DOCSLIB.ORG

Blondie Parallel Lines Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Blondie Parallel Lines Mp3, Flac, Wma Blondie Parallel Lines mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Parallel Lines Country: South Korea MP3 version RAR size: 1812 mb FLAC version RAR size: 1997 mb WMA version RAR size: 1545 mb Rating: 4.1 Votes: 167 Other Formats: TTA ADX AUD XM MP4 AC3 MP1 Tracklist Hide Credits Hanging On The Telephone 1 2:22 Written-By – Lee* One Way Or Another 2 3:35 Written-By – Harry*, Harrison* Picture This 3 2:56 Written-By – Stein*, Harry*, Destri* Fade Away And Radiate 4 4:02 Guitar – Robert FrippWritten-By – Stein* Pretty Baby 5 3:18 Written-By – Stein*, Harry* I Know But I Don't Know 6 3:56 Written-By – Infante* 11:59 7 3:20 Written-By – Destri* Will Anything Happen? 8 3:00 Written-By – Lee* Sunday Girl 9 3:05 Written-By – Stein* Heart Of Glass 10 5:50 Written-By – Stein*, Harry* I'm Gonna Love You Too 11 2:06 Written-By – Mauldin*, Sullivan*, Petty* Just Go Away 12 3:33 Written-By – Harry* Bonus Tracks Once I Had A Love (aka The Disco Song) (1978 Version) 13 3:18 Written-By – Stein*, Harry* Bang A Gong (Get It On) (Live) 14 5:30 Written-By – Bolan* I Know But I Don't Know (Live) 15 4:35 Written-By – Infante* Hanging On The Telephone (Live) 16 2:21 Written-By – Lee* Companies, etc. Marketed By – EMI Distributed By – EMI Phonographic Copyright (p) – Chrysalis Records, Inc. Copyright (c) – Chrysalis Records, Inc. Mixed At – Forum Studio Mastered At – MCA Whitney Recording Studios Mastered At – Capitol Mastering Recorded At – Record Plant, N.Y.C. Recorded At – The Paradise, Boston Recorded At – Walnut Street Theatre Recorded At – McFarlin Auditorium Glass Mastered At – EMI Uden Designed At – Flying Fish Studio Credits A&R [A&R Administration] – Brendan Gormley, Michelle Azzopardi Art Direction [Reissue] – Darren Wrong Art Direction, Design – Ramey Communications Bass – Nigel Harrison Compilation Producer, Compiled By – Kevin Flaherty Design [Reissue] – Robert Fisher Drums – Clem Burke Engineer [Assistant] – Grey Russell* Guitar – Frank Infante Illustration – Frank Duarte Keyboards [Electronic] – Jimmy Destri Liner Notes – Mike Chapman Management – Ed Thomas Management [Licensing] – Frank Lopez, Lesa Glucroft Management [Project Manager] – Kenny Nemes Mastered By – Steve Hall Mastered By [Cd] – Kevin Bartley Photography [Reissue] – LA/All Action Photography By – Edo Photography By [Reissue] – Armando Gallo, Neil Zlozower, Retna Producer – Mike Chapman (tracks: 1 to 13) Producer [Assistant To The Producer], Engineer – Peter Coleman* Producer [Production] – Bryan Kelley Twelve-String Guitar, E-Bow – Chris Stein Typography [Lettering] – Jerry Rodriguez Vocals – Deborah Harry Notes PARALLEL LINES original art: © 1978 Chrysalis Records, Inc. This compilation ℗ 2001 The copyright in this sound recording is owned by Chrysalis Records, Inc. © 2001 Chrysalis Records, Inc. Marketed and distributed by EMI. Made & printed in the EU. Originally released as Chrysalis1192 in September 1978. All tracks 24-Bit Digitally Remastered. Recorded June-July 1978 at The Record Plant, NYC. Mixed at Forum Studio, Covington, Kentucky. Original mastering at MCA-Whitney Studio, Glendale, Calif. CD mastering at Capitol Mastering. 13: Previously unreleased. Recorded 6/3/78 at The Record Plant, NYC. 14: Recorded live 11/4/78 at The Paradise in Boston, MA. 15: Recorded live 11/6/78 at the Walnut Theatre in Philadelphia, PA. 16: Recorded live 1980 in Dallas, TX. 8-Page booklet with photos and credits. Barcode and Other Identifiers Barcode (Text): 7 24353 35992 8 Barcode (String): 724353359928 Label Code: LC 1626 Rights Society: bel BIEM Other (UK Category): 5335992 Matrix / Runout (Variant 1): 020170-NL EMI UDEN 5335992 @ 1 Mastering SID Code (Variant 1): IFPI L047 Mould SID Code (Variant 1): ifpi 1509 Matrix / Runout (Variant 2): 2-1-4-NL EMI UDEN 5335992 @ 1 Mastering SID Code (Variant 2): IFPI L047 Mould SID Code (Variant 2): ifpi 1593 Matrix / Runout (Variant 3): 020123 EMI UDEN 5335992 @ 1 Mastering SID Code (Variant 3): IFPI L047 Mould SID Code (Variant 3): IFPI AAHT1 Matrix / Runout (Variant 4): 020111-NL EMI UDEN 5335992 @ 1 Mastering SID Code (Variant 4): IFPI L047 Mould SID Code (Variant 4): ifpi 15F6 Matrix / Runout (Variant 5): 1-1-2-NL EMI UDEN 5335992 @ 1 Mastering SID Code (Variant 5): IFPI L047 Mould SID Code (Variant 5): IFPI 15D7 Matrix / Runout (Variant 6): 020111-NL EMI UDEN 5335992 @ 1 Mastering SID Code (Variant 6): IFPI L047 Mould SID Code (Variant 6): ifpi 15C9 Matrix / Runout (Variant 7): 1-1-5-NL EMI uDEN 5335992 @ 1 Mastering SID Code (Variant 7): IFPI L047 Mould SID Code (Variant 7): ifpi 15EC Matrix / Runout (Variant 8): 2-1-6-NL EMI UDEN 5335992 @ 1 Mastering SID Code (Variant 8): IFPI L047 Mould SID Code (Variant 8): ifpi 1538 Matrix / Runout (Variant 9): 020117 EMI UDEN 5335992 @ 1 Mastering SID Code (Variant 9): IFPI L047 Mould SID Code (Variant 9): ifpi 15DE Other versions Category Artist Title (Format) Label Category Country Year Parallel Lines (LP, CHR 1192 Blondie Chrysalis CHR 1192 US 1978 Album) Parallel Lines (Cass, 33 590 1.1 Blondie Chrysalis 33 590 1.1 Germany 1978 Album) Parallel Lines (Cass, F4 21192 Blondie Chrysalis F4 21192 US 1978 Album) 51-1192, 51 Parallel Lines (LP, Chrysalis, 51-1192, 51 Blondie Benelux 1978 1192 Album) Chrysalis 1192 Parallel Lines (LP, CHR 1192 Blondie Chrysalis CHR 1192 Canada 1978 Album, Club) Related Music albums to Parallel Lines by Blondie Blondie - The Story Of Pop Music - The Best Of Blondie Zwanglos - Herz aus Stein Blondie - Blondie Live! Blondie - Atomic: The Very Best Of Blondie Blondie - Picture This Live Hal Stein & Warren Fitzgerald - Hal Stein & Warren Fitzgerald Blondie - Rip Her To Shreds Blondie - Livid Blondie - The Curse Of Blondie Blondie - Eat To The Beat Blondie - AutoAmerican Blondie - Picture This.
Load more

Recommended publications
  • Schooling Teachers, Schooling Ourselves: Insights and Reflections from Teaching K-12 Teachers How to Use Hip-Hop to Educate Students
    Vol. 15, No. 1 International Journal of Multicultural Education 2013 Schooling Teachers, Schooling Ourselves: Insights and Reflections from Teaching K-12 Teachers How to Use Hip-hop to Educate Students Decoteau J. Irby, Ph. D. University of Wisconsin - Milwaukee U. S. A. H. Bernard Hall, Ph. D. West Chester University U. S. A. Marc L. Hill, Ph. D. Teachers College, Columbia University U. S. A. Hip-hop-based education (HHBE) research analyzes how hip-hop culture is used to produce favorable educational outcomes. Despite its richness, the work reveals little about how to prepare practicing K-12 teachers to use HHBE toward the critical ends reflected in extant HHBE literature. In this article, we challenge many tacit assumptions of HHBE research by examining the curricular and pedagogical wants and needs of in-service teachers who are interested in HHBE but who are not familiar with hip-hop’s unique history and culture. Through a collaborative self-study with a teacher-educator, we, as Black male hip-hop insiders, reflect on the promises and pitfalls of preparing predominantly White teachers to incorporate hip-hop into their teaching and learning repertoire. Introduction Theoretical Framework Statement of the Problem and Research Questions Research Methods Data Collection and Analysis Lessons Learned from Schooling Teachers Less Legitimacy, More Cultural Content The Importance of HHBE Content and Pedagogy Constraints of HHBE Conclusion: Schooling Ourselves References “I think it would have been helpful if you had an idea of who your participants were and how much info they had on hip-hop.” (Hip-hop-based education workshop participant) 1 Vol.
