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Ready, Set, Go!
READY, SET, GO! GUIDELINES AND TIPS FOR COLLECTING PATIENT DATA ON SEXUAL ORIENTATION AND GENDER IDENTITY January 2018 TABLE OF CONTENTS INTRODUCTION Why Collect Data on Sexual Orientation and Gender Identity? 1 How to Use This Guide 1 READY! Creating a Team and a Timeline 2 Fig 1. Sample Timeline 2 Developing a Workflow 3 Fig 2. Sample Process of Collecting SO/GI Data 3 Adding Questions to Registration Forms 4 Fig 3a. Recommended SO/GI Questions 4 Fig 3b. Definitions of SO/GI Categories 4 Translations of Questions 5 Definitions of SO/GI Categories 5 Names and Pronouns 6 Fig 4. Sample Registration Form 7 Considerations for Children and Adolescents 7 SET! Customizing the EHR 8 Fig 5. Sample Pronoun Color Code 9 Training Staff 9 Educating Patients 10 Patient Education Brochures 10 Fig 6. Sample SO/GI Patient Brochures 10 Privacy and Confidentiality 11 Responding to Patient Questions and Concerns 11 Discussing SO/GI during the Clinical Encounter 12 Responding to Staff Concerns 13 Creating a Welcoming and Inclusive Health Center 13 LGBTQ Cultural Competency Resources 14 GO! Piloting the Process 15 Analyzing and Applying SO/GI Data 15 Monitoring Data Quality 16 Fig 7. Sample Staff Roles in Data Quality Improvement 16 LESSONS FROM THE FIELD 17 ADDITIONAL RESOURCES 18 INTRODUCTION Why Collect Data on Sexual Orientation and Gender Identity? Lesbian, gay, bisexual, transgender, and queer (LGBTQ) people experience significant health disparities and require preventive services and treatment interventions tailored to their unique needs. Yet health care pro- viders often do not know the sexual orientation or gender identity (SO/GI) of their patients, leading to missed screenings, less effective counseling, culturally insensitive remarks, and other missteps. -
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love You 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 Party People (Friday Night) 911 Private Number 911 The Journey 911 More Than A Woman 1927 Compulsory Hero 1927 If I Could 1927 That's When I Think Of You Ariana Grande Dangerous Woman "Weird Al" Yankovic Ebay "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Eat It "Weird Al" Yankovic White & Nerdy *NSYNC Bye Bye Bye *NSYNC (God Must Have Spent) A Little More Time On You *NSYNC I'll Never Stop *NSYNC It's Gonna Be Me *NSYNC No Strings Attached *NSYNC Pop *NSYNC Tearin' Up My Heart *NSYNC That's When I'll Stop Loving You *NSYNC This I Promise You *NSYNC You Drive Me Crazy *NSYNC I Want You Back *NSYNC Feat. Nelly Girlfriend £1 Fish Man One Pound Fish 101 Dalmations Cruella DeVil 10cc Donna 10cc Dreadlock Holiday 10cc I'm Mandy 10cc I'm Not In Love 10cc Rubber Bullets 10cc The Things We Do For Love 10cc Wall Street Shuffle 10cc Don't Turn Me Away 10cc Feel The Love 10cc Food For Thought 10cc Good Morning Judge 10cc Life Is A Minestrone 10cc One Two Five 10cc People In Love 10cc Silly Love 10cc Woman In Love 1910 Fruitgum Co. Simon Says 1999 Man United Squad Lift It High (All About Belief) 2 Evisa Oh La La La 2 Pac Feat. Dr. Dre California Love 2 Unlimited No Limit 21st Century Girls 21st Century Girls 2nd Baptist Church (Lauren James Camey) Rise Up 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. -
Songs by Artist
DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist -
Train a Girl a Bottle a Boat - Target Exclusive Edition Mp3, Flac, Wma
