SF Ballet Don Quixote 2019
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Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
Nutcracker Peter Ilyich Tchaikovsky
The Nutcracker Peter Ilyich Tchaikovsky THEATER 16/17 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
Goh Ballet Bayview Your Dance Journey Starts with Us
Goh Ballet Bayview Your Dance Journey Starts With Us GohBallet.com/Bayview Ballet Ballet Recognized to be a combination of intricate choreography, scenic design, atmospheric lighting, accentuated costuming, graceful movements and a personification of music,Ballet is a dance like no other. It can be used to express our deepest emotions or to tell the most profound stories and has been globally influential, defining the foundational techniques used in many other dance genres and cultures. In Canada, Goh Ballet was established over forty years ago by Choo Chiat and Lin Yee Goh, and has since grown into one of the most illustrious private dance schools in the world. Now under the directorship of Chan Hon Goh, former Principal Dancer of The National Ballet of Canada, Goh Ballet Academy is flourishing in the renaissance of a global arts community in Canada. We are looking to the future with agility, strength and poise. Dancers of Goh Ballet will be empowered to take the international stage with assurance. Polished holistic training programs are grounded by Goh Ballet’s core values: innovation for advancement, respect for the art-form, and care for balance and teamwork. Passionately mentored by a dedicated faculty, each dancer’s artistic versatility is allowed to shine at every level. An art form that touches human emotions beyond that of anything else, dance speaks to the soul. Goh Ballet cherishes and exudes beauty, grace and elegance by encouraging and introducing people to lead creatively inspired lives. The Arts are meant to be shared and Goh Ballet gives the highest level of care based upon principles of building and evolving perfection, inspiring possibilities and propelling motivation. -
Coppelia-Teacher-Resource-Guide.Pdf
Teacher’s Handbook 1 Edited by: Carol Meeder – Director of Arts Education February 2006 Cover Photo: Jennifer Langenstein – Pittsburgh Ballet Theatre Principal Dancer Aaron Ingley – Pittsburgh Ballet Theatre Corps de Ballet Dancer Ric Evans – Photographer 2 Introduction Dear Educator, We have often thanked you, the academic community and educators of our children, for being partners with us in Arts Education. We have confirmed how the arts bring beauty, excitement, and insight into the experience of everyday living. Those of us who pursue the arts as the work of our lives would find the world a dark place without them. We have also seen, in a mirror image from the stage, how the arts bring light, joy, and sparkle into the eyes and the lives of children and adults in all walks of life. Pittsburgh Ballet Theatre strives not only to entertain but to demonstrate the significance and importance of presenting our art in the context of past history, present living, and vision for the future. In this quest we present traditional ballets based on classic stories revered for centuries, such as Coppelia and Cinderella; and contemporary ballets by artists who are living, working, and creating everyday, such as our jazz program Indigo In Motion and the premiers we have done to the music of Sting, Bruce Springsteen, and Paul Simon. In this way we propel our art into the future, creating new classics that subsequent generations will call traditional. It is necessary to see and experience both, past and present. It enhances our life and stirs new ideas. We have to experience where we came from in order to develop a clear vision of where we want to go. -
Season Guide
2019 REPERTORY SEASON GUIDE The epitome of elegance. Experts can make complicated steps look effortless — and that’s what we can do for you. Throughout the Bay Area and Northern California — from San Francisco to Lake Tahoe, Carmel to Wine Country — THE STEPS ARE our agents are second to none. EFFORTLESS THE EXPERIENCE IS ALAIN PINEL APR.COM Over 30 Real Estate Offices Serving The San Francisco Bay Area 866.468.0111 The epitome of elegance. Experts can make complicated steps look effortless — and that’s what we can do for you. Throughout the Bay Area and Northern California — from San Francisco to Lake Tahoe, Carmel to Wine Country — THE STEPS ARE our agents are second to none. EFFORTLESS THE EXPERIENCE IS ALAIN PINEL APR.COM Over 30 Real Estate Offices Serving The San Francisco Bay Area 866.468.0111 ©2018 California©2018 Closet Company, Inc. All rights reserved. Franchises independently owned and operated. Experience a California Closets system custom designed specifically for you and the way you live. Visit us online or in our showroom today to arrange for a complimentary in-home design consultation. 