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Operatunity Newsletter Operatunity Newsletter Season Launch 2018 is looking to be our biggest year yet! With eight concert tours and 16 trips, our performers and escorts are ready to give you the best experiences and memories with Operatunity. In 2018 we are re-vamping everyone’s favourites like the Rat Pack and our pantomime and introducing new concerts like Divas & Divos and Tennessee Waltz! We have put together spectacular trips for 2018, both nationally and internationally, including New Caledonia on Bastille Day with Suzanne Lynch, Sue, John, Bonnie and Karl to entertain, Tasmania with singalongs by John and Lynette, and Samoa with both our own musicians and the Samoan singers, cultural performances, children’s school choir and church services. It is going to be a year of fun and fantasy and we invite you all to join us! Season Pass Buying a Season Pass is the most economical way to attend Operatunity shows. Season Pass holders get access to special concert offers and the first 200 people to book will be sent a free 2018 Operatunity Calendar. Buying a 2018 Season Pass before December 19 also automatically puts you in the draw to win a trip for two on our Frolicking in the Far North trip in March 2018. Call our lovely team at the office to purchase your season pass now or purchase at your next concert! Prize Giveaway for Season Pass holders We are giving away a trip for two in 2018! Our trip up for grabs is Frolicking in the Far North, March 12-19. Frolicking This tour explores the beauty and the history of the north, in the Far North from bustling Auckland to the very top of New Zealand, Cape Reinga. This tour matches each beautiful setting with iconic concerts such as How Does Your Garden Grow at Arylies Garden, Wine, Women and Song at Marsden Estate vineyard and Mystic Melodies at Russell’s Christ Church. Our escorts Sue, Karl and Tizane will be adding their own special flavour to these fabulously themed concerts. Enter this amazing competition by purchasing a 2018 Season Pass by December 19 and you are automatically in the draw. The winner will be drawn on Music, Shakespeare, Ayrlies Garden, December 19 at the last concert for 2017 in Botany. Call our Bay of Islands, History, Scenery 12 ~ 19 MARCH 2018 fantastic office team to purchase your season pass now! Ask us to post you a full itinerary for any of these trips or download from our website. Or download from our website: www.operatunity.co.nz P: 0508 886 489 E: [email protected] Welcome to the Operatunity Ltd is a company specialising in extraordinary musical and travel experiences. In 2016 it celebrates its fifteenth anniversary, having presented SONG well over 2,000 concertsCOMPOSER/ARTIST in a wide range PERFORMER/S If You’re Irish Comeof musical into genres since its formation. Shaun Glenville & Frank Miller/Ernest R Ball Singalongs the Parlour/WhenAll Irish musical tastes are catered for with Eyes are Smiling mainstream, popular repertoire ranging MacNamara’s Band from grandSham opera,us O’Connor music theatre, classical All strings, 50s and 60s songs, Art Deco, Marian’s Jigset 2018 Concert Series(The Sailor’s Hornpipe/ bigTraditional band era, to music hall and old time Marian I’ll Tell Me Ma) Whiskey in the Jar Traditional Alex John with Alex Raymond Loughborough Ireland, Mother Ireland & Lynette Bodhran Hardshoe Rhythmic Dance Serena & Marian The Stuttering Lovers Herbert Hughes Lynette musicals delivered with professionalism, a touch of the ridiculous and with The Legend of Marian Burns Marian lotsBarney of sentimentality. Duffy Operatunity is owned by husband and wife team John Cameron and Susan Alex, Marian Phil the Fluter’s Ball W P French Boland and is proud to have employed numerous New Zealand professional& Lynette CDs & DVDs A Littleresident Bit of Heaven singers and musiciansErnest R throughout Ball the years in its 8 national seasonsJohn & Lynette of concerts and up to 14 national and international musical trips annually. My Wild Irish Rose Chauncey Olcott Serena Danny Boy Fred E Weatherly Marian & All Galway Bay/The Black Dr. Arthur Colahan Singalongs Velvet Band Recorded live at Hope at live Recorded Community Church, Nelson Church, Community Relive the melodies & magic of the concerts Percy Grainger Paul Molly on the Shore How are Things in Glocca Operatunity was founded over 15 years Burton Lane Lynette Morra ago and is owned and managed by 3 Tenorshusband and wife team Susan Boland Slip Jig (Stolen Kiss) Ronan Hardiman Serena and John Cameron. Once in a Lifetime Arr. by Paul Carnegie-Jones John From a small audience of nine in Orewa at home with our concert CDs and DVDs.for our first concert, we now present Swallow Tail Jig Traditional Celtic Tune Marian & Serena over 200 shows throughout New Zealand annually. Toss the Feathers Traditional Marian & Serena The name Operatunity may conjure up Phil Coulter All images of just classical, formalIreland’s repertoire Call but our name is a play on the words ARIA OPERA/COMPOSER ARTIST/S “Opera” and “Tunes”. We present variety Pokarekare Ana P H Tomoana Elisha and All Presented by We have our Rat Pack (DVD only),Derek, Bonnie, La Donna e Mobile Rigoletto/Verdi Cameron recorded live at Waitomo Caves O Soave Fanciulla La Boheme/Puccini Sue and Derek Hope Community Church, Nelson Recorded live at Hope Producer: John Cameron Soave Sia il Vento Cosi Fan Tutte/Mozart Andrea, Elisha, Matt Audio engineer: Shane Clayton www.operatunity.co.nz Community Church, Nelson Un’aura Amorosa Cosi Fan Tutte/Mozart Cameron Filmed by: NakedEye Digital Vision All Copyright Clearance via AMCOS. Presented by Operatunity Toreador’s Song Carmen/Bizet shows thatMatt cover and manyAll different themes and genres. These include When Irish Eyes are SmilingMarriage, of Figaro/ operatic classics, celebrations of songs from bygone eras and tributes to Sue and Andrea Letter Duet Mozart some of the world’s most famous artists. Opera Gala Samson & Delilah/ Elisha with Cameron Softly Awakes My Heart Saint-Saens No matter the style of music, we always bring you our own special flair. OurAndrea, artists Elisha, are carefully chosen for their talent and professionalism while Fidelio Quartet Fidelio/Beethoven Cameron,maintaining Matt a unique sense of fun, warmth and style in all performances. The Flower Song Carmen/Bizet DerekWe strive to craft a show with an infectious atmosphere that everyone can enjoy. As we launch our 2018 concert brochure, & A Soprano, and ourAve WaitomoMaria Schubert Sue Caves The Nuns’ Chorus Casanova/Strauss Sue, Andrea,Music, Elisha laughter and camaraderie are some Recorded live at Waitomo Caves, New Zealand New Caves, at Waitomo live Recorded E Lucevan le Stelle Tosca/Puccini Bonnie of life’s joys and are what Operatunity provides Norma Duet Norma/Bellini Sue and Elisha through our spectacular shows. Ritorna Vincitor Aida/Verdi Andrea Opera Gala recordedRigoletto Quartet concertsRigoletto/Verdi Sue, Derek, Elisha, Matt Pearl Fishers Duet The Pearl Fishers/Bizet Bonnie and Matt John and I are very excited to be moving Lakme Duet Lakme/Delibes Andrea and Elisha Nessun Dorma Turandot/Puccini Derek, Bonnie, Cameron Operatunity was founded over 15 years ago and is owned and managed by Brindisi La Traviata/Verdi All husband and wife team Susan Boland and John Cameron. available on CD for $20 and DVDWaitomo Caves From a small audience of nine in Orewa With our heartfelt thanks to: for our first concert, we now present over 200 shows throughout New Zealand Ruapuha Uekaha Hapu Trust; Department of Conservation; Waitomo Caves Choir, annually. into our 17th year of Operatunity. Cameron Barclay – lighting, John Ash - Assist with lighting, Tourism Holdings Limited, Karen O’Halloran and all the team at Waitomo Caves. The name Operatunity may conjure up Recorded live at Hope images