Train A Girl A Bottle A Boat - Target Exclusive Edition mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A Girl A Bottle A Boat - Target Exclusive Edition Country: USA & Canada Released: 2017 Style: Pop Rock MP3 version RAR size: 1921 mb FLAC version RAR size: 1274 mb WMA version RAR size: 1735 mb Rating: 4.5 Votes: 569 Other Formats: AAC ASF WMA VOX AU DXD DMF Tracklist Hide Credits Drink Up Engineer [Assistant] – Doug JohnsonEngineer [Recording Engineer] – Suzy ShinnProducer 1 3:30 – Jake SinclairSongwriter – Pat Monahan, Priscilla ReneaSongwriter, Other – Ron "NEFF- U" Feemstar Play That Song 2 Songwriter – Frank Loesser, Hoagy Carmichael, Pat MonahanSongwriter, Producer – 4:03 William Wiik Larsen The News 3 Engineer [Assistant] – Doug JohnsonEngineer [Recording Engineer] – Celso Estrada, Suzy 3:16 ShinnSongwriter – August Rigo, Jake Sinclair, Julian Moga, Marius Moga, Pat Monahan Lottery Engineer [Assistant] – Doug JohnsonEngineer [Recording Engineer] – Suzy 4 ShinnSongwriter – Andrew Greene, Daniel Foder, Michael Deller, Pat MonahanSongwriter, 2:34 Bass, Drums, Guitar, Keyboards, Producer – Jake SinclairSongwriter, Producer – William Wiik Larsen Working Girl 5 Engineer [Assistant] – Doug JohnsonSongwriter – Ilsey Juber, Pat MonahanSongwriter, 3:44 Producer – William Wiik Larsen Silver Dollar 6 3:01 Songwriter – Ajay Bhattacharyya, Jake Sinclair, Pat Monahan Valentine 7 3:25 Songwriter – Pat Monahan, William Wiik Larsen What Good Is Saturday 8 3:44 Songwriter – Jake Sinclair, Pat Monahan, Suzy Shinn Loverman 9 Featuring, Songwriter – Priscilla ReneaSongwriter – Pat Monahan, Ron "NEFF-U" 2:41 Feemstar Lost And Found 10 3:28 Songwriter – Pat Monahan, William Wiik Larsen You Better Believe 11 3:43 Songwriter – Pat Monahan, William Wiik Larsen Ziplock Full Of Sunshine (Bonus Track) 12 3:15 Songwriter – Andreas Schuller, Leroy Clampitt, Pat Monahan Crazy Queen (Bonus Track) 13 3:16 Songwriter – Pat Monahan, Priscilla Renea, Ron "NEFF-U" Feemstar Companies, etc. -
Howard H. Chiang1 Princeton University
Howard H. Chiang Ex Historia 1 Howard H. Chiang1 Princeton University On the Historiographical Politics of Queer Sexuality: Thinking across the Post-Colonial and LGBTQ2 Subjects of History Introduction Opening up the ‘archive’ of the historiography of sexuality, one immediately confronts a striking paradox: if so many historians nowadays acknowledge the ‘social constructionist’ nature of (homo)sexuality, why does a body of literature called ‘gay and lesbian history’ or ‘queer history’ still exist?3 Alternatively put, if sexuality is indeed widely recognized as ‘socially constructed’ across time and place, why are historians still assuming a core set of essential qualities that unite all those historical scholarships categorised under ‘gay and lesbian history’ or ‘queer history’, or even the ‘history of sexuality’? One might recall here David Halperin’s remark: ‘Once upon a time, the very phrase “the history of sexuality” sounded like a contradiction in terms: how, after all, could sexuality have a history? Nowadays, by contrast, we are so accustomed to the notion that sexuality does indeed have a history that we do not often ask ourselves what kind of history sexuality has’.4 In this paper, I wish to first and foremost respond to this important question by turning to the subaltern studies project and post-colonial historiography. My discussion begins with applying subaltern and post-colonial theory to my concerns about the essentialising tendencies of lesbian, gay, bisexual, transgender, and queer (LGBTQ) historiography. I 1 Howard Chiang ([email protected]) is the Founding Editor of Critical Studies in History and currently completing his doctoral work in History at Princeton University. -
Catalogo De Canciones 23/02/2015 15:28:34
CATALOGO DE CANCIONES 23/02/2015 15:28:34 IDIOMA: Inglés CODIGO INTERPRETE TITULO IN92987 £1 FISH MAN ONE POUND FISH IN80017 101 DALMATIONS CRUELLA DE VIL IN80018 10CC DONNA IN92379 10CC DON'T TURN ME AWAY IN80019 10CC DREADLOCK HOLIDAY IN92380 10CC FEEL THE LOVE IN92381 10CC FOOD FOR THOUGHT IN92382 10CC GOOD MORNING JUDGE IN80020 10CC I'M MANDY IN80021 10CC I'M NOT IN LOVE IN92383 10CC LIFE IS A MINESTRONE IN92384 10CC ONE TWO FIVE IN92385 10CC PEOPLE IN LOVE IN92386 10CC SILLY LOVE IN80023 10CC THE THINGS WE DO FOR LOVE IN80024 10CC WALL STREET SHUFFLE IN92387 10CC WOMAN IN LOVE IN80025 1910 FRUITGUM CO SIMON SAYS IN80026 1927 COMPULSORY HERO IN80027 1927 IF I COULD IN89409 1927 THAT'S WHEN I THINK OF YOU IN80028 1999 MAN UNITED SQUAD LIFT IT HIGH (ALL ABOUT BELIEF) IN80029 2 EVISA OH LA LA LA IN80030 2 PAC FEAT DR DRE CALIFORNIA