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The Imitation Game Film N n5_2015_Pindemonte 02/02/15 15:43 Pagina 1 Cinema PINDEMONTE Cinema KAPPADUE Cinema FIUME Cinema DIAMANTE SCHEDA INFORMATIVA N. 5 VERONA - Via Sabotino 2/B VERONA - Via A. Rosmini, 1B VERONA - Vicolo Cere, 16 VERONA - Via P. Zecchinato, 5 Stampa: Intergrafica Verona s.r.l. Tel. 045 913591 Tel. 045 8005895 Tel. 045 8002050 Tel. 045 509911 www.cinemapindemonte.it www.cinemakappadue.it www.cinemafiume.it www.cinemadiamante.it CINEFORUM: ingresso riservato agli abbonati muniti della tessera 2014/2015 THE IMITATION GAME FILM N. 17 Regia: Morten Tyldum Cinema PINDEMONTE (G.B./USA 2014) I FILM VISTI FINORA Interpreti: Mark Strong, Martedì 10 febbraio 2015 (16,00 - 18,30 - 21,00) Benedict Cumberbatch, Mercoledì 11 febbraio (16,30 - 19,00 - 21,30) Il centenario che saltò Keira Knightley. Giovedì 12 febbraio (15,30 - 18,00 - 21,15) dalla finestra e scomparve Genere: Drammatico/Storico. Venerdì 13 febbraio (18,00 - 21,15) di Felix Herngren (Svezia 2013) Durata: 113' Sabato 14 febbraio (10,00 mattino) I nostri ragazzi Il regista: Morten Tyldum (Bergen Cinema KAPPADUE di Ivano De Matteo (Italia 2014) 1967) è un regista norvegese. Si è Lunedì 16 febbraio 2015 (16,00 - 18,30 - 21,00) Father and son formato alla School of Visual Arts di Hirokazu Koreeda di New York iniziando la carriera Cinema FIUME (Giappone 2013) con spot pubblicitari e cortome- Martedì 17 febbraio 2015 (15,30 - 18,00 - 21,00) traggi. Il suo esordio sul grande Una promessa (Une promesse) Mercoledì 18 febbraio (16,00) di Patrice Leconte (Francia 2013) schermo è stato nel 2003 con Giovedì 19 febbraio (15,30 - 18,00 - 20,30) “Buddy” a cui segue nel 2008 Il giovane favoloso “Fallen Angels”. Il successivo Cinema DIAMANTE di Mario Martone (Italia 2014) “Headhunters” del 2011 è record Lunedì 23 febbraio 2015 (18,30 - 21,00) Anime nere d’incassi nella storia del cinema Martedì 24 febbraio (16,00 - 18,30 - 21,00) di Francesco Munzi (Italia 2014) norvegese. “The imitation game” Mercoledì 25 febbraio (15,30 - 18,00 - 21,00) è l’adattamento della biografia Giovedì 26 febbraio (16,30 - 19,00 - 21,30) Barbecue “Alan Turing, storia di un enig- di Eric Lavaine (Francia 2014) ma” di Andrew Hodges ed è can- tation game” è un avvincente bio- mativi criptati che riuscì a decifra- Buoni a nulla didato a otto premi Oscar tra cui di Gianni Di Gregorio (Italia 2014) miglior film, attore, attrice, sce- pic che ripercorre le fasi cruciali re il codice Enigma, usato dai na- Tutto può cambiare neggiatura e colonna sonora. della vita di Alan Turing: uno dei zisti per le loro comunicazioni na- più grandi matematici del secolo vali, che oggettivamente diede un (Begin again) Vincitore del premio del pubblico scorso, vero precursore della apporto decisivo alla vittoria delle di John Carney (USA 2013) a Toronto e film d’apertura al scienza dei computer e anche il Forze Alleate contro Hitler. Una Torneranno i prati London Film Festival, “The imi- geniale analista di sistemi infor- vicenda tenuta nascosta per anni: di Ermanno Olmi (Italia 2014) La spia (A most wanted man) di Anton Corbijn (Germania, Gran Bretagna, USA, 2014) La nostra terra di Giulio Manfredonia (Italia 2014) Diplomacy di Volker Schondorff (Francia/Germania 2014) St. Vincent di Theodore Melfi (USA 2014) Magic in the moonlight di Woody Allen (USA 2014) Quel che sapeva Maisie di Scott McGehee (USA 2014) n5_2015_Pindemonte 02/02/15 15:43 Pagina 2 Turing era omosessuale, un crimi- brile vicenda del piccolo gruppo di leghi e gerarchie militari. Trova “Headhunters”, ha costruito un ne per la Gran Bretagna degli anni matematici e studiosi, scelti nel una vera sintonia solo con Joan dramma solido e articolato con ’50 per cui fu processato; subì la 1939 dai servizi segreti inglesi tra Clarke (Keira Knightley), brillan- una valida ambientazione d’epoca castrazione chimica e la sua vita le migliori menti di Cambridge te criptoanalista che diventa la sua supportata dall’eccellente sceno- ebbe un finale tragico e prematu- per una missione impossibile: de- confidente. Alan inventa e costrui- grafa Maria Djurkovic. Evita lar- ro. L’interrogatorio da parte di un codificare l’impenetrabile segreto sce un enorme e innovativo con- gamente i toni solenni e confezio- detective, nel 1952, è il filo con- di “Enigma”. Nella base anonima gegno elettromeccanico: è la svol- na alcuni momenti emozionanti, duttore da cui si dipana il film, che top secret a Bletchley Park si sus- ta. In seguito, nel 1952, Turing scene vivaci e deliziosi sprazzi di si sviluppa interponendo tre perio- seguono i tentativi e le frustranti viene arrestato e, dopo aver am- humour britannico. In qualche se- di decisivi della vita di Turing, in- delusioni: la narrazione fonde con messo una relazione omosessuale quenza il film sconta alcuni ste- terpretato da Benedict Cumber- successo la suspence della corsa con un diciannovenne, incrimina- reotipi ma nel complesso risulta batch già in odore di Oscar. Da un contro il tempo e incisive analisi to. “The imitation game” adatta efficace e credibile grazie all’in- lato il reiterato ricordo degli anni del carattere dei personaggi. Tu- “Alan Turing: The Enigma”, la terpretazione di Cumberbatch, infelici del collegio (1926-1930), ring è un tipo introverso, è ecce- biografia di Andrew Hodges, ma- che evidenzia sia l’acuta intelli- con l’unico sollievo della tenera zionale nel ragionamento ma ap- tematico e attivista del Gay Libe- genza sia le eccentricità e le com- amicizia con un compagno. Dal- pare spesso supponente e perma- ration Movement. Morten Tyl- plesse pulsioni di Turing. l’altro il centro della storia, la feb- loso e si pone in contrasto con col- dum, noto per l’action thriller Giovanni Ottone CINEFORUM: ingresso riservato agli abbonati muniti della tessera 2014/2015 PRIDE FILM N. 18 Regia: Matthew Warchus non coinvolgeva solo una comu- (G.B. 2014) Cinema PINDEMONTE nità gallese e un gruppo di attivisti Interpreti: Bill Nighy, Martedì 17 febbraio 2015 (16,00 - 18,30 - 21,00) londinese) quel tanto che basta per Imelda Staunton, Mercoledì 18 febbraio (16,30 - 19,00 - 21,30) rendere “Pride” un possibile cam- Dominic West. Giovedì 19 febbraio (15,30 - 18,00 - 21,15) pione d’incassi. Di quelli destinati Genere: Commedia. Venerdì 20 febbraio (18,00 - 21,15) in egual misura a essere amati e Durata: 120' Sabato 21 febbraio (10,00 mattino) detestati, per la capacità di con- centrare cliché e situazioni già vi- Il regista: Matthew Warchus (Lon- Cinema KAPPADUE