Sicily and the Aeolian Islands with Optional 5-Day Malta Extension
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Tour of Sicily Palermo / Palermo 2021 10 Days / 9 Nights Regular Departures Every Tuesday
Tour of Sicily Palermo / Palermo 2021 10 days / 9 nights Regular departures every Tuesday Day 1 - Tuesday: PALERMO (hotel in Palermo) Arrive independently to the hotel in the charming city of Palermo (optional private transfer on request). In the evening you will meet our tour-leader and your travel companions and enjoy a welcome dinner. Overnight in hotel. Day 2 - Wednesday: MONREALE - PALERMO (hotel in Palermo) After breakfast in hotel, the morning will be spent visiting Monreale, its huge Norman Cathedral, proclaimed the Eighth Wonder of the World, and its splendid Cloister in Arab-Norman style: admirable masterpiece of art, sculpture, and semi-precious stones marquetry! Later you will discover the stunning Palermo, one of the richest towns in the island for its history and art. Palermo stands on a bay dominated by Mount Pellegrino, a headland described by Goethe as the loveliest he had ever seen. While the Baroque predominates, there is a profusion of different architectural styles reflecting the city’s multicultural past: Punic walls, Art Nouveau villas, noble residences, 17th century squares, including an elegant opera house. Visit of the wonderful eclectic Cathedral, the astonishing Martorana Church and the amazing Cappella Palatina, admirable example from an historical and an artistic point of view, and a prove of how different cultures, religions and way of thinking apparently incompatible can coexist. Ruggero II employed Bizantyne, Muslim and Latin workers. During the day, you will have a stop for a surprise to taste the local street food in the famous Antica Focacceria San Francesco. Free time for lunch. Along the path you will admire the famous Teatro Massimo and the debated fountain in Pretoria Square, situated in the ancient Kalsa area and adorned with 16th century sculptures. -
Discover Enchanting Sicily… 12 Days a Land of Contrasts
DISCOVER ENCHANTING SICILY… 12 DAYS A LAND OF CONTRASTS SMALL GROUP TOUR DISCOVER THE MAGIC OF SICILY: A LAND OF CONTRASTS A wonderful journey to discover the beauty of Sicily travelling from west to east, through the magical interior of this paradise island. Travel to Sicily with its idyllic climate, its archaeology treasures, dramatic vistas and hearty cuisine that embodies all things Sicilian. Extravagant scenic beauty, a multicultural crossroads with a history that dates back to 3,000 years, an exuberant and richly layered culture and a tradition of food and wine that is celebrated the world over…all converge here in sunny Sicily!. On this small group journey, you’ll delve into one of the most fascinating and coveted regions in Italy. Stare face to face with some of the world’s best Byzantine mosaics in the cathedral of Monreale – a literal Bible in gold. Sit in Taormina’s Greek theatre looking out at still-smouldering Mt. Etna and you can’t help but feel Goosebumps. Marvel at the rich archaeological ruins of Siracusa dating to the 5Th century BC. Explore the brilliant Roman floor mosaics in the Villa del Casale. Enjoy an Italia evening Opera in Taormina and more. The Greek influence is particularly strong in the south of Italy – we’ll see better preserved temples here than in Greece itself! Sicily has some of Italy’s best beaches and on this tour we make sure that you’ll have time to enjoy them. The cuisine of Sicily varies from one province to the next as do the wines. -
Photo Ragusa
foto Municipalities (link 3) Modica Modica [ˈmɔːdika] (Sicilian: Muòrica, Greek: Μότουκα, Motouka, Latin: Mutyca or Motyca) is a city and comune of 54.456 inhabitants in the Province of Ragusa, Sicily, southern Italy. The city is situated in the Hyblaean Mountains. Modica has neolithic origins and it represents the historical capital of the area which today almost corresponds to the Province of Ragusa. Until the 19th century it was the capital of a County that exercised such a wide political, economical and cultural influence to be counted among the most powerful feuds of the Mezzogiorno. Rebuilt following the devastating earthquake of 1693, its architecture has been recognised as providing outstanding testimony to the exuberant genius and final flowering of Baroque art in Europe and, along with other towns in the Val di Noto, is part of UNESCO Heritage Sites in Italy. Saint George’s Church in Modica Historical chocolate’s art in Modica The Cioccolato di Modica ("Chocolate of Modica", also known as cioccolata modicana) is an Italian P.G.I. specialty chocolate,[1] typical of the municipality of Modica in Sicily, characterized by an ancient and original recipe using manual grinding (rather than conching) which gives the chocolate a peculiar grainy texture and aromatic flavor.