Top 100 Jazz 2016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
Jazzvenue #1 Playlist
Jazzvenue is a weekly two-hour radio show produced in Penticton British Columbia at Peach City Radio (CFUZ-FM). Host Larry Arthur presents jazz new and old from across the globe, focussing occasionally on other idioms that relate to jazz. Jazzvenue has a Facebook page with the episode playlist and pictures of the album covers and/or the original disc label. Episode: #1 Original Air Date: June 13, 2017 TRACKLIST (Artist/Album/Track) *** incomplete track 01 Denys Baptiste Quartet/The Late Trane/After The Rain (7:51)(2017) 02 Kenny Barron Trio/Book Of Intuition/Cook's Bay (6:02)(2016) 03 Larry Willis Trio/MyFunny Valentine/My Shining Hour (6:46)(1988) 04 Poolplayers/Way Below The Surface/Luz (6:38)(2008) CANCON 05 Lars Moller Trio/Divisions/Blues In 5 (7:11)(2013) 06 Francois Houle, Dave Douglas Quartet/The Music Of John Carter/Sticks And Stones (6:43)(1997) CANCON 07 Laurent Coulondre Trio/Schizophrenia/Palma's Waltz (7:15)(2016) 08 Helen Merrill/The Nearness Of You/Just Imagine (3:23)(1957) 09 Hilary Kole, Benny Green/You Are There/Softly, As In A Morning Sunrise (4:12)(2010) CANCON 10 Claudia Acuna, Billy Childs Sextet/Rebirth/Rebirth (7:38)(2015) 11 Christian Sands Trio, Marcus Strickland/Reach/Pointing West (6:07)(2017) 12 Kevin Eubanks Quintet/East West Time Line/Take The Coltrane(6:24)(2017) 13 Lil Green/RCA Records/Why Don't You Do Right (2:53)(1941) 14 Jimmy Rushing, Johnny Otis/Excelsior Records/My Baby's Business (3:05)(1945) 15 Count Basie Sextet/Clef Records/Blue And Sentimental (3:04)(1952) 16 Helen Humes, Buck Clayton/Mercury Records/Jet Propelled Papa (2:45)(1947) 17 Lori Mecham Quartet/April In Paris/Corner Pocket(5:18)(2009) 18 New York Trio/Love You Madly/Jump For Joy (4:46)(2003) 19 Tiziana Ghiglioni/Yet Time/Round Trip (11:30)(1988)*** . -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Altin Sencalar New
www.altinsencalarmusic.com https://www.facebook.com/AltinSencalarMusic/ https://www.reverbnation.com/altinsencalar [email protected] Long Bio Altin Sencalar a Temple, Texas native started his musical education at the age of 9 originally playing the cello. At age 11, he picked up the euphonium, then the trombone and has had the fortune to have studied with some of the finest musicians today. The list includes Michael Dease, Mike Roylance, Andre Hayward, Martin McCain, Freddie Mendoza, Pete Rodriguez, Paul Deemer, Jeff Hellmer, John Mills, and John Fremgan. Along with excellent instructors, Altin has had the pleasure of sharing the stage with performers such as Bobby Shew, Chris Vadala, Marcus Printup, Andre Hayward, Doug Webb, Wycliffe Gordon, Michael Dease, Cyrus Chestnut, Jeff "Tain" Watts, and many others. On the competition platform, Altin has received prizes and honors for both national and international competitions such as, The American Trombone Workshop, the International Trombone Association, Texas State Trombone Symposium Michael Rath Jazz Trombone Competition, Downbeat Student Music Awards, and being a Yamaha Young Performing Artist for the Low Brass Division. Along with national and international recognition, Altin remains as one of the most active musicians in Austin, TX and surrounding areas. Recently named one of the top 10 horn players in the 2016/2017 Austin Chronicles, "Austin Music Awards" Altin, had the pleasure of being a part of many original groups in Austin which include Latin Grammy nominated bands, Austin Chronicle Award winning bands, Recording Label artist, and nationally acclaimed groups such as Los Jazz Vatos, Riders against the Storm, Sergio y La Orkesta, La Mona Loca, Memphis Train Revue, The Pictures, Tortilla Factory, Rubeun Ramos and The Mexican Revolution, Big Band Tejano, Tiburon, Vintage 15, JazzBonez, NOW Jazz Orchestra, Tonic Big Band, Kris Kimura's Grande Wasabi Big Band, and many others. -
Download the Blood on the Fields Playbill And
