VOLUME 99 WINTER 2014/15 Charles Rennie Mackintosh Society
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WC-20-04-20-DT-Mackintosh-Slides.Pdf
Aim • I can say who Charles Rennie Mackintosh was and give some information about his work. Success Criteria • StatementI can respond 1 Lorem to the ipsum work dolorof artists sit amet, and designers consectetur by adipiscingdiscussing elit.my thoughts and feelings. • Statement 2 • Sub statement Charles Rennie Mackintosh Charles Rennie Mackintosh was born in Glasgow on 7th June 1868. Charles became an apprentice architect for a company in Glasgow. He enrolled in evening classes at Glasgow School of Art in the 1890s. His talent grew and he won prizes for his work, including an award that allowed him to take a tour of Italy to study the architecture. Charles also met three friends at the School of Art. The group became known as ‘The Four’. They were Charles, James Herbert McNair, and the sisters; Margaret and Frances Macdonald. They produced new art and designs which became known as the ‘Glasgow Style’. In 1899 McNair and Frances Macdonald married. Charles married Margaret Macdonald the following year. Charles Rennie Mackintosh As well as architecture, Mackintosh designed furniture and produced other art work such as posters and water colours. In Fairyland, Watercolour, Scottish Musical Review, Poster The Room de Luxe at The Willow Tearooms, Glasgow 1897 1896 Designed 1903 Photos granted under creative commons licence, wikimedia - attribution Charles Rennie Mackintosh In 1896 he was asked to design a new building for the Glasgow School of Art. He designed Glasgow’s Queen’s Cross Church and the Scotland Street School. Mackintosh also designed two large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh. -
The Architecture of Sir Ernest George and His Partners, C. 1860-1922
The Architecture of Sir Ernest George and His Partners, C. 1860-1922 Volume II Hilary Joyce Grainger Submitted in fulfilment of the requirements for the degree of Ph. D. The University of Leeds Department of Fine Art January 1985 TABLE OF CONTENTS Notes to Chapters 1- 10 432 Bibliography 487 Catalogue of Executed Works 513 432 Notes to the Text Preface 1 Joseph William Gleeson-White, 'Revival of English Domestic Architecture III: The Work of Mr Ernest George', The Studio, 1896 pp. 147-58; 'The Revival of English Domestic Architecture IV: The Work of Mr Ernest George', The Studio, 1896 pp. 27-33 and 'The Revival of English Domestic Architecture V: The Work of Messrs George and Peto', The Studio, 1896 pp. 204-15. 2 Immediately after the dissolution of partnership with Harold Peto on 31 October 1892, George entered partnership with Alfred Yeates, and so at the time of Gleeson-White's articles, the partnership was only four years old. 3 Gleeson-White, 'The Revival of English Architecture III', op. cit., p. 147. 4 Ibid. 5 Sir ReginaldýBlomfield, Richard Norman Shaw, RA, Architect, 1831-1912: A Study (London, 1940). 6 Andrew Saint, Richard Norman Shaw (London, 1976). 7 Harold Faulkner, 'The Creator of 'Modern Queen Anne': The Architecture of Norman Shaw', Country Life, 15 March 1941 pp. 232-35, p. 232. 8 Saint, op. cit., p. 274. 9 Hermann Muthesius, Das Englische Haus (Berlin 1904-05), 3 vols. 10 Hermann Muthesius, Die Englische Bankunst Der Gerenwart (Leipzig. 1900). 11 Hermann Muthesius, The English House, edited by Dennis Sharp, translated by Janet Seligman London, 1979) p. -
Critical Values: the Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It Is a Great Pleasure to Be Back
Keynote Speech Strand 4 Critical Values: The Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It is a great pleasure to be back in Barcelona for this exciting Congress. I am grateful to the organisers, in particular Lluis Bosch and Mireia Freixa, for the invitation to speak to you today on Mackintosh, and to all those whose hard work has delivered such a successful and stimulating event. The strand this afternoon is research, specifically research in progress. This session invites us to reflect, for a moment, on critical values and critical fortunes. How are reputations and understandings formed? What value systems are they based on? How do they shift, and why? What are the future directions for us as curators, scholars, teachers? What I aim to present briefly today is threefold: an overview of the critical literature and research surrounding the career of Charles Rennie Mackintosh from around 1900 to 2015 (Fig. 1) – in the hope that this case study