The Subjective Object; Or Harry Hay in the Age of Mechanical Reproduction by Gabriel Saloman
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Barbara Gittings and Kay Tobin Lahusen Collection, 1950-2009 [Bulk: 1964-1975] : Ms.Coll.3
Barbara Gittings and Kay Tobin Lahusen collection, 1950-2009 [Bulk: 1964-1975] : Ms.Coll.3 Finding aid prepared by Alina Josan on 2015 PDF produced on July 17, 2019 John J. Wilcox, Jr. LGBT Archives, William Way LGBT Community Center 1315 Spruce Street Philadelphia, PA 19107 [email protected] Barbara Gittings and Kay Tobin Lahusen collection, 1950-2009 [Bulk: 1964-1975] : Ms.Coll.3 Table of Contents Summary Information .................................................................................................................................... 3 Biographical / Historical ................................................................................................................................ 4 Scope and Contents ........................................................................................................................................ 4 Administrative Information ............................................................................................................................ 7 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 8 Collection Inventory ....................................................................................................................................... 8 Subject files ................................................................................................................................................ -
BUTCH ENOUGH? Drummer Presents Some “Found” Prose ©Jack from the Red Queen, Arthur Evans by Jack Fritscher
HOW TO LEGALLY QUOTE THIS MATERIAL www.JackFritscher.com/Drummer/Research%20Note.html DRUMMER EDITORIAL ©Jack Fritscher. See Permissions, Reprints, Quotations, Footnotes GETTING OFF Bitch bites butch, and vice versa... DRAFTBUTCH ENOUGH? Drummer Presents Some “Found” Prose ©Jack from the Red Queen, Arthur Evans by Jack Fritscher This entire editoral "Butch Enough?" is also available in Acrobat pdf. Author's historical introduction Actual editorial as published Illustrations AUTHOR'S HISTORICAL CONTEXT INTRODUCTION Produced September 1978, and publishedFritscher in Drummer 25, December 1978. This piece is about Gay Civil War in the Titanic ’70s. For all its entertainment value, Drummer was a timely test-bed for purposeful versions and visions of the gay-liberation dream unfolding. Some misunderstand homomasculinity as if it were an absolute. When I coined the term in 1972, I meant not masculinity as a power tool of male privilege or male entitlement, but rather a masculinity whose identity was in traditionally masculine goodness in the Latin sense of virtue, which comes from the Latin word vir, meaning man, causing virtue to be the quality of a man, and that was quintessence I sought to define in my coinage. I published this article written by the Red Queen, Arthur Evans, for a reason of political “authenticity” just as I recommend the “authentic” political analysis of unfolding gender ambiguities made by David Van Leer in his benchmark book of the years between World War II and Stonewall, The Queening of America: Gay Culture in a Straight Society. In the gay civil wars of the ’70s, I respected Arthur Evans’ representing one kind of “authentic” queening and queering. -
The Temperamentals
Temperamentals.qxd 5/18/2012 1:59 PM Page i THE TEMPERAMENTALS BY JON MARANS ★ ★ DRAMATISTS PLAY SERVICE INC. Temperamentals.qxd 5/18/2012 1:59 PM Page 2 THE TEMPERAMENTALS Copyright © 2010, Jon Marans All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE TEMPERAMENTALS is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recita- tion, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and dis- tribution, such as CD, DVD, the Internet, private and file-sharing networks, informa- tion storage and retrieval systems, photocopying, and the rights of translation into for- eign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE TEMPERAMENTALS are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
Chapter Six: Activist Agendas and Visions After Stonewall (1969-1973)
