An Assessment of Xuazang's Buddhist Records of the Western World
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Central Asia in Xuanzang's Great Tang Dynasty Record of the Western
Recording the West: Central Asia in Xuanzang’s Great Tang Dynasty Record of the Western Regions Master’s Thesis Presented in Partial Fulfilment of the Requirements for the Degree of Master Arts in the Graduate School of the Ohio State University By Laura Pearce Graduate Program in East Asian Studies Ohio State University 2018 Committee: Morgan Liu (Advisor), Ying Zhang, and Mark Bender Copyrighted by Laura Elizabeth Pearce 2018 Abstract In 626 C.E., the Buddhist monk Xuanzang left the Tang Empire for India in a quest to deepen his religious understanding. In order to reach India, and in order to return, Xuanzang journeyed through areas in what is now called Central Asia. After he came home to China in 645 C.E., his work included writing an account of the countries he had visited: The Great Tang Dynasty Record of the Western Regions (Da Tang Xi You Ji 大唐西域記). The book is not a narrative travelogue, but rather presented as a collection of facts about the various countries he visited. Nevertheless, the Record is full of moral judgments, both stated and implied. Xuanzang’s judgment was frequently connected both to his Buddhist beliefs and a conviction that China represented the pinnacle of culture and good governance. Xuanzang’s portrayal of Central Asia at a crucial time when the Tang Empire was expanding westward is both inclusive and marginalizing, shaped by the overall framing of Central Asia in the Record and by the selection of local legends from individual nations. The tension in the Record between Buddhist concerns and secular political ones, and between an inclusive worldview and one centered on certain locations, creates an approach to Central Asia unlike that of many similar sources. -
On Doctrinal Similarities Between Sthiramati and Xuanzang
JIABS Journal of the International Association of Buddhist Studies Volume 29 Number 2 2006 (2008) The Journal of the International Association of Buddhist Studies (ISSN 0193-600XX) is the organ of the International Association of Buddhist Studies, Inc. As a peer- reviewed journal, it welcomes scholarly contributions pertaining to EDITORIAL BOARD all facets of Buddhist Studies. JIABS is published twice yearly. KELLNER Birgit Manuscripts should preferably be sub- KRASSER Helmut mitted as e-mail attachments to: Joint Editors [email protected] as one single file, complete with footnotes and references, BUSWELL Robert in two different formats: in PDF-format, and in Rich-Text-Format (RTF) or Open- CHEN Jinhua Document-Format (created e.g. by Open COLLINS Steven Office). COX Collet GÓMEZ Luis O. Address books for review to: HARRISON Paul JIABS Editors, Institut für Kultur - und Geistesgeschichte Asiens, Prinz-Eugen- VON HINÜBER Oskar Strasse 8-10, A-1040 Wien, AUSTRIA JACKSON Roger JAINI Padmanabh S. Address subscription orders and dues, KATSURA Shōryū changes of address, and UO business correspondence K Li-ying (including advertising orders) to: LOPEZ, Jr. Donald S. Dr Jérôme Ducor, IABS Treasurer MACDONALD Alexander Dept of Oriental Languages and Cultures SCHERRER-SCHAUB Cristina Anthropole SEYFORT RUEGG David University of Lausanne CH-1015 Lausanne, Switzerland SHARF Robert email: [email protected] STEINKELLNER Ernst Web: http://www.iabsinfo.net TILLEMANS Tom Fax: +41 21 692 30 45 Subscriptions to JIABS are USD 40 per year for individuals and USD 70 per year for libraries and other institutions. For informations on membership in IABS, see back cover. Cover: Cristina Scherrer-Schaub Font: “Gandhari Unicode” designed by Andrew Glass (http://andrewglass.org/ fonts.php) © Copyright 2008 by the International Association of Buddhist Studies, Inc. -
Harshavardhana [NCERT Notes on Ancient Indian History for UPSC]
