CLASS I FS ED APPOINTMENTS

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CLASS i FS E D APPOINTMENTS S-U-C-C-E-S-S THE ALLNEW PERMANENT RATES! SmSesdy FIRST PLACEMENTS NOW Sam Goody,music retailer, part of has the immediate USA's largest 10% ACROSSBOARD THE opportunities for Ix NAME, REC/ADMINTEMP RATES ASST EXPERIENCED STORE MANAGEMENT fM- SALESPERSON £6,00 PH FULL TIME, PART TIME AND WP/ADMIN£7.00 PH SEC TEMPORARY SALES STAFF SENIOR£8.00 PH PA for its new store in the Glades Shopping SHORTHAND SECS sessCentre, retail Bromley. experience, Age 18+, youalthough must pos-not LV 071-493 1184 / ootrr£8.50 fORcn— PH necessarily in music. We offer a competi- fortive advancementsalary and outstanding for ambitious opportunities people. TO PLACE Send your CV to the address below, or AfMAD form.phone 071 384 2106 for an application CALL vINACLE RECORDS TMG UK Unlimited, Units 3&5 Quayside SAUL LondonLodge, SandsSW6 2SY. Wharf, Townmead Road, Tel: 071-620 3636 or FaxExt 071-401 5467 8035 BUSINESS TO BUSINESS Andys ARCADE /toge. 3 Promotion^- Records RECORDS- (UK) LTD EUROPE'S LEADING TV THE ONE STOP MERCHANDISER For all your Promotional products Experienced Retail Managers Due to expansion we are looking for a new From Concept, Artwork and Design, to With an exciting expansion programme for the secretary, based in our superb West End offices, WeProduction can handle and the Delivery whole orproject Distribution for you nineties Andys Records are looking for toa workperson for with our lop Group secretarial General skills Manager. & knowledge We need of intelligence and ambition linked with a strong grasp Wordperfect 5.1 constantwho can pressure. work within a team under In return for your expertise we offer unlimited scope, anding careera competitive prospects. salary and package and excellent Please apply in writing with full CV to: Pleaseto sendPersonnel: your up-to-dateArcade Record CV with UK siL Personnel Officer, Dept. M 58 Queen Anne St, W1M 9LA. Andys7 St Andrew'sRecords Street, Limited Bury St Edmunds, Suffolk IP33 1TZ PANTHER f W « f f rtl " s / C M " T Its § ERA SV3US5C Entertainment Research & Analysis Merchandise Range is produced iiusicweek wantto hear from . exclusively by CLASSIFIED ./"tagcS Promotlon-r ADVERTISING RATES FREELANCE NAPALM DEATH * MORBID ANGEL * TERRORIZER ' APPOINTMENTS: CARCASSGODFLESH * LAWNMOWER * ENTOMBED DETH * HELLBASTARD • NOCTURNUS • * £20 per single col centimetre Music BOLTTHROWER * MIGHTY FORCE * MASSACRE £12BUSINESS per single TO col BUSINESS: centimetre Researchers £10 perNOTICE single colBOARD centimetre Knowledge of DTP an ALL PRICES ARE EXCLUSIVE OF VAT advantage. GeneralWrite Manager, to: ERA, ./■togc.3 Promotion^- 245 Blackfriars Road, London SE1 9UR. /Togc.3 Intcrnotionol-, Tel: 071-620 3636. Fax: 071-401 8038 MUSIC WEEK 26 OCTOBER 1991 37 .

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1.
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Reconsidering Carnival in Heavy Metal Culture
HEAVY METAL HUMOR: CONSIDERING CARNIVAL IN HEAVY METAL CULTURE A Thesis by GARY BOTTS POWELL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Harris M. Berger Committee Members, Judith Hamera Patrick Burkart Jayson Beaster-Jones Head of Department, Claudia Nelson August 2013 Major Subject: Performance Studies Copyright 2013 Gary Botts Powell ABSTRACT What can 15th century France and heavy metal have in common? In Heavy Metal Humor, Gary Powell explores metal culture through the work of Mikael Bakhtin‘s “carnivalesque theory.” Describing the practice of inverting commonly understood notions of respectability and the increasing attempts to normalize them, Bakhtin argues that carnivals in Francois Rabelais’ work illustrate a sacrilegious uprising by the peasant classes during carnival days against dogmatic aristocrats. Powell asserts that Rabelais’ work describes cartoonish carnivals that continue in as exaggerated themes and tropes into other literary styles, such as comedy and horror that ultimately inform modern-day metal culture. To highlight the similarities of Bakhtin’s interpretation of Rabelais’ work to modern-day metal culture, Powell draw parallels to between Bakhtin’s carnivalesque theory and metal culture with two different, exemplary “humorous” metal performances, GWAR and Anal Cunt. Powell chooses “humorous” metal groups because, to achieve their humor, they exaggerate tropes, and behaviors in metal culture. To this end, Powell explores metal culture through GWAR, a costumed band who sprays their audience with fake body fluids as they decapitate effigies. He points out examples of Rabelais’ work which Bakhtin uses to describe carnivalesque tropes, and threads them to modern-day metal culture.