Chapter Six: Activist Agendas and Visions after Stonewall (1969-1973) Documents 103-108: Gay Liberation Manifestos, 1969-1970 The documents reprinted in The Stonewall Riots are “Gay Revolution Comes Out,” Rat, 12 Aug. 1969, 7; North American Conference of Homophile Organizations Committee on Youth, “A Radical Manifesto—The Homophile Movement Must Be Radicalized!” 28 Aug. 1969, reprinted in Stephen Donaldson, “Student Homophile League News,” Gay Power (1.2), c. Sep. 1969, 16, 19-20; Preamble, Gay Activists Alliance Constitution, 21 Dec. 1969, Gay Activists Alliance Records, Box 18, Folder 2, New York Public Library; Carl Wittman, “Refugees from Amerika: A Gay Manifesto,” San Francisco Free Press, 22 Dec. 1969, 3-5; Martha Shelley, “Gay is Good,” Rat, 24 Feb. 1970, 11; Steve Kuromiya, “Come Out, Wherever You Are! Come Out,” Philadelphia Free Press, 27 July 1970, 6-7. For related early sources on gay liberation agendas and philosophies in New York, see “Come Out for Freedom,” Come Out!, 14 Nov. 1969, 1; Bob Fontanella, “Sexuality and the American Male,” Come Out!, 14 Nov. 1969, 15; Lois Hart, “Community Center,” Come Out!, 14 Nov. 1969, 15; Leo Louis Martello, “A Positive Image for the Homosexual,” Come Out!, 14 Nov. 1969, 16; “An Interview with New York City Liberationists,” San Francisco Free Press, 7 Dec. 1969, 5; Bob Martin, “Radicalism and Homosexuality,” Come Out!, 10 Jan. 1970, 4; Allan Warshawsky and Ellen Bedoz, “G.L.F. and the Movement,” Come Out!,” 10 Jan. 1970, 4-5; Red Butterfly, “Red Butterfly,” Come Out!, 10 Jan. 1970, 4-5; Bob Kohler, “Where Have All the Flowers Gone,” Come Out!, 10 Jan. -
Queer Alchemy: Fabulousness in Gay Male Literature and Film
QUEER ALCHEMY QUEER ALCHEMY: FABULOUSNESS IN GAY MALE LITERATURE AND FILM By ANDREW JOHN BUZNY, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Andrew John Buzny, August 2010 MASTER OF ARTS (2010) McMaster University' (English) Hamilton, Ontario TITLE: Queer Alchemy: Fabulousness in Gay Male Literature and Film AUTHOR: Andrew John Buzny, B.A. (McMaster University) SUPERVISOR: Professor Lorraine York NUMBER OF PAGES: v, 124pp. 11 ABSTRACT This thesis prioritizes the role of the Fabulous, an underdeveloped critical concept, in the construction of gay male literature and film. Building on Heather Love's observation that queer communities possess a seemingly magical ability to transform shame into pride - queer alchemy - I argue that gay males have created a genre of fiction that draws on this alchemical power through their uses of the Fabulous: fabulous realism. To highlight the multifarious nature of the Fabulous, I examine Thomas Gustafson's film Were the World Mine, Tomson Highway's novel Kiss ofthe Fur Queen, and Quentin Crisp's memoir The Naked Civil Servant. 111 ACKNO~EDGEMENTS This thesis would not have reached completion without the continuing aid and encouragement of a number of fabulous people. I am extremely thankful to have been blessed with such a rigorous, encouraging, compassionate supervisor, Dr. Lorraine York, who despite my constant erratic behaviour, and disloyalty to my original proposal has remained a strong supporter of this project: THANK YOU! I would also like to thank my first reader, Dr. Sarah Brophy for providing me with multiple opportunities to grow in~ellectually throughout the past year, and during my entire tenure at McMaster University. -
Looking Back at Mccardell: It's a Lot Like Looking at Todayi4
58 L-f THE NEW YQRK TIMES, WEDNESDAY, MA\ Y 24,1972 — yamily /ood fashions' /iirntshirigs: Looking Back at McCardell: It's a Lot Like Looking at Todayi4 . By BERVADilME MORRIS The Paris fashion world has Chanel as its monument. New 1 ^Yorlc has_CJaire McCardehV "Both- women, though de ceased, have influenced the current casual mood of fash ion. Chanel invented the sweater, McCardell invented the American Look. » It was born in the Depres-' sion-ridden nineteen-thirties-, flourished during the war •yeara of the forties, felLoff at the end of the fifties (McCardell died in 1958), and all but disappeared, in the sixties, when_Paris regained^ center-stage" with swinging , London close behind. "Now that sportswear, the crux of the American Look, . has: become the dominant- • trend-on Seventh Avenue and other satellite fashion cen ters, the Fashion Institute of. Technology felt the time was -rightfor. a McCardell retro- • apettlve. • • • • • ' —• Tt.wasjhcld Monday night In the school's auditorium, 227. West 27th Street, fol lowed by a $125-a-person black tie supper dance in the lobby. Like a Premiere Seventh Avenue, which supports the state-run col lege, came out in droves. Stu dents lined up outside trie *"scTibo1"to cheer arrival fit tlie limousines carrying such per sonalities as Lynn Revson (whose- husband,' ChBrles, heads Revlon) in her sequin- sparkling red jacket over a black dress by Norman No- rel);—Beth Levine, the shoe designer, in her Halston caf tan, and Jerry Silverman, the., manufacturer, with Pauline Trigdre, in herTrigore. It had all the earmarks of a Hollywood premiere, way hack when. -
2010–2011 Our Mission