will provide some parallels with your individual experiences as researchers, whether working with male and/or female subjects; some reflections on the recently launched Mackintosh Architecture research website; and finally some general remarks on future directions for research. What emerges is the significance of context and individuals; the catalyst of curators and exhibitions; the gradual transference of Mackintosh's artistic legacy into the public domain; and, for Mackintosh at least, the central role of one institution, the University of Glasgow. In 1996, Alan Crawford divided Mackintosh's 'life after death' into three phases which comprised Mackintosh and the Architects, the Enthusiasts, and the Market.1 The trajectory of the scholarly presentation of Mackintosh’s work can, I believe, be divided into five broad phases, though of course at times these overlap: 1. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Contemporary & Post-War Art (474) Lot
Contemporary & Post-War Art (474) Thu, 18th Aug 2016, Edinburgh Lot 132 Estimate: £3000 - £5000 + Fees § ALEXANDER GOUDIE R.P., R.G.I. (SCOTTISH 1933- 2004) ROYAL OPERA HOUSE Signed, oil on canvas 48cm x 86cm (19in x 34in) Note: 'I have always lived through my art and in a sense to really taste life to the full I am obliged to put a line around it. Since early childhood this has been my lot, everything which excited my imagination had to be set down in pictorial terms, a magic world where a different language helps explore and explain as well as heighten the experience of living.' And so Alexander Goudie outlines his understanding of art, as an all-pervasive force that allowed him to fully engage in life and all that it had to offer. It is no surprise, then, that Goudie painted across genres, found inspiration in music and literature as well as visual experience, was keen to collaborate on projects in different spheres, and remained a dedicated dandy. After training at Glasgow School of Art, he spent time travelling in Europe on a scholarship, where he encountered art that inspired him, as well as being to his taste, by artists like Rodin and Courbet. He liked to see, and attempt, mastery in painting but in a more conventional way; remaining uninspired by 20th century artistic movements, such as cubism or futurism. He has been described as 'an old- fashioned painter,' and for a man who felt that his job as an artist was 'to simply to tell a story in pictures and to speak with a clear voice,' presumably this was a compliment. -
Discoverscotland's Most Influential
1–31 OCT 2016 www.glasgowmackintosh.com Discover Scotland’s most influential creative figure A Charles Rennie Mackintosh The Mackintosh Festival is organised 1868–1928. by members of Glasgow Mackintosh: Architect. Artist. Designer. Icon. Kelvingrove Art Gallery & Museum The work of the Scottish architect, designer Scotland Street School Museum and artist, Charles Rennie Mackintosh is today The Glasgow School of Art celebrated internationally. Mackintosh was one Charles Rennie Mackintosh Society of the most sophisticated exponents of the House for An Art Lover theory of the room as a work of art, and created The Hunterian distinctive furniture of great formal elegance. In The Hill House Glasgow, you will see the finest examples of his The Lighthouse buildings and interiors and examples of his creative The Glasgow Art Club collaborations with his wife, the accomplished Glasgow Museums Resource Centre (GMRC) artist and designer Margaret Macdonald. Mackintosh Queen’s Cross Special thanks to our partners: GBPT Doors Open Day Glasgow Women’s Library The Willow Tea Rooms The Glad Café Glasgow City Marketing Bureau Glasgow Restaurateurs Association Welcome to the fifth Mackintosh Festival Glasgow Mackintosh is delighted to present another month-long programme of over 40 arts and cultural events to celebrate the life of Charles Rennie Mackintosh, Glasgow’s most famous architect, designer and artist. This year we are celebrating House – where you can celebrate installation of Kathy Hinde’s the 2016 Year of Innovation, their 20th birthday with kids -
The Arts and Crafts Movement: Exchanges Between Greece and Britain (1876-1930)
