Ballad by Thomas Occleve Addressed to Sir John Oldcastle, A
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The First Part of Sir John Oldcastle
(the un iversity or a bic ag o FOUNDID BY J OH N D. ROCKEFELLEB T H E FIRS T PA RT OF SIR JOH N OLDCA STLE A H IS TORICAL DRAM A BY MICH ON , TH Y M H THW Y AND AN ON A A , ROBERT WILSON E E DIT D WITH AN IN TROD UCTION , CRITICAL TEXT . AND NOTES A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF ARTS AND LITERATURE OF THE UNIVERS ITY OF CHICAGO IN CAN DIDACY FO R T H E D E G RE E O F DOCTOR OF PHILOSOPHY (DEPARTM EN T OF ENGLIS H ) JOHN ROBERTSON M ACARTHUR J J J J J CHICAGO S C T T F RES M AND C M P Y O , O AN O AN 1 907 E L! CONTENTS ACKNOWLEDGM ENTS HIS TORY OF T H E TEXT AND ITS EDIT IONS ’ Recor ds in Henslowe . Records in the Stationers Re r . E i s : B . R giste d tion A , , C , D , etc elations of ° A B . r E i . r , , C , D Othe d tions The Second Pa t of Sir John Oldcastle . SOURCES AND GROWT H OF T H E PLAY ' The Rea l Sir John Oldcastle . Immediate Sources — h Holinshed . Causes w ich led to the Wr iting of Sir John Oldcastle : Oldcastle and Falsta ff ; Influence of r r r s Foxe ; G owth of the Oldcastle Sto y in two fo m , Catholic and Protestant ; Wr iting of Sir John Old ’ cas tle ; Wee ver s Poem ; Influence of Henry IV and V ’ — on Oldcastle ; Influence of Peele s Edward I Rela ’ tions in detail ; Relation to Gr eene s Pin ner of Wake R rr E field ; elation to the Me y Devil of dmonton . -
Geoffrey Wheeler
Ricardian Bulletin Magazine of the Richard III Society ISSN 0308 4337 March 2012 Ricardian Bulletin March 2012 Contents 2 From the Chairman 3 Society News and Notices 9 Focus on the Visits Committee 14 For Richard and Anne: twin plaques (part 2), by Geoffrey Wheeler 16 Were you at Fotheringhay last December? 18 News and Reviews 25 Media Retrospective 27 The Man Himself: Richard‟s Religious Donations, by Lynda Pidgeon 31 A new adventure of Alianore Audley, by Brian Wainwright 35 Paper from the 2011 Study Weekend: John de la Pole, earl of Lincoln, by David Baldwin 38 The Maulden Boar Badge, by Rose Skuse 40 Katherine Courtenay: Plantagenet princess, Tudor countess (part 2), by Judith Ridley 43 Miracle at Denny Abbey, by Lesley Boatwright 46 Caveat emptor: some recent auction anomalies, by Geoffrey Wheeler 48 The problem of the gaps (from The Art of Biography, by Paul Murray Kendall) 49 The pitfalls of time travelling, by Toni Mount 51 Correspondence 55 The Barton Library 57 Future Society Events 59 Branches and Groups 63 New Members and Recently Deceased Members 64 Calendar Contributions Contributions are welcomed from all members. All contributions should be sent to Lesley Boatwright. Bulletin Press Dates 15 January for March issue; 15 April for June issue; 15 July for September issue; 15 October for December issue. Articles should be sent well in advance. Bulletin & Ricardian Back Numbers Back issues of The Ricardian and the Bulletin are available from Judith Ridley. If you are interested in obtaining any back numbers, please contact Mrs Ridley to establish whether she holds the issue(s) in which you are interested. -
CHOATE-DOCUMENT-2020.Pdf
Copyright Evan Choate 2020 ABSTRACT Fictional Texts, Imaginary Performances, and Historiographic Desire in Renaissance England by Evan Choate This dissertation explores how and why we care about history. I argue that our investment in the past is inseparable from the ways we represent it. Historiographic desire both animates and is animated by a continuous performance of historical proliferation that we experience as exhaustion, frustration, boredom, paranoia, and disappointment. Far from blunting history’s appeal, these affects mark the depth of our investment in it. To understand the dynamics of history as vertiginous webs of fictional texts and imaginary performances, I look to the radical innovations in methodology that emerged from the crucible of the English Reformation, which are too often understudied in the context of literary historicism. By attending the reciprocal evolution of drama and historiography over the course of the sixteenth century, I provide a novel account of the productive tensions among history, desire, and subjectivity that persist to this day. The theater was fundamental to the way Protestant historians such as John Foxe encountered the past. For Foxe, the renewable presence of performance and the duality of theatrical representation provided the basic structure for understanding how and why the past mattered. Theater provided a means of reconciling the objectivity that Foxe wanted from history and his awareness of the inherent subjectivity of actually producing history. Foxe’s influential recentering of history as a mode of experiencing the present was iv essential to the emergence of the commercial theater in London, which produced plays with a level of characterological sophistication and depth unlike anywhere else in sixteenth-century Europe. -
