The Sounds of Blackness Testify Mp3, Flac, Wma

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The Sounds Of Blackness Testify mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Testify Country: US Released: 1991 Style: Downtempo, Garage House MP3 version RAR size: 1891 mb FLAC version RAR size: 1158 mb WMA version RAR size: 1146 mb Rating: 4.7 Votes: 794 Other Formats: DMF VOX DXD AU MIDI MPC WMA Tracklist A1 Testify (12" C.J. Remix) 5:11 A2 Testify (Mellow Mix) 4:09 A3 Testify (Album Version) 4:58 B1 Testify (12" Amen Dub) 4:54 B2 Testify (12" Hallelujah Dub) 6:41 B3 Testify (12" Spirit Dub) 8:33 Companies, etc. Phonographic Copyright (p) – Perspective Records Copyright (c) – Perspective Records Manufactured By – A&M Records, Inc. Distributed By – A&M Records, Inc. Remixed At – Sarm West Studios Pressed By – Specialty Records Corporation Credits Backing Vocals – Carrie Harrington, Core Cotton, Jamecia Bennett, Patricia Lacy, Shirley Marie Graham, Terrence Frierson Bass [Additional] – Leo T.* (tracks: A1, A2, B1 to B3) Engineer [Remix] – Robin Hancock (tracks: A1, A2, B1 to B3) Executive Producer – Jimmy Jam & Terry Lewis Keyboards [Additional] – Mike Talbot* (tracks: A1, A2, B1 to B3) Producer – Gary Hines, Jimmy Jam & Terry Lewis Remix – C.J. Macintosh* (tracks: A1, A2, B1 to B3) Vocals – Andre Shepard, Ann Bennett-Nesby* Notes From the Perspective album "The Evolution of Gospel". Remixed at Sarm West Studios, London . Barcode and Other Identifiers Barcode: 7 2896-81207-1 3 Other versions Title Category Artist Label Category Country Year (Format) Sounds Of Testify (12", Perspective 28968 1710 1 28968 1710 1 US 1991 Blackness Promo) Records Sounds Of Testify (Cass, Perspective 28968 0006 4 28968 0006 4 US 1991 Blackness Single) Records Perspective 2896-81710-1, Sounds Of Testify (12", Records, 2896-81710-1, US 1991 28968 1710-1 Blackness TP) Perspective 28968 1710-1 Records The Sounds Of Testify (12", Perspective 28968 1207 1 28968 1207 1 US 1991 Blackness* Promo) Records Sounds Of Testify (CD, Perspective 28968 1708 2 28968 1708 2 US 1991 Blackness Maxi, Promo) Records Related Music albums to Testify by The Sounds Of Blackness P.O.D. - Beyound Testify Limited Editor Cindy & Roy - I Wanna Testify / Changin' Jobs Jamie 3:26 & Masalo / Sameed - Testify / Can't U Johnnie Taylor - I Had A Fight With With Love / Testify (I Wonna) Phil Collins - Testify Testify - Testify P.O.D. - Testify I:Gor - Testify / Power To Distort (I:Gor Remix) Hifi Sean Featuring Crystal Waters - Testify Black Star Riders - Testify Or Say Goodbye Caleb Johnson - Testify Tom Basquil & James Nardi - Testify.

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Oh Happy Day
PART 4: Activities & Resources: Music in Honor of Dr. Martin Luther King, Jr. Meet the Sounds of Blackness, 2015 WITNESS Guest Artists One: Meet the Artists . 81 Two: Listen and Respond to Music by Sounds of Blackness . 82 Student Reading: Meet the Sounds of Blackness . 85 Graphic Organizer: A Bio Wheel for Sounds of Blackness . 87 Musical Roots of Spirituals, Gospel and Rhythm & Blues (R&B) One: Listen and “Respond to Ubuntu” . 89 Two: African Roots of American Music . 93 Student Reading: “The Roots of African American Music” . 96 Reading for Teachers and Older Students: “Characteristics of West African Music” . 98 Poem: “Origins” by Toyomi Igus from I See the Rhythm . 99 78 Three: Spirituals . 100 Reading for Teachers & Older Students: “About Spirituals” . 102 Listening Log for Oh, Freedom . 104 Sheet Music: Oh, Freedom . 105 Four: Becoming Aware of Gospel Music . 106 Student Reading: Gospel Music in the U .S .A . 108 Student Handout: Listening Map for March Song Medley . 109 Five: Gospel Music . 110 Student Handout: Lyrics for Oh Happy Day . 109 Six: Rhythm & Blues . 114 Student Reading: Rhythm & Blues . 117 WITNESS 79 Sound of Blackness: Guest Artists for the 2015 WITNESS Young People’s Concert Introduction The guest artists for the 2015 WITNESS the theme and focus of the 2015 WITNESS Young People’s Concert is the Minnesota- Young People’s Concert, and hearing the music based ensemble, Sounds of Blackness. The will ignite their interest in hearing the live activities in this lesson will introduce students performance. to the ensemble and their music. Students will If this is your first WITNESS lesson, provide read a biography, view a PowerPoint, and listen folders for each student to collect handouts, to a piece from the WITNESS Companion materials, and their own work related to the CD.
