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SHALINI RAGHAVAN CMO, CONSUMER PRODUCTS DIVISION L’ORÉAL INDIA DUREX a Cheeky Move a Little Misdirection Does 10 Not Hurt at All
April 16-30, 2017 Volume 5, Issue 21 `100 6 INTERVIEW SHALINI RAGHAVAN CMO, CONSUMER PRODUCTS DIVISION L’ORÉAL INDIA DUREX A Cheeky Move A little misdirection does 10 not hurt at all. GIONEE 7 Self-obsessed? How is Gionee doing in the selfie wars? 8 KFC “AGENCIES ARE Rapping Differently Have a Chizza, not a pizza says Baba Sehgal. TERRITORIAL” BARC Introducing Ekam 9 Raghavan on the challenges faced by a cosmetics MOTO marketer in the era of selfies and self-adulation Bringing out the Best 16 CAMPAIGN TRAIL Ads of the Fortnight 20 MOVEMENTS / APPOINTMENTS Cover Story Powered By: Who’s Where... 22 editorial This fortnight... Volume 5, Issue 21 ast year, when Shalini Raghavan moved from Hindustan Unilever, where she EDITOR Sreekant Khandekar L managed the Dove master-brand across Asian and African markets, and joined PUBLISHER April 16-30, 2017 Volume 5, Issue 21 `100 L’Oréal India to take charge of the consumer products division, we carried a basic Prasanna Singh 6 INTERVIEW ‘movement story’ on afaqs.com. EXECUTIVE EDITOR SHALINI RAGHAVAN CMO, CONSUMER Ashwini Gangal PRODUCTS DIVISION L’ORÉAL INDIA DUREX A Cheeky Move ASSOCIATE EDITOR A little misdirection does That article has since received a surprising, almost shocking, number of views and 10 not hurt at all. Sunit Roy has clocked over 1,000 shares. Turns out, Shalini is a person of interest in the Indian PRODUCTION EXECUTIVE marketing and advertising fraternity. So, we at afaqs! Reporter took a data-led decision Andrias Kisku GIONEE 7 Self-obsessed? to get to know Shalini and her brand of leadership a little better. -
Top 10 Male Indian Singers
Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
The Scmc Chronicle ISSUE NO.2 2020 ART, CULTURE & LIFESTYLE SUPPLEMENT
THE SCMC CHRONICLE ISSUE NO.2 2020 ART, CULTURE & LIFESTYLE SUPPLEMENT From Japan, with Love India Reimagines the Wabori art in tattoos Reminiscing on Identity A Journey to the Roots A Whiff of the East Indians are embracing Food Tales Korean Culture The Migratory Tale of Indian delicacies The Music of Migration A new era of music is born out of fusion 2 THE SCMC CHRONICLE THE SCMC CHRONICLE Word Search About the theme WORD SEARCH By- Vidushi Singh I TMBW I SOUV E N I RD ndian culture is a product of change. Stories of the Iland, as old as time, speak not only of traditions and CNROIHDTETYHHOI rituals, but also of assimilation. The Indian shores welcomed OOFADREEORIGINS ingredients that we know today as our own: potatoes, MAR LDE TRNPUQSUP tomatoes, chilli. Across a history of battles, Indian culture carved a home for the Mughal way of things into its food, MSNEU I RH I TDOT X L THE SCMC CHRONICLE its language, its architecture. Even our colonizers left a trace U S L OS X T N P T I OOMA Managing Editor: Dr. Sreeram Gopalkrishnan on our cultural habits – but we seamlessly folded it into our Consulting Editor: Liji Ravindran N I DESEF I I LATR I C Executive Editor: Anushka Mukherjee life, as we have always done. The diversity of art, culture, Associate Editor: Sharwari Kale IMI LGTTAOSAGYGE food and architecture in India invites you to ask: how much Visuals Editor: Govind Choudhary TIAJAIATMNACERM Assistant Editor (Visuals): Tshewang Choden of it is a product of migration? Design: Raghvendra Singh Chouhan Every day, people leave their hometowns and migrate to a YLSOONTLL IKTEAE Assistant (Design) : Passang Lhamo QAPBSUGIGELL I TN Reporting: Students, SCMC different part of the country – for jobs, for an education, for a new life. -
Vijayawada *Late City Vol
