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EDITED TRANSCRIPT Eros STX Global Corporation – Business Update Call
NOVEMBER 04, 2020 / 9:30PM GMT, Eros STX Global Corporation – Business Update Call REFINITIV STREETEVENTS EDITED TRANSCRIPT Eros STX Global Corporation – Business Update Call EVENT DATE/TIME: NOVEMBER 04, 2020 / 9:30PM GMT REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2020 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. 1 NOVEMBER 04, 2020 / 9:30PM GMT, Eros STX Global Corporation – Business Update Call CORPORATE PARTICIPANTS Adam Fogelson: STX Films - Chairman Andy Warren: Eros STX Global Corporation - CFO Bob Simonds: Eros STX Global Corporation - Co-Chairman & CEO Drew Borst: Eros STX Global Corporation - EVP Investor Relations & Business Development Noah Fogelson: Eros STX Global Corporation - Co-President Rishika Lulla Singh: Eros STX Global Corporation - Co-President & Director CONFERENCE CALL PARTICIPANTS Eric Katz, Wolfe Research, LLC - Research Analyst Robert Routh, FBN Securities, Inc., Research Division - Research Analyst Robert Fishman, MoffettNathanson LLC - Analyst Ted Cronin, Citigroup Inc., Research Division - Research Analyst Tim Nollen, Macquarie Research - Senior Media Analyst PRESENTATION Operator Good afternoon, ladies and gentlemen, and welcome to Eros STX Global Corporation Business Update Call. This call is being broadcast live on the Internet, and a replay of the call will be available on the company's website. The company published earlier certain financial information, including a 20-F transition report and 6-K filing which are available on the company's website. The company would like to remind everyone listening that during this call, it will be making forward- looking statements under the safe harbor provisions of the federal securities laws. -
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Golden Ticket Awards • September 16 & 17, 2011 COURTESY S
GOLDEN TICKET BONUS ISSUE TM www.GoldenTicketAwards.com Vol. 15 • Issue 6.2 SEPTEMBER 2011 Holiday World hosts Golden Ticket event for third time Amusement Today sees the biggest voter response in survey history 2011 . P . I GOLDEN TICKET . V AWARDS BEST OF THE BEST! Holiday World & Splashin’ Safari Host Park • 2011 Golden Ticket Awards • September 16 & 17, 2011 COURTESY S. MADONNA HORCHER STORY: Tim Baldwin strate the big influx of additional voters. [email protected] Tabulating hundreds of ballots can seem SANTA CLAUS, Indiana — It was Holiday like a somewhat tedious and daunting task, World’s idea for Amusement Today to pres- but a few categories were such close races, ent the Golden Ticket Awards live in 2000. that a handful of winners were not determined The ceremony was on the simple side, and until the very last ballots in the last hour of now over a decade later, the park welcomes tabulation. These ‘nail biters’ always keep us AT for the third time. A lot has changed since on our toes that there is never a guarantee of that time, as the Golden Ticket Awards cere- any category. mony has grown into a popular industry event, The dedication of our voters is also admi- filled with networking opportunities and occa- rable. People have often gone to great lengths sions to see what is considered the best in the to make sure we receive their ballot in time. industry. And as mentioned before, every vote abso- What has also grown is the voter response. lutely counts as just a few ballots determined The 2011 awards saw the biggest response some winning categories. -
Universal Pictures Media Dossier
Universal Pictures Media Dossier For: Dr. Gregory Levey Strategic Media Relations PC8107 By: Nikolai Pajkovic 500581586 [email protected] EXECUTIVE SUMMARY The aim of this public relations campaign is to first and foremost announce and promote the release of The Hunt directed Craig Zobel and produced by Blumhouse Productions. The film will be released in theatres across North America on June 12th, 2020. Universal Pictures cancelled the film’s initial release date of September 27th, 2019 following the Dayton, El Paso, and Gilroy shootings. Therefore, a secondary objective of this campaign is to offer the public clarification for the film’s initial cancellation, as well as provide an explanation as to why this summer presents us with a more suitable release date. In doing so, our talking points, backgrounder, media release and Q&A aim to help Universal Pictures deter any unnecessary and unwarranted criticism of the film leading up to its release. I do not think that Universal Pictures should shy away from the media or from discussing the film’s potentially provocative subject matter, but when doing so should stick to our talking points. From a marketing/promotions perspective, encouraging this kind of conversation around the film will likely draw major media attention, which would possibly lead to increased box office numbers. In this dossier, a fact sheet is offered as a quick way for journalists to acquire information about the film and its release. Our talking points are intended to be used by Universal Pictures employees when dealing with the media. They aim to diminish any instances of inflammatory questioning and also look to gently reverse the narrative that The Hunt could promote violence. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Coaster 15.02.2010 11:47 Uhr Seite 2
