An Introduction to Punishment, Penance, and Reward: the Case of Thomas Becket
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Here It Became Obvious That Hollacombe Crediton and Not Hollacombe Winkleigh Was Implied and Quite a Different Proposition
INTRODUCTION In 1876 Charles Worthy wrote “The History of the Manor and Church of Winkleigh”, the first and only book on Winkleigh to be published. Although this valuable little handbook contains many items of interest, not all of which fall within the range of its title, it is not a complete history and consequently fails to meet the requirements of the Devonshire Association. More than a dozen years ago a friend remarked to me that the monks of Crediton at one time used to walk to Hollacombe in order to preach at the ancient chapel of Hollacombe Barton. I was so surprised by this seemingly long trek that I made enquiries of the Devonshire Association. I was referred to the Tower Library of Crediton Church where it became obvious that Hollacombe Crediton and not Hollacombe Winkleigh was implied and quite a different proposition. Meantime the Honorary General Editor of the Parochial Section (Hugh R. Watkins Esq.) suggested that I should write a history of Winkleigh. The undertaking was accepted although it was clear that my only qualification for the task was a deep regard for the associations of the parish combined with a particularly intense love for the hamlet of Hollacombe. The result of this labour of love, produced in scanty spare time, and spread over the intervening years should be considered with these points in view. The proof of this present pudding will be measured by the ease with which the less immediately interesting parts can be assimilated by the general reader. Due care has been taken to verify all the subject matter. -
The Reign of King Henry II of England, 1170-74: Three Minor Revisions
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2001 The reign of King Henry II of England, 1170-74: Three minor revisions John Donald Hosler Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Hosler, John Donald, "The reign of King Henry II of England, 1170-74: Three minor revisions" (2001). Retrospective Theses and Dissertations. 21277. https://lib.dr.iastate.edu/rtd/21277 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The reign of King Henry II of England, 1170-74: Three minor revisions by John Donald Hosler A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: History Major Professor: Kenneth G. Madison Iowa State University Ames~Iowa 2001 11 Graduate College Iowa State University This is to certify that the Master's thesis of John Donald Hosler has met the thesis requirements of Iowa State University Signatures have been redacted for privacy 111 The liberal arts had not disappeared, but the honours which ought to attend them were withheld Gerald ofWales, Topograhpia Cambria! (c.1187) IV TABLE OF CONTENTS CHAPTER ONE. INTRODUCTION 1 Overview: the Reign of Henry II of England 1 Henry's Conflict with Thomas Becket CHAPTER TWO. -
Surviving Antigone: Anouilh, Adaptation, and the Archive
SURVIVING ANTIGONE: ANOUILH, ADAPTATION AND THE ARCHIVE Katelyn J. Buis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Cynthia Baron, Advisor Jonathan Chambers ii ABSTRACT Dr. Cynthia Baron, Advisor The myth of Antigone has been established as a preeminent one in political and philosophical debate. One incarnation of the myth is of particular interest here. Jean Anouilh’s Antigone opened in Paris, 1944. A political and then philosophical debate immediately arose in response to the show. Anouilh’s Antigone remains a well-known play, yet few people know about its controversial history or the significance of its translation into English immediately after the war. It is this history and adaptation of Anouilh’s contested Antigone that defines my inquiry. I intend to reopen interpretive discourse about this play by exploring its origins, its journey, and the archival limitations and motivations controlling its legacy and reception to