[2][3][4] The specialty, inspired by the Aztec original recipe for Xocolatl, was introduced in the County of Modica by the Spaniards, during their domination in southern Italy.[5][6] Since 2009 a festival named "Chocobarocco" is held every year in the city. Late Baroque Towns of the Val di Noto (South-Eastern Sicily) The eight towns in south-eastern Sicily: Caltagirone, Militello Val di Catania, Catania, Modica, Noto, Palazzolo, Ragusa and Scicli, were all rebuilt after 1693 on or beside towns existing at the time of the earthquake which took place in that year. -
Sicily, Malta & Aeolian Islands
SICILY, MALTA & THE AEOLIAN ISLANDS 15 CAPTIVATING DAYS | P ALERMO TO VALLETTA Stay on 4 incredible Mediterranean islands - Lipari, in the gorgeous Aeolian islands, pretty Ortigia Island by Syracuse, Sicily and sensational Malta. Cruise to whitewashed Panarea, Vulcano island with its hot sulphur mud baths, and Stromboli to witness the volcano’s fiery eruptions against the night sky. Stroll through the baroque heart of delightful Noto, Ragusa Ibla and Scicli, and enjoy a special ‘Modica Experience’ evening. In Malta, stay four nights in beautiful Valletta, visit Gozo, the Blue Grotto and 5,000-year-old stone temples. Enjoy lazy lunches and dinners on seaside terraces, in classic restaurants and unusual locations in the Sicilian countryside. Utterly amazing! TOUR INCLUSIONS ALL excursions, scenic drives, sightseeing and entrances as described Fully escorted by our experienced Tour Manager Travel in first-class air-conditioned coaches for touring, transfers and sightseeing 14 nights specially selected hotel accommodation Hotel porterage (1 bag per person) 23 Meals – including breakfast daily, 3 lunches and 6 dinners Tea, coffee and a complimentary beverage with all included dinners Hand Selected Albatross Experiences - Aeolian Islands cruise to Panarea and Stromboli, visit to Vulcano island, Malta Two Harbour boat cruise, visits St John’s Co-Cathedral and the Malta Experience, day trip to Gozo, the Ħaġar Qim and Mnajdra stone temples, Blue Grotto boat ride. Local guides as described in the itinerary ALL tips to your Tour Manager, Driver and Local Guides Personal audio system whilst on tour Free WiFi on most coaches and at hotels Add a subheading THE ALBATROSS DIFFERENCE Leisurely 2, 3 and 4 night stays Small group sizes - from just 10 to 28 Genuinely inclusive, NO extra 'on tour' costs Stay in traditional style hotels in superb locations Easier days with 'My Time' guaranteed! MESSAGE FROM THE MO: WANDERLUST… “To have seen Italy without having seen Sicily is not to have seen Italy at all,” said German writer Goethe in 1787. -
Adriatic Odyssey
confluence of historic cultures. Under the billowing sails of this luxurious classical archaeologist who is a curator of Greek and Roman art at The Metropolitan Museum of Art. Starting in the lustrous canals of Venice, journey to Ravenna, former capital of the Western Roman Empire, to admire the 5th- and 6th-century mosaics of its early Christian churches and the elegant Mausoleum of Galla Placidia. Across the Adriatic in the former Roman province of Dalmatia, call at Split, Croatia, to explore the ruined 4th-century palace of the emperor Diocletian. Sail to the stunning walled city of Dubrovnik, where a highlight will be an exclusive concert in a 16th-century palace. Spartan town of Taranto, home to the exceptional National Archaeological Museum. Nearby, in the UNESCO World Heritage Site of Alberobello, discover hundreds of dome-shaped limestone dwellings called Spend a delightful day at sea and call in Reggio Calabria, where you will behold the 5th-century-B.C. , heroic nude statues of Greek warriors found in the sea nearly 50 years ago. After cruising the Strait of Messina, conclude in Palermo, Sicily, where you can stroll amid its UNESCO-listed Arab-Norman architecture on an optional postlude. On previous Adriatic tours aboard , cabins filled beautiful, richly historic coastlines. At the time of publication, the world Scott Gerloff for real-time information on how we’re working to keep you safe and healthy. You’re invited to savor the pleasures of Sicily by extending your exciting Adriatic Odyssey you can also join the following voyage, “ ” from September 24 to October 2, 2021, and receive $2,500 Venice to Palermo Aboard Sea Cloud II per person off the combined fare for the two trips. -