UPSC Civil Services Examination UPSC Notes [GS-I] Topic: Harshavardhana [NCERT Notes on Ancient Indian History for UPSC] King Harshavardhana was also known as Harsha. He built a huge empire that extended from north & northwestern India till the Narmada in the South. His capital was Kannauj. His reforms and policies were generous and were always aimed at boosting the peace and prosperity of his people. King Harshavardhana deeds were praised by Chinese Buddhist traveller Xuanzang in his writings. Facts about King Harshavardhana (Reign: 606 A.D to 647 A.D.) Harshavardhana was born in 590 AD to King Prabhakaravardhana of Sthaneshvara (Thanesar, Haryana). He belonged to the Pushyabhuti also called Vardhana dynasty. He was a Hindu who later embraced Mahayana Buddhism. He was married to Durgavati. He had a daughter and two sons. His daughter married a king of Vallabhi whereas his sons were killed by his own minister. King Harshavardhana Ascension After Prabhakaravardhana died, his elder son Rajyavardhana ascended to the throne of Thanesar. Harsha had a sister, Rajyashri who was married to king Grahavarman of Kannauj. Sasanka, the Gauda king killed Grahavarman and kept Rajyashri prisoner. This prompted Rajyavardhana to fight against Sasanka. But Sasanka killed Rajyavardhana. This led the 16-year old Harshavardhana to ascend the throne of Thanesar in 606 AD. He vowed to avenge his brother’s murder and also rescue his sister. For this, he forged an alliance with Bhaskaravarman, the Kamarupa king. Harsha and Bhaskaravarman marched against Sasanka. Ultimately, Sasanka left for Bengal and Harsha became the king of Kannauj also. Empire of King Harshavardhana On acquiring Kannauj, Harsha united the two kingdoms of Thanesar and Kannauj. -
JRA 29 1 Bookreview 188..190
Reviews of Books Ibn Khaldun’s inconsistent scepticism and rationality, rejecting some but not all forms of magic and sorcery, (p. ) coupled with consistent religious faith is the leitmotif of Irwin’s intellectual portrait drawn from “another planet”. But is not this portrait consistent with the world of a medieval thinker? Would not any further rationalism be utter heresy? Ibn Khaldun’s conditional rationality prompts Irwin to join those who reject the view of Ibn Khaldun as ‘precursor’ of modern ideas. In the epilogue, com- ing back to the perspective from “another planet” announced in his introduction, Irwin candidly and refreshingly admits that he could not always understand Ibn Khaldun. Although he was one of the most outstanding figures of his age, Ibn Khaldun’s thoughts remained beyond the grasp of his contempor- aries. Robert Irwin sees him as a strikingly bleak and lonely figure (p. ), standing between the exceptional and the conventional, beyond categorisation. Irwin’s portrait of the philosopher is beautifully written, intriguing, stimulating and movingly intimate. <[email protected]> DORIS BEHRENS-ABOUSEIF School of Oriental and African Studies, University of London TREASURE,TRADE AND TRADITION:POST-KIDARITE COINS OF THE GANGETIC PLAINS AND THE PUNJAB FOOTHILLS, – CE.ByJOHN S. DEYELL. pp. New Delhi, Manohar Publishers, . doi:./S This is an important new book that answers a long-standing question in Indian numismatic history: where is the coinage of the great Puspabhụ ̄ti king Harsavardhana?̣ The only known coinage of this illustrious king is a small silver issue modelled on Gupta/Maukhari prototypes. Deyell did not set out to answer this question, but rather to study a series of base gold coins of a post- Kidarite style, showing a stylized king sacrificing at an altar on one side and a seated female deity on the other.1 Sir Alexander Cunningham attributed these coins in to a “Naga” or “Karkotaka” dynasty of Kashmir. -
IMAGES of POWER: BUDDHIST ART and ARCHITECTURE (Buddhism on the Silk Road) BUDDHIST ART and ARCHITECTURE on the Silk Road
IMAGES OF POWER: BUDDHIST ART and ARCHITECTURE (Buddhism on the Silk Road) BUDDHIST ART and ARCHITECTURE on the Silk Road Online Links: Bamiyan Buddhas: Should they be rebuit? – BBC Afghanistan Taliban Muslims destroying Bamiyan Buddha Statues – YouTube Bamiyan Valley Cultural Remains – UNESCO Why the Taliban are destroying Buddhas - USA Today 1970s Visit to Bamiyan - Smithsonian Video Searching for Buddha in Afghanistan – Smithsonian Seated Buddha from Gandhara - BBC History of the World BUDDHIST ART and ARCHITECTURE of China Online Links: Longmen Caves - Wikipedia Longmen Grottoes – Unesco China The Longmen Caves – YouTube Longmen Grottoes – YouTube Lonely Planet's Best In China - Longmen China – YouTube Gandhara Buddha - NGV in Australia Meditating Buddha, from Gandhara , second century CE, gray schist The kingdom of Gandhara, located in the region of presentday northern Pakistan and Afghanistan, was part of the Kushan Empire. It was located