LOVE IN80031 2 UNLIMITED NO LIMIT IN80032 21ST CENTURY GIRLS 21ST CENTURY GIRLS IN91367 2ND BAPTIST CHURCH (LAUREN RISE UP JAMES CAMEY) IN92842 2PAC CHANGES IN92841 2PAC DEAR MAMA IN92399 3 DOORS DOWN HERE WITHOUT YOU IN89406 3 DOORS DOWN KRYPTONITE IN90644 30 SECONDS TO MARS CLOSER TO THE EDGE IN91291 30 SECONDS TO MARS FROM YESTERDAY IN90160 30 SECONDS TO MARS KINGS AND QUEENS IN91290 30 SECONDS TO MARS THE KILL IN93248 30 SECONDS TO MARS UP IN THE AIR (CLEAN VERSION) IN93249 30 SECONDS TO MARS UP IN THE AIR (EXPLICIT VERSION) IN91498 38 SPECIAL HOLD ON LOOSELY IN26754 3OH! 3 FEAT KATY PERRY STARSTRUKK IN89722 3OH!3 DON'T TRUST ME IN90099 3OH!3 FEAT KATY PERRY STARSTRUKK Page 1 CODIGO INTERPRETE TITULO IN90533 -
Programming Sex, Gender, and Sexuality: Infrastructural Failures in the “Feminist” Dating App Bumble
Programming Sex, Gender, and Sexuality: Infrastructural Failures in the “Feminist” Dating App Bumble Rena Bivens & Anna Shah Hoque Carleton University ABSTRACT Background Bumble is a self-declared “feminist” dating app that gives women control over initiating conversations with potential matches. Analysis Through a material-semiotic analysis of Bumble’s software and online media about the app, this article critically investigates how gender, sex, and sexuality are produced and given meaning by Bumble’s programmed infrastructure. Conclusions and implications Since the epistemological underpinnings of Bumble’s design centre gender as the solitary axis of oppression, the authors argue that the app’s infrastructure generates an ontological relationship between gender, sex, and sexuality that narrows the ca - pacity to achieve its creators’ stated social justice objectives. Several infrastructural failures are detailed to demonstrate how control and safety are 1) optimized for straight cisgender women, and 2) contingent on the inscription of an aggressive form of masculinity onto straight male bodies. Keywords Computer science; Electronic culture (internet-based); Sociotechnical; Feminism/ gender; Technology RÉSUMÉ Contexte Bumble est une application de rencontres prétendument « féministe » qui donne aux femmes le pouvoir d’initier des conversations avec des compagnons potentiels. Analyse Cet article effectue une analyse sémiotique matérielle de Bumble et de commentaires en ligne sur cette application dans le but d’examiner comment l’infrastructure programmée de Bumble produit le genre, le sexe et la sexualité et leur donne du sens. Conclusions et implications Bumble a une perspective épistémologique selon laquelle le genre est la seule source d’oppression. Or, d’après les auteurs, ce point de vue encourage un rapport ontologique entre genre, sexe et sexualité qui entrave la capacité des créateurs à atteindre leurs objectifs de justice sociale. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Martin Gay Producer Paper Nathan Adam Mark Endert Mark Endert
Martin Gay Producer Paper Nathan Adam Mark Endert Mark Endert grew up idolizing producers rather than the musicians admired by his peers. “...Even when I was very young I wanted to work in the behind-the-scenes part of record making.”2, reflects Endert in his Nettwerk profile online. From the beginning, Endert chased his dreams in the record-making process and the recordings themselves, and it was this single- minded dedication that drove him to his success, as well as the doorstep of a nearby studio that would be very impressed with his well-educated interview. At the age of 17, he began working at The Village Recorder studio in LA as “tea boy”2. It was not long, however, before Endert was setting up Sony Music Studios in LA and took the role of chief engineer. He took to a freelance work strategy soon after his “claim to fame” work on Fiona Apple’s debut album “Tidal”2. Soon, he was working with Madonna, becoming a widely-known producer in the industry. Like many widely-successful producers, Mark Endert wears many hats. His resume includes roles under such titles as Producer, Co-Producer, Mixer, Recordist, and Additional Production1. In a “Sound On Sound” article from Sept. 2007, Endert was praised for his versatility and involvement in Maroon 5’s blahhhh single from their second album, “It Won’t Be Long Before Soon”. As Producer, Co-Producer, and Mixer, Endert was a very significant influence on the multi-platinum album. Mark began to take and increased interest in mixing after working on the production end for the majority of his early career. -
