Jean Grave and French Anarchism: a Relational Approach (1870S–1914)*
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Downloaded from Brill.Com10/04/2021 08:07:20AM This Is an Open Access Chapter Distributed Under the Terms of the CC BY-NC-ND 4.0 License
INTERNATIONAL JOURNAL FOR HISTORY, CULTURE AND MODERNITY www.history-culture-modernity.org Published by: Uopen Journals Copyright: © The Author(s). Content is licensed under a Creative Commons Attribution 4.0 International Licence eISSN: 2213-0624 L’Art pour l’Art or L’Art pour Tous? The Tension Between Artistic Autonomy and Social Engagement in Les Temps Nouveaux, 1896–1903 Laura Prins HCM 4 (1): 92–126 DOI: 10.18352/hcm.505 Abstract Between 1896 and 1903, Jean Grave, editor of the anarchist journal Les Temps Nouveaux, published an artistic album of original prints, with the collaboration of (avant-garde) artists and illustrators. While anar- chist theorists, including Grave, summoned artists to create social art, which had to be didactic and accessible to the working classes, artists wished to emphasize their autonomous position instead. Even though Grave requested ‘absolutely artistic’ prints in the case of this album, artists had difficulties with creating something for him, trying to com- bine their social engagement with their artistic autonomy. The artistic album appears to have become a compromise of the debate between the anarchist theorists and artists with anarchist sympathies. Keywords: anarchism, France, Neo-Impressionism, nineteenth century, original print Introduction While the Neo-Impressionist painter Paul Signac (1863–1935) was preparing for a lecture in 1902, he wrote, ‘Justice in sociology, har- mony in art: same thing’.1 Although Signac never officially published the lecture, his words have frequently been cited by scholars since the 1960s, who claim that they illustrate the widespread modern idea that any revolutionary avant-garde artist automatically was revolutionary in 92 HCM 2016, VOL. -
Rebels with a Cause: Revolutionary Syndicalism, Anarchism, and Socialism in Fin-De-Siècle France
Rebels with a Cause: Revolutionary Syndicalism, Anarchism, and Socialism in Fin-De-Siècle France Andrew P. Miller History In his influential book, Revolutionary Syndicalism and French Labor, Peter Stearns presents the fin-de-siècle syndicalist movement in France as “a cause without rebels.” Stearns asserts that syndicalist leaders and intellectuals “produced distinctive and abundant rhetoric…yet they did not characterize French labor in their heyday and they did not set an enduring trend.”1 For Stearns, the revolutionary syndicalists failed to meet the workers’ material needs and paralyzed the unionist movement because they did not have a centralized leadership dedicated to pragmatic business and organizational practices. Bernard Moss comes to a similar conclusion, stating that the workers’ shift from “a cooperative strategy in alliance with the reformist middle class” to “a revolutionary strategy of class struggle” through loose federations and autonomous trade associations hampered the centralized discipline and political power of unions at the turn of the century.2 Stearns and Moss engage the French labor movement from very different perspectives, but in the end, both either discount or fail to recognize the specific ideals and moral tradition behind revolutionary syndicalism. Stearns’s concern with the importance of higher wages and job security conceals the fact that narrow, short-term gains were not the main objectives of the skilled labor force in the syndicalist movement. Moss, on the other hand, recognizes the ideological character of the movement, but fails to acknowledge that political socialism, as a path into twentieth-century industrial politics, eventually embedded the French syndicalists in the capitalist system they sought to overturn. -
Cuban Anarchism Wexler, Alice
