A Schubertiade
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Schubert: the Nonsense Society Revisited
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Schubert: The Nonsense Society Revisited RITA STEBLIN Twenty years have now passed since I discovered materials belonging to the Unsinnsgesellschaft (Nonsense Society).1 This informal club, active in Vienna from April 1817 to December 1818, consisted mainly of young painters and poets with Schubert as one of its central members. In this essay I will review this discovery, my ensuing interpretations, and provide some new observations. In January 1994, at the start of a research project on Schubert ico- nography, I studied some illustrated documents at the Historisches Museum der Stadt Wien (now the Wienmuseum am Karlsplatz), titled “Unsinniaden.”2 The documents comprise forty-four watercolor pictures and thirty-seven pages of text recording two festive events celebrated by the Nonsense Society: the New Year’s Eve party at the end of 1817 and the group’s first birthday party on 18 April 1818.3 The pictures depict various club members, identified by their code names and dressed in fan- ciful costumes, as well as four group scenes for the first event, including Vivat es lebe Blasius Leks (Long live Blasius Leks; Figure 1), and two group scenes for the second event, including Feuergeister-Scene (Fire Spirit Scene; Figure 6 below).4 Because of the use of code names—and the misidentifi- cations written on the pictures by some previous owner of the -
Franz Schubert: Inside, out (Mus 7903)
FRANZ SCHUBERT: INSIDE, OUT (MUS 7903) LOUISIANA STATE UNIVERSITY, COLLEGE OF MUSIC & DRAMATIC ARTS FALL 2017 instructor Dr. Blake Howe ([email protected]) M&DA 274 meetings Thursdays, 2:00–4:50 M&DA 273 office hours Fridays, 9:30–10:30 prerequisite Students must have passed either the Music History Diagnostic Exam or MUS 3710. Blake Howe / Franz Schubert – Syllabus / 2 GENERAL INFORMATION COURSE DESCRIPTION This course surveys the life, works, and times of Franz Schubert (1797–1828), one of the most important composers of the nineteenth century. We begin by attempting to understand Schubert’s character and temperament, his life in a politically turbulent city, the social and cultural institutions that sponsored his musical career, and the circles of friends who supported and inspired his artistic vision. We turn to his compositions: the influence of predecessors and contemporaries (idols and rivals) on his early works, his revolutionary approach to poetry and song, the cultivation of expression and subjectivity in his instrumental works, and his audacious harmonic and formal practices. And we conclude with a consideration of Schubert’s legacy: the ever-changing nature of his posthumous reception, his impact on subsequent composers, and the ways in which modern composers have sought to retool, revise, and refinish his music. COURSE MATERIALS Reading assignments will be posted on Moodle or held on reserve in the music library. Listening assignments will link to Naxos Music Library, available through the music library and remotely accessible to any LSU student. There is no required textbook for the course. However, the following texts are recommended for reference purposes: Otto E. -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
THOMAS! Dausgaard Conducts R
THOMAS DAUSGAARD, MUSIC DIRECTOR SEPTEMBER 2019 WELCOME THOMAS! Dausgaard conducts R. Strauss’ Also sprach Zarathustra Rachmaninov’s Fourth Piano Concerto with pianist Daniil Trifonov Mahler’s Symphony No. 1 Brahms’ Second Piano Concerto with pianist Yefim Bronfman My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM CONTENTS SEPTEMBER 2019 4 / Calendar 6 / The Orchestra 53 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / Thomas Dausgaard on the Season Ahead 54 / The Lis(z)t CONCERTS 14 / September 11 & 12 My legacy. My partner. Distant Worlds: music from Final Fantasy® with the Seattle Symphony 16 / September 14 You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave Opening Night Concert & Gala behind. -
Franz Schubert
