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Butch Cassidy Roamed Incognito in Southwest New Mexico
Nancy Coggeshall I For The New Mexican Hideout in the Gila Butch Cassidy roamed incognito in southwest New Mexico. Hideout in the Gila utch Cassidy’s presence in southwestern New Mexico is barely noted today. Notorious for his successful bank Butch Cassidy roamed and train robberies at the turn of the 20th century, incognito in southwest Cassidy was idealized and idolized as a “gentleman out- New Mexico wilderness Blaw” and leader of the Wild Bunch. He and various members of the • gang worked incognito at the WS Ranch — set between Arizona’s Blue Range and San Carlos Apache Reservation to the west and the Nancy Coggeshall rugged Mogollon Mountains to the east — from February 1899 For The New Mexican until May 1900. Descendants of pioneers and ranchers acquainted with Cassidy tell stories about the man their ancestors knew as “Jim Lowe.” Nancy Thomas grew up hearing from her grandfather Clarence Tipton and others that Cassidy was a “man of his word.” Tipton was the foreman at the WS immediately before Cassidy’s arrival. The ranch sits at the southern end of the Outlaw Trail, a string of accommodating ranches and Wild Bunch hideouts stretching from Montana and the Canadian border into Mexico. The country surrounding the WS Ranch is forbidding; volcanic terrain cleft with precipitously angled, crenelated canyon walls defies access. A “pretty hard layout,” local old-timer Robert Bell told Lou Blachly, whose collection of interviews with pioneers — conducted PROMIENT PLACES - between 1942 and 1953 — are housed at the University of New OUTLAW TRAIL Mexico. What better place to dodge the law? 1. -
Hill's Butch Cassidy and the Sundance
1 Butch Cassidy and the Sundance Kid Poster by Tom Beauvais Courtesy Wikipedia Reviewed by Garry Victor Hill Directed by George Roy Hill. Produced by John Foreman. Screenplay by William Goldman. Cinematography by Conrad Hall. Art Direction by Jack Martin Smith & Philip M. Jefferies. Music by Burt Bacharach. Edited by John C. Howard & Richard C. Meyer. Sound George R. Edmondson. Costume designs: Edith Head. Cinematic length: 110 minutes. Distributed by 20TH Century Fox. Companies: Campanile Productions and the Newman–Foreman Company. Cinematic release: October 1969. DVD release 2006 2 disc edition. Check for ratings. Rating 90%. 2 All images are taken from the Public Domain, The Red List, Wikimedia Commons and Wiki derivatives with permission. Written Without Prejudice Cast Paul Newman as Butch Cassidy Robert Redford as the Sundance Kid Katharine Ross as Etta Place Strother Martin as Percy Garris Henry Jones as Bike Salesman Jeff Corey as Sheriff Ray Bledsoe George Furth as Woodcock Cloris Leachman as Agnes Ted Cassidy as Harvey Logan Kenneth Mars as the town marshal Donnelly Rhodes as Macon Timothy Scott as News Carver Jody Gilbert as the Large Woman on the train Don Keefer as a Fireman Charles Dierkop as Flat Nose Curry Pancho Córdova as a Bank Manager Paul Bryar as Card Player No. 1 Sam Elliott as Card Player No. 2 Charles Akins as a Bank Teller Percy Helton as Sweetface Review In the second half of the 1960s westerns about the twilight of the Wild West suddenly became popular, as if both filmmakers and audiences wanted to keep the West within living memory. -
Settlement of the West
Settlement of the West The Western Career of Wild Bill Hickok James Butler Hickok was born in Troy Grove, Illinois on 27 May 1837, the fourth of six children born to William and Polly Butler Hickok. Like his father, Wild Bill was a supporter of abolition. He often helped his father in the risky business of running their "station" on the Underground Railroad. He learned his shooting skills protecting the farm with his father from slave catchers. Hickok was a good shot from a very young age, especially an outstanding marksman with a pistol. He went west in 1857, first trying his hand at farming in Kansas. The next year he was elected constable. In 1859, he got a job with the Pony Express Company. Later that year he was badly mauled by a bear. On 12 July 1861, still convalescing from his injuries at an express station in Nebraska, he got into a disagreement with Dave McCanles over business and a shared woman, Sarah Shull. McCanles "called out" Wild Bill from the Station House. Wild Bill emerged onto the street, immediately drew one of his .36 caliber revolvers, and at a 75 yard distance, fired a single shot into McCanlesʼ chest, killing him instantly. Hickok was tried for the killing but judged to have acted in self-defense. The McCanles incident propelled Hickock to fame as a gunslinger. By the time he was a scout for the Union Army during the Civil War, his reputation with a gun was already well known. Sometime during his Army days, he backed down a lynch mob, and a woman shouted, "Good for you, Wild Bill!" It was a name which has stuck for all eternity. -
