Sam Theman a Film by Gary Winick

Total Page：16

File Type：pdf, Size：1020Kb

FISHER ANNABELLA STEVENS SCIORRA SAM THEMAN A FILM BY GARY WINICK From director Gary Winick (Tadpole, 13 Going on 30) comes the provocative romantic comedy SAM THE MAN, a compellingly believable, wryly funny tale about the complexities of dating and the contradictions of human nature. Fisher Stevens (Uptown Girls, Hackers) stars as Sam Manning, a once- successful Manhattan writer who now flounders through life, compulsively wasting his creative energies by cheating on his photographer fiancée. As Sam’s day-to-day choices become more irrational, his infidelities start to take control, but only a humbling dose of self-reflection can possibly steer him back towards a path of healthy living. An inventively crafted and smartly observed film-fest favorite, SAM THE MAN features an all-star cast, including Annabella Sciorra, Maria Bello, Rob Morrow, Ron Rifkin, Griffin Dunne, Luis Guzmán, and George Plimpton. • From Award-Winning Writer/Director/Producer Gary Winick (13 Going on 30, Tadpole, Pieces of April, Personal Velocity). • Featuring an All-Star cast including Annabella Sciorra (Jungle Fever, The Hand that Rocks the Cradle), Fisher Stevens (Short Circuit), Luis Guzmán (Traffic), Ron Rifkin (Alias), Rob Morrow (Northern Exposure), Maria Bello (The Cooler, ER), and John Slattery (Mona Lisa Smile, Ed). PREORDER RELEASE • IFC Premiere: February 8, 20004. December 28, 2004 January 25, 2004 • One of the first feature films to be shot entirely on DV, SAM THE MAN was a standout feature at the traveling Resfest Digital Film Festival in 2000, playing in San Francisco, Seattle, London, Montreal, Chicago, New York, Los Angeles, Korea, and Japan. $26.95 srp catalog NVG-9648 DVD upc 7-67685-96483-5 $34.95 Can. isbn 0-7670-6661-8 Single dvd features include: Commentary from Director Gary Winick and Fisher Stevens Approx. 87 mins. + extras Color a Sam the Man Featurette a Outtakes a Interactive Menus a Scene Selection COLLECTIVE VOICE IN ASSOCIATION WITH INDIGENT AND GREENESTREET FILMS PRESENTS A FILM BY GARY WINICK “SAM THE MAN” FISHER STEVENS ANNABELLA SCIORRA SAVERIO GUERRA JOHN SLATTERY RON RIFKIN ROB MORROW LUIS GUZMAN AND MARIA BELLO MUSIC SUPERVISOR LYNN GELLER MUSIC BY JOEY ALTRUDA SOUND BY BRIAN MIKSIS EDITED BY LEAH O’DONNELL SABINE HOFFMAN MICHAEL VENTRESCO PRODUCTION AND COSTUME DESIGN BY FRANNE LEE DIRECTOR OF PHOTOGRAPHY WOLFGANG HELD STORY BY PAUL KNEUBUHL FISHER STEVENS SCREENPLAY BY PAUL KNEUBUHL KEVIN KENNEDY LINE PRODUCED BY MOLLY BRADFORD PRODUCED BY GARY WINICK FISHER STEVENS MICHAEL KAFKA DIRECTED BY GARY WINICK NTSC NOT RATED newvideo.com Distributed in the U.S. by New Video Distributed in Canada by SMA Distribution Libraries, please contact your local distributor or mail 126 Fifth Avenue, 15th fl, New York, NY 5600 Ambler Drive, Mississauga, ONT L4W 2K9 or fax your order directly to: New Video, 19 Gregory Tel: (212) 206-8600, E mail: [email protected] Tel: (905) 624-4840, E mail: [email protected] Drive, Burlington, VT 05403. Tel: (800) 314-8822 ©2000 Collective Voice, Inc. Art and Design ©2004 New Video Group, Inc. All Rights Reserved..