near overland trade routes and links to the ports on the Arabian Sea and consequently its art incorporated Indian, Persian and Greco- Roman styles. The latter style, brought to Central Asia by Alexander the Great (327/26–325/24 BCE) during his conquest of the region, particularly influenced the art of Gandhara. This stylistic influence is evident in facial features, curly hair and classical style costumes seen in images of the Buddha and bodhisattvas that recall sculptures of Apollo, Athena and other GaecoRoman gods. A second-century CE statue carved in gray schist, a local stone, shows the Buddha, with halo, ushnisha, urna, dressed in a monk’s robe, seated in a cross-legged yogic posture similar to that of the male figure with horned headdress on the Indus seal. -
Buddhist Art Styles and Cultural Exchange Along the Silk Road
Buddhist Art Styles and Cultural Exchange Along the Silk Road By Martin Amster and Lier Chen This article is adapted from curriculum material to be published in From Silk to Oil: Cross-Cultural Connections Along the Silk Road, a project of China Institute in America, funded by the US Department of Education. The volume will contain twenty-three units in five sections: Geography, Ethnic and Political History, Exchange of Goods and Ideas, Religions, and Art. The activities described below are aimed at bringing the visual arts into the high school global studies classroom.1 inding through ters them cannot be spared from death. Even if you travel togeth- the deserts and er with a large number of companions, you might go astray or be W high mountain lost. How can you, reverend teacher, try to go all alone? passes of Central and Inner But the Master replied: “I started on my journey to the West Asia,2 the network of cara- for the purpose of seeking the great [Buddhist] Law. I will not van routes collectively called return to the East before I reach India. Even if I die on the way, I the Silk Road linked China won’t regret it.”7 to the Middle East and Xuanzang’s pilgrimage took sixteen years. What kind of reli- Europe. From the second gious faith made him (and others) risk their lives? century BCE on, it was a The Buddhism that spread to East Asia was called Mahayana major conduit for moving (Great Vehicle). It developed in India during the first centuries of people, ideas, and goods. -
Joseph Elacqua
Citragupta: A Case Study in Esoteric Buddhist Appropriation1 Introduction For several decades, the Mahākaruṇā-garbhodbhava-maṇḍala2 大悲胎藏生曼荼攞, an iconographic, visual, and ritual device characteristic of Japanese Shingon 眞言 Buddhism, has been a rich source for academic scholarship on Esoteric Buddhism. First appearing in the Mahāvairocanābhisambodhi-sūtra,3 variants of the Garbhodbhava-maṇḍala are discussed in seven of its chapters as well as in a wealth of supplementary literature.4 For lack of a better term to refer collectively to these texts, I have employed the term “Garbhodbhava cycle.” Several studies relating to the Garbhodbhava-maṇḍala have blazed new trails, constructing a wholly new framework for present maṇḍala scholars. Toganoo Shōun’s 栂尾祥雲 study of maṇḍalas5 provided a crucial framework for the field of maṇḍala studies. Tajima Ryūjun 田嶋隆純 analysed both the Garbhodbhava- 1 I would like to express my deep and profound gratitude to Bernard Faure and Michael Como, each of whom provided invaluable assistance as the seeds of this project first began to sprout. I am also heavily indebted to Rolf Giebel for his unending assistance in the restoration of potential Sanskrit text titles. Sanskrit terms in this paper are romanized according to the IAST system, but with one slight variation. Rather than utilizing the Sanskrit anusvāra using the vague “ṃ” of IAST, I have elected to romanize this sound more strictly. When occurring before a plosive consonant, the anusvāra is romanized as the appropriate class nasal (ex: “saṅgraha” rather than “saṃgraha.” In all other cases—such as occurrence before non-plosives or at the end of any morpheme—the anusvāra is romanized as “ṃ.” 2 The Maṇḍala Arising from the Matrix of Great Compassion. -
MONASTERIES and MONARCHS -- Xuanzang, 618-632 CE