FRANZ SCHUBERT Licht und Liebe MARLIS PETERSEN ANKE VONDUNG WERNER GÜRA KONRAD JARNOT CHRISTOPH BERNER piano FRANZ LISZT FRANZ SCHUBERT (1797-1828) Licht und Liebe Lieder & Vocal Quartets 1 | Der Tanz D 826 - Kolumban Schnitzer von Meerau 1’49 2 | Die Unterscheidung op.95/1, D 866 - Johann Gabriel Seidl (AV) 3’55 3 | Die Geselligkeit (Lebenslust) D 609 - Johann Karl Unger 3’42 4 | Lieder der Delphine D 857/1 - Christian Wilhelm von Schütz (MP) 4’17 5 | Der Sänger op.post.117, D 149 - Johann Wolfgang von Goethe (WG) 6’51 6 | Der Hochzeitsbraten D 930 - Franz Adolf Friedrich von Schober (MP WG KJ) 10’53 7 | Licht und Liebe D 352 - Matthäus Kasimir von Collin (AV KJ) 3’49 8 | Des Tages Weihe D 763 - Anonymous 4’26 9 | Gott im Ungewitter D 985 - Johann Peter Uz 4’45 10 | Die Allmacht D 852 - Johann Ladislaus Pyrker (KJ) 4’45 11 | Hymne an den Unendlichen D 232 - Friedrich von Schiller 4’13 12 | Begräbnislied D 168 - Friedrich Gottlieb Klopstock 2’42 13 | Gebet D 815 - Friedrich Heinrich Karl, Freiherr de La Motte-Fouqué 9’06 Marlis Petersen, soprano Anke Vondung, mezzo-soprano Werner Güra, tenor Konrad Jarnot, bass Christoph Berner, fortepiano Rönisch les innombrables clichés qui dominent depuis toujours il n’y a dans l’intégrale des œuvres de Schubert aucune autre catégorie Parmi l’image “populaire” que nous avons de Franz Schubert, qui, par ses motifs ainsi que par son ambition poétique et musicale, donne deux perdurent avec insistance : le premier présente un mélancolique un une impression aussi chamarrée et hétérogène. -
Winterreise.Pdf
FRANZ SCHUBERT WinterPOETRY OF" WILHELM Journey MÜLLER " 1. GUTE NACHT 13. DIE POST 2. DIE WETTERFAHNE 14. DER GREISE KOPF SCHUBERT 3. GEFROR’NE TRÄNEN 15. DIE KRÄHE 4. ERSTARRUNG 16. LETZTE HOFFNUNG 5. DER LINDENBAUM 17. IM DORFE 6. WASSERFLUT 18. DER STÜRMISCHE MORGEN 7. AUF DEM FLUSSE 19. TÄUSCHUNG RANDALL SCARLATA 8. RÜCKBLICK 20. DER WEGWEISER GILBERT KALISH 9. IRRLICHT 21. DAS WIRTSHAUS 10. RAST 22. MUT 11. FRÜHLINGSTRAUM 23. DIE NEBENSONNEN 12. EINSAMKEIT " 24. DER LEIERMANN RANDALL SCARLATA | BARITONE GILBERT KALISH | PIANO BRIDGE 9494 FRANZ SCHUBERT POETRY OF" WILHELM MÜLLER 1. GUTE NACHT 13. DIE POST 2. DIE WETTERFAHNE 14. DER GREISE KOPF Recorded January 10-12, 2015 in Madeline Wing Adler Theater 3. GEFROR’NE TRÄNEN 15. DIE KRÄHE at West Chester University 4. ERSTARRUNG 16. LETZTE HOFFNUNG Adam Abeshouse, recording engineer 5. DER LINDENBAUM 17. IM DORFE 6. WASSERFLUT 18. DER STÜRMISCHE MORGEN Photo of Mr. Scarlata and Mr. Kalish: Tristan Cook 7. AUF DEM FLUSSE 19. TÄUSCHUNG CD Art: Molly Graver 8. RÜCKBLICK 20. DER WEGWEISER This recording was made possible by a grant from 9. 21. IRRLICHT DAS WIRTSHAUS West Chester University’s Faculty Development Fund. 10. RAST 22. MUT 11. FRÜHLINGSTRAUM 23. DIE NEBENSONNEN 12. EINSAMKEIT " 24. DER LEIERMANN RANDALL SCARLATA | BARITONE GILBERT KALISH | PIANO " Standing alone in Schubert’sWinter tiny “Death Journey Apartment” in Vienna, it is not hard to " imagine the last days of the composer’s life. Suffering with the later stages of Syphilis, Schubert’s doctor recommended he move in with his brother Ferdinand, where his “Lieder sang ich nun lange, lange Jahre. -
THE OFFICIAL CITY CARDTHE OFFICIAL CITY So Machen Sie Ihre Vienna City Card Gültig
Bonus Buch / Bonus booklet 4 / 2019 – 3 / 2020 www.viennacitycard.at THE OFFICIAL CITY OFFICIAL THE CARD So machen Sie Ihre Vienna City Card gültig. This is how to validate your Vienna City Card. / Important Wichtig PUBLIC TRANSPORT 72h ÖFFENTLICHE VERKEHRSMITTEL Discounts valid 7 days from/ Vorteile gültig 7 Tage ab WTV 56_18 Vienna City Card_RZ.indd 3 15.01.19 11:01 DE Bitte tragen Sie den ersten Tag ein, EN Please enter the date of the irst day an dem Sie die Vorteile der Vienna City you would like to activate the Vienna City Card in Anspruch nehmen. Die Vorteile Card. The beneits are valid for the gelten für die Dauer Ihres Aufenthalts duration of your stay (max. 7 days). (max. 7 Tage). Achtung: der Fahrschein Please note: the travel ticket must be muss separat entwertet werden, siehe validated