800.274.6754 californiaclosets.com CA177_SFBallet_Brooks2_9.7x12.7_1118.inddSFB season guide fp template.indd 1 1 11/29/1811/29/18 2:18 9:53 PM AM SAN FRANCISCO BALLET 2019 REPERTORY SEASON GUIDE 47 Season & Donor News 76 SF Ballet Staff Ticket FAQ 79 Season Sponsors Upcoming Events 83 Great Benefactors 52 PROGRAM 01 Don Quixote 84 Artistic Director’s Council 55 PROGRAM 02 Kaleidoscope 87 Institutional Support Divertimento No. 15 Appassionata 90 SF Ballet Endowment Foundation 09 Anima Animus 93 Thank You to Our Volunteers 58 PROGRAM 03 In Space and Time 96 A Conversation with Glenn McCoy 09 Welcome to the Season The Fifth Season 11 SF Ballet Leadership Snowblind 12 Board of Trustees Études Endowment Foundation Board 61 PROGRAM 04 The Sleeping Beauty 14 Artists of the Company 64 PROGRAM 05 Lyric Voices 44 SF Ballet Orchestra Your Flesh Shall Be a Great Poem Bound To Yuri Possokhov World Premiere San Francisco Ballet | Vol. -
(1919-1922) : Adieu New-York ! De Georges Auric Et Le « Ragtime
Document generated on 09/29/2021 7:26 p.m. Les Cahiers de la Société québécoise de recherche en musique Détournements savants du jazz en France et en Allemagne (1919-1922) : Adieu New-York ! de Georges Auric et le « Ragtime » de la Suite 1922 de Paul Hindemith Hijacking Jazz in France and Germany (1919-1922): Georges Auric’s Adieu New-York! and Paul Hindemith’s “Ragtime” from Suite 1922 Martin Guerpin La passion de la recherche (à la mémoire de Maryvonne Kendergian) Article abstract Volume 14, Number 2, Fall 2013 Most of the research on the influence of jazz in art music after World War I has focused on comparisons between features of some particular works and the URI: https://id.erudit.org/iderudit/1023741ar kind of jazz from which they borrowed. DOI: https://doi.org/10.7202/1023741ar This article tries to go one step further by analyzing the aesthetic scope of borrowings in jazz and by contextualizing them in the art music world of the See table of contents end of the 1910s and the beginning of the 1920s. From two cases studies, Georges Auric’s Adieu New-York! (1919) and Paul Hindemith’s “Ragtime” from Suite 1922, it is shown that composers hijacked jazz, as it were, instead of merely trying to imitate it, and that the country in which they worked had an Publisher(s) impact on the way they used jazz. Société québécoise de recherche en musique Indeed, in Adieu New-York! and the « Ragtime » from Suite 1922, both Auric and Hindemith borrowed some traits of the jazz repertoires that they knew in ISSN order to assert their own aesthetic stance in the musical world to which they belonged. -
Gp 3.Qxt 7/14/17 12:16 PM Page 1
07-22 Jewels (Eve).qxp_Gp 3.qxt 7/14/17 12:16 PM Page 1 Lincoln Center Festival lead support is provided by American Express July 22 David H. Koch Theater Bolshoi Ballet Ballet Director Makhar Vaziev New York City Ballet Ballet Master in Chief Peter Martins Paris Opera Ballet Director of Dance Aurélie Dupont Jewels Choreography George Balanchine © The George Balanchine Trust Set Design Peter Harvey Lighting Design Mark Stanley New York City Ballet Orchestra Music Director Andrew Litton Approximate running time: 2 hours and 10 minutes, with two intermissions This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Made possible in part by members of the Producers Circle Major support is provided by LuEsther T. Mertz Charitable Trust. Additional support is provided by Jennie L. and Richard K. DeScherer, the Lepercq Charitable Foundation in Memory of Paul Lepercq, The Harkness Foundation for Dance, and The Joelson Foundation. Endowment support for the Lincoln Center Festival 2017 presentation of Jewels is provided by Blavatnik Family Foundation Fund for Dance. Public support for Festival 2017 is provided by the New York City Department of Cultural Affairs and New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. The Bolshoi Theatre gratefully acknowledges the support of its General Sponsor, Credit Suisse. Travelers is the Global Sponsor of New York City Ballet. 07-22 Jewels (Eve).qxp_Gp 3.qxt 7/14/17 12:16 PM Page 2 LINCOLN CENTER FESTIVAL 2017 JEWELS July 22, 2017, at 7:30 p.m. -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Cinderella January 23, 2020
