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Tadeusz Baird © Andrzej Zborski Tadeusz Baird Contemporary BIOGRAPHIE Tadeusz Baird Tadeusz Baird (geb. 1928), Sohn eines polnischen Vaters und einer russischen Mutter, wurde im polnischen Grodzisk Mazowiecki geboren. Während der nationalsozialistischen Besatzung studierte er privat Komposition, Klavier und Musikwissenschaft bei Bolesław Woytowicz und Kazimierz Sikorski sowie von 1947 bis 1951 an der staatlichen Musikhochschule in Warschau bei Piotr Rytel und Piotr Perkowski. 1949 gründete er zusammen mit Kazimierz Serocki und Jan Krenz die Gruppe 49. Ziel der Gruppe war es, kommunikative und expressive Musik nach der sozialrealistischen Staatsideologie zu schreiben. 1956 gründete er mit Kazimierz Serocki das Internationale Festival für Zeitgenössische Musik in Warschau. Ab 1974 lehrte er an der Musikakademie in Warschau und wurde 1977 Professor und Leiter der Fakultät für Komposition. 1976 wurde er Vorsitzender der polnischen Sektion die ISCM und 1979 Mitglied der Akademie der Künste der Deutschen Demokratischen Republik. Er erhielt zahlreiche Auszeichnungen in Polen und im Ausland, darunter den Polnischen Staatspreis (1951, 1964 und 1970), den Preis des Ministers für Kultur und Kunst (1962), den Musikpreis der Stadt Köln (1963), die jährliche Auszeichnung des Polnischen Komponistenverbands für sein Lebenswerk (1966), den Koussevitzky-Preis (1968), den Künstler-Preis der Stadt Warschau (1970), den Alfred-Jurzykowski-Preis (New York, 1971), den Arthur Honegger-Preis (1974), den Sibelius-Preis (1976) und den Premierministerpreis. Seine Werke wurden auf dem Tribune internationale des compositeurs der UNESCO in Paris (1959, 1963 und 1966) ausgezeichnet. Er schrieb sowohl großformatige Sinfonien und Konzerte (z. B. Concerto lugubre) als auch Kammermusik, zudem war er auch ein Komponist von Film- und Theatermusik. Von großer Bedeutung sind jedoch seine zahlreichen von der Poesie inspirierten Vokalzyklen wie Głosy z oddali (Stimmen aus der Ferne). Bairds Musik ist lyrisch, sehr ausdrucksstark und äußerst subjektiv. Sie ist trotz serieller Techniken oft in der nachromantischen Tradition verwurzelt. Er starb 1981 im Alter von 53 Jahren. Leipzig London New York C. F. Peters Ltd & Co. KG Peters Edition Ltd C. F. Peters Corporation Talstraße 10 2 – 6 Baches Street 70 – 30 80th Street 04103 Leipzig London N1 6DN Glendale NY 11385 Deutschland UK USA ( +49 (0) 341 9897 9231 ( +44 (0) 20 7553 4033 ( + (1) 718 416 7822 * [email protected] * [email protected] * [email protected] BIOGRAPHY Tadeusz Baird Tadeusz Baird (b.1928) was the son of a Polish father and Russian mother, and was born in Grodzisk Mazowiecki, Poland. During the Nazi occupation he studied composition, piano and musicology privately with Bolesław Woytowicz and Kazimierz Sikorski, and at the State High School of Music in Warsaw from 1947 to 1951, with Piotr Rytel and Piotr Perkowski. In 1949, he founded Group 49 along with Kazimierz Serocki and Jan Krenz. The aim of the group was to write communicative and expressive music according to the social-realistic ideology of the state. In 1956 he founded the Warsaw Autumn International Contemporary Music Festival with Kazimierz Serocki. From 1974 he lectured at the Music Academy in Warsaw, becoming a professor and head of the Faculty of Composition in 1977. In 1976 he became chairman of the Polish section of the ISCM and from 1979 a member of the Academy of Arts of the German Democratic Republic. He has received many awards in Poland and abroad, including the Polish State Prize (1951, 1964, 1970), Award of the Minister of Culture and Fine Arts (1962), Musical Prize of the City of Cologne (1963), annual award of the Polish Composers’ Union for lifetime achievement (1966), Koussevitzky Award (1968), Artistic Award of the City of Warsaw (1970), Alfred Jurzykowski Prize (New York, 1971), Arthur Honegger Prize (1974), Sibelius