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Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
A FILM by NICOLAS MAURY CG CINÉMA Presents
A FILM BY NICOLAS MAURY CG CINÉMA presents NICOLAS MAURY NATHALIE BAYE PRESS RENDEZ-VOUS VIVIANA ANDRIANI / AURÉLIE DARD [email protected] / [email protected] Tel.: +33 1 42 66 36 35 A FILM BY NICOLAS MAURY Mob : +33 6 80 16 81 39 INTERNATIONAL SALES LES FILMS DU LOSANGE 22 Avenue Pierre 1er de Serbie - 75116 Paris Tél.: +33 1 44 43 87 24 www.filmsdulosange.com FRANCE • 2020 • 1H50 • IMAGE 2,35 • SOUND 5.1 Photos and press pack can be downloaded at https://filmsdulosange.com/en/film/my-best-part/ 4 5 pcoming actor Jérémie is going through an existential crisis. Pathologically jealous and plagued by romantic, professional and familial misadventures, he flees Paris to reset in the country with his mother – who turns out to be more than a little invasive… 6 7 The main theme of My Best Part is jealousy. passionate characters. I think that jealousy is a Jérémie, the lead character says that it burns powerful decipherer of the world, in the sense his blood. Did you do research? that it encourages the urge to overcome what The most basic item of research was my you imagine. The tragedy, if I can call it that, is own life. When I arrived in Paris as a teenager that the jealous person is not always wrong. raised in the country, in the Limousin region, They picture things in their mind, and crazily almost immediately I fell head over heels in enough it turns out the picture is often right. love and, like all devouring passions, it involved Jealousy is like tinnitus, background noise only overpowering jealousy. -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
The Beauty of the Real: What Hollywood Can
The Beauty of the Real The Beauty of the Real What Hollywood Can Learn from Contemporary French Actresses Mick LaSalle s ta n f or d ge n e r a l b o o k s An Imprint of Stanford University Press Stanford, California Stanford University Press Stanford, California © 2012 by Mick LaSalle. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data LaSalle, Mick, author. The beauty of the real : what Hollywood can learn from contemporary French actresses / Mick LaSalle. pages cm Includes bibliographical references and index. ISBN 978-0-8047-6854-2 (cloth : alk. paper) 1. Motion picture actors and actresses--France. 2. Actresses--France. 3. Women in motion pictures. 4. Motion pictures, French--United States. I. Title. PN1998.2.L376 2012 791.43'65220944--dc23 2011049156 Designed by Bruce Lundquist Typeset at Stanford University Press in 10.5/15 Bell MT For my mother, for Joanne, for Amy and for Leba Hertz. Great women. Contents Introduction: Two Myths 1 1 Teen Rebellion 11 2 The Young Woman Alone: Isabelle Huppert, Isabelle Adjani, and Nathalie Baye 23 3 Juliette Binoche, Emmanuelle Béart, and the Temptations of Vanity 37 4 The Shame of Valeria Bruni Tedeschi 49 5 Sandrine Kiberlain 61 6 Sandrine -
Classifieds for North Woods Trader - Thursday, 10 A.M
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CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT I Love the August Festivals, Though Not As Much As I Love Cinema
3 AUG 18 6 SEP 18 1 | 3 AUG 18 - 6 SEP 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT I love the August festivals, though not as much as I love cinema. You? I usually take the opportunity when writing this column every August to grumble about how distracted potential cinema-goers appear to be by the world’s largest arts festival that takes place in our glorious (a word which currently also describes the weather!) city every year, but this year I’m seeing it as nothing more than a challenge. A challenge, dear reader, which I feel we have risen to in impressive style with a stunning array of great cinema, much of which is, as it happens, of a ‘one-off’ nature and will likely not come around again any time soon… That sounds like I’m trying to dragoon you into coming to the cinema in August (instead of going to the Tattoo, perhaps?), and conceivably I am, but try not to see it that way… Rather, I simply wouldn’t want you to miss out on any of the must-see cinema experiences contained within these pages. In any case, cinema is surely the best of all the art forms wouldn’t you say, as well as being one of the cheaper days/nights out? Beyond the form itself, with cinema, you rarely have to worry about not liking a film and it being apparent to the people who made it, because they’re generally not there in the room. -