of just classical, formal repertoire Presented by but our name is a play on the words Community Church, Nelson for $25. Pick them up throughOpera Gala “Opera” and “Tunes”. We present variety Presented by Operatunity Recorded live at Waitomo Caves, New Zealand www.operatunity.co.nz Presented by Operatunity We have never lost the zeal and enthusiasm for what we do, who our office or at your All Copyright Clearance via AMCOS. shows that cover many different themes and genres. These include Operatunity is owned by husband and operatic classics, celebrations of songs from bygone eras and tributes to wife singers, Susan Boland and John some of the world’s most famous artists. Cameron. Operatunity presents high No matter the style of music, we always bring you our own special flair. quality, inclusive, musical experiences Our artists are carefully chosen for their talent and professionalism while through its variety daytime concerts maintaining a unique sense of fun, warmth and style in all performances. and its specially crafted national and we meet and who we have the privilege of working with. We international travel. Since its inception Presented by Operatunity We strive to craft a show with an infectious atmosphere that everyone next concert! nearly 12 years ago, Operatunity has can enjoy. presented over 2000 shows to more than half a million people throughout Recorded live at Waitomo Caves, New Zealand Music, laughter and camaraderie are some New Zealand as well as performed thousands of songs and provided of life’s joys and are what Operatunity provides look forward to another wonderful year ahead with exceptional through our spectacular shows. tours and concerts. more than 10,000 work opportunities for the incredibly talented artists that we have in NZ. Over the past year, John and I have been pondering the price structures for our concerts. We have come up with a rather radical new pricing structure which is explained more fully later Calendars in the newsletter and in the brochure.
Recommended publications
  • CARMEN DAAH Mezzo-Soprano with J. Hunter Macmillan, Piano Recorded London, January 1925 MC-6847 Kishmul's Galley (“Songs Of
    1 CARMEN DAAH Mezzo-soprano with J. Hunter MacMillan, piano Recorded London, January 1925 MC-6847 Kishmul’s galley (“songs of the Hebrides”) (trad. arr. Marjorie Kennedy Fraser) Bel 705 MC-6848 The spinning wheel (Dunkler) Bel 705 MC-6849 Coming through the rye (Robert Burns; Robert Brenner) Bel 706 MC-6850 O rowan tree – ancient Scots song (trad. arr. J. H. MacMillan) Bel 707 MC-6851 Jock o’ Hazeldean (Walter Scott; trad. arr. J. Hunter MacMillan Bel 706 MC-6853 The herding song (trad. arr. Mrs. Kennedy Fraser) Bel 707 THE DAGENHAM GIRL PIPERS (formed 1930) Led by Pipe-Major Douglas Taylor. 12 pipers, 4 drummers Recorded Chelsea Town Hall, King’s Road, London, Saturday, 19th. November 1932 GB-5208-1/2 Lord Lovat’s lament; Bruce’s address – lament (both trad) Panachord 25365; Rex 9584 GB-5209-1/2 Earl of Mansfield – march (John McEwan); Lord Lovat’s – strathspey (trad); Mrs McLeod Of Raasay – reel (Alexander MacDonald) Panachord 25365; Rex 9584 GB-5210-1 Highland Laddie – march (trad); Lady Madelina Sinclair – strathspey (Niel Gow); Tail toddle reel (trad) Panachord 25370; Rex 9585 GB-5211-3 An old Highland air (trad) Panachord 25370; Rex 9585 Pipe Major Peggy Isis (solos); 15 pipers; 4 side drums; 1 bass drum. Recorded Studio No. 2, 3 Abbey Road, London, Tuesday, 26th. March 1957 Military marches – intro. Scotland the brave; Mairi’s wedding; Athole Highlanders (all trad) Par GEP-8634(EP); CapUS T-10125(LP) Pipes in harmony – intro. Maiden of Morven (trad); Green hills of Tyrol (Gioacchino Rossini. arr. P/M John MacLeod) Par GEP-8634(EP); CapUS T-10125(LP) Corn rigs – march (trad); Monymusk – strathspey (Daniel Dow); Reel o’ Tulloch (John MacGregor); Highland laddie (trad) Par GEP-8634(EP); CapUS T-10125(LP) Quick marches – intro.