Sir John Oldcastle Downloaded From
484 July Sir John Oldcastle Downloaded from INCE the early days of the English Reformation Sir John S Oldcastle has held a high place in the traditions of his country. Two of the chief advocates of protestantism, seeking edification in the history of their Lollard predecessors, published accounts of http://ehr.oxfordjournals.org/ his Bufferings; and his renown, proclaimed by Tyndale's work,1 and doubtless increased by the issue of Bale's Bre/e Chronyclc* grew higher and higher till he came to be regarded as a, national heTo. Early in the reign of Elixabeth, however, Foxe had to defend his eulogy of Oldcastle against the criticism of a Roman catholic historian ; and a generation or so later the Lollard advocates broke a lance with the dramatist*, whose traditions made Oldcastle fl. roystering buffoon. The sympathies of the ascendant at University of Manitoba on August 31, 2015 party were on Foxe's side; his reply succeeded in silencing hiB opponent, and Shakespeare was driven to change the surname of a famous character from Oldcastle to Falstaff.1 Oldcastle'a fame has been kept alive down to modern times by fresh editions of old works and the publication of new ones. He has been associated with Wycliffe, HUB, and Latimer as one of the heroes of the Reformation,4 and with "W»t Tyler and John Ball as a ' popular leader' of the middle ages;' and in the hands of one writer the lAf* and Time$ of Lord Cobham have been made to fill two sub- 1 This nrk, which tu poMbhwl in 1AM, U unfortunately lori. -
Iowa State Journal of Research 56.1
IOWA STATE JOURNAL OF RESEARCH I MAY, 1982 4'3 -439 Vol. 56, No. 4 IOWA STATE JOURNAL OF RESEARCH TABLE OF CONTENTS Volume 56 (August, 1981-May, 1982) No. 1, August, 1981 ASPECTS IN RENAISSANCE SCHOLARSHIP PAPERS PRESENTED AT "SHAKESPEARE AND HIS CONTEMPORARIES" SYMPOSIUM, 1981 From the Editors. 1 GALYON, L. R. Introduction...................... ...... 5 BEVINGTON, D. M. "Why Should Calamity Be Full of Words?" The Efficacy of Cursing in Richard III . 9 ANDERSON, D. K., Jr. The King's Two Rouses and Providential Revenge in Hamlet . 23 ONUSKA, J. T., Jr. Bringing Shakespeare's Characters Down to Earth: The Significance of Kneeling . 31 MULLIN, M. Catalogue-Index to Productions of the Shakespeare Memorial/Royal Shakespeare Theatre, 1879-1978 . 43 SCHAEFER, A. J. The Shape of the Supernatitral: Fuseli on Shakespeare. 49 POAGUE, L. "Reading" the Prince: Shakespeare, Welles, and Some Aspects of Chimes at Midnight . 57 KNIGHT, W. N. Equity in Shakespeare and His Contemporaries. 67 STATON, S. F. Female Transvestism in Renaissance Comedy: "A Natural Perspective, That Is and Is Not" . 79 IDE, R. S. Elizabethan Revenge Tragedy and the Providential Play-Within-a-Play. 91 STEIN, C.H. Justice and Revenge in The Spanish Tragedy... 97 * * * * * * * * * * No. 2, November, 1981 From the Editors.. ... 105 TABLE OF CONTENTS PUHL, J. Forearm liquid crystal thermograms during sustained and rhythmic handgrip contractions . 107 COUNTRYMAN, D. W. and D. P. KELLEY. Management of existing hardwood stands can be profitable for private woodland owners....... .... 119 MERTINS, C. T. and D. ISLEY. Charles E. Bessey: Botanist, educator, and protagonist . 131 HELSEL, D. B. -
Sir John Oldcastle and the Construction of Shakespeare's
SEL38 (1998) ISSN 0039-3657 SirJohn Oldcastle and the Construction of Shakespeare's Authorship DOUGLAS A. BROOKS Let vs returne vnto the Bench againe, And there examine further of this fray. -SirJohn Oldcastle, I.i.124-5 A decade ago the editors of the Oxford William Shakespeare: The CompleteWorks replaced the name of the character called Falstaff in Henry IVPart Iwith a hypothetically earlier version of the character's name, Sir John Oldcastle. The restoration of Oldcastle to the Oxford edition makes it the first authoritative text to undo an alteration which, as scholars have long suspected, Shakespeare himself must have made sometime between a non-extant 1596 performance text and the 1598 quarto of the play. The resulting scholarly debate over this editorial decision has touched on a number of significant issues linked to the authority and authenticity of "Shakespearean" texts, and it has raised important questions about how these texts were shaped by the material, religious, and political conditions in which they were produced.l In the case of HenryIVPart I, crit- ics have struggled to reconstruct how an early version of the text with Oldcastle as the protagonist of the unworthy knight plot might have placed the play and its author in a complicated Douglas A. Brooks recently completed his Ph.D. at Columbia University, and is assistant professor of Shakespeare and Renaissance Drama at Texas A&M University. He is currently working on a book about early modern dramatic authorship and print. 334 SIR JOHN OLDCASTLE position between an individual's reputation and a nation's. -