The Daily Register VOL
• Your [own House fire Page 1 B Four killed in Neptune Township. Page 1B The Daily Register VOL. 107 NO. 215 YOUR HOMETOWN NEWSPAPER . SINCE 1878 MONDAY, MARCH 11, 1985 25 CENTS Cleaner ocean Soviet president sought is reported dead BY TED LOUD BY BARTON REPPERT States in more than a decade. It had arrived in the United States SEA BRIGHT - Under the theme WASHINGTON (AP) - President March 3. The abrupt decision to of "Ocean Alive in '85," more than Reagan was awakened at 4 a.m. return home involved cutting short 200 people gathered yesterday to EST today by National Security by two days the group's scheduled kick off this year's campaign to Adviser Robert C. McFarlane, who visit. Improve the water quality off the informed him that the official Soviet "They have requested that they Jersey Shore. news media was preparing to make be able to leave early," said Clean Ocean Action, a coalition of a "major announcement" about Vivienne Ascher, a State Depart- environmentalists, commercial and Soviet President Konstantin U. ment spokeswoman sport fishermen, businessmen and Chernenko, a White House official Ms. Ascher declined to comment others, used the fund-raiser to drum said. on speculation that the delegation's up support for its No. 1 priority: The official, who spoke on con- sudden departure may have been getting the federal government to dition he not be identified by name, prompted by death or critical illness end the policy of dumping sewage said the U.S. government still had of Chernenko. sludge 12 miles into the Atlantic received no official announcement However, a U.S. -
Cannes 2021 Riviera #D1
CANNES 2021 RIVIERA #D1 Camille Neel | Head of International Sales Yasmina Tamer | International Sales Executive PARIS OFFICE: +33 6 84 37 37 03 | [email protected] + 33 6 60 74 79 21 | [email protected] 5, rue Darcet, 75017 Paris, France Tel: +33 1 44 69 59 59 Nathalie Jeung | Senior Sales Manager Maxime Perret-Cortassa | Festivals & Marketing Visit our website: www.le-pacte.com/international +33 6 60 58 85 33 | [email protected] +33 6 45 02 60 70 | [email protected] SCREENING IN CANNES MARKET PREMIERE IN POST- COMPLETED BIGGER IS BEAUTIFUL PRODUCTION by Charlotte de Turckheim ON THE EDGE MAMA WEED MARKET SCREENING by Giordano Gederlini by Jean-Paul Salomé THREE TIMES NOTHING by Nadège Loiseau THE FAMILY THE LAST TYCOONS ONODA -10 000 NIGHTS by Fabien Gorgeart by Florence Strauss IN THE JUNGLE TOKYO SHAKING BESTIES ATOMIC SUMMER by Arthur Harari by Olivier Peyon by Marion Desseigne Ravel by Gaël Lépingle SCREENINGS ONODA – 10 000 NIGHTS IN THE JUNGLE by Arthur Harari Wednesday, July 7th Opening UCR Salle Debussy Gala Screening Thursday, July 8th 12:00pm Olympia 2 Market screening Saturday, July 10th 9:15am Olympia 4 Market screening Sunday, July 11th 2:15pm Riviera 1 Market screening Monday, July 12th 9:00am Olympia 5 Market screening BIGGER IS BEAUTIFUL by Charlotte de Turckheim Wednesday, July 7th 9:00am Arcades 3 Market screening Friday, July 9th 1:45pm Arcades 3 Market screening Monday, July 12th 12:00pm Riviera 1 Market screening TOKYO SHAKING by Olivier Peyon Tuesday, July 6th 11:30am Riviera 2 Market screening Thursday, July 8th 9:15am Olympia 4 Market screening THREE TIMES NOTHING by Nadège Loiseau Thursday, July 8th 2:15pm Riviera 1 Market screening Friday, July 9th 11:30am Olympia 6 Market screening 4TRAILER UN CERTAIN REGARD ONODA - 10 000 NIGHTS IN THE JUNGLE by ARTHUR HARARI (Dark Inclusion) with YUYA ENDO YUYA MATSUURA SHINSUKE KATO Japan, 1944. -
Like Someone in Love