Anarchism was the driving force behind Cuba's revolutionary and labor movements from their dawn until well into the 20th century. Anarchists bore primary responsibility for organizing workers in Cuba's most important industries, tobacco and sugar. At the height of their influence in the 1920s, Cuba's anarchists controlled the Cuban union Cuban movement, provided free nonreligious schools for poor children, provided meeting places for Cuba's working class, organized campesinos into unions and agricultural Anarchism collectives, and published newspapers and magazines THE HISTORY OF A MOVEMENT across the island. Later, they would take an active part in the resistance to the Machado, Batista, and Castro dictatorships. This book presents their inspiring story. Frank Fernandez Introduction by Chaz Bufe Serrano, Carlos. Anarchisme et Independence á Cuba á la Fin du XIX Siecle. Paris: Universite de Paris, 1986. Shaffer, Kirwin R. Cuba para todos: Anarchist Internationalism and the Cultural Politics of Cuban Independence, 1898-1925. (forthcoming) Souchy, Agustín. Testimonios sobre la Revolución Cubana. Buenos Aires: Editorial Reconstruir, 1960. Thomas, Hugh. Cuba or the Pursuit of Freedom. London: Eyre & Spottiswoode, 1971. Ward, Colin. Anarchy in Action. New York: Harper & Row, 1973. Westfall, Glenn L. Key West: Cigar City USA. Key West, FL: Historical Key West Preservation Board, 1987. Cuban Anarchism Wexler, Alice. Emma Goldman in Exile. Boston: Beacon Press, 1989. THE HISTORY OF A MOVEMENT Zinn, Howard. A People's History of the United States. New York: Harper & Row, 1980. Frank Fernandez 112 1979. Molina, Juan M. El Comunismo Totalitario. Mexico, DF: Editores Mexicanos Unidos, 1982. Moreno Fraginals, Manuel. Cuba/España, España/Cuba. -
Bio-Bibliographical Sketch of Jean Van Heijenoort
Lubitz’ TrotskyanaNet Jean Van Heijenoort Bio-Bibliographical Sketch Contents: Basic biographical data Biographical sketch Selective bibliography Sidelines, notes on archives Basic biographical data Name: Jean Van Heijenoort Other names (by-names, pseud. etc.): Alex Barbon ; Jacques Carton ; García Cestero ; Jarvis Gerland ; J.v.H. ; Vladimir Ivlev ; John ; Marcel Letourneur ; Daniel Logan ; Marc Loris ; K.M. ; M. Marcel ; Karl Mayer ; Karl Meyer ; Jean Rebel ; V. ; Van ; Jean Louis Maxime Van Heijenoort ; John Van Heijenoort ; Jean Vannier ; Ann Vincent ; J. Walter Wind ; Windy Date and place of birth: July 23, 1912, Creil (France) Date and place of death: March 29, 1986, México, D.F. (México) Nationality: French ; USA Occupations, careers: Professor of philosophy, mathematician, logician, archivist, writer, editor, translator, secretary, political activist Time of activity in Trotskyist movement: 1931 - 1948 Biographical sketch Jean Van Heijenoort was undoubtedly one of the most distinguished and devoted persons who shared the Trotskyist movement: first a secretary and bodyguard to Trotsky, then a secretary of the Fourth International and eventually one of the most eminent scholars in the field of modern mathematics and history of logic. His remark- able and quite extraordinary itinerary has been described and appraised by various renowned historians and scholars such as Pierre Broué or Irving H. Anellis, and a rich book-length biography about him from Anita B. Feferman's pen has been available since 19931. Jean (Louis Maxime) Van Heijenoort was born in Creil (Département Oise, France) on July 23, 1912 as son of a working-class family: his father was Jean Théodore Didier van Heijenoort (b. 1885), a Dutchman who had immigrated to France, and his mother was Charlotte Hélène Balagny (b. -
Accepted Manuscript
The Work of Photography Reimagined: The Soviet Moment in France, 1928–1934 Simon Dell This essay examines the photographic practices of the French Communist Party during the ‘Third Period’, when the Communist International adopted its most intransigent policies. Through an analysis of the magazines Nos Regards and Regards sur le monde du travail, I show that the Communists adopted a montage technique which expanded the practice from juxtapositions on the page to juxtapositions orchestrated across the whole publication. Photographs were thus used to articulate the conflict between opposed economic and political systems through sustained comparisons of capitalist countries and the ‘fatherland of the International proletariat’. In the process, the magazines became collective works rather than miscellanies of individual articles, mounting a direct challenge to the practices of the bourgeois press. This challenge was also extended to the role of the