    [Show full text]
  • Act Mathematics
    ACT MATHEMATICS Improving College Admission Test Scores Contributing Writers Marie Haisan L. Ramadeen Matthew Miktus David Hoffman ACT is a registered trademark of ACT Inc. Copyright 2004 by Instructivision, Inc., revised 2006, 2009, 2011, 2014 ISBN 973-156749-774-8 Printed in Canada. All rights reserved. No part of the material protected by this copyright may be reproduced in any form or by any means, for commercial or educational use, without permission in writing from the copyright owner. Requests for permission to make copies of any part of the work should be mailed to Copyright Permissions, Instructivision, Inc., P.O. Box 2004, Pine Brook, NJ 07058. Instructivision, Inc., P.O. Box 2004, Pine Brook, NJ 07058 Telephone 973-575-9992 or 888-551-5144; fax 973-575-9134, website: www.instructivision.com ii TABLE OF CONTENTS Introduction iv Glossary of Terms vi Summary of Formulas, Properties, and Laws xvi Practice Test A 1 Practice Test B 16 Practice Test C 33 Pre Algebra Skill Builder One 51 Skill Builder Two 57 Skill Builder Three 65 Elementary Algebra Skill Builder Four 71 Skill Builder Five 77 Skill Builder Six 84 Intermediate Algebra Skill Builder Seven 88 Skill Builder Eight 97 Coordinate Geometry Skill Builder Nine 105 Skill Builder Ten 112 Plane Geometry Skill Builder Eleven 123 Skill Builder Twelve 133 Skill Builder Thirteen 145 Trigonometry Skill Builder Fourteen 158 Answer Forms 165 iii INTRODUCTION The American College Testing Program Glossary: The glossary defines commonly used (ACT) is a comprehensive system of data mathematical expressions and many special and collection, processing, and reporting designed to technical words.
    [Show full text]
  • Elvis Costello and Blondie
    FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums).
    [Show full text]
  • Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
    NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson.
    [Show full text]
  • Smash Hits Volume 60
    35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene.
    [Show full text]
  • "Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic
    "Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic Judith A, Peraino "Rip Her to Shreds" is the tide of a song recorded in 1977 by the rock group Blondie; a song in which the female singer cat­ tily criticizes another woman. It begins with the female "speak­ er" addressing other members of her clique by calling attention to a woman who obviously stands outside the group. The lis­ tener likewise becomes a member of the clique, forced to par­ ticipate tacitly in the act of criticism. Every stanza of merciless defamation is articulated by a group of voices who shout a cho­ rus of agreement, enticing the listener to join the fray. (spoken! Hey, psf pst, here she comes !lOW. Ah, you know her, would YOIl look ollhlll hair, Yah, YOIl know her, check out Ihose shoes, A version of this paper was read at the conference "Feminist Theory and Music: Toward a Common Language," Minneapolis, MN, June 1991. If) 20 Peraino Rip Her to Shreds She looked like she stepped out in the middle of somebody's cruise. She looks like the Su nday comics, She thinks she's Brenda Starr, Her nose·job is real atomic, All she needs is an old knife scar. CHORUS: (group) 00, she's so dull, (solo) come on rip her to shreds, (group) She's so dull, (solo) come on rip her to shreds.! In contrast to the backstabbing female which the Blondie song presents, so-called "women's music" emphasizes solidarity and affection between women, and reserves its critical barbs for men and patriarchal society.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • Blondie the Platinum Collection Mp3, Flac, Wma