Copy Link

Recommended publications

Fanboys-Production-Notes.Pdf
International Production Notes SYNOPSIS Set in 1998, the film, starring Jay Baruchel (KNOCKED UP, MILLION DOLLAR BABY), Tony Award Winner Dan Fogler (KUNG FU PANDA, “The 25th Annual Putnam County Spelling Bee”), Sam Huntington (SUPERMAN RETURNS, NOT ANOTHER TEEN MOVIE), Chris Marquette (THE GIRL NEXT DOOR, ANOTHER WORLD), and Kristen Bell (FORGETTING SARAH MARSHALL, PULSE) is a heart-warming comedy that follows a group of young, passionate STAR WARS fans on a cross-country quest to break into George Lucas’ Skywalker Ranch and watch STAR WARS: EPISODE 1- THE PHANTOM MENACE, before it’s released. FANBOYS is a production of Trigger Street Productions and Picture Machine. The film is directed by Kyle Newman and produced by Kevin Spacey, Dana Brunetti, Evan Astrowsky and Matthew Perniciaro. The screenplay is written by Adam F. Goldberg and Ernest Cline from a story by Ernest Cline and Dan Pulick. Kevin Mann served as executive producer. 2 CAST Eric SAM HUNTINGTON Linus CHRISTOPHER MARQUETTE Hutch DAN FOGLER Windows JAY BARUCHEL Zoe KRISTEN BELL FILMMAKERS Directed by KYLE NEWMAN Screenplay ERNEST CLINE and ADAM F. GOLDBERG Story by ERNEST CLINE and DAN PULICK Produced by DANA BRUNETTI KEVIN SPACEY MATTHEW PERNICIARO EVAN ASTROWSKY Executive Producer KEVIN MANN 3 FANBOYS About the Cast SAM HUNTINGTON / Eric Sam Huntington has appeared on screen, television and stage. His film credits include, SUPERMAN RETURNS, NOT ANOTHER TEEN MOVIE, DETROIT ROCK CITY and can be seen in the upcoming TUG. On television, he has appeared in featured roles on LAW & ORDER, CSI: Miami, CSI: NY, and VERONICA MARS. Huntington appears on stage with The Peterborough Players in “The Nerd,” “Waiting for Godot” and “To Kill A Mockingbird.” While with the Black Box Theatre Company he appeared in “The New Kid,” “Gifts,” “The Guest Speaker” and “Not The King.” CHRIS MARQUETTE / Linus Possessing the rare ability to thoroughly embody each character he portrays, Chris Marquette’s intensity on screen, good looks and charm warrants him as one of the most gifted actors of his generation.
[Show full text]
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
[Show full text]
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV).
[Show full text]
Program Guide
Koeln, Museum Ludwig, ML; Krasner, Lee, Vernal Yellow, 1980, Inv.-Nr. ML 01342; Photo: © Rheinisches Bildarchiv, rba_c002897 PROGRAM GUIDE October 10–14, 2019 October 10–14, 2019-film-guide-cover-NEW-LOGO.pdf 1 9/5/19 2:34 PM PROUD TO SUPPORT 2019 Hamptons International Film Festival And the many HIFF programs and educational initiatives throughout the year. elliman.com/hamptons © 2019 DOUGLAS ELLIMAN REAL ESTATE. EQUAL HOUSING OPPORTUNITY. 2488 MAIN ST, P.O. BOX 1251, BRIDGEHAMPTON, NY 11932. 631.537.5900 PREMIEREPREMIERE SPONSOR SPONSOR LEADLEAD SPONSORS SPONSORS SIGNATURESIGNATURE SPONSORS SPONSORS OFFICIALOFFICIAL MEDIA MEDIA SPONSORS SPONSORS OFFICIALOFFICIAL TRANSPORTATIONTRANSPORTATION CONTRIBUTINGCONTRIBUTING SPONSORS SPONSORS LOCALLOCAL CONTRIBUTING CONTRIBUTING SPONSORS SPONSORS GUILD HALL GUILD HALL FOUNDATIONFOUNDATION SUPPORT SUPPORT FOUNDINGFOUNDING MEDIA MEDIA GaryGary Winick Winick Memorial Memorial Fund Fund 20192019 COMPETITION COMPETITION FILM FILM AWARDS AWARDS CONTRIBUTORS CONTRIBUTORS ArensonArenson PropsProps NETFLIX IS PROUD TO SUPPORT THE AND CONGRATULATES OUR SELECTIONS BIKRAM HAMPTONS INTERNATIONAL FILM FESTIVAL CATALOG AD NETFLIX: CONGRATS FULL PAGE NONBLEED AD: 7.5” X 9.75” WHAT’S 3 INSIDE VIRTUAL REALITY SPONSORS 1 IMMERSIVE stORYTELLING 18 WELCOME 4 WINICK talKS 19 FROM THE FESTIVAL 5 awaRDS & JURY 20 TICKET INFORmatiON 7 FeatURE FILMS 23 MAPS AND JITNEY SCHEDULE 8 SHORT FILMS 61 LIFETIME achievement awaRD 11 IN REMEMBRANCE 90 DICK CAVETT AWARD 12 POsteR ARtist 91 OPENING NIGht 13 THANK YOU 92 CENTERPIECE
[Show full text]
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ......................