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  • RVW Final Feb 06 21/2/06 12:44 PM Page 1
    RVW Final Feb 06 21/2/06 12:44 PM Page 1 Journal of the No.35 February 2006 In this issue... James Day on Englishness page 3 RVWSociety Tony Williams on Whitman page 7 Simona Pakenham writes for the Journal To all Members: page 11 Em Marshall on Holst Can you help? page 14 Six pages of CD and DVD reviews Our f irst r ecording v enture – the rar e songs of Vaughan Williams – has r eached a Page 22 critical point such that we no w need at least 100 members to each support us with a £100 subscription. Could you help us? and more . The project The rare songs will fill two CDs. We begin with Songs from the Operas and this includes ten songs from Hugh the Drover, arranged by the composer for voice and piano. These are world premiere recordings in this arrangement and are all quite lo vely. Our second CD covers the CHAIRMAN Early Years and includes man y songs ne ver previously recorded. These two CDs will be Stephen Connock MBE recorded in 2006-07 and issued separately thereafter. 65 Marathon House 200 Marylebone Road There is much wonderful music here, so rare and yet of such quality!The overall project will London NW1 5PL cost around £25,000 using the f inest singers and state of the art recording. We do not want Tel: 01728 454820 to compromise on quality – thus our need for members’support to drive the project forward. Fax: 01728 454873 [email protected] The Subscriptions’ benefits Both CDs will cost over £25,000.
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    Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska,
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  • UCLA Electronic Theses and Dissertations
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  • Dame Joan Hammond (1912-1966) 2
    AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN HILDA HOOD HAMMOND (1912-1996) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JULY 2018 Dame Joan Hilda Hood Hammond, DBE, CMG (24 May 1912 – 26 November 1996) was a New Zealand born Australian operatic soprano, singing coach and champion golfer. She toured widely, and became noted particularly for her Puccini roles, and appeared in the major opera houses of the world – the Royal Opera House Covent Garden, La Scala, the Vienna State Opera and the Bolshoi. Her fame in Britain came not just from her stage appearances but from her recordings. A prolific artist, Hammond's repertoire encompassed Verdi, Handel, Tchaikovsky, Massenet, Beethoven, as well as folk song, art song, and lieder. She returned to Australia for concert tours in 1946, 1949 and 1953, and starred in the second Elizabethan Theatre Trust opera season in 1957. She undertook world concert tours between 1946 and 1961. She became patron and a life member of the Victorian Opera Company (since 1976, the Victorian State Opera – VSO), and was the VSO's artistic director from 1971 until 1976 and remained on the board until 1985. Working with the then General Manager, Peter Burch, she invited the young conductor Richard Divall to become the company's Musical Director in 1972. She joined the Victorian Council of the Arts, was a member of the Australia Council for the Arts opera advisory panel, and was an Honorary Life Member of Opera Australia. She was important to the success of both the VSO and Opera Australia. Hammond embarked on a second career as a voice teacher after her performance career ended.
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  • English Chamber Orchestra
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  • The Stonewall Operas Program
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  • Decca Discography
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  • Sir Colin Davis Discography
    1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.
