Gary Adcock 2018 CAMERA COMPARISON CHART Thomas Fletcher Latitude Recorded Bit Depth List Price GARY ADCOCK & Imager Pixel Resolution of Data Weight Power Notable Camera Only ISO Manufacturer Frame Rates Format & Time Highlighted Positives (Actual Size) Published Recorded Media (Per Min) (Body Only) Draw Credits (US Dollars) (Highest Internal Record @ 24 fps) THOMAS FLETCHER Spec Sorted by

ARRIRAW & ProRes 12 Bit Log ARRIRAW: Immersive large format aesthetic. Terminator ARRIRAW ARRIRAW: 135W $98,200 LFOG - 4448x3096 LFOG 2TB SXR CD: 64 min ALEXA image: wide latitude, Lyrebird LFOG|LF16.9|LF2.39 LFOG 30 GB RAW (price LF16:9 - 3840x2160 LF16:9 2TB SXR CD: 107 min LF16:9 18.2 GB great skin tones, low noise His Dark Materials CMOS .75-90|.75-90|.75-150 17.2 lbs. 120W includes LF LF Last Thing He 44.7mm Ø 800 14+ 2:39 - 4448x1856 2.39 2TB SXR CD: 108 min LF2.39 18.1 GB ProRes Fast & efficient ProRes. other Base Stops 12 bit Log C ProRes 4444: ProRes: Uncompressed & unencrypted ARRIRAW Wanted accessories 36.7 × 25.5mm ProRes LF GB 7.8 kg ProRes Only LFOG/2TB SXR CD: 64 min OG 15.4 w/EVF & HDR recording & monitoring. Umbrella Academy such as EVF LFOG|LF16:9|LF2.39 LF16:9 9.2 GB ARRI LF16:9 2K 2048x1152 LF16:9/2TB SXR CD: 107 min wireless 150 fps, built-in wireless video. She’s Gotta Have It & Wireless .75-60|.75-60|.75-100 LF2.39 9.1 GB System) ALEXA LF LF16:9 HD 1920x1080 LF2.39/2TB SXR CD: 108 min video Netflix approved Many commercials

OG Darkest Hour .75-90fps OG 12 Bit ARRIRAW $85,320 16.6 GB True Anamorphic 4:3 Imager Game of Thrones .75-96fps 4:3 OG 512GB XR CD - 29 min (price Wide Latitude Ideal for HDR Ocean's Eight CMOS .75-96fps 6:5 OG 3424 x 2202 4:3 512GB XR CD -39 min 14.3 lbs. Proven Reliable, Post-Efficient includes 800 14+ 4:3 Rampage other .75-120fps 16:9 4:3 2880 x 2160 16:9 512GB XR CD - 47 min 90W Records ProRes in Log C, 709 or 709 w/ 33.6mm Ø Base Stops 13.7 GB Madam Secretary accessories No Mirror 16:9 3168 x 1782 OG 2TB SXR CD - 117 min 6.5 kg look; allows 3 independent MON outs: 28.3 × 18.2mm StarTrek: Discovery such as EVF .75-60fps 4:3 2TB SXR CD -142 min 709, 2020 or Log C. ARRI 16:9 L'amant Double & Wireless All with Mirror 16:9 2TB SXR CD - 157 min Option built-in wireless video System) ALEXA SXT 12.5 GB John Wick 2

1-60fps 7&8K 8K 8192 x 4320 17+ 16 bit 8K FF 5:1 Now Apocalypse 1-75fps 6K 7K 7168 x 3780 Internal Dual Record Compressed RAW CMOS Stops REDCODE 8KFF 5:1 15.5 GB 3.3 lbs. Stranger Things 800 1-96fps 5K 6K 6144 x 3240 w/ ProRes or DNx 46.3mm Ø 512Mag -31 min 60W The Tick $54,500 Base 1-120fps 4K 5K 5120 x 2700 New DMC2 Body Design w/ 1TB SSD - 63 min 6K FF 3:1 1.5 kg Numerous National 41.0 x 21.6mm FPS increases when 4K 4096 x 2160 Netflix Approved RED HDRx (HDRx Cuts Time in Half) 14.6 GB Commercials shooting 2.4:1 2K 2048 x 1080 DSMC2 Monstro