Antonello Da Messina's Dead Christ Supported by Angels in the Prado
1 David Freedberg The Necessity of Emotion: Antonello da Messina’s Dead Christ supported by Angels in the Prado* To look at Antonello da Messina’s painting of the Virgin in Palermo (fig. 1) is to ask three questions (at least): Is this the Virgin Annunciate, the Immaculate Mother of God about to receive the message that she will bear the Son of God? Or is it a portrait, perhaps even of someone we know or might know? Does it matter? No. What matters is that we respond to her as if she were human, not divine or transcendental—someone we might know, even in the best of our dreams. What matters is that she almost instantly engages our attention, that her hand seems to stop us in our passage, that we are drawn to her beautiful and mysterious face, that we recognize her as someone whose feelings we feel we might understand, someone whose emotional state is accessible to us. Immediately, upon first sight of her, we are involved in her; swiftly we notice the shadow across her left forehead and eye, and across the right half of her face, the slight turn of the mouth, sensual yet quizzical at the same time.1 What does all this portend? She has been reading; her hand is shown in the very act of being raised, as if she were asking for a pause, reflecting, no doubt on what she has just seen. There is no question about the degree of art invested in this holy image; but even before we think about the art in the picture, what matters is that we are involved in it, by * Originally given as a lecture sponsored by the Fondación Amigos Museo del Prado at the Museo del Prado on January 10, 2017, and published as “Necesidad de la emoción: El Cristo muerto sostenido por un ángel de Antonello de Messina,” in Los tesoros ocultos del Museo del Prado, Madrid: Fundación Amigos del Museo del Prado; Crítica/Círculo de Lectores, 2017, 123-150. -
Sicily and the Aeolian Islands
JEWELS OF THE MEDITERRANEAN SICILY AND THE AEOLIAN ISLANDS MAY 19 – JUNE 4, 2017 TOUR LEADER: MICHAEL TURNER Jewels of the Overview Mediterranean Sicily’s history and culture is a unique meld of Mediterranean civilizations, Sicily and the encompassing ancient Phoenician, Greek and Roman periods, as well as more recent Byzantine, Arab, Norman and Spanish inhabitation. The Aeolian islands setting for this long and distinctive history is unmatched – the towering Tour dates: May 19 - June 4, 2017 volcano of Mount Etna which dominates the east coast, rich rolling hillsides in the interior and rugged limestone cliffs along the coast. Tour leader: Michael Turner The nearby Aeolian – or ‘windy’ – Islands, celebrated in the writing of Tour Price: $8,420 pp, twin share (land only) Homer, retain much of the character of the ancient Mediterranean. They are an ideal travel destination for those interested in the broad span of Single Supplement: $1,500 for sole use of Mediterranean history and culture and inspired by majestic scenery. double room This 17-day journey has been carefully designed to showcase the main Booking deposit: $500 per person attractions of the islands – Greek temples, Norman/Byzantine mosaics and Arab architecture – but also to take you to some of the lesser-known Recommended airline: Emirates but equally impressive towns and natural features of the islands, such as the Baroque architecture of the island’s south east and the volcanic island Maximum places: 20 of Stromboli. Itinerary: Siracusa (4 nights), Agrigento (2 The itinerary progresses in a broadly historical sequence, commencing nights), Palermo (4 nights), Lipari (3 nights), with the major Greek sites of Siracusa, Agrigento and Selinunte, before Taormina (3 nights) moving on to the predominantly Arab and Norman world of Palermo and the north coast. -
Fra Tardogotico E Rinascimento: Messina Tra Sicilia E Il Continente
