Switch 2.0.2 Release Notes Switch™ System Requirements
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Flip4mac 3.3 Release Notes
Flip4Mac 3.3 Release Notes Telestream® Flip4Mac Windows Media Components for QuickTime® allow you to easily play, import and export Windows Media files within most of your favorite QuickTime applications including Microsoft PowerPoint and Apple Keynote. Flip4Mac also includes Flip Player, a multi-format video player that provides high quality video playback and optional premium editing features. Flip4Mac Products Flip4Mac WMV Player ($9.99) enables you to play Windows Media files in QuickTime applications and view Windows Media content on the Internet using Safari, Firefox and Google Chrome web browsers. With Flip4Mac Player Pro ($29), you will be able to import Windows Media files for conversion to other popular formats such as: • MOV (Final Cut Pro, iMovie) • MP4 (iTunes, iPod, iPhone, iPad, Apple TV) • MPEG-2 (Video DVD) • MP3 and AAC (iTunes, iPod, iPhone, iPad) In addition to enabling additional features in Flip Player such as: • Visual Cropping • Advanced playback controls • Visual Scaling • iPhone Ringtone export • Rotating • ProRes 422 export for Final Cut Pro • Trimming Flip4Mac Studio ($49) and Flip4Mac Studio Pro HD ($179) enable you to create Windows Media files for distribution. These features are available in trial mode until you're ready to purchase an upgrade. You can purchase an upgrade directly from within the software by selecting Flip4Mac in System Preferences. Windows Media Digital Rights Management (DRM) While the Flip4Mac plug-in provides superior playback performance, it is unable to play content that has been protected using Windows Media Digital Rights Management (DRM). System Requirements • Intel-based Mac • Mac OS X 10.6.8 and later Flip4Mac 3.3 Fixes and Enhancements • Added support for Mac OS X 10.10+ • Added support for Mac OS X 10.6.8 • Added diagnostic analytics • Fixed various issues with licensing • Fixed issues with the Web plug-in and Safari. -
NASA-STD-2804 Rev. L
Downloaded from http://www.everyspec.com NOT MEASUREMENT SENSITIVE National Aeronautics and NASA-STD-2804L Space Administration Effective June 24, 2008 MINIMUM INTEROPERABILITY SOFTWARE SUITE NASA TECHNICAL STANDARD Downloaded from http://www.everyspec.com NASA-STD-2804L Effective June 24, 2008 FOREWORD This standard is approved for use by NASA Headquarters and all NASA Centers and is intended to provide a common framework for consistent practices across NASA programs. The material covered in this standard is governed and approved by the NASA Information Technology Management Board. Its purpose is to define the baseline software suite necessary to support interoperability both between NASA end user computers and within the NASA operating environment. The standard establishes Client Reference Configurations, Operating System Standards, and Compliance Dates for computers running Microsoft Windows, Apple Mac OS, and various Linux and UNIX operating systems. Adherence to this standard ensures compliance with federal requirements for desktop computers, laptops, and other end user devices. Requests for information, corrections, or additions to this standard should be directed to the John H. Glenn Research Center at Lewis Field (GRC), Emerging Technology and Desktop Standards Group, MS 142-5, Cleveland, OH, 44135 or to [email protected]. Requests for general information concerning standards should be sent to NASA Technical Standards Program Office, ED41, MSFC, AL, 35812 (telephone 256-544-2448). This and other NASA standards may be viewed and downloaded, free of charge, from the NASA Standards web page: http://standards.nasa.gov/. /signature on file/ Jonathan Pettus Chief Information Officer ii Downloaded from http://www.everyspec.com NASA-STD-2804L Effective June 24, 2008 This Page Left Blank Intentionally iii Downloaded from http://www.everyspec.com NASA-STD-2804L Effective June 24, 2008 CONTENTS 1 SCOPE.......................................................................................................................................... -
Fundamentals of Digital Video