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NEW ORLEANS SCENE REPORT Here Is a Short List of Bands/Venues/Etc
Paranoize is a non-profit independent 7-1-19 publication based in New Orleans, Here’s the annual Creepy Fest issue! Fingers Louisiana covering metal, punk, hardcore, crossed that it gets back to me from the sludge, doom, stoner rock and pretty printer on time this year! much anything loud and noisy. Jenn Attaway is contributing again, and she Bands/labels are encouraged to send their did a killer interview with Mobile music in to review, but if we don’t like it, Alabama’s Vomit Spots (who have played you can bet that we’ll make fun of you. New Orleans a LOT over their 30 or so year lifespan!) and wrote a piece on Creepy Fest. Advertisements and donations are what keep this publication FREE. Go to www.paranoizenola.com or email There are also interviews with Trampoline [email protected] to find out Team and Pussyrot who are also playing how to donate or advertise. Creepy Fest this year. You may send all comments, questions, Check out the schedule and enjoy 5 letters, music for review (vinyl, cassette, NIGHTS OF PUNK, THRASH, SURF cd), ‘zines for trade, money, various AND MORE! household items, etc. to: Paranoize Thanks for picking this up! P.O. Box 2334 -Bobby Marrero, LA 70073-2334 USA P.S. I’ve also put out a ‘zine of cellphone pics and random memories called DUMB. If Visit Paranoize on the internet at: you’d like a copy, send a buck or a couple of www.paranoizenola.com stamps or a nice letter or if you do perzine, (order print issues, read .pdf files of back trade me! issues, listen to mp3s of 80’s/90’s New Orleans metal/punk/hardcore bands) paranoizenola.bandcamp.com (compilations and records that I’ve put out) www.facebook.com/paranoizenola (self explanatory) www.metaldevastationradio.com (Paranoize Radio.
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Various Grindcrusher - the Ultimate Earache Mp3, Flac, Wma
Various Grindcrusher - The Ultimate Earache mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Grindcrusher - The Ultimate Earache Country: UK Released: 1991 Style: Grindcore, Industrial, Death Metal, Punk, Techno, Hardcore MP3 version RAR size: 1281 mb FLAC version RAR size: 1721 mb WMA version RAR size: 1115 mb Rating: 4.6 Votes: 906 Other Formats: DMF TTA AAC XM MMF ASF MOD Tracklist A1 –Morbid Angel Chapel Of Ghouls A2 –Repulsion Radiation Sickness A3 –Carcass Exhume To Consume A4 –Godflesh Streetcleaner B1 –Terrorizer Dead Shall Rise B2 –Hellbastard Justly Executed B3 –Carnage Malignant Epitaph B4 –Naked City Osaka Bondage B5 –Filthy Christians Extremely Bad Breath B6 –O.L.D. Colostomy Grab-Bag B7 –Intense Degree Straight Jacket / I've Got A Cure B8 –Sore Throat Horrendify And Kill C1 –Napalm Death Malicious Intent C2 –Entombed But Life Goes On C3 –Nocturnus BC/AD C4 –Bolt Thrower World Eater D1 –Lawnmower Deth Satan's Trampoline D2 –Cadaver Petrified Faces D3 –Sweet Tooth Fat City D4 –Mighty Force Thrashing A Dead House D5 –Spazztic Blurr He Not A Home Me Marco D6 –Heresy Release D7 –Unseen Terror Divisions D8 –Napalm Death You Suffer Companies, etc. Distributed By – Revolver – MOSH 35 Notes Comes with a Press Sheet including tracklisting, credits, sales points, etc. Barcode and Other Identifiers Matrix / Runout: MPO MOSH 35 A1 NS Matrix / Runout: MPO MOSH 35 B1 Matrix / Runout: MPO MOSH 35 C1 Matrix / Runout: MPO MOSH 35 D1 Other versions Category Artist Title (Format) Label Category Country Year Grind Crusher
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Disposable Underground 36
Volume 15 Number 36 Championing the musically jaded for well over a decade FREE PMB #570, 21010 Southbank St, Sterling VA 20165-7227, USA • www.disposableunderground.com What Blue Collar War calls its assault on the metal and hardcore scene begins with the band’s war room in Northern Virginia. The guys have their opinions about not only the local music scene, but the musical landscape as a whole and economically struggling musicians within it. Here Blue Collar War collectively reads from its manifesto. Blue Collar War “Let’s get real: people in this scene are starving as is, working jobs, going to school, like myself, at George Mason University while working a thirty-three hour job on top of it all so I can graduate within the next year or so and get a real job. Being in a metal band isn’t a real job; it’s a real dream. It’s not realistic to think that you’ll make it in this dog eat dog world of commercial music. Being in a metal band and trying to make it big is like trying to win the lottery when you only buy one one dollar ticket per week.” For the young men in the band, the roots in metal go in relative terms far back. “I started listening to metal when I was in middle school. Say, ‘93, I got into AC/DC––Dirty Deeds Done Dirt Cheap forever changed my life ... I hung out with a group of friends from middle school on, and we had friends who were four years older or so than us who initially started taking us to shows to see bands like Gwar, the Misfits, Pro-Pain, [and the] Ozzfest.