The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) M.Phil thesis Mary Greensted University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Contents Introduction 1 1. The Arts and Crafts Movement: from Britain to continental 11 Europe 2. Arts and Crafts travels to Greece 27 3 Byzantine architecture and two British Arts and Crafts 45 architects in Greece 4. Byzantine influence in the architectural and design work 69 of Barnsley and Schultz 5. Collections of Greek embroideries in England and their 102 impact on the British Arts and Crafts Movement 6. Craft workshops in Greece, 1880-1930 125 Conclusion 146 Bibliography 153 Acknowledgements 162 The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) Introduction As a museum curator I have been involved in research around the Arts and Crafts Movement for exhibitions and publications since 1976. I have become both aware of and interested in the links between the Movement and Greece and have relished the opportunity to research these in more depth. It has not been possible to undertake a complete survey of Arts and Crafts activity in Greece in this thesis due to both limitations of time and word constraints. -
The Glasgow Academy WW1 Roll of Honour
The Glasgow Academy WW1 Roll of Honour From the onset of the First World War in 1914 until 1918, the Glasgow Academy suffered a great many losses during the conflict. In fact, it is believed there was a higher number of losses incurred when compared to other independent schools of the time. The following is a list of the former pupils who were casualties and as far as we have been able to, includes information and photographs to tell the stories of these men. In some case, we have little or no information about some of these individuals, so please get in touch if you have anything which could help us fill in the gaps and help us tell their stories. Email: [email protected] 1 Lt William M Alexander Biography Remembered on the Roll of Honour in Dundee , William lived in Broughty Ferry before the War. Highland Light 8th March 1892-12th Son of John and His brother, Ronald served as a Lieutenant Infantry Oct 1918 Mayflower with the Royal Field Artillery during the Alexander, of 2, Age 26 Great War. Smith St., Hillhead, Glasgow, West 2 Private George W Allan* Biography According to his father, Reverend Charles Allan, his son was 'mentioned in officers' letters for bravery. Going to the help of wounded comrades and was said Highland Light 31st August 1894- 17th Son of the Rev. by his own comrades to have earned the Infantry April 1915 Charles Allan, M.A., Victoria Cross "half a dozen times over"'. and Margaret Allan, He was awarded the 1914 Star Age :21 of Duneira, Greenock posthumously 3 Lieutenant Ramsay Allan Biography Ramsay was an only son. -
Manchester Group of the Victorian Society Newsletter Spring 2021
MANCHESTER GROUP OF THE VICTORIAN SOCIETY NEWSLETTER SPRING 2021 WELCOME The views expressed within Welcome to the Spring 2021 edition of the Newsletter. this publication are those of the authors concerned and Covid 19 continues to seriously affect the scope of our activities, including the not necessarily those of the cancellation of the Annual General Meeting scheduled for January 2021. This edition of Manchester Group of the the newsletter thus contains details of the matters which would normally have formed Victorian Society. part of the AGM including a brief report from Anne Hodgson, Mark Watson’s Annual Report on Historic Buildings and a statement of accounts for 2020. © Please note that articles published in this newsletter Hopefully, recovery might be in sight. A tour of Oldham Town Centre has been organised are copyright and may not be for Thursday 22 July 2021 at 2.00pm. It is being led by Steve Roman for Manchester reproduced in any form Region Industrial Archaeology Society (MRIAS) and is a shorter version of his walk for without the consent of the the Manchester VicSoc group in June 2019. The walk is free. See page 19 for full details. author concerned. CONTENTS 2 EDGAR WOOD AND THE BRIAR ROSE MOTIF 5 WALTER BRIERLEY AT NEWTON-LE-WILLOWS 7 HIGHFIELDS, HUDDERSFIELD – ‘A MOST HANDSOME SUBURB’ 8 NEW BOOKS: SIR EDWARD WATKIN MP, VICTORIA’S RAILWAY KING 10 THE LIGHTNING EXPRESS – HIGH SPEED RAIL 13 THE LODGES AT LONGFORD PARK 15 “THE SECRET GARDEN:” FRANCES HODGSON BURNETT 19 WALKING TOUR OF OLDHAM TOWN CENTRE 20 MANCHESTER GROUP MATTERS Report by the Chair,. -
All Saints Church First Female Vicar