    Blondie The Platinum Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Platinum Collection Country: Netherlands Released: 1994 Style: New Wave, Pop Rock MP3 version RAR size: 1987 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1660 mb Rating: 4.7 Votes: 725 Other Formats: DMF MP2 VOX AAC WAV ADX AUD Tracklist Hide Credits X Offender 1-1 3:12 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine In The Flesh 1-2 2:31 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Man Overboard 1-3 3:21 Producer – Richard GottehrerWritten-By – Deborah Harry Rip Her To Shreds 1-4 3:21 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Denis 1-5 2:18 Producer – Richard GottehrerWritten-By – Neil Levenson Contact In Red Square 1-6 2:00 Producer – Richard GottehrerWritten-By – Jimmy Destri Kung Fu Girls 1-7 2:31 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine, Jimmy Destri I'm On E 1-8 2:13 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry (I'm Always Touched By Your) Presence, Dear 1-9 2:43 Producer – Richard GottehrerWritten-By – Gary Valentine Poets Problem 1-10 2:20 Producer – Richard GottehrerWritten-By – Jimmy Destri Detroit 442 1-11 2:28 Producer – Richard GottehrerWritten-By – Chris Stein, Jimmy Destri Picture This 1-12 2:56 Producer – Mike ChapmanWritten-By – Chris Stein, Deborah Harry, Jimmy Destri Fade Away And Radiate 1-13 4:01 Producer – Mike ChapmanWritten-By – Chris Stein I'm Gonna Love You Too 1-14 2:08 Producer
    [Show full text]
  • Acdsee Proprint
    BULK RATE U.S. POSTAGE PAID Permit No. 2419 lPE lPITClHl K.C., Mo. FREE FREE VOL. II NO. 1 YOU'LL NEVER GET RICH READING THE PITCH FEBRUARY 1981 FBIIRUARY II The 8-52'5 Meet BUDGBT The Rev. in N.Y. Third World Bit List .ONTHI l ·TRIVIA QUIZ· WHAT? SQt·1E RECORD PRICES ARE ACTUALLY ~~nll .815 m wi. i .••lIIi .... lllallle,~<M0,~ CGt4J~G ·DOWN·?····· S€f ·PAGE: 3. FOR DH AI LS , prizes PAGE 2 THE PENNY PITCH LETTERS Dec. 29,1980 Dear Warren, Over the years, Kansas Attorney General's have done many strange things. Now the Kansas Attorney General wants to stamp out "Mumbo Jumbo." 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Does this mean the "Immoral Minority" (816) 561·1580 will be banned from Kansas? Is being banned from Kansas a hardship? Edi tor ....••..•••.• vifarren Stylus Morris Martin Contributing vlriters this issue: Raytown, Mo. P.S. He probably doesn't like dreadlocks Rev. Dwight Frizzell, Lane & Dave from either. GENCO labs, Blind Teddy Dibble, I-Sheryl, Ie-Roths, Lonesum Chuck, Mr.D-Conn, Le Roi, Rage n i-Rick, P. Minkin, Lindsay Shannon, Mr. P. Keenan, G. Trimble, Jan. 26, 1981 debranderson, M. Olson Dear Editor, Inspiration this issue: How come K. C. radio stations never Fred de Cordova play, The Inmates "I thought I heard a Heartbeat", Roy Buchanan "Dr. Rock & Roll" Peter Green, "Loser Two Times", Marianne r,------:=~--~-__l "I don' t care what they say about Faithfull, "Broken English", etc, etc,? being avant garde or anything else. How come? Frankly, call me square if you want Is this a plot against the "Immoral to.
    [Show full text]
  • From Vintage Collectors and Mixology Fans to Surf, Rockabilly and Punk Music Scenesters, the Escapist Vibes of the Tiki Scene Still Have a Strong Hold on Los Angeles
    THE BEST TIKI DRINKS REVISITING GORDON PARKS’ CONTROVERSIAL PHOTO ESSAY TV’S FUTURE IS FEMALE ® AUGUST 2-8, 2019 / VOL. 41 / NO.37 / LAWEEKLY.COM From vintage collectors and mixology fans to surf, rockabilly and punk music scenesters, the escapist vibes of the tiki scene still have a strong hold on Los Angeles. And at Tiki Oasis in San Diego, everyone comes out to play. BY LINA LECARO 2 WEEKLY WEEKLY LA | A - , | | A WWW.LAWEEKLY.COM Welcome to the New Normal Experience life in the New Normal today. Present this page at any MedMen store to redeem this special offer. 