Volume CXXVII, Number 10, January 15, 2010
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Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
Bryan Sutton Reveals New Depth with Fourth Sugar Hill Release, Into My Own
BRYAN SUTTON REVEALS NEW DEPTH WITH FOURTH SUGAR HILL RELEASE, INTO MY OWN Solo Record From Bluegrass Guitar Master Due April 29th Nashville, Tenn. (January 27, 2014) –Bryan Sutton returns to Sugar Hill Records with his fourth solo release, Into My Own, available April 29, 2014. “The goal,” Bryan Sutton says, “was to try to make a record that only I could make.” Indeed, even a cursory listen is enough to establish that Into My Own, his fourth album for Sugar Hill Records, fulfills that goal—and does so in a way that reflects not only the instrumental virtuosity that his admirers have come to expect, but also the spirit and sensibilities of a musician intent on challenging himself to continuously grow in every way. For those who think of him as just one of the best acoustic guitarists around, Into My Own will come as an unexpected revelation, while for those who’ve been following his evolution at least since 2009’s Almost Live, it deserves welcome as the culmination of a remarkable musical growth spurt—rich, varied, and, just as he says, a record that only he could make. For what Into My Own does for the first time is present Bryan Sutton, not so much on his own (though there’s a bit of that too), but as an artist who’s worked his way into a musical place that’s all his own, and not just as a phenomenal guitarist, but as a singer and songwriter. Featured alongside Bryan Sutton are some of the best pickers in the genre, also true friends and collaborators; Bill Frisell joins in for “Frissell’s Rag” while Noam Pikelny, Sam Bush, Ronnie McCoury, Stuart Duncan and more stop in to play a few. -
Hit & Run Bio 2014
2009 International Bluegrass Music Association "Recorded Event of the Year" Winner (Rebecca Frazier, Daughters of Bluegrass) 2006 First woman on cover of Flatpicking Guitar Magazine (Rebecca Frazier) 2005 International Bluegrass Music Association Showcase Artist First Place, 2005 SPBGMA International Band Championship (Nashville, TN) First Place, 2003 Telluride Bluegrass Festival Band Contest (Telluride, CO) First Place, 2002 Rockygrass Band Contest (Lyons, CO) Rebecca Frazier gained notoriety as the first woman on the cover of Flatpicking Guitar Magazine. With over a decade of touring under her belt, Frazier has returned to the national stage with her flatpicking and songwriting showcase, “When We Fall,” and her new affiliation with Compass Records. In 2013, Rebecca Frazier and Hit & Run have continued to delight audiences across the country with the “handspun yet motor-driven” music that earned Hit & Run their reputation as “one of the tightest groups performing.” They are the only band to win the top triumvirate of major bluegrass band contests at the Telluride, Rockygrass, and SPBGMA Festival Band Championships. Hit & Run formed in late 2001 with the mutual desire to play “authentic yet modern” bluegrass. They quickly launched themselves as a successful touring act out of Colorado, gracing stages of prestigious festivals and venues in 36 states and Canada and eventually migrating to Nashville in 2007 with two studio albums under their belts. Since 2002, Hit & Run has shared stages with the likes of Jimmy Martin, Hot Rize, Rhonda Vincent, Jerry Douglas, Sam Bush, Del McCoury, David Grisman, Ricky Skaggs, Creedence Clearwater Revisited, G. Love & Special Sauce, Galactic, Medeski Martin & Wood, and many other recognized acts bluegrass and popular music. -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
PROGRAM NOTES Guided Tour
13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon. -
Mongrel Media Presents
Mongrel Media Presents Official Selection: Toronto International Film Festival Official Selection: Sundance Film Festival (97 mins, USA, 2009) Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Short Synopsis Rarely can a film penetrate the glamorous surface of rock legends. It Might Get Loud tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play. Long Synopsis Who hasn't wanted to be a rock star, join a band or play electric guitar? Music resonates, moves and inspires us. Strummed through the fingers of The Edge, Jimmy Page and Jack White, somehow it does more. Such is the premise of It Might Get Loud, a new documentary conceived by producer Thomas Tull. -