ANNUAL REPORT 2010–2011 OUR MISSION The Indianapolis Museum of Art serves the creative interests of its communities by fostering exploration of art, design, and the natural environment. The IMA promotes these interests through the collection, presentation, interpretation, and conservation of its artistic, historic, and environmental assets. FROM THE CHAIRMAN 02 FROM THE MELVIN & BREN SIMON DIRECTOR AND CEO 04 THE YEAR IN REVIEW 08 EXHIBITIONS 18 AUDIENCE ENGAGEMENT 22 PUBLIC PROGRAMS 24 ART ACQUISITIONS 30 LOANS FROM THE COLLECTION 44 DONORS 46 IMA BOARD OF GOVERNORS 56 AFFILIATE GROUP LEADERSHIP 58 IMA STAFF 59 FINANCIAL REPORT 66 Note: This report is for fiscal year July 2010 through June 2011. COVER Thornton Dial, American, b. 1928, Don’t Matter How Raggly the Flag, It Still Got to Tie Us Together (detail), 2003, mattress coils, chicken wire, clothing, can lids, found metal, plastic twine, wire, Splash Zone compound, enamel, spray paint, on canvas on wood, 71 x 114 x 8 in. James E. Roberts Fund, Deaccession Sculpture Fund, Xenia and Irwin Miller Fund, Alice and Kirk McKinney Fund, Anonymous IV Art Fund, Henry F. and Katherine DeBoest Memorial Fund, Martha Delzell Memorial Fund, Mary V. Black Art Endowment Fund, Elizabeth S. Lawton Fine Art Fund, Emma Harter Sweetser Fund, General Endowed Art Fund, Delavan Smith Fund, General Memorial Art Fund, Deaccessioned Contemporary Art Fund, General Art Fund, Frank Curtis Springer & Irving Moxley Springer Purchase Fund, and the Mrs. Pierre F. Goodrich Endowed Art Fund 2008.182 BACK COVER Miller House and Garden LEFT The Wood Pavilion at the IMA 4 | FROM THE CHAIRMAN FROM THE CHAIRMAN | 5 RESEARCH LEADERSHIP From the In addition to opening the new state-of-the-art Conservation Science Laboratory this past March, the IMA has fulfilled the challenge grant from the Andrew W. -
Modern Minoica As Religious Focus in Contemporary Paganism
The artifice of Daidalos: Modern Minoica as religious focus in contemporary Paganism More than a century after its discovery by Sir Arthur Evans, Minoan Crete continues to be envisioned in the popular mind according to the outdated scholarship of the early twentieth century: as a peace-loving, matriarchal, Goddess-worshipping utopia. This is primarily a consequence of more up-to-date archaeological scholarship, which challenges this model of Minoan religion, not being easily accessible to a non-scholarly audience. This paper examines the use of Minoan religion by two modern Pagan groups: the Goddess Movement and the Minoan Brotherhood, both established in the late twentieth century and still active. As a consequence of their reliance upon early twentieth-century scholarship, each group interprets Minoan religion in an idealistic and romantic manner which, while suiting their religious purposes, is historically inaccurate. Beginning with some background to the Goddess Movement, its idiosyncratic version of history, and the position of Minoan Crete within that timeline, the present study will examine the interpretation of Minoan religion by two early twentieth century scholars, Jane Ellen Harrison and the aforementioned Sir Arthur Evans—both of whom directly influenced popular ideas on the Minoans. Next, a brief look at the use of Minoan religious iconography within Dianic Feminist Witchcraft, founded by Zsuzsanna Budapest, will be followed by closer focus on one of the main advocates of modern Goddess worship, thealogian Carol P. Christ, and on the founder of the Minoan Brotherhood, Eddie Buczynski. The use of Minoan religion by the Goddess Movement and the Minoan Brotherhood will be critiqued in the light of Minoan archaeology, leading to the conclusion that although it provides an empowering model upon which to base their own beliefs and practices, the versions of Minoan religion espoused by the Goddess Movement and the Minoan Brotherhood are historically inaccurate and more modern than ancient. -
Airy Faerie Litha 2004
AiryAiry FaerieFaerie Litha, 2004 Publisher’s Notes Publisher’s Notes The Airy Faerie is a publication OK kids lets hear it! Airy Faerie of the Denver Radical Faerie Out of the sheets and into the streets! Tribe. Litha, 2004 2-4-68! For more information you can Being Queer is really Great! contact us at: 3-5-69! Denver Radical Faeries Being fey is just Devine! PO Box 631 Denver, CO 80201-0631 R-U-2-4-1? or send an email to: Being gay is just more fun! [email protected] Yes my lovelies it is that time of the year or visit us at again. PRIDE DAY! That time of year when www.geocities.com/denverfae we take our pride out of mothballs and parade it down Main Street. (Now just a or visit us in person at: quick editor’s note, that is take pride out of The Penn St. Perk mothballs, not take pride in having balls like (13th Ave. at Pennsylvania), a moth…although I guess if that is all you Satyrday Mornings have then you should take pride in them! Be proud of who you are and what Mother About 10ish to around noonish Nature gave you!) ANYWAY! or leave a message at: Welcome to the Litha, 2004 issue of the Airy Faerie. Since Pride Day is right around 720-855-8447 the corner we thought we would stop and take a look at what pride means to us. I would like to put out a few words of Morning Glory thanks to Falcon, who has put together in by Monkey one binder, a copy of all the Airy Faeries, Let them all just fly away Nevermore, no nevermore, we as a tribe, have made. -