Award (1976), and the Prime Minister’s Award. His works have won top honours at the UNESCO International Rostrum of Composers in Paris (1959, 1963, 1966). He wrote both large scale symphonies, concertos (e.g. Concerto lugubre), chamber music, and was also a composer of film and theatre music, however, of most importance are numerous vocal cycles inspired by poetry, such as Głosy z oddali (Voices from Afar). Baird’s music is usually lyrical, very expressive, and intensely subjective. It is often rooted in the post-Romantic tradition, despite serial techniques. He died in 1981, aged 53. Photo by Andrzej Zborski used by courtesy of the Polish Composers’ Union (ZKP). WORK LIST Orchestra Canzona (1980) 16’ for orchestra 3.3.3.3 - 4.3.3.1 - timp - perc - str First performed 30 March 1982, Zürich, Tonhalle, by Tonhalle-Orchester Zürich, cond.: Jan Krenz EP 8466 Elegeia (1973) 11’ for orchestra 2.2.2.2 - 2.2.0.0 - perc(2) - kb - hp ad lib - str: 6.0.0.5.4 First performed 28 November 1973, Ottawa (CDN), by National Arts Centre Orchestra, cond.: Mario Bernardi EP 8246 Psychodrama (1972) 8’ for orchestra 3.2.2.2 - 2.2.1.0 - perc(3) - pf - cemb - cel - hp - str First performed 05 November 1972, Norrköping (S), by Norrköpings Orkesterförening, cond.: Sven-Gunnar Andrén EP 8187 Solo Concertos with Orchestra Concerto for Oboe and Orchestra (1973) 17’ ob solo - 3.0.3.3 - 4.3.3.0 - timp - perc(4) - pf - cemb - hp(2) - 14.12.10.8.6 First performed 23 September 1973, Warsaw, by Lothar Faber and Wielka Orkiestra Symfoniczna Polskiego Radia i Telewizji w Katowicach, cond.: Stanisław Wisłocki EP 8324 Concerto lugubre (1975) 19’ for viola and orchestra va solo - 3.3.3.3 - 4.3.3.0 - timp - perc(5) - pf - cemb - hp(2) - str First performed 22 May 1976, Nuremberg, by Stefan Kamasa and Philharmonisches Orchester der Stadt Nürnberg, cond.: Hiroyuki Iwaki EP 8381 EP 8381a (solo part) Sceny (Scenes) (1976/77) 20’ for violoncello, harp and orchestra vc, hp soli - 3.3.3.3 - 4.3.3.0 - perc(3) - str First performed 08 May 1978, Gelsenkirchen (D), by Helga Storck (hp), Klaus Storck (vc) and Orchester der Stadt Gelsenkirchen, cond.: Uwe Mund EP 8442 Taken from Głosy z oddali (Voices from Afar). © 1982 by PWM Edition Kraków for Poland, the former territories of the UdSSR, the Czech Republic, Slovakia, Hungary, the former territories of Yugoslavia, P.R. China, Mongolia, North Korea and Vietnam. © 1982 by Henry Litolff’s Verlag for the Rest of the World. WORK LIST Chamber Play (1971) 12’ for string quartet First performed 21 November 1971, Copenhagen, by Dannish Royal Quartet (Arne Svendsen, Palle Heichelmann, Knud Frederiksen, Pierre René Honnens) EP 8169 Wariacje w formie ronda (Variations in Rondo Form) (1978) 19’ for string quartet First performed 22 March 1979, Paris, by Quartet Varsovia (Bogusław Bruczkowski, Marek Bojarski, Artur Paciorkiewicz, Wojciech Walasek) EP 8444 Vocal Goethe-Briefe (1970) 20’ for baritone, mixed chorus and orchestra text: Johann Wolfgang von Goethe bar solo - mixed choir - 3.3.3.3 - 4.3.3.1 - perc(6) - pf - cel - cemb - hp(2) - str First performed 04 June 1971, Dresden, by Siegfried Lorenz and Dresden Philharmonic Choir and Orchestra, cond.: Kurt Masur EP 8167 EP 8120 (vocal score) Głosy z oddali (Voices from Afar) (1981) 12’ for baritone and orchestra text: Jarosław Iwaszkiewicz bar solo - 4.2.2.2 - 4.3.3.0 - perc(3) - hp(2) - str First performed 08 January 1982, Warsaw, by Jerzy Artysz and Orkiestra Symfoniczna Filharmonii Narodowej, cond.: Witold Rowicki EP 12034 February 2019 Leipzig London New York C. F. Peters Ltd & Co. KG Peters Edition Ltd C. F. Peters Corporation Talstraße 10 2 – 6 Baches Street 70 – 30 80th Street 04103 Leipzig London N1 6DN Glendale NY 11385 Deutschland UK USA ( +49 (0) 341 9897 9231 ( +44 (0) 20 7553 4033 ( + (1) 718 416 7822 * [email protected] * [email protected] * [email protected].
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