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Tapes, Transgression and Mundanity: the Participatory Engenderment of Death Metal and Grindcore
Tapes, Transgression and Mundanity: the participatory engenderment of death metal and grindcore Steven Jones Pro gradu thesis University of Turku School of History, Culture and Arts Studies Master's Degree Pathway in Popular Culture Studies (Musicology) May 2016 The originality of this thesis has been checked in accordance with the University of Turku quality assurance system using the Turnitin OriginalityCheck service. THE UNIVERSITY OF TURKU School of History, Culture and Arts Studies JONES, STEVEN: Tapes, Transgression and Mundanity: the participatory engenderment of death metal and grindcore Master's thesis, 110 p., 6 appendix pages. Master's Degree Pathway in Popular Culture Studies (Musicology) May 2016 ABSTRACT Since its origins in the early 1980s, the popular rise of extreme metal throughout the globe has been phenomenal. The emergence of extreme metal's most sonically transgressive subgenres of death metal and grindcore between the mid 1980s and the early 1990s, however, was not an easy one. Indeed, during this period, the only way for globally dispersed extreme metal fans and unsigned extreme metal bands to stay musically connected was via the underground practice of tape-trading. The aim of this study is to illuminate the impact of tape-trading upon the global spread of extreme metal. The study will situate the historical context of extreme metal tape- trading by exploring how it emerged, and why it was necessary in the first place. Utilising the concept of 'extreme metal scene', the study will focus on the central scenic discourse of transgression and explore how this was negotiated into the mundane scenic practice of tape-trading.
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Keywords in Heavy Metal Lyrics a Data-Driven Corpus Study Into the Lyrics of Five Heavy Metal Subgenres
UNIVERSITY OF HELSINKI Keywords in heavy metal lyrics A Data-Driven Corpus Study into the Lyrics of Five Heavy Metal Subgenres Jesse Taina Pro gradu English Philology Department of Modern Languages University of Helsinki April 2014 1 Tiedekunta/Osasto Fakultet/Sektion – Faculty Laitos/Institution– Department Humanistinen tiedekunta Nykykielten laitos Tekijä/Författare – Author Jesse Taina Työn nimi / Arbetets titel – Title Keywords in Heavy Metal Lyrics: A Data-Driven Corpus Study into the Lyrics of Five Heavy Metal Subgenres Oppiaine /Läroämne – Subject Englantilainen filologia Työn laji/Arbetets art – Level Aika/Datum – Month and year Sivumäärä/ Sidoantal – Number of pages Pro Gradu - tutkielma 04 / 2014 89 s. + 2 liitettä Tiivistelmä/Referat – Abstract Heavy metal -musiikkia on akateemisessa maailmassa tutkittu vain vähän. Tutkimuksen kohteena on yleensä ollut heavy metal genrenä tai kulttuurisena ilmiönä. Ne harvat tutkimukset, jotka ovat keskittyneet heavy metal -kappaleiden sanoituksiin, ovat useimmiten ottaneet lähtökohdakseen kvalitatiivisen metodin. Tämä tutkimus hyödyntää kvantitatiivisia menetelmiä. Tutkimuksen lähtökohtana on tutkia heavy metal -kappaleiden sanoituksia tilastollisesti korpuslingvistisiä metodeita hyödyntäen. Menetelmistä tärkein on avainsanametodi, jonka avulla teksteistä voi tunnistaa tilastollisesti usein esiintyviä sanoja. Tutkimusta varten koottiin pienikokoinen korpus (METAL corpus), joka kostuu 200 tekstistä. Korpus on jaettu viiteen 40 tekstistä koostuvaan osakorpukseen, joista kukin edustaa yhtä tutkittavaa