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 11 Published From HYDERABAD DELHI LUCKNOW FIX GAPS IN ANTI-HUMAN SENSEX IN INDIA WIN THRILLER BHOPAL RAIPUR CHANDIGARH TRAFFICKING LANDSCAPE DOWNWARD SPIRAL BY 8 RUNS BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 126 VIJAYAWADA, FRIDAY MARCH 19, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable SEERAT HONING HER SKILLS AS SINGER { Page 12 } www.dailypioneer.com TOLL BOOTHS TO BE REMOVED WITHIN A ANGELINA JOLIE HAS ‘PROOF’ OF RUSSIA SAYS JOE BIDEN MUST 400 UK, BRAZIL, SA VIRUS VARIANT YEAR, MONEY LINKED TO GPS IMAGING DOMESTIC VIOLENCE AGAINST BRAD PITT APOLOGIZE FOR PUTIN 'KILLER' CLAIM CASES IN INDIA, 158 IN 2 WEEKS ndia will do away with toll booths and implement complete GPS- ctress Angelina Jolie has accused estranged husband S President Joe Biden must apologize and take back "boorish" our hundred coronavirus patients in India have so far have been based toll collection within one year, Road Transport and Brad Pitt of domestic violence, report international allegations that Kremlin leader Vladimir Putin is a killer, a top found to be affected with three mutant variants first detected in IHighways Minister Nitin Gadkari said on Thursday. He said 93 Anews outlets. Ms Jolie, 45, has filed documents in URussian official said, a day after Moscow recalled its ambassador Fthe United Kingdom, South Africa and Brazil, the government per cent of the vehicles pay toll using FASTag, but the remaining 7 court which say that she will offer "proof and authority" to in protest. -
Hindustani Music[Edit] Carnatic Music[Edit]
The music of India includes multiple varieties of folk, popular, pop, classical music andR&B. India's classical music tradition, including Carnatic and Hindustani music, has a history spanning millennia and developed over several eras. Music in India began as an integral part of socio-religious life and that Indian music is essentially melodic: sounds follow one another expressing an emotional state in an aesthetic unity.[1] Two main traditions of classical music are Carnatic music, found predominantly in the peninsular regions, and Hindustani music, found in the northern and central regions.[2] The basic concepts of this music includes Shruti, Swara, Alankar, Rāga, and Tāla. Its tonal system divides the octave into 22 segments called shrutis, not all equal but each roughly equal to one quarter of a whole tone of Western music. Melody is based on the system of ragas, which are melody types used as the basis for improvisation. Hindustani music[edit] Main article: Hindustani classical music Hindustani music tradition was developed around 13th and 14th centuries AD with Persian influences and from existing religious and folk music.[3] The practice of singing based on notes was popular even from the Vedic times where the hymns in Sama Veda, a sacred text, were sung as Samagana and not chanted. Developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. In contrast to Carnatic music, the other main Indian classical music tradition originating from the South, Hindustani music was not only influenced by ancient Hindu musical traditions, historical Vedic philosophy and native Indian sounds but also enriched by the Persian performance practices of the Mughals. -
Some Facts About Indian Music and Indian Musicians
Some Facts about Indian Music and Indian Musicians India has got one of the oldest musical traditions and heritages in the world. One can finds its origin in the Vedas(ancient scripts). Known as ‘sangeet’ in India, the nation’s music has got a unique and varied style as compared to other music forms in the world. In the earlier days, when Indian music was just coming of age, the music was devotional in nature. It was restricted only to temples and used for ritualistic purposes. It is said that the sound that pervades the whole universe, i.e. Nadabrahma, itself represents the divinity.Over the period of time each folk form has evolved in a particular region of India . The most prominent forms of such folk music are: Punjab’s Bhangra, Maharashtra’s Lavani, Gujrat’s Dandiya, Sufi form (Devotional music) Qawwali, and Bengal’s Bauls. Now the Indian music is dominated by bollywood numbers and pop music. Here are some interesting facts related to Indian music and Indian musicians : Oldest Gharana of Hindustani Music Gwalior Gharana is the oldest gharanas of Hindustani Music, it is one of the oldest Khyal Gharana. There are many Gharans that actually originated from Gwalior Gharana. Nathan Peer Baksh and Nathe Khan were the two people who founded Gwalior Gharana the 16th century. First Woman Shehnai Player of India The first woman shehnai wadak of India is Bageshwari Qamar. Renowned Guru Ustad Bismillah khan taught her. She made her debut in the year 1983 and was crowned as “Shehnai Queen” at Chandigarh. Apart from her solo recordings she has also recorded “jugal-bandi” with her teacher Ustad Bismillah Khan. -