OG - .75-30 45W Super Lightweight Carbon Body Blade Runner 2049 ARRIRAW 16:9 OG 3424 x 2202 12 Bit ARRIRAW Arriraw Body ALEXA Sensor Latitude and Black Panther .75-48 fps 4:3 - 2880 x 2160 16.6 GB 5 lbs. Only HDR image quality Shape of Water CMOS 800 14+ 4:3 ProRes .75-50 UHD 16:9 3840 x 2160 ProRes4444XQ UHD Integrated Lens Motor Control Tomb Raider $45,720 33.6mm Ø Base Stops 16:9 .75-200 16:9 2048 x 1152 512GB CFast - 38 min ProRes 8.7 2.3 kg 75W Motorized ND filters The Affair ARRI 28.3 × 18.2mm 6:5 ProRes.75-150 16:9 1920 x 1080 Records Classic ALEXA formats GB With Exchangeable Lens Mounts Lethal Weapon ALEXA Mini 8:9 ProRes.75-150 Acc Perfect for Gimbals & Multicopters Handmaid's Tale

1 6K Full Frame (36mm x 24mm) Sensor 6K1 FF 6048 x 4032 85W Dual Base ISO Operation Dual 3:2 | 1.85 | 2.39 6K 17:9 6054 x 31921 14 GB Avatar Sequels System PL Mount & Professional E-mount1 CMOS 500 24 30 30 4K 6:5 4096 x 3432 16 Bit 6K 3:2 8.5 lbs. Atypical 15+ 8 Step Internal motorized Optical ND & 4K 4:3 4096 x 3024 XOCN ST Wine Country $42,000 43.5mmØ Stops 60W Filter System 2500 4K 1TB AXS SSD - 60 Min 5 GB 3.9 kg Maroon 5's "Girls 36.2 x 24.1mm 4K 4096 x 2160 Body Sensor extension option Base 6:5 | 4:3 | 17:9 4K 17:9 Like You" UHD 3840 x 2160 Only Lightweight magnesium body Sony Venice 30 48 60 HD 1920 x 1080 Netflix Approved PURE & V35 PURE Fahrenheit 451 Pure Dual VARICAM LT Exceptional Low Light Performance 1-120 fps VRaw & 4K 4096 x 2160 12.2 lbs. PURE Ozark $48,000 800 AVC-I 422-4K , ProRes HD LT Clean Signal @ 5000 ASA CMOS 14+ AVC-Intra 4K422 UHD 3840 x 2160 V35 105W Sun Records V35 & 512GB Express P2 Card 4:2:2 LT RAW via Atomos Shogun Inferno & 27.8mm Ø Stops VARICAM LT 2K 2048 x 1080 11.4 lbs. V35 99W 13 Reason Why $43,000 5000 180 min -AVC-I 422-4K 2.3GB Convergent Design Odyssey 7Q & 7Q 24.6 x 12.9mm AVC-Intra 4K422 HD 1920 x 1080 LT LT 47W The Red Sea Diving LT Base 124 min - ProRes HD Netflix Approved Panasonic VariCam (3 Models) 1-30 & 1-60 (Ext) 6 lbs. Resort $18,000 7.7 lbs. 16 Bit 49W Ultra Wide Color Gamut 7.1 GB 3.5 kg $35,970 1-120fps @ 4K 4K 4096 x 2160 512GB AXSM System Lightweight & Small Profile The Crown CMOS 4K RAW F55 & R7 1250 14 1-180fps @2K UHD 3840 x 2160 4K Raw- 60min 1250 ISO w/ Global Shutter Sense8 $28,990 27.1mmØ Base Stops 1-180fps @HD 2K 2048 x 1080 4K-X-OCNST - 84min 25W 2x Anamorphic De-Squeeze Blacklist Body Only 2.3 GB 4.9 lbs. 24 x 12.7mm 1-240 @2K Raw HD 1920 x 1080 XAVC 10 Bit 4:2:2 Body 2K Mode Uses Full Sensor Big Bang Theory $6,980 4K XAVC 2.2 kg 4K 2K HD Only Netflix Approved Recorder Sony F55 w/R7 F55 Only