this day. By creating a space in which multiple readings of this play can exist, I consider adaptation studies and archival theory and practice in the form of theatre history, with a view to dismantle some of the misconceptions this play has experienced for over sixty years. This is an investigation into the survival of Anouilh’s Antigone since its premiere in 1944. I begin with a brief overview of the original performance of Jean Anouilh’s Antigone and the significant political controversy it caused. The second chapter centers on the changing reception of Anouilh’s Antigone beginning with the liberation of Paris to its premiere on the Broadway stage the following year. -
The Blackmore Country (1906)
I II i II I THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES IN THE SAME SERIES PRICE 6/- EACH THE SCOTT COUNTRY THE BURNS COUNTRY BY W. S. CROCKETT BY C. S. DOOGALL Minister of Twccdsmuir THE THE THACKERAY COUNTRY CANTERBURY PILGRIMAGES BY LEWIS MELVILLE BY II. SNOWDEN WARD THE INQOLDSBY COUNTRY THE HARDY COUNTRY BY CHAS. G. HAKI'ER BY CHAS. G. HARPER PUBLISHED BY ADAM AND CHARLES BLACK, SOHO SQUARE, LONDON Zbc pWQVimnQC Series CO THE BLACKMORE COUNTRY s^- Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/blackmorecountryOOsneliala ON THE LYN, BELOW BRENDON. THE BLACKMORE COUNTRY BY F. J. SNELL AUTHOR OF 'A BOOK OF exmoob"; " kably associations of archbishop temple," etc. EDITOR of " UEMORIALS OF OLD DEVONSHIRE " WITH FIFTY FULL -PAGE ILLUSTRATIONS FROM PHOTOGRAPHS BY C. W. BARNES WARD LONDON ADAM AND CHARLES BLACK 1906 " So holy and so perfect is my love, That I shall think it a most plenteous crop To glean the broken ears after the man That the main harvest reaps." —Sir Phiup SroNEY. CORRIGENDA Page 22, line 20, for " immorality " read " morality." „ 128, „ 2 1, /or "John" r^a^/" Jan." „ 131, „ 21, /<7r "check" r?a^ "cheque." ; PROLOGUE The " Blackmore Country " is an expression requiring some amount of definition, as it clearly will not do to make it embrace the whole of the territory which he annexed, from time to time, in his various works of fiction, nor even every part of Devon in which he has laid the scenes of a romance. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
JEAN ANOUILH the Australian Elizabethan Theatre Tru St
, .. ., ...I I I 1 • ,,~- • i' JEAN ANOUILH The Australian Elizabethan Theatre Tru st when you fly with Trans-AustraliaAirlines PAT RON : H ER MAJESTY T H E QUEE N P RE SIDE T The Rt. H on . Sir John Latham, G.C.M.G., Q .C. CH AIRM A1 Dr. H . C. Coombs EXECUTIVE Dffi ECTOR Hu gh Hunt HO . SECRETARY :l,faurire Parker STATE REPRESE , TAT JVES: , ew South \,Vales Mr. C. J. A. lvloscs, C.B .E. Qu eensland Prof esso r F. J . Schone II Western Australia Pr ofessor F. Alexander Victoria Mr . A . H. L. Gibson Sou tit Australia Mr. L. C. Waterm an Tasmania Mr . G. F. Davies In presenting TIME REMEMBERED , we are paying tribute to a dramatist whose contribution to the contemporary theatre scene is a11 outstanding one and whose influence has been most strongly felt during the post-war years in Europe. The J1lays of Jean An ouilh have not been widely produced in Cao raln and First Officer at the co mrol s of a TA A Viscount . Australia , and his masterly qualities as a playwright are not TAA pilots are well experi years of flying the length and sufficiently k11011·n. enced and maintain a high breadth of Australia. standard of efficiency in flying TAA 's Airmanship is the total TIME REME1vlBERED htippily contains some of the the nation's finest fleet of skill of many people-in the most typical aspects of his work . .. a sense of the comic, modern aircraft. air and on the ground-w ork ing toward s a common goal: almost biza1'1'e,and tl haunting nostalgia which together pro When you and your family fly your safety, satisfaction and T AA, you get with your ticket peace of mind. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
Black's Guide to Devonshire
