Making History Lawrence Hill and Clement Virgo Put Book of Negroes on Screen PM40011669 TSC WGC-Ad Inside-Front-Cover 2015.Pdf 1 2015-01-27 12:13 PM

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Making History Lawrence Hill and Clement Virgo Put Book of Negroes on Screen PM40011669 TSC WGC-Ad Inside-Front-Cover 2015.Pdf 1 2015-01-27 12:13 PM CANADIAN CANADA $7 SPRING 2015 VOL.17, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA Tracey Deer: Writing for a Wide Audience begins with “Sex and the City on the rez” Laurie Finstad- Knizhnik’s Empire isn’t Strange but it’s eye-opening Making History Lawrence Hill and Clement Virgo Put Book of Negroes on Screen PM40011669 TSC_WGC-ad_Inside-Front-Cover_2015.pdf 1 2015-01-27 12:13 PM C M Y CM MY CY CMY K CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 17 No. 2 Spring 2015 ISSN 1481-6253 Contents Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Features Editor Tom Villemaire [email protected] Lawrence Hill and Clement Virgo: Making History 8 Director of Communications Li Robbins Lawrence Hill and Clement Virgo took Hill’s Editorial Advisory Board award-winning novel, The Book of Negroes, and spun it into Denis McGrath (Chair) a mini-series that captured the viewers. Canadian history Michael MacLennan Susin Nielsen makes for captivating television when everyone is on Simon Racioppa the same page with the writers. By Matthew Hays President Jill Golick (Central) Councillors Michael Amo (Atlantic) Laurie Finstad-Knizhnik Mark Ellis (Central) Rules her Strange Empire 14 Dennis Heaton (Pacific) Laurie Finstad-Knizhnik has taken the western and Denis McGrath (Central) turned it on its head in her Strange Empire, where the focus Anne-Marie Perrotta (Quebec) is on strong female characters. Andrew Wreggitt (Western) By Diane Wild Art Direction Studio Ours Design Studio Ours Mohawk Girls: Printing Ironstone Media A Deer in the Spotlight 18 Tracey Deer is breaking stereotypes with her APTN series. Cover Photo: Christina Gapic Deer had an idea that may have sounded too narrow to appeal Canadian Screenwriter is to a wider television audience, yet that was exactly what the published three times a year by broadcaster hoped to gain with her Mohawk Girls. the Writers Guild of Canada (WGC). 366 Adelaide Street West, Suite 401 By Katherine Brodsky Toronto, Ontario M5V 1R9 TEL: (416) 979-7907 Tribute to James Golick 7 FAX: (416) 979-9273 WGC President Jill Golick pays tribute WEBSITE: www.wgc.ca to her son James Golick. Subscriptions: WGC members receive a By Jill Golick subscription as part of their membership. Non-member subscriptions: $20 for W-Files three issues. Mike Kiss — By Cameron Archer 21 Advertising policy: Readers should not assume that any products or services Sandra Chwialkowska — By Mark Dillon 23 advertised in Canadian Screenwriter are endorsed by the WGC. Columns Editorial Policy: The WGC neither implicitly From the Editor/Contributors 2 nor explicitly endorses opinions or attitudes expressed in Canadian Screenwriter. Inside/Out — From the President 3 Submissions are subject to editing for “Oh Great Scribe...” — Advice for length, style and content. the Scriptlorn 28 Advertising Sales: Visit www.wgc.ca or contact Li Robbins at News [email protected] Beat Sheet 4 Letters to the editor are subject to editing for length. Not all letters are published. Spotlight 24 New Members 26 FROM THE EDITOR CONTRIBUTORS Focus: It’s not just Spring 2015 for pictures! Cameron Archer runs the Canadian television/media website Gloryosky (www.sweetposer.com), and is also a freelance arts Distillation is the process of getting what you want by shedding writer. He currently lives in what you don’t, through heat. Tracey Deer had an idea for a series about aboriginal women. Eastern Ontario. Aboriginal People’s Television Network liked the pitch Deer and writing partner Cynthia Knight offered:Sex and the City on the rez. A freelance arts and entertain- In reality Mohawk Girls is more complicated than that, but ment writer, Katherine Brodsky that pitch gets you to the neighbourhood at the corner of humour has written for Variety, Enter- and drama and once there, well, you know, you can look around. , Perhaps it’s not surprising that a show on a network tainment Weekly USA Week- that tells you right up front who it represents would be fairly end, Mashable, Elle Canada, narrowly focused. MovieMaker Magazine, The But Deer and Knight know their stuff and have managed to Independent, Stage Directions, create something that resonates on and off the reserve, and with and many others. She has First Nations and others. interviewed a diverse range of And they did it through distillation. They didn’t try to intriguing personalities, includ- broaden their audience by diluting it — adding unnecessary “ingredients” to try to attract more viewers. This rarely works and ing Oscar, Emmy, Grammy, Tony, the end product is often offensive in its vagueness. and Pulitzer winners. In her Writing