1Future 2Select Shots 3 Manufacturer’s Published Spec Camera must be available for sale and rent | Please report any discrepancies to [email protected] 2018 Camera Comparison Chart v17.xlsx Thomas Fletcher 2018 CAMERA COMPARISON CHART Gary Adcock Latitude Recorded Bit Depth List Price GARY ADCOCK & Imager Pixel Resolution of Data Weight Power Notable Camera Only ISO Manufacturer Frame Rates Format & Time Highlighted Positives (Actual Size) Published Recorded Media (Per Min) (Body Only) Draw Credits (US Dollars) (Highest Internal Record @ 24 fps) THOMAS FLETCHER Spec Sorted by

12 Bit This is Us 2.8K RAW ARRIRAW up 48fps w/ SUP and License 3840 x 2160 ARRIRAW Ballers .75-60 fps - UHD 10GB 9.2 lbs. Lightweight Comfortable Handheld CMOS 800 14+ 3200 x 1800 512GB CFast - 50 min Fire at Sea CMOS .75-48fps - ARRIRAW 50W 4K UHD & 3.2K Record Options $35,000 Base Stops 2048 x 1152 The Ivory Game 27.2mm Ø .75-200fps- ProRes ProRes UHD 4.1 kg Powerful In-Camera Color Grading 1920 x 1080 ProRes 4:4:4 XQ UHD Chicago PD 23.8 × 13.4mm 13.4GB 200 fps Slow Motion ARRI AMIRA 512GB CFast - 38 min The Who - Tommy

Canon C700 1-60 4.5K 12bit RAW 4512 x 2376 12 Bit -RAW 75.2W High Sensitivity / Low Noise $34,995 1-100 4.5K 10bit RAW 4.5K Raw Internal Motion Tracking with Codex CMOS 4512 x 1920 10 Bit - XF-AVC YCC422 7.6 lbs. RAW The Innocent Man 800 15 1-60fps 4K 12bit RAW 22GB DualPixel AutoFocus 32.6mm Ø 4096 x 2160 22 min 64GB ProRes 422 HQ Homeland 2 $28,000 Base Stops 1-120 4K 10bit RAW 4K ProRes IP output over Ethernet Body only 3840 x 2160 12 min 64GB Cinema RAW 3.4 kg 59.1W The Ritual 2 28.9 × 15.2mm 1-60 4K 10bit XF-AVC 5.3GB C700FF Coming Soon $6,995 RAW Requires Codex Recoder 1-30 4K 10bit ProRes 2K & HD ProRes Netflix Approved Codex 1-60fps 7&8K 8K 8192 x 4320 Mortal Engines 16.5+ 16 Bit Internal REDCODE RAW Compressed 1-75fps 6K 7K 7168 x 3780 Mindhunter Stops REDCODE - 8K FF @ 5:1 3.3 lbs. Internal Dual Record Compressed Raw CMOS 800 1-96fps 5K 6K 6144 x 3240 8K FF 5:1 Future Man 512GB SSD - 31 min 60W w/ ProRes or Avid DNx Codecs $24,500 33.8mm Ø Base 1-120fps 4K 5K 5120 x 2700 15.5 GB The OA RED w 1TB SSD - 63 min 1.5 kg New DSMC2 Body Design 29.9 × 15.8mm FPS increased 4K 4096 x 2160 Unbreakable HDRx (HDRx Cuts Time in Half) Netflix Approved DSMC2 Helium when shooting 2.4:1 2K 2048 x 1080 Kimmy Schmidt Exceptional in Low Light 16.5+ 1-75fps 5K 16 Bit 33 ISOLE Dual 5K 5120 × 2700 ProRes & DNxHD In cam Record 1-120fps 4K DCI REDCODE - 5K FF @ 2:1 3.3 lbs. CMOS 800 Stops 4K 4096 × 2160 5K FF 2:1 240fps Slow Motion 1-240fps 2K 512GB SSD - 44 min 60W Newly Released $19,500 35.6mm Ø 3200 3K 3072 × 1620 15.1 GB Larger Sensor Good for Anamorphic RED w FPS increased 1TB SSD - 87 min 1.5 kg Camera More 30.7 × 18mm Base 2K 2048 × 1080 New DSMC2 Body Design HDRx when shooting 2.4:1 Credits Coming Soon DSMC2 Gemini (HDRx Cuts Time in Half) Netflix Approved