Artigrama, núm. 23, 2008, 301-326 — I.S.S.N.: 0213-1498 Fra Tardogotico e Rinascimento: Messina tra Sicilia e il continente FULVIA SCADUTO* Resumen L’architettura prodotta in ambito messinese fra Quattro e Cinquecento si è spesso prestata ad una valutazione di estraneità rispetto al contesto isolano. L’idea che Messina sia la città più toscana e rinascimentale del sud va probabilmente mitigata: i terremoti che hanno col- pito in modo devastante Messina e la Sicilia orientale hanno probabilmente sottratto numerose prove di una prolungata permanenza del gotico in quest’area condizionando inevitabilmente la lettura degli storici. Bisogna aggiungere che i palazzi di Taormina risultano erroneamente retrodatati e legati al primo Quattrocento. In realtà in questi episodi (ed altri, come quelli di palazzi di Cosenza) il linguaggio tardogotico si manifesta tra Sicilia e Calabria come un feno- meno vitale che si protrae almeno fino ai primi decenni del XVI secolo ed è riscontrabile in mol- teplici fabbriche che la storia ci ha consegnato in resti o frammenti di resti. Il rinascimento si affaccia nel nord est della Sicilia con l’opera di scultori che usano il marmo bianco di Carrara (attivi soprattutto a Messina e Catania) e che sono impegnati nella realizzazione di monumenti, altari, cappelle, portali ecc. Da questo punto di vista Messina segue una parabola analoga a quella di Palermo dove l’architettura tardogotica convive con la scultura rinascimentale. L’influenza del classicismo del marmo, della tradizione tardogotica e il dibattito che si innesca nel duomo di Messina, un cantiere che si andava completando ancora nel corso del primo Cinquecento, sembrano generare nei centri della provincia una serie di sin- golari episodi in cui viene sperimentata la possibilità di contaminazione e ibridazione (portali di Tortorici, Mirto, Mistretta ecc.). -
Unmasking Noto: the Baroque of Reconciliation
Unmasking Noto: The Baroque of Reconciliation LUCA SCARFI Impersonal forces do not transform human settlements. Or at least they do so only on rare occa- sions, and these are natural disasters: fire, flood, earthquake, and pestilence. Otherwise, the modi- fication of settlement is a human act, however complex, accomplished for human motives, however obscure or ineffective. —Kevin Lynch On January 11, 1693, a violent earthquake hit the eastern coast of Sicily. The physical destructions of the region's urban centers precipitated the disintegration of the social, economic, and cultural structures they housed. The walled town of Noto was the most widely devastated.' A little over two centuries later, in 2002, UNESCO se- lected Noto along with seven other towns in the Val di Noto region for protection as "World Heritage Sites." As the UNESCO report specified, this "group of towns in south-eastern Sicily" met four criteria all of which were aesthetic in substance, and provided "outstanding testimony to the exuberant genius of late Baroque art and ar- chitecture."' The reasons underlying UNESCO's decision related in particular to the exceptional richness of late Baroque architectural detail found in Noto's ecclesiastical and secular buildings as well as to a unique urban con- figuration, which is inextricably linked to the architectural and natural surroundings. The process of selection was furthermore expedited in Noto's case because of the collapse of the dome and roof of the cathedral's central nave, which left the structure—a jewel of the Italian cultural patrimony— especially "endangered." The tragedy, which could and should have been avoided, was the result of technical, political, and organizational failures that occurred prior to UNESCO's selection, when the problems that led to the collapse were ignored and so took their own course. -
Presentazione Di Powerpoint
2nd International Conference of Evidence-Based Health Care Teachers & Developers Sign posting the future in EBHC Utveggio Castle, Palermo (Italy) - September 10-14, 2003 Benvenuti in Sicilia © 1996-2003 - GIMBE The power of Internet Evidence-Based Health Discussion List Subject: conference on teaching ebm/ websites/ sources of materials/ collaboration/ & CATs (or Pearls) From: Martin Dawes ([email protected]) Date: 22 May 2000 - 11:28 BST © 1996-2003 - GIMBE • Some time ago I invited comments about such a meeting. • I received 21 replies all of whom were positive - with some helpful suggestions. • How long was agreed at 2-3 days. • Some interesting ideas: - developing methods to evaluate teaching performance - developing criteria to evaluate effectiveness of workshops • I suggest March 2001 is about practical • I have the e-mails of the people who responded initially and I will approach them to make up an organising committee - anyone else who wants to help Please take one step forward Martin Dawes © 1996-2003 - GIMBE Where ? The question of where was determined by the origin of the sender © 1996-2003 - GIMBE At the time my proposal was… Possibly in Europe, ideally in Italy, it would be fantastic in Sicily! © 1996-2003 - GIMBE What is Evidence-based Medicine? • Paradigm • Reference • Dogma • Neologism • Philosophy • New orthodoxy •… © 1996-2003 - GIMBE Guyatt GH Evidence-based Medicine ACP Journal Club 1991;Mar-Apr:A-16 © 1996-2003 - GIMBE September 2001.Ten years later EBM was the occasion for the irresistible wish -