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07/08/2019 This Catalogue Cancels And
www.endofsilence.net This catalogue cancels and replaces any previous catalogue 07/08/2019 Questo catalogo annulla e sostituisce i cataloghi in data precedente CD/CD Used & Rarities/LP/10"/7" CD 1917 (Argentina) - Vision - CD € 4,90 ABHORER - Cenotaphical Tri-Memoriumyths (Digipack CD) - CD € 9,90 ABOMINANT - Onward To Annihilation (Digipack CD) - CD € 9,90 ABORYM - Generator - CD - € 9,90 ABORYM - Psychogrotesque - CD - € 9,90 Abrasive - Awakening of lust - CD € 6,90 Absolute Defiance - Systematic terror decimation - CD € 4,90 Abysmal Grief - Feretri - CD € 9,90 Abysmal Grief - Strange Rites Of Evil - CD € 9,90 ABYSSUS - Into the Abyss - CD - € 9,90 AC/DC - Stiff upper lip - CD € 7,90 ACCEPT - Metal heart - CD - € 9,90 Acheron - Kult Des Hasses - CD - € 7,90 ACROSTICHON - Engraved in Black - CD - € 9,90 Aengeldust - Freakshow - CD - € 11,90 After the Massacre - A Future Discarded To The Bonepits - CD € 6,90 Agathocles - Cliche/Pressure - CD € 6,90 Agathocles - Peel Session 1997 - CD € 6,90 Agathocles / Cannibe - Reduced To An Object / Natural Disasters From Dead Bodies - € 7,90 CD Agathocles / Depression - split cd - CD € 7,90 Agathocles / Gale - Slaughter Business - CD € 6,90 Agathocles / Ruido Genital - split cd - CD € 4,90 www.endofsilence.net www.endofsilence.net [email protected] WhatsApp/Telegram/SMS: +39 3518979595 07/08/2019 www.endofsilence.net This catalogue cancels and replaces any previous catalogue 07/08/2019 Questo catalogo annulla e sostituisce i cataloghi in data precedente Agoraphobic Nosebleed - Arc - CD - € 9,90 ALDEBARAN - ?From Forgotten Tombs I & II - CD - € 9,90 Aldo Nova - Aldo Nova - CD - € 14,90 Algol / Shroud Of Despondency - split cd - CD € 4,90 Alkoholizer - Free Beer..
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Discography of Fred Frith
DISCOGRAPHY OF FRED FRITH This is the sixth version of the discography of Fred Frith. It includes many corrections and a few additions. Following items are: • discography, • records (co)produced by Fred Frith, • bootlegs, • records with samples of Frith's music, • Rift catalogue. Again, we would really appreciate any comments, corrections and extra infor- mations which could improve the quality of this discography. Specially, if people could send us information/correction on: • missing records and tapes, • wrong references (on dates, musicians, etc), • extra references (for vinyl, CD, or different pressings); for example, we are still looking for informations on the following records: • SKELETON CREW: Skeleton Crew (1982 - no label (CT)) • LIVE, WURZBURG, 10/82: Skeleton Crew (1984 - Recommended (SW), ??? (CT)) • WONDERFUL LIFE: Chris Stamey (1994 - East Side Digital, ESD 80682 (CD)) • SIEBZEHNMAL: Michaela Dietl (1998 - Gema (???), ??? (CD)) Patrice Roussel ([email protected]), Stephane Vuilleumier ([email protected]), Michel Ramond ([email protected]). --------------------------------- | DISCOGRAPHY OF FRED FRITH | | January 2000 | |-------------------------------| | by Patrice Roussel | | ([email protected]) | | 2034 NE 37th Ave. | | Portland, OR 97212 (USA) | | Stephane Vuilleumier | | ([email protected]) | | Rosengartenstr. 68 | | CH-8037 Zurich (Switzerland) | | and Michel Ramond | | ([email protected]) | --------------------------------- ----------------------------------------------------------------------
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Le Spese Di Spedizione Per L'italia Sono a Tariffa Unica Con Corriere
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