J&K Records Highest Number of Covid-19 Cases This Year, Three Deaths
C M C M Y K Y K gj xzg.kh dh ilan Ph. 2547421 JMC IS:2347 Daily Regd. No.:- JK-355/19-21 BPL M/s Parshotam Lal WROUGHT ALUMINIUM CM/L-3107639 PRESSURE Majahan & Co. COOKER Regd. No. 988704 Lakhdata Bazar, NAV JAMMU Jammu BPLR Deals in :- Cosmetics, Horiery, Bags, Belts, Misc Items. STAR APPLIANCES Voice of People WHOLE SALE SHOP Delhi Vol No. 20 No. 90 Jammu, Wednesday April 14, 2021 Re. 1.00 Page-12 e-paper: epaper.navjammu.com R.N.I. Registration No. JKENG/2003/11218 News in Brief J&K records highest number of covid-19 IED material SC directs States to apprise it of recovered from orchards in cases this year, three deaths migrant children, their condition New Delhi, Apr 13 : pandemic. The plea stated report emanated from the Pulwama district The Supreme Court Tues- that due to the severity of Central or the State NJNS day directed all states to the impact of the COVID- governrnent's detailing Srinagar, Apr 13 : inform it about the An Improvised Explo- Jammu records seven-fold increase in active number of migrant chil- sive Device (IED) mate- dren and their condition rial was recovered coronavirus cases in nearly a month on a plea seeking directions for the protection of their from the orchards of the NJNS from 211 to 1,582 cases. fundamental rights Kamraazpora area of Jammu, Apr 13 : As on Monday, Jammu amidst the COVID-19 pan- South Kashmir's Jammu has recorded a seven- and Kashmir has recorded a demic. A bench compris- Pulwama district on fold increase in active total of 1,39,381 COVID-19 ing Chief Justice S A Bobde Tuesday, informed the coronavirus cases in nearly a cases - 83,679 in Kashmir and and Justices A S Bopanna Indian Army. -
RAP MUSIC a LATEST TREND in MODERN INDIAN MUSIC Dr.Amanpreet Kaur Kang Asst
RAP MUSIC A LATEST TREND IN MODERN INDIAN MUSIC Dr.Amanpreet Kaur Kang Asst. Professor, Music Vocal, GGS Khalsa College for Women Jhar Sahib Ludhiana Against modern Indian music there has been an accusation by a certain select group - that modern Indian music is not Indian at all. Additionally some would be reluctant to concede that it is even music. About this second opinion I withhold any discussion. But as to the comment that modern Indian music is not Indian - that is an intriguing point of view which in my opinion deserves to be discussed. The reason being that this charge has been made by a select and quite influential group of music lovers. This group is of the firm opinion that: a) Modern Indian music does not follow any of the raag note patterns of Indian music, b) This music has none of the characteristics of being typically Indian – in other words Indian folk-music. c) For accompaniment with this music, it is all too easy to use foreign 'orchestral' music. We need to keep in mind especially that the above accusation has been made primarily around Indian Film music. It is through Film music that Modern Indian music finds its most popular expression. Among the above mentioned group of critics is a section which has cultivated the strong viewpoint that the mixing of Indian music and western music and the joint use of these different styles of music is not possible. A similar view is held even by Aakaashbaani (All India Radio), in whose light classical music department (not denoted as modern music) the harmonium is considered to be an 'untouchable' instrument. -
How Safe Is Your Job? Is Your Safe How