Bears Ears National Monument Proclamation
THE WHITE HOUSE Office of the Press Secretary For Immediate Release December 28, 2016 ESTABLISHMENT OF THE BEARS EARS NATIONAL MONUMENT - - - - - - - BY THE PRESIDENT OF THE UNITED STATES OF AMERICA A PROCLAMATION Rising from the center of the southeastern Utah landscape and visible from every direction are twin buttes so distinctive that in each of the native languages of the region their name is the same: Hoon'Naqvut, Shash Jáa, Kwiyagatu Nukavachi, Ansh An Lashokdiwe, or "Bears Ears." For hundreds of generations, native peoples lived in the surrounding deep sandstone canyons, desert mesas, and meadow mountaintops, which constitute one of the densest and most significant cultural landscapes in the United States. Abundant rock art, ancient cliff dwellings, ceremonial sites, and countless other artifacts provide an extraordinary archaeological and cultural record that is important to us all, but most notably the land is profoundly sacred to many Native American tribes, including the Ute Mountain Ute Tribe, Navajo Nation, Ute Indian Tribe of the Uintah Ouray, Hopi Nation, and Zuni Tribe. The area's human history is as vibrant and diverse as the ruggedly beautiful landscape. From the earliest occupation, native peoples left traces of their presence. Clovis people hunted among the cliffs and canyons of Cedar Mesa as early as 13,000 years ago, leaving behind tools and projectile points in places like the Lime Ridge Clovis Site, one of the oldest known archaeological sites in Utah. Archaeologists believe that these early people hunted mammoths, ground sloths, and other now-extinct megafauna, a narrative echoed by native creation stories. Hunters and gatherers continued to live in this region in the Archaic Period, with sites dating as far back as 8,500 years ago. -
Cowboy Up: the American Cowboy in Fact and Fiction Syllabus
FSEM 100 Cowboy Up: The American Cowboy in Fact and Fiction Syllabus Semester Spring 2011 Lecturer Dr. Ron Scheer Email [email protected] Section 34604 Office JEF 261 Phone 213-740-1980 Time Mon 2:00 Office hours TTh 2:00 Fax 213-740-4100 Classroom WPH 201 and by appointment Course description The western has been a genre of American movies and popular literature for over a century. The stories told in this genre reflect values that are embedded in American culture. They are typically about men of strong character who represent a certain kind of moral order, and the story being told is about how they confront and overcome villains, outlaws, and other “bad guys” who are enemies of that order. It can be a black-and-white world of good vs. evil, or it can be a world where there are many shades of gray, so that it’s less easy to tell the difference. This conflict is typically played out on the American frontier, in the late 19th century (1865-1900), during the decades after the American Civil War. It is the era of cowboys, the growth of the cattle industry, the fencing of the open range, the demise of the buffalo herds, the final displacement of the Native American tribes, the building of cross- continental railroads, and rapid settlement of the frontier territories fed by waves of immigration and the availability of free land made possible by the Homestead Acts. The conflict in a western typically involves and is eventually resolved by violence – fistfights, gunfire, sometimes even explosives. -
University of Nevada, Reno Cultural Landscape Development And