1 MK2 & Eurospace present A film by Abbas Kiarostami INTERNATIONAL PRESS INTERNATIONAL SALES Vanessa Jerrom & Claire Vorger MK2 11 rue du Marché Saint-Honoré - 75001 Paris (France) 55 rue Traversière - 75012 Paris (France) Email: [email protected] Juliette Schrameck - [email protected] Cell: +33 6 14 83 88 82 (Vanessa Jerrom) Dorothée Pfistner - [email protected] Cell: +33 6 20 10 40 56 (Claire Vorger) Victoire Thevenin - [email protected] In Cannes : Five Hotel 1 rue Notre-Dame - 06400 Cannes France Photos and presskit can be downloaded on www.mk2pro.com 2 3 synopsis An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty-four hours bears no relation to the circumstances of their encounter. 4 5 new awakening Without doubt, there was an underlying sense of gnawing depravity that surfaced in Certified Copy and took me by surprise. I was sure that I already had a good understanding of the work of this film-maker that I have been lucky enough to come across so often in the past 25 years. So I was not expecting his latest film to outstrip the already high opinion I have of his work. Some people like to feel that they can describe and pigeonhole his films as ‘pseudo-simplistic modernism’. But Abbas’ films have never failed to surprise and now here, not for the first time, is a new wake-up call, for me, and I am sure many others. -
ISABELLE HUPPERT: a Retrospective 19 & 26 June 2013 (Wednesdays)
The Cultural Center of the Philippines in cooperation with the Ambassade de France aux Philippines presents ISABELLE HUPPERT: A Retrospective 19 & 26 June 2013 (Wednesdays) CCP Tanghalang Manuel Conde Schedule of Screenings 19 June/Wednesday 04:00PM SAUVE QUI PEUT (LA VIE) by Jean Luc Godard (1979) 07:00PM LOULOU by Maurice Pialat (1980) 26 June/Wednesday 01:00PM UNE AFFAIRE DE FEMMES (STORY OF WOMEN) by Claude Chabrol (1988) 04:00PM LA CÉRÉMONIE (THE CEREMONY) by Claude Chabrol (1995) 07:00PM WHITE MATERIAL by Claire Denis (2009) All screenings are free. First come, first served. For more information, please call CCP Media Arts at 832 1125, locals 1702 & 1704. ‐‐‐ A special photo exhibition on Ms. Huppert, courtesy of Institut Francais, will be presented at the CCP Little Theatre lobby during the screenings. ‐‐‐ Sauve Qui Peut (la Vie) (Slow Motion) Synopsis Sauve Qui Peut (la Vie), a pessimistic but visually stunning film, marks Jean‐Luc Godard's return to cinema after having spent the 70s working in video. The film presents a few days in the lives of three people: Paul Godard (Jacques Dutronc ), a television producer; Denise Rimbaud (Nathalie Baye), his co‐worker and ex‐ girlfriend; and Isabelle Riviera (Isabelle Huppert), a prostitute whom Paul has used. Denise wants to break up with Paul and move to the country. Isabelle wants to work for herself instead of her pimp. Paul just wants to survive. Their stories intersect when Paul brings Denise to the country cottage he is trying to rent and Isabelle comes to see it without knowing that the landlord has been her client. -
Scholarship in Action by Ron Howell, Journalism Collaborations
Volume X111 Number 11 In This Issue On the Lighter Side BC’s Hidden Treasures Faculty Notes Scholarship in Action By Ron Howell, Journalism Collaborations There’s a certain restlessness in Jeanne calling in life, she also desires the liberation of Theoharis’s voice, a restlessness that goes minds that are darkly closed to the injustices beyond the angst of a scholar struggling occurring around them. Her students will benefit. with her next book. Professor Theoharis, “In the fall, I’m going to be teaching a course Political Science, is, in fact, on sabbatical. She’s on race—as before, yes, but there will be a larger working on a biography of the late African component to it, given my interests now,” says American heroine Rosa Parks, who, one day in Theoharis, “[Recent events] have shown me how 1955, said she wasn’t going to take it anymore and the war on terror is being taken out on specific refused to give her Alabama bus seat to a white groups. I think [the course I teach] will include a rider, sparking the Civil Rights movement. unit on race and rights in post-9/11 America.” The night before we spoke with Professor Theoharis, in early April, she had traveled from her home in Brooklyn to CUNY Law School in Queens, where she talked about her latest cause, the plight of her former student, Pakistani- born Syed Fahad Hashmi, who is in his third year of solitary confinement at the Metropolitan Detention Center in Lower Manhattan. He’s been charged with helping another man provide “material support” to Al-Qaeda, in the form of raincoats, waterproof socks, and other similar materials.