FUNDAMENTALS OF DIGITAL VIDEO Digital Video Compression © 2016 Pearson Education, Inc., Hoboken, NJ. All 1 rights reserved. In this lecture, you will learn: • Basic ideas of video compression • General types of compression methods © 2016 Pearson Education, Inc., Hoboken, NJ. All 2 rights reserved. Compression • Basic idea: Want to represent the same content by using less data © 2016 Pearson Education, Inc., Hoboken, NJ. All 3 rights reserved. Compression and Decompression • Compression: – To reduce file size – Takes time – Often takes more time for higher compression • Decompression: – A compression video file must be decompressed before it is played. – The decompression method or algorithm depends on how it is originally compressed. © 2016 Pearson Education, Inc., Hoboken, NJ. All 4 rights reserved. Compression and Decompression • Compression and decompression always go together as a pair. • Codec : compressor/decompressor © 2016 Pearson Education, Inc., Hoboken, NJ. All 5 rights reserved. Types of Compression Methods • Spatial compression • Temporal compression • Lossless vs. lossy compression • Symmetrical and asymmetrical compression © 2016 Pearson Education, Inc., Hoboken, NJ. All 6 rights reserved. Spatial Compression • Compact individual frames as if they are independent digital images • Examples of algorithms: – Run-length encoding (RLE) – JPEG compression • Example codecs: – QuickTime Animation – QuickTime PlanarRGB – Microsoft RLE © 2016 Pearson Education, Inc., Hoboken, NJ. All 7 rights reserved. Spatial Compression • Types of video that spatial compression is good for: • contain large areas of solid colors, such as cartoon animation • Disadvantage: • Less compressed, i.e., relatively large file size compared to other types of compression © 2016 Pearson Education, Inc., Hoboken, NJ. All 8 rights reserved. Temporal Compression • Exploits the repetitious nature of image content over time in video • Saving more information for selected frames, i.e. -
Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more. -
Encoding H.264 Video for Streaming and Progressive Download
What is Tuning? • Disable features that: • Improve subjective video quality but • Degrade objective scores • Example: adaptive quantization – changes bit allocation over frame depending upon complexity • Improves visual quality • Looks like “error” to metrics like PSNR/VMAF What is Tuning? • Switches in encoding string that enables tuning (and disables these features) ffmpeg –input.mp4 –c:v libx264 –tune psnr output.mp4 • With x264, this disables adaptive quantization and psychovisual optimizations Why So Important • Major point of contention: • “If you’re running a test with x264 or x265, and you wish to publish PSNR or SSIM scores, you MUST use –tune PSNR or –tune SSIM, or your results will be completely invalid.” • http://x265.org/compare-video-encoders/ • Absolutely critical when comparing codecs because some may or may not enable these adjustments • You don’t have to tune in your tests; but you should address the issue and explain why you either did or didn’t Does Impact Scores • 3 mbps football (high motion, lots of detail) • PSNR • No tuning – 32.00 dB • Tuning – 32.58 dB • .58 dB • VMAF • No tuning – 71.79 • Tuning – 75.01 • Difference – over 3 VMAF points • 6 is JND, so not a huge deal • But if inconsistent between test parameters, could incorrectly show one codec (or encoding configuration) as better than the other VQMT VMAF Graph Red – tuned Green – not tuned Multiple frames with 3-4-point differentials Downward spikes represent untuned frames that metric perceives as having lower quality Tuned Not tuned Observations • Tuning -
Shop Fullcompass.Com Today! for Expert Advice - Call: 800-356-5844 M-F: 9:00-5:30 Central 412 VIDEO PLAYERS / RECORDERS
DVD / BLU-RAY PLAYERS AND RECORDERS DVD / BLU-RAYVIDEO PLAY PLAYERSE RASND / RECORDERS 411 NEW! ATOMOS ATOMOS NINJA STAR POCKET- SIZE APPLE PRORES RECORDER AND TASCAM DV-D01U RACKMOUNTABLE SINGLE DISC DVD PLAYER DECK Designed for action cameras, drones The DV-D01U is a rackmountable single-disc player with a powered loading tray. and mirrorless DSLR’s, this pocket-size Apple The player reads DVD video, DVD audio (2-channel only), video CD, CD-DA, MP3, ProRes recorder delivers better quality (no MPEG compression) and huge WMA, .WAV, JPEG, ASF, MPEG-2/MPEG-1, and DivX. It is capable of playing back workflow timesavings. Ultra-long battery life with tiny size and weight make this properly finalized DVD +R/+RW discs. Outputs consist of HDMI audio/video unit ideal for situations requiring portability, reliability and long power draws. out and composite, S-Video, and component video outputs. Rear panel stereo Captures video in select HD/SD recording formats via HDMI, with 2-channel audio outputs are unbalanced (RCA) and digital outputs are optical. Digital outputs can from camera and/or analog input. Edit-ready media files are recorded directly to pass Dolby Digital and DTS surround streams for later decoding. The DV-D01U CFast 1.0 memory card. Standard mounting plate included. provides extensive bi-directional RS232 serial control and an I/R remote control ITEM DESCRIPTION PRICE is included. ATO-NINJA-STAR........ Pocket-Size ProRes Recorder & Deck ........................................... 295.00 ITEM DESCRIPTION PRICE ATO-MCFT064 ........... 64GB CFast Memory Card ........................................................... 159.00 DVD01U ..................... Rackmountable DVD player, 1RU ................................................ 369.99 ATO-MCFT128 .......... -