University of Nevada, Reno Cultural Landscape Development and Tourism in Historic Mining Towns of the Western United States A Thesis submitted in partial fulfilment of the requirements for the degree of Master of Science in Geography By Alison L. Hotten Dr. Gary J. Hausladen/Thesis Advisor May, 2011 © Copyrighted by Alison L. Hotten 2011 All Rights Reserved THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by ALISON L. HOTTEN entitled Cultural Landscape Development And Tourism In Historic Mining Towns Of The Western United States be accepted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Gary J. Hausladen, Ph.D., Advisor Paul F. Starrs, Ph.D., Committee Member Alicia Barber, Ph.D., Graduate School Representative Marsha H. Read, Ph. D., Associate Dean, Graduate School May, 2011 i Abstract This thesis examines the development of the cultural landscape of western mining towns following the transition from an economy based on mining to one based on tourism. The primary case studies are Bodie, California, Virginia City, Nevada, and Cripple Creek, Colorado. Each one is an example of highly successful tourism that has developed in a historic mining town, as well as illustrating changes in the cultural landscape related to this tourism. The main themes that these three case studies represent, respectively, are the ghost town, the standard western tourist attraction, and the gambling mecca. The development of the landscape for tourism is not just commercial, but relates to the preservation of history and authenticity in the landscape; each town was designated as a Historic District in 1961. -
GOVERNMENTAL UNIT REFERENCE MAP (2015): Mohave County, AZ 113.928198W
34.641664N 34.644342N 114.087545W GOVERNMENTAL UNIT REFERENCE MAP (2015): Mohave County, AZ 113.928198W B u c k LEGEND d M R n o o u s n r ta a SYMBOL DESCRIPTION SYMBOL LABEL STYLE i C n t Pipeline Rd d i W R K a s s n a h S Geronimo Rd v E Federal American Indian S Calamity Jane Rd e L'ANSE RESERVATION (TA 1880) S Butch Cassidy Rd S Gene Autry Rd l n a o Reservation Caboose s D r a S S Cisco Kid Rd C t i K Off-Reservation Trust Land T1880 Cholla Dr American Indian Tribal W Cholla Dr Cholla Dr SHONTO (620) E Cholla Dr Cholla Dr Geronimo Rd Subdivision E C Pipeline Rd holla Dr S Jesse James Rd Cholla Dr holla Alaska Native Regional C Cholla Rd E Cholla Rd NANA ANRC 52120 Dr Cholla Rd Corporation (ANRC) Cholla Dr Pipeline Rd State (or statistically equivalent entity) NEW YORK 36 Wyatt Earp Rd Roy Rogers Rd County (or statistically John Wayne Rd Wild Bill Rd equivalent entity) ERIE 029 Tom Mix Rd Butch Cassidy Rd Minor Civil Division 1 Lee town 41460 Doc Holiday Rd (MCD) S Trigger Rd Dale Evans Rd Census County Division Horseshoe Rd (CCD) 2 Jemez CCD 91650 Consolidated City MILFORD 47500 Incorporated Place 3 Davis 18100 Juniper Dr Juniper Dr Census Designated Place Lone Ranger Rd W Juniper Dr 2 Juniper Dr (CDP) Cochiti 16560 Kid Rd Sundance DESCRIPTION SYMBOL DESCRIPTION SYMBOL Interstate 3 Caboose Rd Water Body Pleasant Lake Gene Autry Rd Billy the Kid Rd U.S. -
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index Revised and edited by Kristina L. Southwell Associates of the Western History Collections Norman, Oklahoma 2001 Boxes 104 through 121 of this collection are available online at the University of Oklahoma Libraries website. THE COVER Michelle Corona-Allen of the University of Oklahoma Communication Services designed the cover of this book. The three photographs feature images closely associated with Walter Stanley Campbell and his research on Native American history and culture. From left to right, the first photograph shows a ledger drawing by Sioux chief White Bull that depicts him capturing two horses from a camp in 1876. The second image is of Walter Stanley Campbell talking with White Bull in the early 1930s. Campbell’s oral interviews of prominent Indians during 1928-1932 formed the basis of some of his most respected books on Indian history. The third photograph is of another White Bull ledger drawing in which he is shown taking horses from General Terry’s advancing column at the Little Big Horn River, Montana, 1876. Of this act, White Bull stated, “This made my name known, taken from those coming below, soldiers and Crows were camped there.” Available from University of Oklahoma Western History Collections 630 Parrington Oval, Room 452 Norman, Oklahoma 73019 No state-appropriated funds were used to publish this guide. It was published entirely with funds provided by the Associates of the Western History Collections and other private donors. The Associates of the Western History Collections is a support group dedicated to helping the Western History Collections maintain its national and international reputation for research excellence. -