1 William Worcester, the Boke of Noblesse, Ed. JG Nichols
1 Reforming England’s ‘harde covetouse hert’: 1 William Worcester and the diagnosis of defeat. Catherine Halsey By 1450 the English had been defeated in battle at Formigny and had lost their lands in northern France, with the exception of Calais. In 1453 the Hundred Years War was effectively over. Inevitably, contemporaries attempted to diagnose the factors that had let to defeat. William Worcester offered a diagnosis in the Boke of Noblesse. Although the purpose of the Boke was to encourage and promote a new campaign in France, Worcester also sought to explain and assess the English defeat and to offer models of reform for the future conduct of the war. He conventionally attributed defeat to the nation’s ‘synne and wrecchidnes’ and, within this framework, he identified the particular faults of the nation which had led to divine disapproval. These faults were lack of prudence and governance ‘and havyng no consideracion to the comon wele, but rathir to magnifie and enriche oure silfe by singuler covetise’.2 He discussed the practical manifestations of lack of prudence with reference to the 1 William Worcester, The Boke of Noblesse, ed. J. G. Nichols (London, 1860), p. 84. 2 Worcester, Boke, p. 51. 2 truce of Tours of 1444 and the cession of Maine in 1448.1 Worcester identified ‘singuler covetise’ as responsible for the misconduct of captains who withheld wages from their men and thus caused them to mistreat the non-combatant. On one level, Worcester sought to encourage a new campaign in France. He did this by emphasising issues of lineal and national pride and by presenting the French war as the forum for chivalrous and noble deeds. -
I1 ENGLISH RURAL LIFE in the FIFTEENTH CENTURY ISTORY Sometimes Has Scattered Poppy Without Merit
I1 ENGLISH RURAL LIFE IN THE FIFTEENTH CENTURY ISTORY sometimes has scattered poppy without merit. H We know little of many who were once great in the earth, and still less of the life of the people in their times. The life of the past must be visualized by piecing together detached and scattered fragments from many sources. The result is a composite picture, not a portrait. It is only now and then that the student of history is able to penetrate be- hind the veil of obscurity and get glimpses of intimate per- sonal life and learn to know the men and women of the past with some degree of acquaintance. A rare opportunity to know English provincial life in the fifteenth century is afforded in that wonderful collection known as “The Paston Letters.” This familiar correspond- ence of a Norfolk family, whose position was that of small gentry, covers three generations in some of the most stirring years of English history. It was the age when England’s empire in France was wrested from her by Joan of Arc; the age when the white rose of York and the red rose of Lan- caster were dyed a common color on the battlefields of Barnet, Towton, Wakefield Heath, and Bosworth Field. It was the century of W’arwick the kingmaker, and Henry Tudor ; of Sir Thomas More’s birth and of Caxton’s “Game of Chess.” The intense human interest of these letters has command- ed the admiration of readers ever since John Fenn edited 116 Rural Life in XV Century England 117 them, or those then known, in 1787. -
“But Is It Any Good?”: Evaluating Shakespeare Adaptation
Abstracts, SAA 2020 Seminar. Evaluating Shakespeare Adaptations (Session I) ‘All for your delight, we are not here’: Questioning the preeminent role of the traditional theatre critic Gemma Kate Allred, Université de Neuchâtel Whether through an immersive experience, diversity casting, celebrity casting or updating the text, it is very much of the Zeitgeist for Shakespeare on stage to be adapted for the modern audience. Add into the mix celebrity casting, and questions of authenticity and value are brought to the fore. Within British theatre, we have an established system to assess the worth or merit of a production. Reviewers, often male, upper middle class, and Oxbridge educated, write a few paragraphs for a broadsheet, award a star rating, and the production is rated. However, is this system still fit for purpose? Notions that the audience attracted by these modern productions are simply incapable of understanding is endemic in the critical reviews, with critics placing themselves as an intellectual counterpoint to the uneducated masses. Increasingly, theatre companies make explicit a desire to attract new audiences to Shakespeare. However, in appealing to new audiences, the self-appointed educated elite are implicitly excluded. These established critics frequently don’t get it – but when they are not the intended market for the production, why should they? It’s not for them. In most things we accept when people’s personal preferences differ, and we accept when someone likes something different – coffee or tea we ask – are you a dog person or a cat person? However, with theatre there is a tendency to insist that it is for everyone. -