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Gospel Music in the United States
PEOPLE DEMOCRATIC REPUBLIC OF ALGERIA MINISTRY Of HIGHER EDUCATION AND SCIENTIFIC RESEARCH FACULTY OF FOREIGN LANGUAGES DEPARTMENT OF ENGLISH MASTER IN Literature and interdisciplinary approaches Gospel Music in the United States Submitted by: Belalia Amel Members of the board: Chairperson: Mrs Aissat djamila Supervisor: Mrs Benneghrouzi Fatima Zohra Examiner: Mrs Mokkadem Academic Year : 2019 / 2020 Dedications I dedicate this work to My parents and my family To all the gospel soldiers in the long struggle for human freedom I Acknowledgements First of all, I thank Allah for his help and guidance. Enormous thanks to my supervisor Benneghrouzi Fatima Zohra. An extra thanks to Mr. Teguia for his advises. In addition, I owe additional thank to my friends for their support and advises. II Abstract When Africans were forced to leave their homes in Africa and brought to North America to live and die in servitude, they brought with them their rich culture. Culture is a vital human resource for resisting oppression. This included music. The story of black music is also the tale of the enduring social struggles of American history. For slaves, songs were very important, they were used to communicate. Among the most powerful resources that sustained African Americans through difficulty was strong religious faith. The songs sung in slave times gave birth to religious songs known as Spiritual Songs. The secular and sacred songs of everyday black folk are bound up in loss, despair, hope, and dreams. Since the majority of slaves could not read, they used a variety of means to protest, for example, coded songs which encouraged escape and sabotage.
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Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Beil & Howell Information Company 300 Nortfi Z eeb Road, Ann Arbor, Ml 48106 -1 3 4 6 USA 313/761-4700 800/521-0600 Order Number 9218977 Shirley Caesar: A woman of words Harrington, Brooksie Eugene, Ph D. The Ohio State University, 1992 UMI 300 N.
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CB-1991-08-31.Pdf
VOL. LV, NO. 03, AUGUST 31, 1991 STAFF BOX GEORGE ALBERT President and Publisher KEITH ALBERT Vice President/General Manager JIM SHARP Vice President FRED L. GOODMAN Editor In Chief CAMILLE COMPASIO Director, Coin Machine Operations LEE JESKE New York Editor KIMMY WIX Nashville Editor Editorial ALEX HENDERSON, Assoc. Ed. (LA) BRYAN DeVANEY, Assoc. Ed. (LA) SHELLY WEISS, Assoc. Ed., Publishing (L.A.) INSIDE THE BOX BERNETTA GREEN (N.Y.) WILMA MELTON (Nash.) COVER STORY STEVE GIUFFRIDA (Nash.) Chart Research Vanessa Williams: Breaking The JEFF KARP Coordinator (L.A.) Sophomore Jinx CLIFF GERKEN (Nash.) TERESACHANCE (Nash.) Mercury/Wing artist Vanessa Williams has just NATHAN W.(DXF) HOLSEY (LA) released her second album. The Comfort Zone. The lp CHERRY URESTI (L.A.) JIMMY PASCHAL (LA) promises to be an even bigger smash than her debut Production album, which went gold. In an exclusive interview, the JIM GONZALEZ stunning and confident songstress discusses her career. Art Director —see page 7 Circulation NINATREGUB, Manager CYNTHIA BANTA Publication Offices NEWS NEW YORK 1 57 W. 57th Street (Suite 1402) BMI’s Resounding Victory New York, NY 10019 Phone: (212) 586-2640 This week BMI was awarded over $2 million in a Fax: (212) 582-2571 HOLLYWOOD copyright infringement lawsuit against Disney and 6464 Sunset Blvd. (Suite 605) BET cable channels. Frances Preston, president and ceo Hollywood, CA 90028 Phone: (213) 464-8241 of the performing rights society, believes the case will Fax: (213)464-3235 NASHVILLE pave the way for future royalties from cable airplay. 50 Music Square West (Suite #502) Nashville TN 37203-3212 —see page 3 Phone: (615) 329-2898 Fax:(615)320-5120 CHICAGO 1 442 S.