Seth Bullock Mt
Roosevelt’s death in January 1919 was a blow to his old friend. Bullock enlisted the help of the Society of Black Hills Pioneers to erect a monument to Theodore Roosevelt on Sheep Mountain, later renamed Mt. Roosevelt. It was the first monument to the president erected in the country, dedicated July 4, 1919. Bullock died just a few months later in September at the age of 70. His burial plot resides on a small plateau above Seth Bullock Mt. Moriah Cemetery, with a view of Roosevelt’s monument across the gulch. Photograph of Seth Bullock circa 1890-1900. Visit the grave of Seth Bullock at Mt. Moriah Cemetery in Deadwood, SD City of Deadwood Historic Preservation Office BLACK HILLS LAWMAN 108 Sherman Street Deadwood, SD 57732 Tel.: (605) 578-2082 www.cityofdeadwood.com The Friendship Tower, located on Mt. Roosevelt, was built to commemorate the friendship between Seth Bullock and Theodore Roosevelt. July 23, 1849 - September 23, 1919 Reproduced by the City of Deadwood Archives, March 2013. Images in this brochure courtesy of Deadwood Public Library - Centennial Archives and DHI - Adams Museum Collection, Deadwood, SD EDIT_SEth_01_2013.indd 1 3/15/2013 1:38:57 PM Seth Bullock and Sol Star posing on the 1849 - Seth Bullock - 1919 Redwater Bridge circa 1880s. The quintessential pioneer and settler of the preserve that magnificent land, protecting it he Bullocks were founders of the Round Table American frontier has to be Seth Bullock who, from settlement. His resolution was adopted and T Club, the oldest surviving cultural club in the ironically, was born in Canada. -
Wild West Canada: Buffalo Bill and Transborder History
Wild West Canada: Buffalo Bill and Transborder History A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of History University of Saskatchewan Saskatoon Adam Grieve Copyright Adam Grieve, April, 2016. All Rights Reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of History University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 i Abstract Canadians continue to struggle with their western identity. For one reason or another, they have separated themselves from an Americanized “blood and thunder” history. -
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers. -
Wild West.” – the Omaha Daily Bee, May 21, 1883
The Wild West Keeping the American Legend Alive By Elizabeth Mack For a month past the great event to which all our citizens were looking forward was the appearance of the Cody and Carver combination, with their original and novel Nebraska show, entitled the “Wild West.” – The Omaha Daily Bee, May 21, 1883 he newspaper excerpt above public’s imagination. What was, and way to satisfy the public’s fascination describes the first ever Wild continues to be, the attraction to these with the West. Even as early as the West exhibition of William shows and the Wild West? late 1880s, Cody and others believed F. “Buffalo Bill” Cody, Cody’s “The Wild West, Rocky the West was dying, and that his performed in Omaha to an Mountain, exhibitions were a way to keep it alive. Tenthusiastic crowd. Along with Codyody aandnd AAccordingccord to Sarah Blackstone, author was his one-time partner, Doc Carver,ver, ooff BuBuckskins,ck Bullets and Business, and their large troupe of performers,rs, by the ttime Cody’s shows were at the including Capt. A.H. Bogardus (U.S..S. hheighteight oof their popularity in the early champion trap shooter), as well as 18901890s,s “all but four of the Western numerous Pony Express riders tterritorieserri had become states, the and Sioux, Omaha and Pawnee lalastst Indian uprising had been Indians (Chief Sitting Bull and ququelled, and there were four Annie Oakley would later join trtranscontinental railroads.” the troupe) and even a small SSettlers were coming west by herd of buffalo. The newspaper the thousands, and for Buffalo reported “no less than 8,000 Bill, these exhibitions served persons were present to witness to not only entertain, but to the opening” of Cody’s quell what was becoming extravaganza, a substantial known as “frontier anxiety.” number even by today’s Many Americans became standards.