Providing Affirmative Care for Patients with Non-Binary Gender Identities
Providing Affirmative Care for Patients with Non-binary Gender Identities Case Scenario: Talking about Gender Identity Hunter is visiting his primary care provider, Dr. Kim, whom he has been seeing since he was very young. Now, at age 18, Hunter is beginning to question his gender identity. When he filled out an intake form in the waiting room, under “gender identity,” Hunter wrote in “Don’t Know.” During the visit, Dr. Kim opens up a conversation with Hunter about his gender identity. Dr. Kim: Hunter, I noticed that on your intake form Hunter: One of my transgender friends takes today you expressed that you might not know about hormones. I didn’t know that was something you your gender identity. We don’t have to talk about could do if you didn’t identify as a man or a woman. this today, but would you like to? Dr. Kim: You certainly can! Just like transgender Hunter: I guess so. I feel kind of silly talking about people who identify as men or women, non-bina- it sometimes. I know a lot of transgender people at ry people can have gender-affirming surgeries or school, and I feel like they’ve known who they are hormones to make their bodies fit their gender since they were kids! identities. Transitioning isn’t just about moving from one end of a spectrum to the other. If you decided Dr. Kim: It’s true, some transgender people do at any point that you wanted to make any changes, express that they’ve known they were transgender we could have a conversation about your individual from a very young age. -
Songs by Artist
YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me -
The Hornet, 1923 - 2006 - Link Page Previous Volume 78, Issue 18 Next Volume 78, Issue 20
FULLERTON COLLEGE SPECIAL THEATRE FESTIVAL SECTION Es- abiw h - Wednesday March 17, 1999 Vol. 78 Num. 19 k ol Library moves j*i'.;.2.;' I.::::::.x..:: :Accreditation to the quad t:.Team Visits FC a Marge Nelson, the North Outdoor education has President Viera Orange County Commu- new meaning as library explains visit nity College District Board of Trustees and a host of makes its move. others have worked many Robyn Bryson hours over recent months to Staff Writer ensure that a degree from Mark Nettles FC counts. Editor-in-Chief Will Fullerton College This week, a visiting Make the grade? accreditation team will On May 20, the library will be closing its is Campus accreditation evaluate our campus. doors and moving into a tent~on the quad. of the a critical element President Viera explains the According to Administrative Services the Without education process. process in this message: library will. be in the tent for seven months it, .a certificate or diploma "Accreditation is a vol- while asbestos is being removed and the not be worth the would untary process that occurs library is being refurbished. paper it is printed on. every six years by the It has been 30 years since the library's interi- South County is experi- Accrediting Commission of or was refurbished. encing problems with the Western Association of Currently, the library cannot supply stu- accreditation. .Schools and Colleges to dents with the tools required for moder It is conceivable that insure that an institution-is research . and Saddleback College responsive to the demands "We're in a mid-20th century facility trying Irvine Valley College will of a changing community, to offer late 20th-century, technology and ser- and lose not be recertified has been responsive to the vices with an infrastructure that is out-of- their accreditation.