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“I'll Fly Away”: the Music and Career of Albert E. Brumley
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY Kevin Donald Kehrberg University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Kehrberg, Kevin Donald, "“I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY" (2010). University of Kentucky Doctoral Dissertations. 49. https://uknowledge.uky.edu/gradschool_diss/49 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Kevin Donald Kehrberg The Graduate School University of Kentucky 2010 “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Music at the University of Kentucky By Kevin Donald Kehrberg Lexington, Kentucky Director: Dr. Ronald Pen, Associate Professor of Musicology Lexington, Kentucky 2010 Copyright © Kevin Donald Kehrberg 2010 ABSTRACT OF DISSERTATION “I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY Albert E. Brumley (1905-1977) was the most influential American gospel song composer of the twentieth century, penning such “classics” within the genre as “Jesus, Hold My Hand,” “I’ll Meet You in the Morning,” “If We Never Meet Again,” “Turn Your Radio On,” and “Rank Strangers to Me.” His “I’ll Fly Away” has become the most recorded gospel song in American history with over one thousand recordings to date, and several of his works transcend cultural boundaries of style, genre, race, denomination, and doctrine.
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The Hilltop 1-15-1993
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 1-15-1993 The iH lltop 1-15-1993 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 1-15-1993" (1993). The Hilltop: 1990-2000. 74. http://dh.howard.edu/hilltop_902000/74 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ' • II • ' • • Volu1c:e 76, No.19 Serving the Howard University community since 1924 January 15, 1993 IHiil§ IHIII.. CG IHIILII G - enifer hopes University improvements I . IN HOMAGE TO A KING: A will sustain under new administration salute to Dr. Martin Luther By Kimberly Martin was very pleased that we were able have had a Democratic President and HT: How will you attempt to g,ai11 Hilltop Staff Writer to get them to understand the key a Democrat ic Congress. That means favor f rom the P,resident·elect'l· King and his i1nportance of this institution, and that whatever budget comes out of the administration ? The cttanges being made in the they responded not just with _ executive (branch) is very likely to JENIFER: What we've been doing achievements. executive' branch' of the United States come out of the Congress. in our lobbying effort is that we·\'C ·government may not affect only the A6 Therefore, we must work tried to convince the president and the nation, but Howard University direct very hard to ensure that the rest of the nation, by the way.
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The Pennsylvania State University the Graduate School College Of
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The Role of Gospel Music in the Formation of Early Twentieth Century Chicago Culture Monica C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "The Lord Has Led Me, and He Will Lead You: " The Role of Gospel Music in the Formation of Early Twentieth Century Chicago Culture Monica C. Reed Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES “THE LORD HAS LED ME, AND HE WILL LEAD YOU:” THE ROLE OF GOSPEL MUSIC IN THE FORMATION OF EARLY TWENTIETH CENTURY CHICAGO CULTURE By MONICA C. REED A Thesis Submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 The members of the Committee approve the thesis of Monica C. Reed defended on December 18, 2007. _________________________________ Dr. Amanda Porterfield Professor Directing Thesis _________________________________ Dr. John Corrigan Committee Member _________________________________ Dr. Amy Koehlinger Committee Member Approved: _____________________________________ Dr. John Corrigan, Chair, Department of Religion The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS Abstract ......................................................................................................................... iv INTRODUCTION .......................................................................................................... 1 1. HISTORIOGRAPHICAL REVIEW...........................................................................
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Congressman Neumann Blasted Over Homophobic Remarks
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Sounds of Blackness Director Gary Hines, and Don Shelby
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The Influence of Music on the Development of the Church of God (Cleveland, Tennessee)
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