INTRODUCTION the First Part of King Henry IV
Cambridge University Press 978-0-521-86801-3 - The First Part of King Henry IV: Updated Edition Edited by Herbert Weil and Judith Weil Excerpt More information INTRODUCTION The First Part of King Henry IV Reputation In the most highly regarded twentieth-century study of history plays from different periods and nationalities, Herbert Lindenberger argues: ‘Henry IV surely provides the supreme example of a complex and serious approach to history that diverts in the very act of instructing.’1 G. R. Hibbard represents many leading critics and directors when he expands this evaluation beyond the confines of genre: ‘In size, in significance, and above all, in the sheer wealth of invention that has gone into its making, Henry IV is among the major achievements.’2 For 1 Henry IV, undisputed facts concerning the play’s reception support these superlatives. From its first appearance, probably in 1597, Part One has enjoyed great popularity and has been performed with exceptional frequency. Between 1598 and 1622, before the First Folio of 1623, there were seven quarto editions – more than for any other play by Shakespeare. Part One continues to be among the plays most often published in general texts and anthologies of literature for students around the world. Readers and audiences familiar with the reputation of 1 Henry IV will often be surprised when they approach the play itself for the first time. If they anticipate stirring action or expect to laugh whole-heartedly with Falstaff, the first two scenes may seem relatively subdued. They contain a stimulating but unstable mixture of serious and comic qualities. -
Abstract the Paston Women and Gentry Culture: The
ABSTRACT THE PASTON WOMEN AND GENTRY CULTURE: THE DEVELOPMENT OF INDIVIDUAL AND SOCIAL IDENTITY IN FIFTEENTH-CENTURY ENGLAND This gender and social history examines the role of the Paston family in the developing gentry culture in fifteenth-century England. A family who desired to increase their social standing, the Pastons worked to first obtain land and wealth in order to become a part of the gentry. This study primarily examines the second way that the Pastons proved their gentility; through exhibiting behavior associated with the gentry, the Pastons proved to the public that they were above the peasantry and that they belonged in the upper echelons of society. In their quest for gentility, the behavior of the Paston women was particularly important to the efforts of their family. This thesis focuses on the ways that Agnes and Margaret Paston adopted the advice present in contemporary conduct manuals and how they incorporated such behavior into their letters. By presenting an image of gentility in their letters, Agnes and Margaret participated in both the developing gentry culture in fifteenth-century England and in their family’s efforts to increase their social status. Letter writing was a venue through which medieval women could express their opinions, and in the case of the Paston women, it was a way for them to directly impact the station of their family. The exercise of gentility in which the Paston women participated demonstrates one way the creation of an individual identity impacts both social status and group formation in -
Political History
POLITICAL HISTORY ALDERMAN Clifford Lindsey Blood-red the Roses: the Wars of the Roses Hardback Date of Pub: 1973 SBN: 561-00172-3 Publisher: Bailey Bros & Swinfen Limited Subjects covered: Campaigns; politics Synopsis: ‘For thirty-five years the Houses of York and Lancaster engaged in a bloody struggle for the throne of England’ – a popularised account of the campaigns and the political history of the period ALLISON Richard BROWN Carole Medieval Realms Paperback Date of Pub: 1990 ISBN: 185-276-120-2 Publisher: Folens Subjects covered: Women; church; castles; towns; trades; crusades; Peasants Revolt; Richard III Synopsis: Social and political history of the Middle Ages for primary school children, with illustrations, questions and ideas for activities. ALLMAND Christopher Editor New Cambridge Medieval History, Vol VII c1415 - c1500 Hardback Date of Pub: 1998 ISBN: 0521-382-963 Publisher: Cambridge University Press Subjects covered: Europe; culture; art; Europe Synopsis: New edition of the standard history of the Medieval world: sections deal with government, cultural and artistic life and the political history of individual countries (“Lancastrian England” by Edward Powell and “Yorkist and Early Tudor England” by Rosemary Horrox) ARCHER Rowena E Editor Crown, Government and People in the 15th Century Hardback Date of Pub: 1995 ISBN: 0312-125-917 Publisher: St Martin's Press Subjects covered: Margaret of Anjou; Henry VI; Henry VII; Duchy of Lancaster; Pastons; Calais Synopsis: Ten essays from a conference at Manchester College, Oxford