Thursday–Saturday Evening, February 21 –23, 2013, at 8:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. BLOOD ON THE FIELDS JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone, Tuba CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto & Soprano Saxophones TED NASH, Alto & Soprano Saxophones VICTOR GOINES, Tenor & Soprano Saxophones, Clarinet, Bass Clarinet WALTER BLANDING, Tenor & Soprano Saxophones CARL MARAGHI, Baritone Saxophone, Clarinet, Bass Clarinet ELI BISHOP, Guest Soloist, Violin ERIC REED, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Featuring GREGORY PORTER, Vocals KENNY WASHINGTON, Vocals PAULA WEST, Vocals There will be a 15-minute intermission for this performance. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
2017 NCMEA Professional Development Conference November 11
NORTH CAROLINA MUSIC EDUCATOR 2017 NCMEA Professional Development Conference The Every Student Succeeds Act: Over 200 clinics, sessions and Opportunities for Music concerts, including Educator Action by Lynn Tuttle Tim Lautzenheiser Sunday Afternoon Keynote U.S. Navy Band Commodores Sunday Evening Concert Piedmont Wind Symphony Monday Evening Concert November 11 - 14 • Winston-Salem #musicmakesmeNC Volume 68 Number 2 NORTH CAROLINA Conference MUSIC EDUCATOR 2017 | 1 Board of Directors EXECUTIVE OFFICERS SECTION CHAIRS President: James Daugherty Band: Rodney Workman Jazz Education: Keith Grush [email protected] [email protected] [email protected] Immediate Past President: Band Section Delegate: Jamie Beam Jazz Section Delegate: Richard Holmes [email protected] Marjorie Harrison [email protected] [email protected] Collegiate NAfME: Emily Lott President-Elect: Jazzmone Sutton [email protected] Middle School Choral: Catherine Butler [email protected] [email protected] Elementary: Janet Berry Recording Secretary: Aria Westbrook [email protected] Orchestra: Sarah Russell [email protected] [email protected] High School Choral: Eddie Adams Member-at-Large: Andy Carter [email protected] Orchestra Section Delegate: Joey Walker [email protected] Higher Education: Cynthia Wagoner [email protected] Member-at-Large: Jeffrey Danielson [email protected] [email protected] Non-Voting Members COMMISSION & COMMITTEE CHAIRS DISTRICT PRESIDENTS Exceptional Children & General Music: Research: Jennifer Walter District 1: Jennifer Fowler Rue S. Lee-Holmes [email protected] [email protected] [email protected] Retired Membership: David S. Albert D i s t r i c t 2 : V i c k i e W h i t fi e l d Conference Chair: Barbara Geer [email protected] [email protected] [email protected] Student Activities: Jazzmone Sutton District 3: Jessica Ferguson Asst. -
Kenny Barron Sambao Mp3, Flac, Wma
Kenny Barron Sambao mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin Album: Sambao Country: US Released: 1993 Style: Post Bop, Bossa Nova, Samba MP3 version RAR size: 1408 mb FLAC version RAR size: 1886 mb WMA version RAR size: 1274 mb Rating: 4.4 Votes: 195 Other Formats: MP1 WAV MP3 MP2 AIFF DMF VOX Tracklist Hide Credits 1 Sambao 6:16 Yalele 2 5:45 Composed By – Mino Cinélu* 3 Bacchanal 6:33 4 Belem 5:37 5 Encounter 10:50 6 Ritual 6:04 7 Gardenia 10:07 8 On The Other Side 8:08 Companies, etc. Phonographic Copyright (p) – Phonogram/Polygram S.A. France Copyright (c) – Phonogram/Polygram S.A. France Recorded At – BMG Studios, NY Marketed By – Verve Records Distributed By – Verve Records Credits Artwork [Cover] – José Ortega Bass – Nico Assumpcao* Design – CB Graphic Drums – Victor Lewis Executive Producer – Jean-Philippe Allard Guitar – Toninho Horta Mixed By [Assistant] – Joe Lopes Percussion – Mino Cinelu Photography By – Ching Ming* Piano – Kenny Barron Producer – Joanne Klein Recorded By [Assistant] – Vince Caro Recorded By, Mixed By – Jay Newland Supervised By [Prepared For Release] – Daniel Richard Written-By – Kenny Barron (tracks: 1, 3 to 8) Notes Digitally recorded and mixed on May 1-13, 1992 at BMG Studio, New York City Digitally mixed on June 29-30 and July 1, 1992 at BMG Studio, New York City ℗&© 1992 Phonogram/Polygram S.A. France Barcode and Other Identifiers Barcode (text): 7 314-514472-2 8 Matrix / Runout: 314 514 472-2 02! Other versions Category Artist Title (Format) Label Category Country Year 314 514 Kenny -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving.