vuol ballare, signor Contino - Cavatina (Figaro) - Allegretto (fa maggiore). Presto. Allegretto. Presto - 2 oboi, 2 fagotti, 2 corni, archi N. 3 Cavatina Mozart, destinando a Figaro ben tre Arie (nn. 3,10 e 27b), più che a tutti gli altri personaggi, evidenzia la sua superiorità: in quanto personaggio maschile positivo mostra la sua sensibilità a cedere con prontezza alla ragione femminile, espressa da Susanna, e tramite la donna amata, compie un percorso iniziatico in cui mette alla prova sia la sua capacità di relazionarsi con il mondo, sia il controllo dei suoi sentimenti e delle sue emozioni. La cavatina, o aria di sortita, è l’aria con cui ciascun personaggio dell’opera lirica si presenta in scena. In questa cavatina, il primo assolo dell’opera, Figaro mostra il coraggio che lo anima, progettando una strategia per contrastare le macchinazioni (tutte le macchine rovescerò) del Conte che vuole sedurre Susanna, la cameriera della Contessa sua promessa sposa. -
Wolfgang Amadeus Mozart A. Wolfgang Amadeus Mozart (1756–1791) I
Student Study Outline Chapter 33: Wolfgang Amadeus Mozart I. Chapter 33: Wolfgang Amadeus Mozart a. Wolfgang Amadeus Mozart (1756–1791) i. Child prodigy who began composing at age five ii. Leading keyboard virtuoso iii. Short life and financially insecure b. Mozart’s Life and Career i. Born to a musical family in Salzburg, Austria ii. Father Leopold took his children on an international tour in 1763 iii. 1772– invited to join the court musicians by archbishop of Salzburg iv. 1781– wrote an Italian opera to be presented in Munich v. Vienna– turning point in his career c. Making Connections: Mozart as Freemason i. Joined the Freemasons in 1784 d. Mozart’s Music i. Over 600 compositions ii. Cataloged in the 19th century by Ludwig von Köchel iii. Operas– performed often 1. Italian– The Marriage of Figaro, Don Giovanni 2. German– The Abduction from the Seraglio, The Magic Flute iv. Sacred music v. Symphonies 1. No. 40 in G minor 2. No. 41 in C major (Jupiter) vi. Nearly 40 concertos vii. Chamber music e. Making Connections: Mozart and Posterity i. Legends f. Mozart and the Classical Concerto i. Piano Concerto No. 23 in A major, K. 488, First Movement Listening Map 29 1. First movement a. Tutti b. Solo c. Cadenza g. Mozart and Italian Opera i. C.W. Gluck (1714–1787) 1. Gluck’s reforms influenced Mozart ii. Opera seria iii. Opera buffa 1. The Marriage of Figaro a. Mozart, The Marriage of Figaro, K. 42, Act I, Scene 1, Figaro and Susanna, “Se a casa madama” (1786) Listening Map 30 b. -
The a - Z of Mozart Opera Classical Opera / Ian Page
The A - Z of Mozart Opera Classical Opera / Ian Page 6719_CLA_The A-Z of Mozart Opera_BOOKLET_FINAL.indd 1 10/01/2014 16:24 THE A-Z OF MOZART OPERA Page Page 1 Apollo et Hyacinthus – Duetto, “Natus cadit” 5’37 12 10 Die Entführung aus dem Serail – Aria, “Konstanze… O wie ängstlich” 4’37 20 Martene Grimson (Melia), Allan Clayton (Oebalus) Andrew Staples (Belmonte) 2 La finta semplice – Aria, “Amoretti, che ascosi qui siete” 4’50 13 11 Le nozze di Figaro – Cavatina, “Se vuol ballare, signor Contino” 3’12 20 Rebecca Bottone (Rosina) Matthew Rose (Figaro) 3 Bastien und Bastienne – Aria, “Diggi, daggi, schurry, murry” 1’29 13 12 Don Giovanni – Canzonetta, “Deh vieni alla finestra” 2’06 21 Matthew Rose (Colas) Mark Stone (Don Giovanni) 4 Mitridate, re di Ponto – Duetto, “Se viver non degg’io” (original version) 7’47 13 13 Così fan tutte – Quintetto, “Di scrivermi ogni giorno” 2’32 22 Rebecca Bottone (Aspasia), Martene Grimson (Sifare) Anna Leese (Fiordiligi), Cora Burggraaf (Dorabella), Andrew Staples (Ferrando), Mark Stone (Guglielmo), Matthew Rose (Don Alfonso) 5 Lucio Silla – Aria, “Fra i pensier più funesti” 3’13 14 Anna Leese (Giunia) 14 La clemenza di Tito – Duetto, “Ah perdona al primo affetto” 2’52 24 Rebecca Bottone (Servilia), Cora Burggraaf (Annio) 6 La finta giardiniera – Cavatina, “Geme la tortorella” 4’42 15 Klara Ek (Sandrina) 15 Die Zauberflöte – Quintetto, “Hm! hm! hm! hm!” 6’17 25 Klara Ek, Martene Grimson, Jennifer Johnston (Drei Damen), 7 Il re pastore – Finale, “Viva l’invitto duce” 6’26 15 Allan Clayton (Tamino), Mark Stone (Papageno) Cora Burggraaf (Aminta), Rebecca Bottone (Elisa), Anna Leese (Tamiri), Andrew Staples (Alessandro), The Orchestra of Classical Opera Allan Clayton (Agenore) Ian Page (conductor) 8 Zaide – Aria, “Ruhe sanft, mein holdes Leben” 5’59 17 Susan Gritton (Zaide) Produced and edited by Richard Sutcliffe. -