MONASTERIES AND MONARCHS -- Xuanzang, 618-632 CE Into the lush fields along the Yellow River fled two young brothers, Anticipating the decay of the Sui dynasty, he buried himself in the Buddhist monks. Abandoning their monastery they set out from study of his books. Many offers of provincial and district offices Luoyang, the eastern imperial capital, for Chang’an [Xi’an], 200 miles were pressed on him, which he persistently refused; he declined all upstream. There, according to rumor, a prince and an army maintained magisterial duties on the plea of ill-health…3 A order. China in 618 CE was no place for peaceful Buddhist monks. Xuanzang grew up reading classical texts under the guidance of his Around them, the brothers witnessed the final collapse of the Sui father. His older brother became a Buddhist monk, and when he noticed dynasty. Decades later, one of the brothers, Xuanzang, described this Xuanzang was “deeply given to the study of religious doctrine,” he took time to his biographer: “The magistrates were destroyed and... [monks] him to his monastery at the imperial capital of Luoyang and taught him either perished or took to flight. The streets were filled with bleached the basics of Buddhism, Xuanzang entered this monastery at age bones and the burnt ruins of buildings. At this time the books of thirteen. He studied, listened, and meditated until forced to flee seven Confucius and the sacred pages of Buddha were forgotten, everyone years later.4 was occupied with the arts of war.”1 Buddhism was already 1,000 years old at the time of Xuanzang. -
Tang Xuanzang: the World Famous Buddhist Pilgrim As He Is Known in Thai Art and Literature Assf.Prof.Dr.Sudarat Buntoakul Faculty of Buddhism
Tang Xuanzang: The World Famous Buddhist Pilgrim as He is known in Thai Art and Literature Assf.Prof.Dr.Sudarat Buntoakul Faculty of Buddhism Abstract The research indicates that Tang Xuanzang was introduced to Thais as a Buddhist pilgrim in the novel Journey to the West, which was published by Printing Press Books in the mid-nineteenth century, although it had been translated into Thai at the beginning of that century. The story became better known to Thais after the advent of television in Thailand in the mid-twentieth century and many versions were broadcast. Illustrations from Journey to the West at Wat Kuti, Petchaburi, Thailand were examined. Representations of Xuanzang and his three protectors appear on the outer wall of the Main Hall, along with illustrations that depict ten incarnations of Gotama Buddha in teak woodcarvings. The artwork clearly shows evidence of Indian and Chinese cultural influences. The temple with these reliefs is today preserved as an archeological site in Thailand. Though the Great Tang Records of the Western Regions is an historical account, it has only been translated into Thai and published recently. Key words: Tang Xuanzang, the Journey to the West, the Great Tang Records on the Western Regions, art, literature, Thailand History of Tang Xuanzang The remarkable pilgrimage to India in the seventh century (629-645) of the Chinese Buddhist monk, Xuanzang, is known worldwide as a major milestone in Chinese and world Buddhist history. Many hold great admiration, even worship, for Xuanzang, an extraordinary traveler. He made extraordinary contributions to Chinese 42. Dr.Sudarat (539-552).indd 539 28/4/2559 10:58:15 540 สารนิพนธ์พุทธศาสตรบัณฑิต ประจำาปี ๒๕๕๙ Buddhism, travelling great distances and braving immense hardships, perils, and even facing death in his efforts to fulfill his desire to visit the place from which Buddhism had originally emerged, then returning laden with Buddhist scriptures, artifacts, and a treasure trove of spiritual learning for his homeland. -
How Chinese Buddhist Travelogues Changed Western Perception of Buddhism
The Historical Turn: How Chinese Buddhist Travelogues Changed Western Perception of Buddhism MAX DEEG Cardiff University [email protected] Keywords: Faxian, Xuanzang, Yijing, William Jones, Buddhist travelogues DOI: https://dx.doi.org/10.15239/hijbs.01.01.02 Abstract: Information about Buddhism was scarce and vague at best in the West until the beginning of the nineteenth century. The first Orientalists studying Indian sources had to rely on Hindu texts written in Sanskrit (e.g. Purāṇas) which portrayed the Buddha as an avatāra of the Hindu god Viṣṇu. The situation changed with the discovery of the Pāli texts from Śrī Laṅkā through scholars like George Turnour and the decipherment of the Aśokan inscriptions through