separately – see p. 4–5. S. 4–5. Bitte beachten Sie: Ihre Vienna City Card für die ö entlichen Verkehrsmittel (Wiener Linien) ist ohne Eintragungen und Entwerter stempel ungültig. Wie Sie sie gültig machen, lesen Sie auf Seite 4. Please note: That your Vienna City Card including travel ticket for public transport Wiener Linien is not valid unless it bears your name and the date and has been punched. Read on page 4 how to validate your card. Allgemeine Informationen / Contents General Information Inhalt Europride 2019 Verkehr & Transport Europride 2019 Traffic & Transport Sightseeing Touren & Guides Sightseeing Tours & Guides Freizeit, Unterhaltung & Sport Musik & Theater Leisure, Entertainment & Sports Music & Theater Einkaufen Essen, Trinken -
World Heritage Coordinator for the City of Vienna Univ
VIENNA WORLD HERITAGE AND CONTEMPORARY ARCHITECTURE IMPRINT VIENNA CITY PLANNING BUREAU OWNER AND PUBLISHER Urban Development – Vienna MA18 – Urban Development and Urban Planning MA18 – URBAN DEVELOPMENT Wolfgang Dvorak A-1082 Vienna, Austria AND PLANNING Tel.: 01-4000-7271 MA19 – Architecture and Urban Design Josef Matousek, Andrea Kreppenhofer, Peter Scheuchel CONCEPTION Univ. Prof. Dr. Arnold Klotz, World Heritage Coordinator for the City of Vienna AUTHOR AND RESPONSIBLE FOR THE CONTENTS Wehdorn Architekten, Vienna (Univ. Prof. Dr. Manfred Wehdorn, Mag. Susanne Hayder) TRANSLATION David Wright, Maria Saal EXIBITION DESIGN Kurt Waldert PREPRESS max schinko PHOTOS Unless expressly stated to the contrary, all exhibition illustrations from: “Vienna, architecture – The State of the Art IV” EXHIBITION VIENNA WORLD HERITAGE AND CONTEMPORARY ARCHITECTURE IMPRINT VIENNA CITY PLANNING BUREAU OWNER AND PUBLISHER Urban Development – Vienna MA18 – Urban Development and Urban Planning MA18 – URBAN DEVELOPMENT Wolfgang Dvorak A-1082 Vienna, Austria AND PLANNING Tel.: 01-4000-7271 MA19 – Architecture and Urban Design Josef Matousek, Andrea Kreppenhofer, Peter Scheuchel CONCEPTION Univ. Prof. Dr. Arnold Klotz, World Heritage Coordinator for the City of Vienna AUTHOR AND RESPONSIBLE FOR THE CONTENTS Wehdorn Architekten, Vienna (Univ. Prof. Dr. Manfred Wehdorn, Mag. Susanne Hayder) TRANSLATION David Wright, Maria Saal EXIBITION DESIGN Kurt Waldert PREPRESS max schinko PHOTOS Unless expressly stated to the contrary, all exhibition illustrations from: -
Schubert Lieder
CHRISTIAN ELSNER SCHUBERT LIEDER ORCHESTRATED BY MAX REGER & ANTON WEBERN Rundfunk-Sinfonieorchester Berlin Marek Janowski FRANZ SCHUBERT (1797–1828) 6 Prometheus D 674 5. 09 Poem by Johann Wolfgang von Goethe Lieder Orchestrated by Max Reger Orchestrated by Max Reger and Anton Webern 7 Nacht und Träume (Heil’ge Nacht, du sinkest nieder) D 827 2. 38 1 An die Musik (Du holde Kunst) D 547 2. 07 Poem by Matthäus von Collin Poem by Franz von Schober Orchestrated by Max Reger Orchestrated by Max Reger Gesänge des Harfners D 478 2 Erlkönig D 328 3. 49 Lyrics from “Wilhelm Meisters Lehrjahre” by Johann Wolfgang Poem by Johann Wolfgang von Goethe von Goethe Orchestrated by Max Reger Orchestrated by Max Reger 8 No. 1: Wer sich der Einsamkeit ergibt 3. 52 3 Du bist die Ruh’ D 776 3. 09 9 No. 2: Wer nie sein Brot mit Tränen aß 4. 11 Poem by Friedrich Rückert 10 No. 3: An die Türen will ich schleichen 2. 06 Orchestrated by Anton Webern 11 Gruppe aus dem Tartarus D 583 3. 01 4 Greisengesang (Der Frost hat mir bereifet) D 778 6. 02 Poem by Friedrich Schiller Poem by Friedrich Rückert Orchestrated by Max Reger Orchestrated by Max Reger 12 Tränenregen (from “Die schöne Müllerin”) D 795 No. 10 5. 35 5 An den Mond D 296 3. 54 Poem by Wilhelm Müller Poem by Johann Wolfgang von Goethe Orchestrated by Anton Webern Orchestrated by Max Reger 13 Der Wegweiser (from “Die Winterreise”) D 911 No. 20 4. 06 Poem by Wilhelm Müller Orchestrated by Anton Webern 14 Memnon (Den Tag hindurch nur einmal mag ich sprechen) D 541 3. -
VIENNA Index