December 2020
Wrap Up Your Holidays with Us! Take a much-needed break from the hustle and bustle of the season and enjoy our December Newsletter. We've got a lot to cover! Watch our fun and informative New Virtual Store Tours and Staff Picks; meet our Instrument Specialist, Ian Dehmel; listen to our "We Recommend" pick - Colorado bluegrass band Hot Rize; see our Top 5 Gifts Under $30; learn what's so special about Breedlove guitars; find out who's battling it out on the banjo in the swamp, and a lot more. So take a few minutes and dive in! You'll be glad that you did. Take Our Ukulele Video Tour! Ukuleles are affordable, fun to play and, with just four strings, relatively easy to learn. The Denver Folklore Center is happy to stock a large selection of new and vintage ukuleles with prices ranging from the very affordable to rare collectibles. Watch our new Ukulele Video Tour! Join Saul, owner of the Denver Folklore Center, for a few tips on picking out the best uke for you or someone you love. Learn some basics like how to play, types of ukuleles, different tonewood attributes and more. Then contact us or come in and let our team help you choose the ideal instrument in your price range. And be sure to read our blog post to find out Which Ukulele Size is Right for You. Staff Focus - Ian Dehmel Originally from the Western Slope His introduction to the Folklore (Fruita, CO), Ian Dehmel is one of Center came from his dad, who had our Instrument Specialists. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
In This Issue
AMERICAN STRING TEACHER May 2008 | Volume 58 | Number 2 May 2008 In this Issue: Big Band Music for Strings? Therapy for Sight-Reading Woes ASTA announces its newest publication, Honey Bee’s Song, American String Teachers Association 2 now available for sale. Please see details on page16. www.astaweb.com AMERICAN STRING TEACHER CONTENTS May 2008 | Volume 58 | Number 2 Features and Forums A Totally New Concept…Big Band Music for Strings? 22 It has been 10 years since the National Standards became a reality and began to inÁ uence music instruction in the United States. by Charles “Bud” Caputo Therapy for Sight-Reading Woes 28 We have long recognized that Suzuki instruction can produce wonderful young performers. by Donald Watts Is That in Tune, Mr. Mozart? 32 As string players, we have all experienced situations where issues of intonation arise, but with no clear answers at hand. by Hasse Borup VIOLIN FORUM 36 Brahms and Joachim – An 1850s Comedy? It is touching to learn of the great mutual respect and affection that artists and potential rivals had for one another. by John A. Thomson Many Viewpoints for Many Sounding Points: 40 Approaching Francklin’s Quartet Considering all of the variables cumulatively responsible for “string sound color,” it is bafÁ ing on one hand, that the bow’s complete oeuvre of “sounding points” upon the string does not appear to be pedagogically formalized. by Jeffrey Levenberg www.astaweb.com | 5 AMERICAN STRING TEACHER CONTENTS May 2008 | Volume 58 | Number 2 Columns Special Inspirations 10 by Donna Sizemore Hale Sections 46 2008 National Conference Member2Member Summary 20 NC-ASTA’s Two-Day String Event 2008 Summer Conferences by Paul Antony-Levine and Megan Morris 54 String Project a la University of Texas at Austin by Judy Bossuat Teaching Tips 60 Patterns for Practice by Jennie Lou Klim Mission Statement The American String Teachers Association My Turn promotes excellence in string and orchestra 79 Music: the Liberating Art teaching and playing. -
Bluegrass Ensembles
The Colorado College Music Department presents Bluegrass Ensembles Keith Reed, director December 13, 2012 7:30 PM Packard Hall Please turn off all electronic devices in Packard Hall Group 1 Andy Allen-Fahlander Andy has been playing guitar for 10 years, mostly in the jazz and improvisational rock tradition. Last year while studying music at Colorado College, he had a fateful encounter with the music of Tony Rice and Bill Monroe that inspired him to dive headfirst into the world of bluegrass, picking up bluegrass guitar as well as the mandolin. He aspires to let distinctive stylistic aspects of his two instruments of choice flow together, importing tremolo picking into guitar and blues- style bends into his mandolin