OC THE RAPID TEST FIASCO The DMs: Covid’s Action Heroes MAY 11, 2020 `60 www.indiatoday.in REGISTERED NO. DL(ND)-11/6068/2018-20; U(C)-88/2018-20; LICENSED TO FARIDABAD/05/2020-22 POST WITHOUT PREPAYMENT REGISTERED NO. COVID-19 IMPACT RNI NO. 28587/75 RNI NO. HOW SAFE IS YOUR JOB? EXPERTS SAY NO INDUSTRY IS IMMUNE, SO EXPECT PAY CUTS OR WORSE FROM THE EDITOR-IN-CHIEF obs are always the central issue in any economy. got cancelled and units are unable to repay loans due to the Elections are won and lost on unemployment COVID-19 pandemic and the ensuing lockdown. Employers figures. After all, they are about human beings. cannot be expected to sustain their businesses if they are run- J People have to earn money from jobs for the ning at reduced capacity but having to pay the full workforce. goods or services they first produce and then consume The other big concern is that India’s labour participation which makes the wheels of the economy turn. The fear of rate has been slipping—from 47-48 per cent before demoneti- the coronavirus spreading has led to a shutdown of large sation to just 35.5 per cent following the six weeks of lock- parts of the economy. The Centre for Monitoring Indian down. It is still not clear that the lockdown will be lifted on Economy (CMIE) estimates 120 million people have been May 3—several state chief ministers want it to be extended. rendered jobless in one month of the lockdown. -
Brought to Life by the Voice Explores the Distinctive Aesthetics and in South India
ASIAN STUDIES | ANTHROPOLOGY | ETHNOMUSICOLOGY WEIDMAN Playback Singing To produce the song sequences that are central to Indian popular cinema, sing- ers’ voices are first recorded in the studio and then played back on the set to and Cultural Politics be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their | own right. Brought to Life by the Voice explores the distinctive aesthetics and in South India affective power generated by this division of labor between onscreen body and VOICE THE BY LIFE TO BROUGHT offscreen voice in South Indian Tamil cinema. In Amanda Weidman’s historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolin- guistic identity, and neoliberal transformation in South India. BROUGHT TO LIFE “This book is a major contribution to South Asian Studies, sound and music studies, anthropology, and film and media studies, offering original research and BY THE new theoretical insights to each of these disciplines. There is no other scholarly work that approaches voice and technology in a way that is both as theoretically VOICE wide-ranging and as locally specific.” NEEPA MAJUMDAR, author of Wanted Cultured Ladies Only! Female Stardom and Cinema in India, 1930s–1950s “Brought to Life by the Voice provides a detailed and highly convincing explo- ration of the varying links between the singing voice and the body in the Tamil film industry since the mid-twentieth century. -
Playback Singing and Public Femaleness in South India
Neoliberal Logics of Voice: Playback Singing and Public Femaleness in South India Abstract: This article explores the impact of neoliberal logics of voice on the music-making and performance practices of female playback singers in the South Indian Tamil film industry. As singers whose voices are first recorded in the studio and then “played back” on the set to be lip-synched by actors, playback singers have been professional musicians and public celebrities since the 1950s. Their careers are governed by practices of voice cultivation and by modes of performance and public self-presentation, in the studio, on stage, and increasingly in mediatized contexts. Since the 1990s, neoliberal logics of flexibility, entrepreneurship and self-marketing have redefined the role of the playback singer and the way singers conceive of their work in both social and aesthetic terms. These changes have occurred within a broader context in which anxieties about globalization and expanding commodity culture are reflected in debates about the place of women in public. Nowadays we should be called playfront singers, not playback singers. We are not in the back anymore. Anupamaa Krishnaswami, interview with author, Dec 2009. One of the crucial insights of critical scholarship on neoliberalism highlights the way in which neoliberal regimes do not reject, but rather re-purpose prior understandings of the world and of subjectivity to make them amenable to the governing principles of market rationality. While others have examined the re-purposing of concepts like individuality and agency (Gershon 2011), this article explores this insight with regard to the category of voice. In classic formations of the liberal subject, voice was conceived as the vehicle of individual will, intention, and as a sign of the subject’s interiority (Taylor 1992).