sharper, distilling, can result in the tastiest spare time she wears sunglasses television. But it requires the “heat” of support and investment. at night and runs her own cult, Mohawk Girls seems to have that backing and support. And that is Katherineology. Follow her on paying off for everyone. Twitter @mysteriouskat It’s encouraging to see a show that some might write off as aimed at a narrow audience attracting the attention of a broader viewership. Hopefully, it will make the decision-makers in our Mark Dillon is a Toronto-based industry see that tightening the focus doesn’t necessarily narrow freelance journalist and former the appeal. editor of Playback magazine. He Look at what’s in this issue and you’ll have an idea of just is author of the award-winning how sharp and distilled the writing on Canadian television has become. Strange Empire — how did anyone get approval for a Fifty Sides of The Beach Boys. western where the men are the second fiddles? Then there’s our cover story on Book of Negroes — to do that Christina Gapic is a Toronto- epic and do it right is encouraging from an industry that often based freelance photographer sticks with the safe and reliable. specializing in portrait, event And those are just a few examples of how focusing on the and documentary photography. story you need to tell can resonate with a larger audience. Our screenwriters are getting the stills cookin’ at just the right temperature. By focusing or distilling and not diluting, we’ll have Matthew Hays is a Montreal- better stories and stronger, sharper television. based writer, author, and Hopefully it won’t be long before we hear someone say in their university and college instructor. pitch: Mohawk Girls on Campus or Mohawk Girls meet Get Smart or His articles have appeared in Mohawk Girls in Borealis. Man, that would be awesome. The Globe and Mail, The New York Times, The Guardian, — Tom Villemaire Vice, Maclean’s, The Walrus, 2 INSIDE/OUT When Bad Things Happen to Good Cineaste, POV, and The Toronto Star. He teaches courses in film People studies at Marianopolis College and Concordia University. His book, The View from Here: Conversations with Gay and Bad things happen to good people. Sometimes it’s deliberate — as it was Lesbian Filmmakers (Arsenal recently in Paris at the French satirical newspaper, Charlie Hebdo — Pulp), won a 2008 Lambda and sometimes it’s random chance, as it was for our WGC President’s Literary Award and he received son James Golick who died in a car accident in Mexico in December. the Concordia President’s In either case, there is the terrible emptiness of personal loss and the Award for Teaching Excellence sadness at the lost talent, intelligence, warmth and humanity of the individuals. But there is something else. for 2013-14. We saw it on the streets of Paris when hundreds of thousands linked arms and walked through the streets of their city, not just in Diane Wild is a Vancouver- defiance of what had been done to them, but also in a spirit of commu- based writer and editor who nity at their shared loss. They shared their grief with each other, and runs the TV, eh? website (www. the rest of the world, and it gave us all strength. Ignorance and brutal tv-eh.com) about Canadian violence cannot extinguish ideas. The pencils being held in the air were a declaration of shared values — freedom of expression in the face of television. violent intimidation. A statement of community. Last December, writers and industry friends from all across the Andrew Wreggitt is an award- country were with Jill Golick and her family as they struggled with winning film and television their own tragic loss. screenwriter. Among his 16 The Writers Guild of Canada has been a big part of Jill’s life for movies or mini-series are many years — as a councillor and now as president. She’s given a lot of her time and energy to this organization and I think she would tell , Corner Gas: The Movie The you that she’s done it not just because the writers represented here are Phantoms for CBC television, connected by our business interest, but because we are a community. which won an International A community that looks out for each other, that celebrates our achieve- Emmy Award and the WGC ments together, fights for our common good and embraces each other’s Award, and Borealis, a multiple pain sometimes too. CSA award winner including This is a good time for WGC writers to remember that this kind of community exists because people like Jill have given their time and best movie and best writing. effort — that every one of us has a role to play in keeping this a strong, In all Andrew has won three unified, active membership. There are times when you need to step out Gemini/CSA awards for writing of that little office in your head, take someone’s arm and walk down the and has been nominated five street together — do something for your colleagues for our common other times.
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