Reading.Homosexuality in America
RECOMMENDEDREADING A BRIEF HISTORY OF HOMOSEXUALITY IN AMERICA Despite the fact that humans have never limited their sexual pleasure to what we now call heterosexual intercourse, the history of homosexuality is relatively short. The genital anatomy of one's partners-or what Freud calls one's "object choice"-did not become the definitive criterion for distinguishing homosexual and heterosexual selves until the last third of the nineteenth century. During the 1860's and 70's European public administrators began noticing that some people were organizing their lives not around family, household, and reproduction but around various forms of sexual pleasure. This was probably a recent phenomenon made possible by the forces of capitalism, which tended to draw people off the land into cities away from their parishes and families and to reduce the importance of arranged marriage. Alarmed, officials began studying these populations, whom they characterized as sexual deviants and grouped according to the particular practices they engaged in. One such class of deviant came to be called "homosexuals”. Homosexuals quickly became the target of medical, psychiatric, and legal intervention, and as early as the 1870, they came together in such places as Bavaria to fight criminalization of sodomy. Until the Nazis destroyed Magnus Hirschfeld's homosexual archives in Berlin and hundreds of thousands of homosexual people were sent to die in concentration camps, the homosexual movement in Germany was widespread and influential. In the U.S., the history of homosexual culture and politics is even shorter than it is in Europe. The largest and best-known communities are in New York, Los Angeles, and San Francisco, and there are reasons for that. -
Investigating a Contemporay Radical Faerie Manifestation Through
THESIS NAVIGATING CONCIOUSNESS TOWARD LIBERATION: INVESTIGATING A CONTEMPORAY RADICAL FAERIE MANIFESTATION THROUGH A DECOLONIAL LENS Submitted by Kyle Andrew Pape Department of Ethnic Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Summer 2013 Master’s Committee: Advisor: Karina Cespedes Co-Advisor: Roe Bubar Irene Vernon Kathleen Sherman Copyright by Kyle Andrew Pape 2013 All Rights Reserved ABSTRACT NAVIGATING CONCIOUSNESS TOWARD LIBERATION: INVESTIGATING A CONTEMPORAY RADICAL FAERIE MANIFESTATION THROUGH A DECOLONIAL LENS This thesis argues for the necessity of decolonial consciousness within queer thought and activism. The historical acts of cultural appropriation enacted by the LGBTQ subculture radical faeries of indigenous peoples are intended for healing. However by investigating contemporary radical faerie culture in Thailand, it is found that colonial culture fundamentally defeats queer liberatory movements from within. Primary data was collected through cyber-ethnographic methods and consists of a photo archive and several online blogs and associated websites. Analyzes emerged through Visual Grounded Theory methodology. This study provides evidence of globalizing colonial discourse and the resulting ineptitude of radical faerie activism. ii ACKNOWLEDGEMENTS During my eight years at Colorado State University I have become intimately involved with the Department of Ethnic Studies and its faculty. It is commonly reiterated among these scholars that “it takes a community” by which we mean nothing can be achieved without each other. To begin I thank Roe Bubar and Karina Cespedes for working with me so closely while providing me room to grow. I thank you both for the commitment you have shown to me and this work, as it surely has been a process of its own. -
Religion and Lgbtq People in Us History
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. STRUGGLES21 IN BODY AND SPIRIT: RELIGION AND LGBTQ PEOPLE IN US HISTORY Drew Bourn Introduction The Reverend Dr. Martin Luther King, Jr. once observed that eleven o'clock on Sunday morning is the most segregated hour in the United States.1 But segregation goes beyond a separation between black churches and white churches. There is a tremendous variety of religious communities in the US - Hindus, Muslims, Jews, Christians, Buddhists, Pagans, and others.