E_44_46_Coaster 15.02.2010 11:47 Uhr Seite 2 COASTER An adrenalin-kick with interesting theming A theme park is basically a location for the whole family. Is it then particularly clever to theme a coaster after one of the most horrible over-18 horror film series? The answer is yes – when those concerned are cal- led Thorpe Park! The family public is only catered to as a side line at Thorpe; the focus is clearly on the target groups that Text: Tim Herre SAW demand action, action, and more action. And so it’s Photos: Jennifer Born no wonder that "Saw – The Ride” has become an absolute crowd-pleaser. n order to understand this, one must be familiar Naturally there are controversial discussions about Iwith the history of the Tussauds parks in the Lon- whether the whole thing hasn’t gone over the limits don area. Up until the beginning of the new millen- and all borders of good taste, and those who shout nium, two identically equipped theme parks in the in answer "yes, naturally”, and continue to shout, are immediate vicinity, vied for the attention of visitors to right somehow. But only somehow, because the fas- the English Capital. This era was over at the latest cination caused by the sadistic games of the cen- by the spring of 2002, when Thorpe Park presented tral Saw-character Jigsaw, has become a mass its "Colossus” to the public, an Intamin Looping phenomenon, and the resulting marketing-technical attraction with ten inversions. This installation was expansion in the amusement sector was only a mat- the starting point that formed Thorpe Park into a thrill ter of time. -
How It Works Issue 9
NEW THE MAGAZINE THAT FEEDS MINDS INSIDE INTERVIEW DR YAN WONG TM FROM BBC’S BANG SCIENCE ■ ENVIRONMENT ■ TECHNOLOGY ■ TRANSPORT HISTORY ■ SPACE GOES THE THEORY HEART VOLCANIC BYPASSES ERUPTIONS How modern surgeons Discover the explosive save lives everyday BREAK THE 200MB BARRIER! power beneath Earth SUPERFAST BROADBAND LEARN REVEALED! THE NEXT-GENERATION ABOUT NETWORKS THAT DELIVER ■ CASSINI PROBE WARP-SPEED INTERNET ■ RAINING ANIMALS ■ PLANET MERCURY ■ BATTLE OF BRITAIN THE WORLD’S ■ PLACEBO EFFECT ■ LEANING TOWER OF PISA DEADLIEST ■ THE NERVOUS SYSTEM CHOPPER ■ ANDROID VS iPHONE Inside the Apache ■ AVALANCHES 919 AH-64D Longbow FACTS AND 9 ANSWERS 0 INSIDE £3.99 4 0 0 2 3 7 1 4 0 ISSN 2041-7322 2 7 7 ISSUE NINE ISSUE RACE TO 9 HUMAN SOLAR ROLLER 1,000MPH ALLERGIES© Imagine PublishingFLARES Ltd COASTERS Awesome engineering Why dust,No unauthorisedhair and pollen copyingHow massive or distribution explosions on Heart-stopping secrets of behind the land speed record make us sneeze the Sun affect our planet the world’s wildest rides www.howitworksdaily.com 001_HIW_009.indd 1 27/5/10 16:34:18 © Imagine Publishing Ltd No unauthorised copying or distribution Get in touch Have YOU got a question you want answered by the How It Works team? Get in touch by… Email: [email protected] Web: www.howitworksdaily.com ISSUE NINE Snail mail: How It Works Imagine Publishing, 33 Richmond Hill The magazine that feeds minds! Bournemouth, Dorset, BH2 6EZ ”FEED YOUR MIND!” Welcome to How It Meet the experts The sections explained Works issue -
Peggy Williams
From your friends at Jackson Auto Worx JULY 2019 Summer’s Literal Ups and Downs It is said that life is a rollercoaster. It is also true that rollercoasters are, uh… rollercoasters. As summer is firmly here, we at Braking News are taking the plunge into one of America’s beloved summer pastimes; amusement parks. And specifically the thrilling feel of danger and excitement engineered for safety and mass consumption, the rollercoaster. • There are more amusement and theme parks in the United States than in any other country in the world. • According to the Roller Coaster DataBase, there were 4,639 coasters in operation around the world in 2018 — 4,455 of them steel, 184 wooden (3 of the woodies have loops in them! Take that, preconceived childhood notions!) • Of those 4,639 rollercoasters in the world, 19 of them are found in Six Flags Magic Mountain in Valencia California, the largest number of rollercoasters in any one park anywhere in the world. • California may host the park with the greatest number of coasters, but in order to experience the fastest roller coaster in the world, you’ll need to travel to the other side of the world. The fastest roller coaster, “Formula Rossa” ride, is located in Abu Dhabi’s Formula One theme park and launches its riders to a top speed of 149 miles per hour. • According to Guinness World Records, Bakken, located in Klampenborg, Denmark, opened in 1583 and is currently the oldest operating amusement park in the world. • The worlds fastest coaster may be in Abu Dhabi, but he tallest roller coaster is in the Six Flags Great Adventure Park in New Jersey. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
CEO Statement
10 September 2014 accesso® Technology Group plc (“accesso” or the “Group”) INTERIM RESULTS for the six month period ended 30 June 2014 accesso Technology Group plc (AIM: ACSO), the premier technology solutions provider to the global attractions and leisure industry, announces interim results for the six months ending 30 June 2014. The results demonstrate the good financial progress made in the first six months, as well as the investment undertaken to strengthen our product lines and leverage our increased scale and customer relationships across the Group. Financial Highlights Six months Six months ended 14 month period ended 30 June 2013 ended 30 June 2014 (unaudited pro- 31 December 2013 (unaudited) forma**) % change (audited in GBP) $m $m $m Revenue 25.88 20.99 +23.3% 61.43 Adjusted operating profit *# 1.28 1.17 +9.4% 6.07 Net debt 4.63 4.00 2.01 Earnings per share – basic (cents) 2.33 1.37 +70.0% 14.84 * Adjusted operating profit is defined as operating profit before the deduction of amortisation related to acquisitions, acquisition costs, and share based payments as detailed within the Consolidated statement of comprehensive income. ** Pro-forma for June 2013 due to change of year end from October to December # % change +23.9% on a constant currency basis Operational Highlights A period of continued growth o Strong revenue (+23.3%) and profit (+9.4%) growth; o The broad technology offering and geographic reach of the Group continues to benefit our performance and enable growth, with Europe enjoying strong guest attendance in contrast to more muted weather-related attendance in North America; o Further investments to strengthen all our product offerings, as well as work on diversifying our portfolio of services geographically and vertically.