press photographer, which the Communists proposed to supplant through the collaboration of worker photographers. Thus, the very work of photography was to be reimagined. Keywords: montage, communism, photojournalism, worker photography, Nos Regards, Regards sur le monde du travail 2 The issue of the trade journal Arts et Métiers Graphiques for April 1936 featured an essay on the composition of the weekly magazine. As the journal’s title suggests, Arts et Métiers Graphiques dealt with the luxury end of the print trade and the essay on weeklies was submitted by a professional arbiter of taste, the art critic Florent Fels. He was concerned with the ways in which magazines should be differentiated from the daily production of newspapers, and he saw illustration as crucial in establishing this difference and securing the success of any weekly publication. -
Page 220 H-France Review Vol. 3 (May 2003), No. 51 David Berry, A
H-France Review Volume 3 (2003) Page 220 H-France Review Vol. 3 (May 2003), No. 51 David Berry, A History of the French Anarchist Movement, 1917-1945. Contributions to the Study of World History, no. 97. Westport, Conn. and London: Greenwood Press, 2002. xiv + 323 pp. Notes, bibliography, and index. $64.95 U.S. (cl). ISBN 0-313-32026-8. Review by Judith Wishnia, State University of New York at Stony Brook. Go to any manif in Paris and you will inevitably see a small group of young men and women waving the black flag of anarchism, the remnant of what was once a powerful influence on left-wing politics in France. For it was in France, as David Berry tells us, that anarchism first became a significant force, especially in the development of revolutionary syndicalism, a historical subject worthy of study. Berry pays homage to the magisterial work of Jean Maitron, as well as the studies of Daniel Colson, Roland Briard, Katherine Amdur, Steven Vincent, among others, but most of these books emphasize the period before and just after the First World War, or in the case of Briard, the post-World War II period.[1] Missing is a thorough analysis of the theoretical and tactical struggles and changes within the anarchist movement between the two world wars. This is the era covered by this very intensive study, a period experiencing such major events as the Russian Revolution and the subsequent growth of the world-wide Communist Party, the rise of fascism, and the Spanish Civil War, when certain segments of the anarchist movement attempted to move away from the glorification of individual action toward more organization and practical action, with close ties to the labor movement. -
New Directions in Neo-Impressionism (London, 20 Nov 10)
New Directions in Neo-Impressionism (London, 20 Nov 10) Dr Tania Woloshyn et al Call for Papers CONFERENCE: Saturday 20 November 2010 VENUE: Richmond, the American International University in London, UK Proposals of approx.250 words due by 1 July to: [email protected] 2010 marks the centenary of the death of Neo-Impressionist Henri-Edmond Cross (1856-1910) as well as the release of a new book of collected essays which re-evaluate the work of Georges Seurat (1859-1891), 'Seurat Re-Viewed' (edited by Paul Smith; published by Penn State Press, 2010). It is therefore a fitting time to reconsider the artistic production and contextual themes around Neo-Impressionism, a much maligned movement that has often been described as a series of artistic, political and scientific failures. Its new direction after the death of Seurat in 1891, under the self-declared leadership of Paul Signac (1863-1935), has been posited less as a renewal towards alternative but equally radical luminous experiments than a progressive degeneration from its original conception. Specifically, the works of Cross, Signac and Théo van Rysselberghe (1862-1926) produced along the Côte d'Azur during the 1890s and early 1900s deserve new academic attention as more than merely utopic or escapist visions set in 'holiday' landscapes. This conference proposes to bring together emerging and established scholars of Neo-Impressionism for an exciting reappraisal of its history within the heart of London at an international, bilingual conference at Richmond, the American International -