playing. Niels Davis Niels is a guitar player from Vermont. He started out playing fingerstyle blues and folk, and began playing bluegrass in his first year at Colorado College. His influences include Norman Blake, Clarence White, Bryan Sutton and whoever is playing hard at open-mic night. When he’s not playing music he likes to climb and spend time outside. He plays horrible banjo and would like to learn to play the mandolin. Makenna Drake A Colorado native, Makenna Drake grew up in a musical family and experimented with many instruments before picking up the fiddle. She began playing classical music at a young age and earned pocket money playing standard tunes on the local pedestrian mall. After a long hiatus in playing, Makenna rediscovered the violin through fiddle music, arising from a long-standing family tradition of attending the bluegrass academies and festivals in Lyons, Colorado. -
Doc's Case in Jury's Hands
HERALD________________ GLEN COVE _______________ Gazette Cirque du Soleil Special Section: There’s a new goes extreme Summer sheriff in town Page 23 Fitness Page 7 Vol. 27 No. 20 MAY 17- 23, 2018 $1.00 ‘Drug dealer’ doc’s case in jury’s hands By ERIK HAWKINS “I would like to see [Belfiore] [email protected] go to jail,” Claudia Marra said last year. She hired a lawyer After a month-long trial, a after her husband’s death, with jury is expected this week to the intention of taking Belfiore decide the fate of Michael Belfio- to court. However, she said, she re, a Merrick physician accused was advised that she would need of writing hun- a doctor as an dreds of opioid pre- expert witness to scriptions for profit testify against him, and causing the e allowed and that it would d e at h s o f t wo be difficult to pit South Shore men. H an alcoholic “doctor against Records indicate doctor” in court. that Belfiore also with a serious Also, she said, she prescribed fentanyl addiction problem was afraid her hus- to Glen Cove res- band would simply taurateur Mario to leave his office be painted as a Elisa Dragotto/Herald Gazette M a r r a — t h e with a month’s drug addict. Even- owner and chef at tually she dropped A hero honored the popular eatery supply of high- the effort. Liam Dall, 15, presented U.S. Navy veteran Rocky Imerti, with the Knot Board award in honor of his M a r r a ’s — o n dose, legal heroin. -
Asheville Music Scene Background Sheet
ASHEVILLE MUSIC SCENE BACKGROUND SHEET GENERAL INFO & RECENT ACCOLADES ► According to an Asheville Area Chamber of Commerce-led case study on the music industry's impact in the local economy: ► Asheville is home to nearly 800 full-time instrumentalists and vocalists. Creative jobs (artists, writers and performers) rank as the number three industry with the greatest earnings in Asheville. ► The job concentration in the musical manufacturing industry in Asheville provides 854 percent more jobs than the national average. ► The music industry grew 52 percent from 2010 to 2016 (at a faster pace than Nashville) and is two times more specialized compared to the national average. ► Many musicians, composers and producers with Asheville ties have been recognized with a coveted Grammy Award. In 2017, "kid-hop" artist Secret Agent 23 Skidoo won Best Children's Album. Nationally acclaimed artists Warren Haynes, Doc Watson, David Holt, Bryan Sutton, Steven Heller, Al Petteway, Gladys Knight and Roberta Flack all have Grammys under their belts. ► Two artists who lived in Asheville, the late soul musician Nina Simone and country music idol Jimmie Rodgers, were both recognized posthumously with Grammy Lifetime Achievement Awards. ► Downtown studio Echo Mountain Recording Studios has produced a multitude of Grammy-acknowledged works such as The Avett Brothers' "The Carpenter," Steep Canyon Rangers' "Nobody Knows You" and Secret Agent 23 Skidoo's "Infinity Plus One." Other artists that have recorded there include Dierks Bentley and Zac Brown Band. ► In 2014, Caleb Johnson helped put Asheville at the national forefront when the local singer won the 13th season of "American Idol." ► Asheville has recently been named "America's next great music city" by both Lonely Planet (January 2019) and Consequence of Sound (November 2017), while JamBase lauded Asheville as a "music oasis" (October 2017) and Fodor's Travel described a music scene "like nothing you've ever experienced" (November 2017).