10 Bit 4:2:2 Pro Res HD Workflow Option Amazing Race 4K 4096 x 2160 XAVC-I HD, UHD 2.3GB 4.5 lbs. External 12bit 4KRaw Record Closed Course CMOS 2000 14 1-60fps @ 4K UHD 3840 x 2160 HD XQD 128GB = 55min 4K 19W Electronic Vari ND Filter Family Life $13,199 27.1mmØ Base Stops 1-180fps @HD 240fps at 2K RAW External 23.5 x 13.7mm 1920 x1080 ProRes 4:2:2 HQ XAVC 2.0 kg Annabelle Hooper - Sony FS7 II XQD 128GB = 74min Netflix Approved Ghosts of Nantucket 12/10 Bit RGB Before the Flood 2K 4.4 lbs. Canon Log 3 HDR Exposure Latitude 1-120 fps @ 2K/HD 4096 x 2160 XF-AVC-Intra 4:4:4 Grace and Frankie 1.7 GB Exceptional Sensitivity CMOS 800 15 3840 x 2160 128GB CFast - 75 min I Love Dick 2.9 kg 21.2W Canon RAW via external recorder $11,999 29.8mm Ø Base Stops 1-30 fps @ 2048 x 1080 10 Bit YCC 4:2:2 Our Souls at Night 4K (PL 2/4/6/8/10 Stop ND Filters 26.4 x 13.8mm 4K/UHD 1920 x 1080 XF-AVC Intra RBG 3.1 GB Version) Netflix Approved Canon EOS C300 Mark II 128GB CFast - 40 min Transparent

5720x3016 All-I 400 Dual Native ISO Various Fashion, 1-30 @ 5.7K External RAW MOV 10bit 4:2:2 2.6 lbs. 5.7K/4K/2K RAW out to ext. recorder Commercials, Music 800 14 External RAW 4K CMOS 4096 x 2160 128GB - 40 min 19W V-Log/V-Gamut, HLG mode - Live HDR Videos, lifestyle $7,495 2500 Stops 1-60 @ 4K/UHD 3.2 GB 29.8mm Ø 3840 x 2160 Mov/AVHD 8bit 4:2:0 1.2 kg Affordable SD card media show and 24.6 x 13mm 1-240 @ 2K/HD Panasonic EVA-1 2K 1080p 720p H.264/MP4 AVCH Netflix approved documentaries

2 Cinema DNG & Pro Res 12 Bit (Log) Cinema DNG 10.6 GB 4.6K Sensor w/ High Dynamic Range ID: Resurgence 12-60 fps 4.6K 4.6K 4608 x 2592 12bit RAW & ProRes to CFast or SD 512GB CFast RAW 3:1 5 lbs. The Fosters 2 CMOS 800 15 4.6K 2.40 4608 x 1920 Internal ND Filters: 2, 4, 6 stops 4.6K Lossless RAW -25 min 45W 2 $5,995 29.1mm Ø Base Stops 12-120fps 2K &HD 4K 16:9 4096 x 2304 Changeable EF, PL, F & B4 mounts The Resident 4.6K RAW 3:1 - 48 min 7.75 GB 2.3 kg 2 25.3 x 14.2mm (Windowed ) 4K DCI 4096 x 2160 Includes DaVinci Resolve Studio Three Billboards Blackmagic URSA Mini Pro UHD, 3K ANA. 2K & HD 4.6K ProRes XQ - 27 min 4.6K ProRes Netflix Approved Let's Play 2 |Pearl Jam

4:4:4 Color Sampling Star Wars- Last Jedi 1-150 fps 16 Bit (Linear) 25 lbs. Full Aperture 6K 4K 2K Established Workflow I.Tonya 500 15-16 Arri 435 10 Bit (Log) 11.3 kg 55W .77 ₵ 31.1mm Ø Uncompressed N/A Widest Available Latitude Baby Driver Base Stops 1-60 fps 3P 14m48s 1000' ARRICAM per foot 24.9 x 18.1mm (via Scanner) Proven Archival Value Westworld Sync Sound Body 4P 11m06s 1000' 400' Load 35mm Film Netflix Approved Walking Dead 16mm

1Future 2Select Shots 3 Manufacturer’s Published Spec Camera must be available for sale and rent | Please report any discrepancies to [email protected] 2018 Camera Comparison Chart v17.xlsx