dra 1966) è un regista e dramma- ste in anni di cinema popolare bri- turgo inglese. La sua produzione è Lunedì 23 febbraio 2015 (16,00 - 18,30 - 21,00) tannico, con in mente solo il gran- de pubblico privo di pretese intel- quasi interamente dedicata al tea- Cinema FIUME tro e dal maggio 2014 è il nuovo lettuali. direttore artistico dell’Old Vic Martedì 24 febbraio 2015 (15,30 - 18,00 - 21,00) Chi ha adorato i balletti di “Full Tehatre a Londra succedendo a Mercoledì 25 febbraio (16,00) Monty”, il sogno di “Billy Elliot” Kevin Spacey. “Pride” è stato pre- Giovedì 26 febbraio (15,30 - 18,00 - 20,30) e le tragicomiche vicende di “Trainspotting” si ritroverà tra sentato al Festival di Cannes 2014 Cinema DIAMANTE nella sezione “Quinzaine des Réa- mura amiche, dove il cinico e lisateurs” ed è stato premiato con Lunedì 2 marzo 2015 (18,30 - 21,00) smaliziato cinefilo difficilmente la Queer Palm e la nomination co- Martedì 3 marzo (16,00 - 18,30 - 21,00) arriverà ai titoli di coda di “Pri- me miglior film/commedia ai Glo- Mercoledì 4 marzo (15,30 - 18,00 - 21,00) de”. Warchus rinuncia da subito den Globes 2015. È tratto da una Giovedì 5 marzo (16,30 - 19,00 - 21,30) allo stupore, sceglie l’alveo storia vera. confortevole del genere codifica- Londra, 1984. Joe partecipa tra mille timidezze e ritrosie al Gay Pride e si unisce alla frangia più politicizzata del corteo, già proiet- tata sulla successiva battaglia in di- fesa dei minatori in sciopero con- tro i tagli della Thatcher. Guidati dal giovane Mark, i LGSM (Le- sbians and Gays Support The Mi- ners) cominciano il loro difficile percorso di protesta, che li condu- ce in Galles, nella remota comu- nità di Dulais. Superata l’iniziale ritrosia, tra attivisti gay e minatori nascerà una sincera amicizia e un’incrollabile solidarietà umana. Uno spunto narrativo dal poten- ziale micidiale che ha soprenden- temente atteso trent’anni prima di essere trasposto su grande scher- mo. Mattew Warchus – un notevo- le curriculum teatrale alle spalle – raccoglie la sfida, forzando la ve- rità storica (la solidarietà era mol- to più articolata e diversificata, n5_2015_Pindemonte 02/02/15 15:43 Pagina 3 to e lo sfrutta al massimo, puntan- proletaria o semplice provenien- gli operai si tramuta in accoglien- fare coming out con i propri geni- do su un cast adeguatamente va- za gallese. za gioiosa, specie quando i gay ri- tori e pagarne le conseguenze. riegato (il Dominic West di “The Una sceneggiatura accorta, che velano la loro naturale attitudine Minimo lo spazio dedicato alla Wire” a fianco di un sorprendente inserisce quasi subito il pilota au- al ballo (cliché quasi imperdona- contestualizzazione storica nel- Paddy Considine) e giocando la tomatico e pigia i tasti emozional- bile, di cui Warchus si nutre ab- l’era Thatcher, benché lo spettro propria vis comica, così come i mente giusti, senza concedersi bondantemente), e i percorsi indi- dell’Aids incomba come un in- climax drammatici, sull’accetta- sorprese: i traumi, i punti di svolta viduali dei protagonisti seguono il quietante monito contro la libertà zione della “diversità”, sia essa del plot, sono quelli ampiamente loro iter naturale, con l’immanca- dei costumi sessuali.
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