Communist Trade Unionism and Industrial Relations on the French Railways, 1914–1939
Fellow Travellers Communist Trade Unionism and Industrial Relations on the French Railways, 1914–1939 STUDIES IN LABOUR HISTORY 13 Studies in Labour History ‘…a series which will undoubtedly become an important force in re-invigorating the study of Labour History.’ English Historical Review Studies in Labour History provides reassessments of broad themes along with more detailed studies arising from the latest research in the field of labour and working-class history, both in Britain and throughout the world. Most books are single-authored but there are also volumes of essays focussed on key themes and issues, usually emerging from major conferences organized by the British Society for the Study of Labour History. The series includes studies of labour organizations, including international ones, where there is a need for new research or modern reassessment. It is also its objective to extend the breadth of labour history’s gaze beyond conven- tionally organized workers, sometimes to workplace experiences in general, sometimes to industrial relations, but also to working-class lives beyond the immediate realm of work in households and communities. Fellow Travellers Communist Trade Unionism and Industrial Relations on the French Railways, 1914–1939 Thomas Beaumont Fellow Travellers LIVERPOOL UNIVERSITY PRESS First published 2019 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2019 Thomas Beaumont The right of Thomas Beaumont to be identified as the author of this book has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. -
Bio-Bibliographical Sketch of Rudolf Klement
Lubitz' TrotskyanaNet Rudolf Klement Bio-Bibliographical Sketch Contents: Basic biographical data Biographical sketch Selective bibliography Sidelines, notes on archives Basic biographical data Name: Rudolf Klement Other names (by-names, pseud., etc.): Adolphe ; Roger Bertrand ; Camille ; Frédéric ; Rudolf Alois Klement ; Lodovic * Ludwig * Nic ; Emile Schmitt ; St. ; Walter Steen ; Theodor ; Théodore ; W.S. ; W. St. Date and place of birth: Nov. 4, 1908, Hamburg (Germany) Date and place of death: July 14 or 15 (?), 1938, Paris (?) (France) Nationality: German Occupations, careers, etc.: Student, professional revolutionary, translator Time of activity in Trotskyist movement: 1932 - 1938 (lifelong Trotskyist) Biographical sketch Rudolf Klement was a devoted young Trotskyist who shared the fate of so many members of Trotsky's family and secretarial staff in the 1930s: he fell victim to Stalin’s revenge and was murdered by accomplices of the Soviet secret service. This following biographical sketch is chiefly based on the items listed in the final paragraph of the Selective bibliography section below. Rudolf (Alois) Klement was born in Hamburg (Germany) on November 4, 1908 1 as son of an archi- tect. After finishing his secondary school education, Klement took up philological studies at various universities in Germany and abroad. It is said that he knew at least five languages, including Russian. As a student, he became a member of the Kommunistische Partei Deutschland (KPD, Communist Party of Germany) from which, however, he was expelled in 1932 when he approached Trotskyist positions and was recruited by Georg Jungclas to the Hamburg branch of the Linke Opposition der KPD, Bolschewiki-Leninisten) (LO, Left Opposition of the KPD, Bolshevik-Leninists), the German section of the International Left Opposition (ILO) inspired by Leon Trotsky and led by his son, Lev Sedov. -
Bio-Bibliographical Sketch of Pierre Frank
Lubitz' TrotskyanaNet Pierre Frank Bio-Bibliographical Sketch Contents: • Basic biographical data • Biographical sketch • Selective bibliography • Sidelines, notes on archives Basic biographical data Name: Pierre Frank Other names (by-names, pseud. etc.): Paul ; P.F. ; P.Fr. ; Pedro ; Pierre ; Pierrette; F. Mattch ; Pierre Franck ; Raymonde ; Cousins 1 Date and place of birth: October 24, 1905, Paris (France) Date and place of death: April 18, 1984, Paris (France) Nationality: French (since 1927) Occupations, careers, etc.: Chemical engineer, political organizer, writer, editor Time of activity in Trotskyist movement: 1927 - 1984 (lifelong