Prices 06-2021
Prices (exc. VAT) -June 2021 1 - Contents 2 - 4K HDR color grading 3 - 5.1 mixing 4 - Subtitling 5 - 2K/4K/3D DCPs 6 - Broadcast-ready files / IMF Package / Dolby E 7 - DVD & 2D/3D/4K Blu-ray authoring 8 - DVD duplication 9 - Blu-ray duplication 10 - Dailies management / 3D & HDR encoding 11 - LTO archiving and restore Have a question or want a quote? Write to us: [email protected] Registration: 492432703 - VAT ID: FR52492432703 4K HDR color grading Color grading station Half-day (4h) Full day (8h) Week (5d) Rental of 4K HDR DaVinci Resolve station with senior colorist's services € 550 € 990 € 4 900 Rental of 4K HDR DaVinci Resolve station without senior colorist's services € 270 € 500 € 2 450 Delivery of DaVinci Resolve source project to customer Included Video export Apple ProRes or DNxHR Included Color grading peripherals Week (5d) Rental of HDR Eizo CG3145 Prominence monitor € 900 Rental of DaVinci Resolve Mini Panel € 300 Transport costs (both ways, mandatory, only available in Paris, Hauts-de-Seine, Seine-Saint-Denis and Val-de-Marne) € 100 Roundtrip workflow Final Cut Pro Media Composer Premiere Pro Organisation of the timeline and export to Final Cut Pro 7/X, Avid Media Composer or Adobe Premiere Pro Offline reference clip with burned-in timecode after export € 90 / hour Project import and check on DaVinci Resolve The powerful color grading station: Blackmagic Design's DaVinci Resolve Studio 17 on Linux (+Neat plugin) AMD Ryzen Threadripper 64 cores / nVidia RTX 3090 24 GB Best 4K DCI 10-bit HDR mastering display monitor on an Eizo CG3145 Prominence (meeting Dolby Vision and Netflix standards) Display calibration by a VTCAM expert to Rec. -
Capabilities of the Horchow Auditorium and the Orientation
Performance Capabilities of Horchow Auditorium and Atrium at the Dallas Museum of Art Horchow Auditorium Capacity and Stage: The auditorium seats 333 people (with a 12 removable chair option in the back), maxing out the capacity at 345). The stage is 45’ X 18’and the screen is 27’ X 14’. A height adjustable podium, microphone, podium clock and light are standard equipment available. Installed/Available Equipment Sound: Lighting: 24 channel sound board 24 fixed lights 4 stage monitors (with up to 4 Mixes) 5 movers (these give a wide array of lighting looks) 6 hardwired microphones 4 wireless lavaliere microphones 2 handheld wireless microphones (with headphone option) 9-foot Steinway Concert Grand Piano 3 Bose towers (these have been requested by Acoustic performers before and work very well) Music stands Projection Panasonic PTRQ32 4K 20,000 Lumen Laser Projector Preferred Video Formats in Horchow Blu Ray DVD Apple ProRes 4:2:2 Standard in a .mov wrapper H.264 in a .mov wrapper Formats we can use, but are not optimal MPEG-1/2 Dirac / VC-2 DivX® (1/2/3/4/5/6) MJPEG (A/B) MPEG-4 ASP WMV 1/2 XviD WMV 3 / WMV-9 / VC-1 3ivX D4 Sorenson 1/3 H.261/H.263 / H.263i DV H.264 / MPEG-4 AVC On2 VP3/VP5/VP6 Cinepak Indeo Video v3 (IV32) Theora Real Video (1/2/3/4) Atrium Capacity and Stage: The Atrium seats up to 500 people (chair rental required). The stage available to be installed in the Atrium is 16’ x 12’ x 1’. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
VNN Windows Media Faqs
ILS.imgondemand.com Video Streaming Player Guide SYSTEM REQUIREMENTS What type of browser do I need to view the videos posted on ILS.imgondemand.com? Any modern Web browser will support the videos posted on ILS.imgondemand.com. This includes Internet Explorer 7 or higher, Firefox 3.0 or higher, and Safari 4. It is recommended that you update your browser to the latest version for the best results. For Mac OS X users, Safari is the browser of choice for viewing the videos. Also, you must enable cookies and JavaScript on your chosen web browser, as well as turn off any pop‐ up blocker. Browser Operating System Download Location Internet Explorer 8 Windows http://www.microsoft.com/windows/ internet‐explorer/worldwide‐sites.aspx Internet Explorer 7 Windows