James Prinsep by which the historical dimension of the religion became evident. The final confirmation of the historicity of the Buddha and the religion founded by him was taken, however, from the records of Chinese Buddhist travellers (Faxian, Xuanzang, Yijing) who had vis- ited the major sacred places of Buddhism in India and collected other information about the history of the religion. This paper will discuss the first Western translations of these travelogues and their reception in the scholarly discourse of the period and will suggest that the historical turn to which it led had a strong impact on the study and reception of Buddhism—in a way the start of Buddhist Studies as a discipline. Hualin International Journal of Buddhist Studies, 1.1 (2018): 43–75 43 44 MAX DEEG n the year of 1786, in his third ‘Anniversary Discourse’ -
Unit 3 the Age of Empires: Guptas and Vardhanas
SPLIT BY - SIS ACADEMY www.tntextbooks.inhttps://t.me/SISACADEMYENGLISHMEDIUM Unit 3 The Age of Empires: Guptas and Vardhanas Learning Objectives • To know the establishment of Gupta dynasty and the empire-building efforts of Gupta rulers • To understand the polity, economy and society under Guptas • To get familiar with the contributions of the Guptas to art, architecture, literature, education, science and technology • To explore the signification of the reign of HarshaVardhana Introduction Sources By the end of the 3rd century, the powerful Archaeological Sources empires established by the Kushanas in the Gold, silver and copper coins issued north and Satavahanas in the south had by Gupta rulers. lost their greatness and strength. After the Allahabad Pillar Inscription of decline of Kushanas and Satavahanas, Samudragupta. Chandragupta carved out a kingdom and The Mehrauli Iron Pillar Inscription. establish his dynastic rule, which lasted Udayagiri Cave Inscription, Mathura for about two hundred years. After the Stone Inscription and Sanchi Stone downfall of the Guptas and thereafter and Inscription of Chandragupta II. interregnum of nearly 50 years, Harsha of Bhitari Pillar Inscription of Vardhana dynasty ruled North India from Skandagupta. 606 to 647 A.D (CE). The Gadhwa Stone Inscription. 112 VI History 3rd Term_English version CHAPTER 03.indd 112 22-11-2018 15:34:06 SPLIT BY - SIS ACADEMY www.tntextbooks.inhttps://t.me/SISACADEMYENGLISHMEDIUM Madubhan Copper Plate Inscription Lichchhavi was an old gana–sanga and Sonpat Copper Plate its territory lay between the Ganges and Nalanda Inscription on clay seal the Nepal Terai. Literary Sources Vishnu, Matsya, Vayu and Bhagavata Samudragupta (c. -
Le Collège De France
LE COLLÈGE DE FRANCE QUELQUES DONNÉES SUR SON HISTOIRE ET SON CARACTÈRE PROPRE I. LES ORIGINES LES LECTEURS ROYAUX. — Le Collège de France doit son origine à l’institution des lecteurs royaux par le roi François Ier, en1530. L’Université de Paris avait alors le monopole de l’enseignement dans toute l’étendue de son ressort. Attachée à ses traditions comme à ses privilèges, elle se refusait aux innovations. Ses quatre facultés : Théologie, Droit, Médecine, Arts, prétendaient embrasser tout ce qu’il y avait d’utile et de licite en fait d’études et de savoir. Le latin était la seule langue dont on fît usage. Les sciences proprement dites, sauf la médecine, se réduisaient en somme au quadrivium du moyenâge. L’esprit étroit de la scolastique décadente y régnait universellement. Les écoles de Paris étaient surtout des foyers de dispute. On y argumentait assidûment ; on y apprenait peu de chose. Et il semblait bien difficile que cette corporation, jalouse et fermée, pût se réformer par elle-même ou se laisser réformer. Pourtant, un esprit nouveau, l’esprit de la Renaissance, se répandait à travers l’Europe. Les intelligences s’ouvraient à des curiosités inédites. Quelques précur- seurs faisaient savoir quels trésors de pensée étaient contenus dans ces chefs- d’œuvre de l’Antiquité, que l’imprimerie avait commencé de propager. On se reprochait de les avoir ignorés ou méconnus. On demandait des maîtres capables de les interpréter et de les commenter. Sous l’influence d’Érasme, un généreux mécène flamand, Jérôme Busleiden, venait de fonder à Louvain, en 1518, un Collège des trois langues, où l’ontraduisait des textes grecs, latins,hébreux, au grand scandale des aveugles champions d’une tradition sclérosée.