10% off your purchase CA CA License A10-17-0000068-TEMP For one-time use only, redeemable until 06/30/19. Limit 1 per customer. Cannot be combined with any other offers. PAID ADVERTISEMENT 3 LA WEEKLY WEEKLY | A - , | | A THANK YOU, SENATOR DURAZO, FOR PUTTING PEOPLE BEFORE DRUG COMPANY PROFITS. WWW.LAWEEKLY.COM AARP thanks the members of the Senate Judiciary Committee for standing up for Californians and passing AB 824. This legislation would prohibit brand-name drug companies from paying generic manufacturers to delay the release of lower priced drugs. AARP strongly supports this important fi rst step towards ending the anti-competitive practices of big drug companies and lowering prescription drug prices for everyone. Too many people are struggling to make ends meet while the big drug companies continue to rake in billions. AARP encourages the entire Senate to pass AB 824, and put a stop to drug company price gouging. facebook.com/AARPCalifornia @AARPCA AARP.org/CA Paid For by AARP 4 L August 2-8, 2019 // Vol.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    22 February 1981 CHART #272 Top 40 Singles Top 40 Albums The Tide Is High The Bridge Greatest Hits Clues 1 Blondie 21 Deane Waretini 1 Anne Murray 21 Robert Palmer Last week 1 / 6 weeks FESTIVAL Last week 26 / 4 weeks CBS Last week 1 / 5 weeks Platinum / EMI Last week 36 / 5 weeks FESTIVAL Gotta Pull Myself Together Amigo Flesh And Blood Music By Candlelight 2 The Nolans 22 Black Slate 2 Roxy Music 22 Gheorghe Zamfir Last week 4 / 6 weeks CBS Last week 30 / 3 weeks POLYGRAM Last week 3 / 24 weeks Platinum / POLYGRAM Last week 33 / 43 weeks Platinum / POLYGRAM Could I Have This Dance Don't Make Waves Double Fantasy Lost In Love 3 Anne Murray 23 The Nolans 3 John Lennon & Yoko Ono 23 Air Supply Last week 2 / 10 weeks EMI Last week 42 / 17 weeks CBS Last week 4 / 10 weeks Platinum / WEA Last week 27 / 5 weeks EMI Shaddap You Face Passion Zenyatta Mondatta Sandinista 4 Joe Dolce 24 Rod Stewart 4 The Police 24 The Clash Last week 3 / 8 weeks POLYGRAM Last week 16 / 9 weeks WEA Last week 8 / 10 weeks Gold / FESTIVAL Last week 11 / 6 weeks CBS Woman Hungry Heart Chameleon Give Me The Night 5 John Lennon 25 Bruce Springsteen 5 David Bowie 25 George Benson Last week 8 / 2 weeks WEA Last week 24 / 9 weeks CBS Last week 2 / 7 weeks RCA Last week 18 / 28 weeks Platinum / WEA Tell It Like It Is I'm Coming Out Hotter Than July Crimes Of Passion 6 Heart 26 Diana Ross 6 Stevie Wonder 26 Pat Benatar Last week 11 / 5 weeks CBS Last week 28 / 11 weeks EMI Last week 5 / 11 weeks Platinum / EMI Last week 29 / 15 weeks FESTIVAL I Believe In You Hey Nineteen
    [Show full text]
  • The Fastest Fingers on Planet Bass!
    119 KILLER BASS CENTRE, CARVIN, ASHDOWN, SCHECTER, DIAMOND AND PIGTRONIX GEAR ON TEST! Issue 119 July 2015 July 2015 Issue 119 Stuart Hamm | Bill Wyman | Wolfgang Van Halen | Markus Grosskopf, Helloween | Grog Rox, Die So Fluid | Cody Wright | Nigel Harrison, Blondie | Daniel Firth, Cradle Of Filth | Bass Centre Bill Wyman Signature | Carvin Brian Bromberg | Ashdown CTM-100 and CL-410 | Schecter Stealth and Vintage | Diamond Halo chorus pedal Pigtronix FX range Vintage CTM-100 and CL-410 | Schecter Stealth Ashdown Signature | Carvin Brian Bromberg Wyman | Bass Centre Bill Cradle Of Filth Blondie | Daniel Firth, Wright | Nigel Harrison, Die So Fluid | Cody | Grog Rox, Helloween Halen | Markus Grosskopf, Van Wolfgang | Wyman Stuart Hamm | Bill BILL WYMAN WOLFGANG VAN HALEN MARKUS GROSSKOPF HELLOWEEN GROG ROX STUART DIE SO FLUID CODY WRIGHT NIGEL HARRISON BLONDIE HAMM DANIEL FIRTH THE FASTEST CRADLE OF FILTH FINGERS ON PLANET BASS! www.bassguitarmagazine.com UK £4.35 Issue 119 July 2015 19 9771476 521054 > stone immaculate 028 BASS GUITAR MAGAZINE 028-030 Wyman_rev2_NR.indd 28 17/06/2015 13:54 BASSISTS BILL WYMAN Sometime Rolling Stone Bill Wyman returns with a new album and signature bass. Paul Trynka asks the sticky-fingered questions Photography by Judy Totton here’s no place like home. While an upbeat, positive vibe. The optimistic feel denotes his ex-bandmates head for the something of a renaissance for the 78-year-old, who has stadia of North America, Bill three young daughters – one of whom, Matilda, helped Wyman has been busy in his audition the new material along with her friends: “I basement – where he cooked up thought they’d like the newer, more uptempo stuff, but T his aptly-named Back To Basics, it turns out they like blues.
    [Show full text]