[Show full text]
Dal 27 Agosto Al Cinema
EAGLE PICTURES presenta UNA PRODUZIONE APPLEHEAD PICTURES UNA PRODUZIONE MARK CANTON UN FILM DI GARY WINICK Con AMANDA SEYFRIED, CHRISTOPHER EGAN, GAEL GARCÍA BERNAL e VANESSA REDGRAVE e FRANCO NERO Durata: 105 minuti Materiale e foto scaricabili dal sito: www.eaglepictures.com DAL 27 AGOSTO AL CINEMA UFFICIO STAMPA: REGGI&SPIZZICHINO Communication Tel +39 06 97615933 Maya Reggi +39 347 6879999 Raffaella Spizzichino +39 338 8800199 [email protected] www.reggiespizzichino.com Sinossi La semplice percezione dell’amore romantico può spingere una persona a provare la sua vitalità, la sua risonanza e infine il coraggio che ci vuole per non giocare solo sul sicuro, per cambiare la propria vita. Questa è l’idea che alimenta la produzione della commedia romantica della Summit Entertainment “Letters to Juliet,” con Amanda Seyfried (“Mamma Mia”), Vanessa Redgrave (6 volte nominata all’Oscar e vincitrice con “Julia”), Christopher Egan (“Eragon”), Gael García Bernal (“I diari della motocicletta”) e Franco Nero (“Die Hard 2”). Il film è diretto da Gary Winick (“La tela ci Carlotta”, “ 30 anni in 1 secondo”) e prodotto da Mark Canton, Ellen Barkin e Caroline Kaplan. La sceneggiatura è stata scritta da Jose Rivera (una nomination all’Oscar per “I diari della motocicletta”) e Tim Sullivan. Ron Schmidt è il produttore esecutivo. La Seyfried interpreta Sophie Hall, aspirante scrittrice per rotocalchi, che assieme al suo ragazzo Victor (Bernal), vola da New York in Italia per godersi un po’ di tanto desiderato romanticismo. Mentre Victor non c’è a causa di alcuni affari, Sophia si ritrova a Verona nel famoso cortile di Giulietta Capuleti, dalla tragedia di Giulietta e Romeo, dove le visitatrici di tutto il mondo lasciano a Giulietta lettere di amori perduti o amori desiderati.
[Show full text]
Films. Farther. | 877.963.Film
FILMS. FARTHER. | 877.963.FILM | WWW.WIFILMFEST.ORG Production & Health Insurance • Industry Discounts • Essential Resources • YOU’RE AN Regional Salons • INDEPENDENT FILMMAKER. Online Resources • OUR COMPANY IS CALLED INDEPENDENT. JOIN AIVF AIVF: promoting the diversity and democracy of NEED WE SAY MORE? ideas & images 304 Hudson St. 6th fl. New York, NY 70013 (212) 807-1400; fax: (212) 463-85419 [email protected]: www.aivf.org FILMMAKER FRIENDLY. EDITING > AUDIO > MUSIC Regent Entertainment and Steve Jarchow are pleased to 777 NORTH JEFFERSON STREET support the MILWAUKEE,WI 53202 Wisconsin Film Festival. TEL: 414.347.1100 FAX: 414.347.1010 E-MAIL: [email protected] WEB: www.i777.com 2 WISCONSIN FILM FESTIVAL • APRIL 4-7, 2002 • MADISON • WWW.WIFILMFEST.ORG • 877.963.FILM overnightStay at Madison ’s premiere hotel featuring a fitness center,game room, indoor pool, whirlpool,steam room, in-room Nintendo, restaurants and bar, and you ’ll also find yourself sensationin the heart of downtown with the of State Street shops,galleries,theater, campus and lakes all within walking distance. 1 W.Dayton St.•Madison,WI • 608-257-6000 •800-356-8293 TTY:608-257-2980 •www.concoursehotel.com modern classics The Film Festival Coffeehouse Connection Convenient In the heart of downtown and close to campus. Lively Sip a latte, a chai, or a coffee. Sit back and BS with friends. Easy Hours Open Early - Close Late. WORKBENCH 544 State Street FURNITURE EXTENDED FILM FESTIVAL HOURS: Madison Mon-Thur 7:30am-11pm, Fri 7:30am - 1am, Sat. 9am-1am, Sun 10am-11pm 7610 Mineral Point Road, West of High Point Center 608-833-0111 SPECIAL EVENT: Enjoy coffee and informal discussions with featured 10% off any single item filmmakers from the Wisconsin Film Festival.