Contacts at All Saints Vicar The Rev’d Clair Jaquiss 928 0717 [email protected] 07843 375494 Clair is in the parish on Tuesdays, Wednesdays & Sundays; or leave a message Associate Priest The Rev’d Gordon Herron 928 1238 [email protected] Reader Mary Babbage 980 6584 [email protected] Reader Emerita Vivienne Plummer 928 5051 [email protected] Wardens June Tracey 980 2928 [email protected] Nigel Glassey [email protected] 980 2676 PCC Secretary Caroline Cordery 980 6995 [email protected] Treasurer Michael Sargent 980 1396 [email protected] Organist Robin Coulthard 941 2710 [email protected] Administrator & Elaine Waters 980 3234 Hall Bookings [email protected] . ServicesServices Fourth Sunday of month: Eucharist Together at 10am All other Sundays: Eucharist at 10am (with Children’s Groups) Sunday Evenings: Evening Prayer at 6.30pm Tuesdays at 9.30am Eucharist (also on Holy Days - announced) All Saints Hale Barns with Ringway Hale Road, Hale Barns, Altrincham, Cheshire WA15 8SP Church and Office Open: Tuesday, Wednesday & Thursday 9am - 1pm Tel: 0161 980 3234 Email: [email protected] www.allsaintshalebarns.org Visible and Invisible... ‘So where is All Saints?’ they often ask me. It’s not just the stranger wondering where the parish church is, but often a long-term resident of the area who has never really registered where the parish church of Hale Barns actually is. I’ve often wondered at its invisibility. All Saints is a classic building of its time, designed to blend in with the new structures, domestic and commercial, that were springing up around it. -
Charles Rennie Mackintosh in Glasgow
Charles Rennie Mackintosh In Glasgow Travel This tour starts and finishes at the Hilton Grosvenor Hotel, Glasgow. 1-9 Grosvenor Terrace, Glasgow, G12 0TA Tel: 0141 339 8811 Please note that transport to the hotel is not included in the price of the tour. Transport If you are travelling by car: The Hilton Glasgow Grosvenor is located 5 minutes from the M8 motorway and 5 minutes’ walk from Hillhead subway station. The hotel is situated on the corner of the junction between Byres Road and Great Western Road. On arrival, directly after the hotel turn right, into the lane between the Hilton and Waitrose. Stop at the hotel entrance and get a car park ticket from reception. Finally, drive up the ramp of the Waitrose car park on the left, and keep on going until the top level, which is reserved for hotel guests and the residents of the adjoining flats. Parking is £10 per day, payable locally. If you are travelling by train: The nearest subway stop is Hillhead, which is about a 5 minute walk away on Byres Road. Glasgow Central Station is about 15 minutes by taxi to the hotel. Accommodation The Hilton Grosvenor Hotel The Hilton Grosvenor Hotel is a traditional four-star hotel in the vibrant West End area of the city centre. It is ideally situated in close proximity to the array of locations visited during your tour including the Hunterian Gallery and University. Bedrooms are equipped with all necessities to ensure a relaxing and enjoyable visit, including an en-suite bathroom with bath/shower, TV, telephone, Wi-Fi, hairdryer and complimentary tea/coffee making facilities. -
The Willow Tea Rooms Trust
O-032-17 TRADE MARKS ACT 1994 IN THE MATTER OF APPLICATION 3105102 BY THE WILLOW TEA ROOMS TRUST FOR THE TRADE MARK THE WILLOW TEA ROOMS AND THE OPPOSITION THERETO UNDER NUMBER 405148 BY ANNE MULHERN Background 1. The Willow Tea Rooms Trust (“the applicant”) applied for the trade mark THE WILLOW TEA ROOMS on 22 April 2015 in classes 35, 41, 42 and 43. 2. The application was accepted and published in the Trade Marks Journal for opposition purposes on 26 June 2015. Anne Mulhern opposes the trade mark application under sections 5(2)(b), 5(3) and 5(4)(a) of the Trade Marks Act (“the Act”). For sections 5(2)(b) and 5(3), Ms Mulhern relies upon two earlier trade mark registrations which she owns, as follows: (i) 1276805 (series of 2 marks) Class 42: Restaurant, tea room, catering and cafe services; all included in Class 42; but not including any of the aforesaid services relating to the provision of alcoholic drinks. Filing date: 1 October 1986; date registration procedure completed: 12 July 1991 (ii) 2251332A (series of 8 marks): Page 2 of 73 Goods and services in classes 9, 11, 16, 20, 21, 24, 30 and 43. Filing date: 3 November 2000; date registration procedure completed: 8 March 2002. 3. Ms Mulhern’s claim under section 5(2)(b) is that there exists a likelihood of confusion owing to the similarities/identity between the marks and the goods/services. Under section 5(3) of the Act, Ms Mulhern claims that the earlier marks have a reputation in certain goods and services such that use of the application without due cause would take unfair advantage of, or be detrimental to, the distinctive character or the repute of the earlier marks.