CINDERELLA JANUARY 23, 2020 STUDENT MATINEE STORY GUIDE WELCOME TO THE SAN FRANCISCO BALLET We are delighted to share the joy of dance and the expressive power of ballet with you and your students. San Francisco Ballet Student Matinee performances are a wonderful way to expose children to the transformative power of creativity through the performing arts. We invite you to explore the magical world of Christopher Wheeldon’s Cinderella©. This Student Matinee Story Guide includes resources to prepare children for the performance, including links to videos about Cinderella©. We encourage you to use the SF Ballet Student Matinee Education Guide before and after the performance to explore movement and dance, learn about ballet, and discover what happens behind the scenes of a ballet production. Symbols are used throughout this Guide to direct you to key concepts. indicates an activity or discussion question indicates a key concept about dance or the artistic process indicates a key concept about music for ballet indicates a look behind the scenes We hope the SF Ballet Student Matinee Education Guide, combined with the performance of Cinderella©, sparks conversation and reflection, inspires creative expression, and fosters an appreciation and understanding of dance as an art form. For additional information on San Francisco Ballet, plus pre-performance worksheets, post-performance writing activities, and materials for guided discussions about the performance and about the artistic process, please refer to our Student Matinee Performance Guide. -
Ned Kelly & the Movies 1906-2003
Ned Kelly & the Movies 1906-2003: Representation, Social Banditry & History A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy Stephen Gaunson Bachelor of Arts (Honours) School of Media and Communication Design and Social Context Portfolio RMIT University April 2010 Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. Stephen Gaunson April 5, 2010 i Acknowledgments This thesis would not have been completed without the support and encouragement from my wife, Lauren-Eve Purdey. Her many cups of tea, patience, positive attitude and osteopathic treatments allowed me to forge ahead when the end was in sight. This thesis is hugely indebted to my supervisors Dr Adrian Danks and Professor Ina Bertrand, who consistently provided encouragement, reliable direction, academic and practical support, access to resources, funding and academic opportunities. I am forever grateful to Ina who taught me the importance of „doing things correctly‟, and welcoming me into her country home. I also am thankful to Adrian for his meticulous concentration to detail and encyclopaedic breadth of cinema knowledge. I finish this study a better writer and researcher because of the care taken by Adrian and Ina. -
Season Guide
SEASON GUIDE Have you found your place in the world? We’ve made it our mission to help you get there. Compass – a real estate company with a purpose. Compass is the brand name used for services provided by one or more of the Compass group of subsidiary companies. Compass is a real estate broker licensed by the State of California and abides by Equal compass compass.com Housing Opportunity laws. License Number 01079009. Have you found your place in the world? We’ve made it our mission to help you get there. Compass – a real estate company with a purpose. Compass is the brand name used for services provided by one or more of the Compass group of subsidiary companies. Compass is a real estate broker licensed by the State of California and abides by Equal compass compass.com Housing Opportunity laws. License Number 01079009. CNB_ENCORE_SeasonGuide_HNW1_9.5x12.5.pdf 1 11/8/19 1:41 PM SFB season guide fp template.indd 1 11/14/19 3:54 PM SAN FRANCISCO BALLET 2020 REPERTORY SEASON GUIDE 44 See You at SF Ballet 69 PROGRAM 06 Present Perspectives Upcoming Events Classical Symphony 50 PROGRAM 01 Cinderella Appassionata The Seasons SF Ballet Premiere 53 PROGRAM 02 Classical (Re)Vision Bespoke 73 PROGRAM 07 Jewels Hummingbird 76 PROGRAM 08 Romeo & Juliet Sandpaper Ballet 80 SF Ballet Staff 09 57 PROGRAM 03 Dance Innovations 83 Season Sponsors The Infinite Ocean 87 Great Benefactors The Big Hunger World Premiere 09 Welcome to the Season Etudes 89 Annual Support 11 SF Ballet Leadership 61 PROGRAM 04 A Midsummer Night’s Dream 90 Institutional Support 12 Board of Trustees 65 PROGRAM 05 Ballet Accelerator 92 SF Ballet Endowment Foundation Endowment Foundation Board 7 for Eight 94 Thank You to Our Volunteers 14 Subscriber Benefits Mrs.