[Show full text]
President Thanks Generous Alumni at Rainbow Room
THE BSERVER March 27, 1996 THE STUDENT VOICE OF FORDHAM COLLEGE AT LINCOLN CENTER VOLUME XV, iS9Uei3 President Thanks Generous Alumni at Rainbow Room By Cara Lynn Shultz ence." Clark, a best-selling author, is a The event is orga- member of the President's Club and the nized each year by Members of Fordham University's Board of Trustees. the Office of Special President's Club gathered in record num- The President's Club is comprised of Events, part of the bers at their Spring Reception at the individuals, corporations, and founda- Development Office, Rainbow Room to socialize and to learn tions whose donations to the university according to Mariellen about the current state of University activ- total $1000 or more per fiscal year, Gallagher, Director ity. "The purpose of this get together is to according to the President's Ten Year of Public Affairs. say thank you," said Charles Osgood, Report. The donations from the "It's the State of the FCO '54; correspondent for CBS news, President's Club contribute to the School address., and chairman of the Presidents Club. Fordham University Campaign, which .these are people Osgood introduced Father Joseph A is an ambitious fundraising effort aimed who have a strong, O'Hare, S.J., the President of the at reaching $150 million by June, 1996. vested interest in the Jennifer Drumgoole University, who spoke at the event "We So far, the university has reached $105 health of the university," she said. decided mat the best gift we could million according to Julie Fissinger, During the Reception, O'Hare tion to join for the first year after gradua- give to Fordham men and Director of Individual Giving.
[Show full text]
Dal 27 Agosto Al Cinema
EAGLE PICTURES presenta UNA PRODUZIONE APPLEHEAD PICTURES UNA PRODUZIONE MARK CANTON UN FILM DI GARY WINICK Con AMANDA SEYFRIED, CHRISTOPHER EGAN, GAEL GARCÍA BERNAL e VANESSA REDGRAVE e FRANCO NERO Durata: 105 minuti Materiale e foto scaricabili dal sito: www.eaglepictures.com DAL 27 AGOSTO AL CINEMA Ufficio Stampa: Marianna Giorgi [email protected] Sinossi La semplice percezione dell’amore romantico può spingere una persona a provare la sua vitalità, la sua risonanza e infine il coraggio che ci vuole per non giocare solo sul sicuro, per cambiare la propria vita. Questa è l’idea che alimenta la produzione della commedia romantica della Summit Entertainment “Letters to Juliet,” con Amanda Seyfried (“Mamma Mia”), Vanessa Redgrave (6 volte nominata all’Oscar e vincitrice con “Julia”), Christopher Egan (“Eragon”), Gael García Bernal (“I diari della motocicletta”) e Franco Nero (“Die Hard 2”). Il film è diretto da Gary Winick (“La tela ci Carlotta”, “ 30 anni in 1 secondo”) e prodotto da Mark Canton, Ellen Barkin e Caroline Kaplan. La sceneggiatura è stata scritta da Jose Rivera (una nomination all’Oscar per “I diari della motocicletta”) e Tim Sullivan. Ron Schmidt è il produttore esecutivo. La Seyfried interpreta Sophie Hall, aspirante scrittrice per rotocalchi, che assieme al suo ragazzo Victor (Bernal), vola da New York in Italia per godersi un po’ di tanto desiderato romanticismo. Mentre Victor non c’è a causa di alcuni affari, Sophia si ritrova a Verona nel famoso cortile di Giulietta Capuleti, dalla tragedia di Giulietta e Romeo, dove le visitatrici di tutto il mondo lasciano a Giulietta lettere di amori perduti o amori desiderati.