INVITATION to SICILY: the Never Ending Journey
Boutique B&B LA FORESTERIA INVITATION TO SICILY: the never ending journey Dolce & Gabbana Sicily…. a plural reality: one, no one or a hundred thousand? As white as salt, as yellow as sulphur, as green as carob tree, as blue as sea, as dark as the lava… Aristocratic and composed in Palermo, bourgeois and frantic in Catania, terricolous and reflective in the province… At one time sleepy and traditional, dynamic and creative. Age old like Tholos of Montalbano Elicona and brand-new like the cyclopean sculptures of Fiumara d’Arte. How many Sicilies actually exist? Ten, a hundred, one thousand or, in a Pirandello way, no one? Gesualdo Bufalino devises a possible definition: “the island in the plural”, capable of portraying Sicily of diversity, of dichotomy, of extremity. It is here that much of ancient history, perhaps history world, occurred. Here in the heart of Mediterranean is where flourishing but ephemeral civilisations crossed and clashed. Our invitation to Sicily is to discover the many faces of the island-of-the-islands or the island-not island, or the island-nation or finally the island-universe. Therefore, our invitation is to discover …. … 1000 kilometres of coastline: now very white and dazzling cliffs, such as the “Scala dei Turchi”, then intimate coves, sometimes refuges for turtles, such as Calamosche; now black cliffs, such as those at the foot of Mount Etna, then sandy beaches such as beaches of Ragusa, S. Vito, Catania or Portorosa … volcanoes, those hyperactive such as Mount Etna and Stromboli and the dormant ones, such as Vulcano and so many others … an endless archaeological heritage, at least 100 sites: 40% of national heritage and 10% of mondial heritage … extraordinary historic city centres of the baroque cities, largely UNESCO sites, such as Catania, Noto, Ortigia, Ibla, Trapani and many others, often animated by a lively nightlife … the parks of Etna, of the Madonie, of the Nebrodi and the many nature reserves such as the Simeto, Pantalica, Vendicari, Zingaro, Ciane or Anapo ones. -
WRITING ABOUT EARLY RENAISSANCE WORKS of ART in VENICE and FLORENCE (1550-1800) Laura-Maria
BETWEEN TASTE AND HISTORIOGRAPHY: WRITING ABOUT EARLY RENAISSANCE WORKS OF ART IN VENICE AND FLORENCE (1550-1800) Laura-Maria Popoviciu A dissertation submitted in fulfillment of the requirements for the degree of Doctor of Philosophy in Combined Historical Studies The Warburg Institute University of London 2014 1 I declare that the work presented in this thesis is my own _______________________________ Laura-Maria Popoviciu 2 ABSTRACT My dissertation is an investigation of how early Renaissance paintings from Venice and Florence were discussed and appraised by authors and collectors writing in these cities between 1550 and 1800. The variety of source material I have consulted has enabled me to assess and to compare the different paths pursued by Venetian and Florentine writers, the type of question they addressed in their analyses of early works of art and, most importantly, their approaches to the re-evaluation of the art of the past. Among the types of writing on art I explore are guidebooks, biographies of artists, didactic poems, artistic dialogues, dictionaries and letters, paying particular attention in these different genres to passages about artists from Guariento to Giorgione in Venice and from Cimabue to Raphael in Florence. By focusing, within this framework, on primary sources and documents, as well as on the influence of art historical literature on the activity of collecting illustrated by the cases of the Venetian Giovanni Maria Sasso and the Florentine Francesco Maria Niccolò Gabburri, I show that two principal approaches to writing about the past emerged during this period: the first, adopted by many Venetian authors, involved the aesthetic evaluation of early Renaissance works of art, often in comparison to later developments; the second, more frequent among Florentine writers, tended to document these works and place them in their historical context, without necessarily making artistic judgements about them.