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  • A Tribute to Sir Malcolm Sargent (1895-1967) Mp3, Flac, Wma
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  • ARSC Journal
    A SIR THOMAS BEECHAM PANORAMA 1910-1959 SIR THOMAS BEECHAM, Bart., C.H. (1879-1961) - A MUSICAL BIOGRAPHY. EMI World Records SHB 100 - Eight 12-inch Discs with book: Jefferson, Alan: Sir Thomas Beecham - A Centenary Tribute; Macdonald and Jane's, London, 1979; 256 pp. with foreword by Sir Robert Mayer; 24 pp. ill. + 2 jacket photographs. SH 1001 - The Early Years (1910-1928). J. STRAUSS II: Die Fledermaus - Overture (abridged), recorded 7/28/10; D'ALBERT: Tiefland - Selection, recorded 8/31/10; MISSA: Muguette - Entr'acte, recorded ca. 1912; STRAVINSKY: The Firebird - Dance of the Firebird; Scherzo; Infernal Dance, recorded 1916; GERMAN: Have you news of my boy Jack? (Kipling) with Dame Clara Butt (contralto), recorded Feb/Mar 1917. Beecham Symphony Orchestra. OFFENBACH: Tales of Hoffmann - The Doll's Song, Caroline Hatchard (soprano), Beecham Opera Company, recorded 7/27/10. ATTERBERG: Symphony No. 6 in C Major, Op. 31. Royal Philharmonic Orchestra, recorded 8/12/28. SH 1002 - Shorter Works (1933-1948). BERLIOZ: Roman Carnival Overture, Op. 9, recorded 11/27/36; HANDEL (arr. Beecham): The Origin of Design - Ballet Suite (Bourrle, Rondeau, Gigue, Musette, Battle and Finale), recorded 1/5/33; HANDEL: Solomon - Arrival of the Queen of Sheba, recorded 5/6/33; WEBER: Oberon - Overture, recorded 7/18, 10/3/38; BORODIN (arr. Rimsky-Korsakov & Glazunov): Prince Igor - Polovstian ~. with Leeds Festival Choir, recorded 10/34. London Philhar­ monic Orchestra. HAYDN: Symphony No. 40 in F Major. Royal Philhar­ monic Orchestra, recorded 4/20/48. SH 1003 - The Post War Years (1947-1956). DVO&\K: The Golden Spinning Wheel - Symphonic Poem, Op.
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  • PASC525 Front.Std
    ~01~ Sargent Pristine PASC S2S XR conducts Elgar PASC 525 Elgar's Cello Concerto was the composer's last substantial piece. Written in 1919, in the aftermath of LW the first world war, the piece is often regarded by critics as contemplative and reflective- of Britain emerging from a period of terrible sacrifice. Unlike many of Elgar's previous compositions the cello ~J1.l!J concerto was not an immediate success, and while it did not languish in complete obscurity (several recordings were made, including two by Elgar), it failed to become part of the mainstream concert repertoire. The person most responsible for changing that was Jacqueline du Pre. A musical prodigy, she made her recital debut in 1961 aged just 16, and chose the Elgar Cello Concerto for her full orchestral debut at the Royal Festival Hall in March 1962. cello concerto The critical reception of her concert debut was universally positive and she performed the same jacqueline du pre c c·llo work with Adrian Boult at the Chester Festival in June, before making her proms debut under her 1962 proms debut Malcolm Sargent in August. Clearly du Pre's reputation had preceded her as the concert was a sell­ out, something the Times thought was remarkable since a programme consisting entirely of modern English music was usually regarded 'as an invitation to bankruptcy.' Accepting that Du Pre was evidently a 'remarkable interpreter' what really struck the critics was that despite being only 17 'her attitude to Elgar's concerto was that of a thinking adult and not of an intuitively musical child.' In particular her fresh approach meant that the more self-reflective sections were 'free from all the unappetizing self-indulgence that can be the failing of the piece.' the dream of gerontius It is no exaggeration to say that du Pre is largely responsible for restoring Elgar's Cello Concerto to marjorie thomas c cwt1c1ltc1 the mainstream concert programme.
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