[Show full text]
Download (34Kb)
CHAPTER I INTRODUCTION A. Background of the Study Every human being has his or her own problems in life. The problems may vary among them. Problems are not to be avoided but to be faced and solved. If an individual tries to escape from the problems and avoid solving it, the problems are getting more complicated, which in turn will arise conflict and frustration. Sacrifice is one of the problem that every human being faces. Therefore, human being must know that loyalty gives something important for somebody or something else considered to be of more value or importance. Here, the writer wants to discuss about the sacrifice of young girl named Sophie on the Letters to Juliet movie directed by Gary Winick. The Letters to Juliet movie which was realised in 2010 is a fantasy film directed by Gary Winick. The movie shows about the struggle of an old woman named Claire who looks for her first love along fifty years. The writer is interested in the Letters to Juliet movie, because the story of the movie is inspiring love story. The film was released theatrically in North America and other countries on May 14, 2010. The idea for the film was inspired by the 2006 non fiction book, “Letters to Juliet,” by Lise Friedman and Ceil Friedman, which chronicles the phenomenon of letter writing to Shakespeare’s most famous romantic heroine. 1 2 Gary Winick ( March 31, 1961- February 27, 2011) was an America film director and producer who directed films such as Tadpole (2002) and 13 Going on 30 (2004).
[Show full text]
The 100 Best Movies You've Never Seen / Richard Grouse
70577D3C-AE70-4CD7-90FE-8E702CCAC08A Copyright © ECW PRESS, 2003 Published by ECW PRESS 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada M4E 1E2 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any process — electronic, mechanical, photocopying, recording, or otherwise — without the prior written permission of the copyright owners and ECW PRESS. NATIONAL LIBRARY OF CANADA CATALOGUING IN PUBLICATION Grouse, Richard, 1963- The 100 best movies you've never seen / Richard Grouse. ISBN 1-55022-590-1 1. Motion pictures. I. Title. II. Title: One hundred best movies you've never seen. PN1993.5.A1C86 2003 791.43 C2003-902185-8 Editor: Jennifer Hale Cover and Text Design: Tania Craan Cover Photographs: Richard Beland Production & Typesetting: Mary Bowness Printing: Transcontinental This book is set in Akzidenz Grotesk and Minion The publication of The 100 Best Movies You've Never Seen has been generously supported by the Canada Council, the Ontario Arts Council, and the Government of Canada through the Book Publishing Industry Development Program. Canada DISTRIBUTION CANADA: Jaguar Book Group, 100 Armstrong Avenue, Georgetown, ON, L7G 5S4 PRINTED AND BOUND IN CANADA ECW PRESS ecwpress.com 70577D3C-AE70-4CD7-90FE-8E702CCAC08A RICHARD CROUSE ECW PRESS 70577D3C-AE70-4CD7-90FE-8E702CCAC08A tamo nt nntontQ The Adventures of Buckaroo The Devil's Backbone ©2 Banzai in the 8th Dimension 1 The Dish S4 Annigoni: Portrait of an Artist 3 Dr. Syn: Alias the Scarecrow ©7 Atanarjuat: The Fast Runner 5 Dogtown and Z-Boys ©8 The Bad and the Beautiful S Eating Raoul ©9 Bedazzled 1 © LIST: Richard's Favorite Movie The Believer 13 Quotes 71 Better Off Dead 17 Eegah! The Name Written in Beyond the Mat 1 8 Blood 7Z LIST: Richard's Favorite Lines from Emma's Shadow 76 '80s Comedies 19 The Experiment 78 Beyond the Valley of the Dolls 23 A Face in the Crowd 79 Big Bad Love 25 The 5000 Fingers of Dr.
[Show full text]
A History of the American Film Institute
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2010 A History of the American Film Institute Deborah Jae Alexander University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the American Film Studies Commons, Film and Media Studies Commons, Mass Communication Commons, and the Social Influence and oliticalP Communication Commons Recommended Citation Alexander, Deborah Jae, "A History of the American Film Institute" (2010). Dissertations. 870. https://aquila.usm.edu/dissertations/870 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi A HISTORY OF THE AMERICAN FILM INSTITUTE by Deborah Jae Alexander Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 ABSTRACT A HISTORY OF THE AMERICAN FILM INSTITUTE by Deborah Jae Alexander May 2010 The American Film Institute (AFI) is a highly politicized, powerful organization. To date, most historical documentation and recording of AFI events and activities has been disseminated to the mass media from within the organization through its own publications or in other historical documentation as incidental history in relation to another topic. This dissertation, written as an overview, is the first comprehensive, independent historical examination of the AFI. The examination begins with an exploration of the development, activities and decline of the American Council on Education‟s original AFI and other film organizations that existed prior to the present day AFI.
[Show full text]