For Immediate Release April 1, 2010
PITTBURGHOPERA page 1 For Immediate Release April 1, 2010 Contact: Kesha M. Pate, Public Relations Manager Office: (412) 281-0912 ext 248 or [email protected] Wedding-Day Madness: Mozart’s The Marriage of Figaro opens April 24 at Pittsburgh Opera What: Wolfgang Amadeus Mozart’s The Marriage of Figaro Where: Benedum Center for the Performing Arts 7th Street and Penn Avenue, Downtown Pittsburgh When: Saturday, April 24, 8:00 PM Tuesday, April 27, 7:00 PM Discover Yourself Friday, April 30, 8:00 PM Sunday, May 2, 2:00 PM 2009-2010 Season Run Time: 3 hours, 15 minutes, including 1 intermission Language: Sung in Italian with English texts projected above the stage Tickets: Start at $10. Call 412-456-6666 for more information or visit www.pittsburghopera.org Pittsburgh, PA…Pittsburgh Opera presents Wolfgang Amadeus Mozart’s comic masterpiece The Marriage of Figaro at the Benedum Center for the Performing Arts April 24 – May 2, 2010. This delightful opera twists and turns through the chaotic wedding day of Figaro and Susanna with hijinx and trickery around every corner. Former Pittsburgh Opera Resident Artist and current Metropolitan Opera bass Oren Gradus stars as Figaro, with soprano Sari Gruber as Susanna; Pamela Armstrong and Michael Todd Simpson return to Pittsburgh Opera as the Count and Countess. All the artists in this sterling ensemble currently enjoy active international careers. Zheng Cao also returns to Pittsburgh Opera, marking her first operatic performance since her diagnosis and treatment of stage four cancer. Kristine McIntyre returns to direct. Gary Thor Wedow will conduct. (more) 2425 Liberty Avenue Pittsburgh, PA 15222 www.pittsburghopera.org PITTBURGHOPERA page 2 Facts About The Opera and Composer The opera The Marriage of Figaro is a comic opera composed by Wolfgang Amadeus Mozart, with an Italian libretto by Lorenzo Da Ponte. -
Performer Biographies
TOSCA Performer Biographies Making both her San Francisco Opera and role debuts as Tosca, soprano Carmen Giannattasio first received international notice after a first-place win at the 2002 Operalia competition in Paris, followed in 2007 by a tour-de-force performance as Violetta in Scottish Opera’s production of La Traviata. As equally comfortable in bel canto as she is in Verdi and Puccini, she has distinguished herself in the title role of Norma at Munich’s Bavarian State Opera, Violetta at the Metropolitan Opera, Mimì in La Bohème at the Deutsche Oper Berlin, Alice Ford in Falstaff at Teatro alla Scala and Vienna State Opera, Leonora in Il Trovatore at Vienna State Opera, and Nedda in Pagliacci at Dresden’s Semperoper and the Royal Opera House, Covent Garden, among other roles. Upcoming engagements include Hélène in Les Vêpres Siciliennes at the Bavarian State Opera, Margherita in Mefistofele at the Bavarian State Opera and Chorégies d'Orange, and Amalia in I Masnadieri at the Opéra de Monte-Carlo. Tenor Brian Jagde (Mario Cavaradossi) made his San Francisco Opera debut in 2010 as Joe in La Fanciulla del West and most recently returned to the Company as Calaf in Turandot, Radames in Aida, Don José in Carmen, and Pinkerton in Madama Butterfly. Last season, Jagde made role debuts as Maurizio in Adriana Lecouvreur at the Royal Opera House, Covent Garden and Froh in Das Rheingold in his first appearance with the New York Philharmonic. He also performed as Pinkerton in a house debut at Washington National Opera, and he sang for the first time at Madrid’s Teatro Real as Macduff in Macbeth and at Oper Stuttgart as Cavaradossi.