http://www.microsoft.com/downloads/details.as px?FamilyId=9AE91EBE‐3385‐447C‐8A30‐ 081805B2F90B&displaylang=en Firefox 3.6 Windows, Mac OS http://www.firefox.com Safari 4 Mac OS http://www.apple.com/safari What operating system do I need to view the videos? Windows 98 SE or later (including Windows XP, Vista, and Windows 7) or Mac OS X 10.3.9 or later. Do I need special software to view the videos? You will need to have installed the latest version of Windows Media Player (for Windows) or Flash (For Windows and Mac) or Flip4Mac Windows Media Components and Quicktime (for Mac OS X). These are free downloads. The table below lists links for current versions and download locations. Media Player Recommended Operating Systems Download Location Version Windows Vista and Windows Media Player 11 -
Etrecheck Version: 2.9.12 (265) Report Generated 2016-05-07 13:52:34 Download Etrecheck from Runtime 7:34 Performance: Below Average
EtreCheck version: 2.9.12 (265) Report generated 2016-05-07 13:52:34 Download EtreCheck from https://etrecheck.com Runtime 7:34 Performance: Below Average Click the [Support] links for help with non-Apple products. Click the [Details] links for more information about that line. Click the [Remove] links to remove adware. Click the [Check files] link for help with unknown files. Problem: Other problem Hardware Information: ꋏ iMac (20-inch, Mid 2007) [Technical Specifications] - [User Guide] - [Warranty & Service] iMac - model: iMac7,1 1 2.4 GHz Intel Core 2 Duo CPU: 2-core 4 GB RAM Upgradeable - [Instructions] BANK 0/DIMM0 2 GB DDR2 SDRAM 667 MHz ok BANK 1/DIMM1 2 GB DDR2 SDRAM 667 MHz ok Bluetooth: Old - Handoff/Airdrop2 not supported Wireless: en1: 802.11 a/b/g/n Video Information: ꋏ ATI,RadeonHD2600 - VRAM: 256 MB iMac 1680 x 1050 System Software: ꋏ OS X El Capitan 10.11.4 (15E65) - Time since boot: about 5 hours Disk Information: ꋏ WDC WD3200AAJS-40RYA0 disk0 : (320.07 GB) (Rotational) EFI (disk0s1) <not mounted> : 210 MB [redacted] HD (disk0s2) / : 319.21 GB (108.24 GB free) Recovery HD (disk0s3) <not mounted> [Recovery]: 650 MB USB Information: ꋏ Apple, Inc. Keyboard Hub Mitsumi Electric Apple Optical USB Mouse Apple, Inc Apple Keyboard Apple Inc. Built-in iSight Apple Computer, Inc. IR Receiver Gatekeeper: ꋏ Mac App Store and identified developers Adware: ꋏ /Applications/Uninstall IM Completer.app ~/Library/Application Support/com.genieoinnovation.Installer 2 adware files found. [Remove] Unknown Files: ꋏ ~/Library/LaunchAgents/com.opswat.aw.persistence.plist ~/IAG Remote Access Agent/jranuscourtsgov/notes1/AttachmentWiper.exe -d jran.uscourts.gov -m jran.uscourts.gov -c https://jran.uscourts.gov/InternalSite/Conf/notes1AWDirs.ini -t 1 -o NLSessionSnotes=HkxGdydRaEZgPKJdzG0mqlbzjdVWbDVqVb7NGvF5dws7zlB +tXGSUTpPXvmyzgVqJFK1ElJ1NPUfFy1MYSgHFztHOwyCYV5Y5Cgw7Fe/C0S0vWbV6LGt/ Lxfry7lBALq -p "/Users/markbowdidge/IAG Remote Access Agent/jranuscourtsgov/notes1/log/" -3 -c /var/ tmp/tmp.0.7soXvk One unknown file found. -
EMA Mezzanine File Creation Specification and Best Practices Version 1.0.1 For
16530 Ventura Blvd., Suite 400 Encino, CA 91436 818.385.1500 www.entmerch.org EMA Mezzanine File Creation Specification and Best Practices Version 1.0.1 for Digital Audio‐Visual Distribution January 7, 2014 EMA MEZZANINE FILE CREATION SPECIFICATION AND BEST PRACTICES The Mezzanine File Working Group of EMA’s Digital Supply Chain Committee developed the attached recommended Mezzanine File Specification and Best Practices. Why is the Specification and Best Practices document needed? At the request of their customers, content providers and post‐house have been creating mezzanine files unique to each of their retail partners. This causes unnecessary costs in the supply chain and constrains the flow of new content. There is a demand to make more content available for digital distribution more quickly. Sales are lost if content isn’t available to be merchandised. Today’s ecosystem is too manual. Standardization will facilitate automation, reducing costs and increasing speed. Quality control issues slow down today’s processes. Creating one standard mezzanine file instead of many files for the same content should reduce the quantity of errors. And, when an error does occur and is caught by a single customer, it can be corrected for all retailers/distributors. Mezzanine File Working Group Participants in the Mezzanine File Working Group were: Amazon – Ben Waggoner, Ryan Wernet Dish – Timothy Loveridge Google – Bill Kotzman, Doug Stallard Microsoft – Andy Rosen Netflix – Steven Kang , Nick Levin, Chris Fetner Redbox Instant – Joe Ambeault Rovi