$PI|c>y » ^ EXETt R : STOI Lundrvl.^ I y. fCamelford x Ho Town 24j Tfe<n i/ lisbeard-- 9 5 =553 v 'Suuiland,ntjuUffl " < t,,, w;, #j A~ 15 g -- - •$3*^:y&« . Pui l,i<fkl-W>«? uoi- "'"/;< errtland I . V. ',,, {BabburomheBay 109 f ^Torquaylll • 4 TorBa,, x L > \ * Vj I N DEX MAP TO ACCOMPANY BLACKS GriDE T'i c Q V\ kk&et, ii £FC Sote . 77f/? numbers after the names refer to the page in GuidcBook where die- description is to be found.. Hack Edinburgh. BEQUEST OF REV. CANON SCADDING. D. D. TORONTO. 1901. BLACK'S GUIDE TO DEVONSHIRE. Digitized by the Internet Archive in 2010 with funding from University of Toronto http://www.archive.org/details/blacksguidetodevOOedin *&,* BLACK'S GUIDE TO DEVONSHIRE TENTH EDITION miti) fffaps an* Hlustrations ^ . P, EDINBURGH ADAM AND CHARLES BLACK 1879 CLUE INDEX TO THE CHIEF PLACES IN DEVONSHIRE. For General Index see Page 285. Axniinster, 160. Hfracombe, 152. Babbicombe, 109. Kent Hole, 113. Barnstaple, 209. Kingswear, 119. Berry Pomeroy, 269. Lydford, 226. Bideford, 147. Lynmouth, 155. Bridge-water, 277. Lynton, 156. Brixham, 115. Moreton Hampstead, 250. Buckfastleigh, 263. Xewton Abbot, 270. Bude Haven, 223. Okehampton, 203. Budleigh-Salterton, 170. Paignton, 114. Chudleigh, 268. Plymouth, 121. Cock's Tor, 248. Plympton, 143. Dartmoor, 242. Saltash, 142. Dartmouth, 117. Sidmouth, 99. Dart River, 116. Tamar, River, 273. ' Dawlish, 106. Taunton, 277. Devonport, 133. Tavistock, 230. Eddystone Lighthouse, 138. Tavy, 238. Exe, The, 190. Teignmouth, 107. Exeter, 173. Tiverton, 195. Exmoor Forest, 159. Torquay, 111. Exmouth, 101. Totnes, 260. Harewood House, 233. Ugbrooke, 10P. -
Sophocles' Elektra
DATE: August 12, 2010 FOR IMMEDIATE RELEASE ABOUT THE COMPANY Sophocles' Elektra Thursdays, Fridays, Saturdays, September 9—October 2, 2010 Carey Perloff (Director) Carey Perloff is celebrating her nineteenth season as artistic director of Tony Award-winning American Conservatory Theater (A.C.T.) in San Francisco, where she is known for directing innovative productions of classics, championing new writing for the theater, and creating international collaborations with such artists as Robert Wilson and Tom Stoppard. Before joining A.C.T., Perloff was artistic director of Classic Stage Company (CSC) in New York. She is a recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award. Perloff received a B.A. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright fellow at the University of Oxford. She has taught at the Tisch School of the Arts at New York University and in the Master of Fine Arts Program in Acting at A.C.T., in addition to authoring numerous plays. This is Perloff’s second encounter with Sophocles’ Elektra, having directed the world premiere of Ezra Pound’s version of the play at CSC in 1988. Timberlake Wertenbaker (Translator/Adaptor) Timberlake Wertenbaker is an acclaimed playwright who grew up in the Basque Country in southwest France. Plays include The Grace of Mary Traverse (Royal Court Theatre); Our Country's Good (Royal Court Theatre and Broadway), which won the Laurence Olivier Play of the Year -
Westminster Abbey
Westminster Abbey EUCHARIST with the Ordination and Consecration of The Reverend Canon Dr Edward Condry, Canon Treasurer, Canterbury Cathedral, to be Bishop of Ramsbury in the Diocese of Salisbury by the Archbishop of Canterbury and other bishops St Matthew, Apostle and Evangelist Friday 2 1st September 2012 11.00 am Please join in singing the hymns and in saying the words printed in bold type . The church is served by a hearing loop. Users should turn their hearing aid to the setting marked T. Members of the congregation are kindly requested to refrain from using private cameras, video, or sound recording equipment. Please ensure that mobile phones, pagers, and other electronic devices are switched off. In the Jerusalem Chamber before the service, the Bishop-designate of Ramsbury takes the Oath of Allegiance to The Queen’s Majesty and the Oath of Due Obedience to the Archbishop of Canterbury, tendered to him by the Principal Registrar. The service is sung by the Choir of Westminster Abbey, conducted by James O’Donnell, Organist and Master of the Choristers. The organ is played by Robert Quinney, Sub-Organist. Setting: Missa Papae Marcelli Giovanni Pierluigi da Palestrina (c 1525–94) 2 Music before the service: Martin Ford, Assistant Organist, plays: Prelude and Fugue in C BWV 545 Johann Sebastian Bach (1685–1750) Ciacona in E minor Bux WV 160 Dietrich Buxtehude (c 1637–1707) Schmücke dich, o liebe Seele BWV 654 Johann Sebastian Bach Wie schön leuchtet der Morgenstern Dietrich Buxtehude Bux WV 223 Fugue in E flat BWV 552ii Johann Sebastian Bach The Procession of visiting Readers and Clergy moves to the South Transept . -