Trotskyist) Biographical sketch Note: This biographical sketch is chiefly based on biographical notes found in Pour un portrait de Pierre Frank : écrits et té moignages, Montreuil, 1985 and in Prager, Rudolf: Frank Pierre, in: Dictionnaire biographique du mouvement ouvrier français, poublié sous la dir. de Jean Maitron, partie 4, 1914-1939, t. 28, Paris, 1986, pp. 246-250. Pierre Frank was born in Paris (IXe arrondissement) on October 24, 1905 as son of Aron Frank (b. 1876) and his wife Anna (b. Schirmann, b. 1876), Jews who emigrated from Russia to France in 1904, settled at Paris and earned their living as tailors. The Frank family got French citizenship only in 1927. After having attended high school, Pierre Frank graduated with a diploma from the Ecole de Physique et de Chimie Industrielles de Paris. In the course of his studies as a chemical engineer he participated in the founding of the Union Générale des Etudiants Techniciens de l’Industrie, du Commerce et de l’Agriculture (UGETICA, General Union of Technical Students in Industry, Commerce and Agricul ture); as a trade-unionist Frank was active in the Fédération des Produits Chimiques (Chemical Fed eration) which was affiliated to the communist-led Confédération Générale du Travail Unifié (CGTU, United General Confederation of Labour). -
Kropotkin: Reviewing the Classical Anarchist Tradition
Kropotkin Reviewing the Classical Anarchist Tradition Ruth Kinna © Ruth Kinna, 2016 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Adobe Sabon by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 4229 8 (hardback) ISBN 978 1 4744 1041 0 (webready PDF) ISBN 978 1 4744 0501 0 (epub) The right of Ruth Kinna to be identifi ed as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements iv Introduction 1 Part 1 Portrait of the Anarchist as an Old Man 1. Out with the Old, in with the New 9 2. From New Anarchism to Post-anarchism 25 Conclusion to Part 1 45 Part 2 Coming Out of Russia Introduction to Part 2: (A Beautiful White Christ) Coming Out of Russia 49 3. Nihilism 55 4. Mapping the State 79 Conclusion to Part 2 105 Part 3 Revolution and Evolution Introduction to Part 3: The General Idea of Anarchy 119 5. Anarchism: Utopian and Scientifi c 127 6. The Revolution Will Not Be Historicised 155 Conclusion to Part 3 185 Reviewing the Classical Anarchist Tradition 197 Notes 205 Bibliography 237 Index 259 iii Acknowledgements I would like to thank Edinburgh University Press (EUP) for supporting this project, particularly James Dale who fi rst talked to me about the book and Nicola Ramsey and Michelle Houston who took the project over. -
The Voltairine De Cleyre Reader
The Voltairine de Cleyre Reader Born into poverty and plagued by it her entire life, educated by nuns in a convent school, chronically ill, T h the survivor of a nearly successful assassination e V attempt, and dead at a tragically early age, Voltairine o l t de Cleyre doesn't seem a likely candidate to become a i r what Paul Avrich called "a greater literary talent than i n any other American anarchist." e d e C But de Cleyre was undeniably one of the most l e y important anarchist thinkers in the US or any other r e country. Greatly admired by her contemporaries for R e her brilliant writing and tireless schedule of public a d speaking, her ability to approach the most complex e r issues with a mixture of common sense, passion, and clarity makes her works as relevant today as they were a century ago. 2004 AK Press anticopyright ISBN: 9781902593876 Palczewski, Catherine Helen (1995) Voltairine de Cleyre: Sexual Slavery and Sexual Pleasure in the Nineteenth Century. NWSA vol.7, Fall 95. Parker, S.E. Voltairine de Cleyre: Priestess of Pity and Vengeance, Freedom (London), April 29, 1950. Perlin, Terry M. Anarchism and Idealism: Voltairine de Cleyre, LaborHistory, xiv (Fall 1973), 506-20. Rexroth, Kenneth. Again at Waldheim (poem), Retort (Bearsville, NY), Winter 1942. Starrett, Walter [W.S. Van Valkenburgh]. Untitled manuscript on Voltairine de Cleyre, TABLE OF CONTENTS Ishill Collection, Harvard. Biographies Stein, Gordon (1995) Voltairine De Cleyre: The American Rationalist Volume 39, by Sharon Presley 1 Number 6. by Sara Baase 6 Voltairine de Cleyre, Freedom (London), August 1912.