IAESTE TRAVELLERS’ GUIDE TO: VIENNA Index 1. Introduction . Page 3 2. IAESTE Boku & Vienna . Page 4 3. Arriving in Vienna . Page 7 4. Getting Around . Page 9 5. Recycling . Page 12 6. Losing your belongings . Page 13 7. Living Life . Page 14 8. Don't do in Vienna / Warnings . Page 25 9. Useful Links . Page 26 10. Underground Map . Page 27 The information of this booklet is based on personal opinions. IAESTE can not be held responsible for its accuracy. IAESTE TRAVELLERS’ GUIDE TO: VIENNA June 2019 Icons by http://www.freepik.com 1. Introduction Dear trainee, Welcome to Vienna! We are very happy that you chose our city as the destination for an internship with IAESTE. We hope that additionally to gaining valuable work experience, you will also get to have a lot of fun with us in a new and exciting surrounding. Vienna is the only city in Austria to harbour two IAESTE Local Committees: IAESTE BOKU at the University of Life Sciences and Natural Resources and IAESTE Vienna at the Technical University. As an introduction to Vienna, we would like to offer you some general information: daily life, leisure activities, sightseeing etc. as well as all contact details of IAESTE. It’s a basic guide to help you find your way around. Please be aware of the IAESTE Austria Guide and read it first, as it includes important information regarding your internship. If you have any questions or suggestions, please don’t hesitate to contact us. We are happy to help. By the way, the IAESTE team loves to receive small items from other countries to add to our collection! See you soon, IAESTE Boku & IAESTE Vienna 3 2.1 IAESTE Boku Contact Information The IAESTE BOKU office is located inside the main campus of BOKU at Muthgasse 18, 1190 Vienna. -
The Life of Schubert
The life of Schubert C HRISTOPHER H. GIBBS published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011Ð4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in FF Quadraat 9.75/14 pt, in QuarkXPressª [se] A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data Gibbs, Christopher Howard. The life of Schubert / Christopher H. Gibbs. p. cm. Ð (Musical lives) Includes bibliographical references and index. isbn 0 521 59426 x 1. Schubert, Franz, 1797Ð1828. 2. Composers Ð Austria Biography. 1. Title. 11. Series. ml410.s3g53 2000 7809.92 Ð dc21 [b] 99-32936 cip isbn 0 521 59426 x hardback isbn 0 521 59512 6 paperback Contents List of illustrations viii Acknowledgments x Note on the text xii List of abbreviations xiii Prologue: Schubert yesterday 1 1 Representing Schubert: “A life devoted to art” 5 2 Young Schubert: “The master in the boy” 22 3 Ingenious Schubert: “The prince of song” 41 4 Popular -
A Guide to Franz Schubert's Religious Songs
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks A GUIDE TO FRANZ SCHUBERT’S RELIGIOUS SONGS by Jason Jye-Sung Moon Submitted to the faculty of the Indiana University Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music in Voice December 2013 Accepted by the faculty of the Indiana University Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music in Voice. __________________________________ Mary Ann Hart, Chair & Research Director __________________________________ William Jon Gray __________________________________ Robert Harrison __________________________________ Brian Horne ii Copyright © 2013 by Jason Jye-Sung Moon All rights reserved iii Acknowledgements I would like to express my deepest gratitude to my committee chair and research director, Professor Mary Ann Hart, for the excellent guidance, caring, patience, and encouragement I needed to finish this long journey. I would also like to thank Dr. Brian Horne, who supported me with prayers and encouragement. He patiently corrected my writing even at the last moment. I would like to thank my good friend, Barbara Kirschner, who was with me throughout the writing process to help me by proofreading my entire document and constantly cheering me on. My family was always there for me. I thank my daughters, Christine and Joanne, my parents, and my mother-in-law for supporting me with their best wishes. My wife, Yoon Nam, deserves special thanks for standing by me with continuous prayers and care. I thank God for bring all these good people into my life.