Diocese of Salisbury Statement of Needs [Jun 2021]
Diocese of Salisbury: Statement of Needs 2021 CREDIT: Max Trafford ‘Love bade me welcome’ CREDIT: Sally Wilson CREDIT: Ash Mills As a Diocese we are committed to the local They capture the hospitable heart of Anglicanism, with courage, vision and holiness to renew its Formed by the union of two ancient sees, All Church traditions find a home here and honouring the Five Guiding Principles, church and its ongoing evolution, with important aspects of which were worked out promise for a beloved place and its people. Sherborne and Ramsbury, the removal of the we encourage service and growth rooted in and to the flourishing of the small new worshipping communities working in here in Salisbury – not only by Herbert, but Diocesan seat from Old Sarum to the new city prayerful attention to God’s call upon every number of parishes with alternative partnership with the parishes that remain our contemporaries John Jewel and Richard Hooker, The Church in this Diocese continues to be of Salisbury some eight hundred years ago is a person. All ministries are valued equally, we episcopal oversight. core. In the church doorway of one of these, who defined our church’s breadth and reach: nurtured by extraordinarily deep roots, with historic precedent for our current readiness to nurture a culture of collaborative working St Andrew’s Bemerton, is etched the words not by its limits, but its centre in Christ. some of the longest continually inhabited places develop and grow. Even the old, eternal rocks at all levels. In this description, we hope to give a “Love bade me welcome” – composed by in Britain. -
St Aldhelm's Chapel Leaflet
OLYMPIC PILGRIMAGE TRAIL PILGRIMAGE PRAYER Holy God, you are the source of smooth; and may we share your “SEEKING GOLD” our life and the goal of love with companions along the journeying. Guide us by your way. We ask this through Jesus Holy Spirit along the pilgrimage Christ our Lord. Amen of our lives. Strengthen us when the road is tough, let us not Nicholas Holtam, St. Aldhelm’s, forget you when the path is Bishop of Salisbury Worth Matravers During the 18th Century the chapel fell into disrepair, with records stating that some of the roof had collapsed. Although not the owner at that time, William Morton Pitt of Encombe House began some repairs to the building. Encombe was bought by Lord Chancellor Eldon (John Scott first Earl of Eldon) in 1807, and on his acquiring the Renscombe Estate in 1811 too, repairs to the chapel proceeded with the bulk of the major work being done in the late 19th Century. Reflect on the lives of those people who restored the Chapel, and encouraged its use as a place of worship. Praise God for stone-masons and builders, who through their work capture a glimpse of the glory of God. THIS IS THE NINTH SALISBURY DIOCESE CHURCH ON OUR NICHOLAS HOLTAM, BISHOP OF SALISBURY PILGRIMAGE TRAIL... St Aldhelm’s Chapel is dedicated to St Aldhelm, first Bishop of Sherborne, and stands The first historical record of the 108m above the sea on the exposed and rugged chapel’s existence is in the reign of cliff top. Beautiful 12thC roof-vaulting, medieval Henry III (1216-1272), when a Dorset historian noted that St Aldhelm’s graves outside the walls, and the circular Chapel and St Mary in Corfe Castle earthwork enclosing it, suggest that it has always were each served by a chaplain paid fifty shillings a year by the Crown.