Chapter 4. Long-Range, Transcontinental Manifestations of a Transformation Cycle of Elements
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Voices of Feminism Oral History Project: Roma, Catherine
Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Northampton, MA CATHERINE ROMA Interviewed by JOYCE FOLLET June 19 and 20, 2005 Northampton, Massachusetts This interview was made possible with generous support from the Ford Foundation. © Sophia Smith Collection 2006 Sophia Smith Collection Voices of Feminism Oral History Project Narrator Catherine Roma was born in Philadelphia January 29, 1948, the youngest of three children of Italian-born parents. Her mother completed high school and, once married, was a community volunteer. Her father graduated from Princeton University and Temple Law School, but when his own father died young, he left legal practice to run the family’s barbershops in Philadelphia and other East Coast railroad terminals. Practicing Catholics, Catherine’s parents sent her to Germantown Friends School K-12; she remains a Convinced Friend. In the late 1960s and early 1970s, Roma earned a BA in music and an MM in Choral Conducting at the University of Wisconsin-Madison, where she became involved in socialist-feminist politics and began organizing a feminist choral group in 1974. Returning to Philadelphia the following year to teach music at Abington Friends School, she organized and conducted Anna Crusis, the first feminist women’s choir in the US. In 1983 she undertook the doctorate in musical arts at the University of Cincinnati, where she founded MUSE, the community chorus she continues to lead. Under Roma’s leadership, MUSE is a vital group in what has become a national and international grassroots movement of women’s choruses. MUSE is recognized as a model anti-racist community organization and a progressive force in Cincinnati politics. -
Rahm Uaf 0006E 10262.Pdf
Deconstructing the western worldview: toward the repatriation and indigenization of wellness Item Type Thesis Authors Rahm, Jacqueline Marie Download date 23/09/2021 13:22:54 Link to Item http://hdl.handle.net/11122/4821 DECONSTRUCTING THE WESTERN WORLDVIEW: TOWARD THE REPATRIATION AND INDIGENIZATION OF WELLNESS A THESIS Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY By Jacqueline Marie Rahm, B.A., M.A. Fairbanks, Alaska December 2014 Abstract As Indigenous peoples and scholars advance Native histories, cultures, and languages, there is a critical need to support these efforts by deconstructing the western worldview in a concerted effort to learn from indigenous knowledge and ways of knowing for humanity’s future wellbeing. Toward that imperative, this research brings together and examines pieces of the western story as they intersect with Indigenous peoples of the lands that now comprise the United States of America. Through indigenous frameworks and methodologies, it explores a forgotten epistemology of the pre-Socratic and Pythagorean Archaic and Classical Greek eras that is far more similar to indigenous worldviews than it is to the western paradigm today. It traces how the West left behind this timeless wisdom for the “new learning” and the European colonial settlers arrived in the old “New World” with a fragmented, materialistic, and dualistic worldview that was the antithesis to those of Indigenous peoples. An imbalanced and privileged worldview not only justified an unacknowledged genocide in world history, it is characteristic of a psycho-spiritual disease that plays out across our global society. -
The Spiritual Tradition at the Roots of Western Civilization
The Spiritual Tradition at the Roots of Western Civilization Excerpts from In the Dark Places of Wisdom and Reality by Peter Kingsley1 1 A compilation by Ulrich Mohrhoff In The Dark Places of Wisdom 255 pages The Golden Sufi Center (1999) Paperback ISBN 189035001X Reality 600 pages The Golden Sufi Center (2003) Softcover ISBN 1-890350-09-5 Hardcover ISBN 1-890350-08-7 1 Prologue We are human beings, endowed with an incredible dignity; but there’s nothing more un- dignified than forgetting our greatness and clutching at straws. (DPW 4) So many of us today are concerned about the extinction of all the species that the west- ern world is wiping out. But there’s hardly anyone who notices the most extraordinary threat of all: the extinction of our knowledge of what we are. (DPW 9) Perhaps the simplest way of describing the situation would be to say that, two and a half thousand years ago in the West, we were given a gift — and in our childishness we threw away the instructions for how to use it. We felt we knew what we were playing with. And, as a result, western civilization may soon be nothing but an experiment that failed. (R 20–21) 1 Published with permission. Copyright © 1999, 2003 Peter Kingsley. For further information about Peter Kingsley and his work, visit www.peterkingsley.org . 112 ANTIMATTERS 1 (2) 2007 Even in these modern times, what half-heartedly is described as mystical perception is always pushed to the periphery. When it’s not denied it’s held at arm’s length — out there at the margins of society. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Heraclitus and the Work of Awakening A Dissertation Presented by Nicolas Elias Leon Ruiz to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Philosophy Stony Brook University August 2007 Copyright by Nicolas Elias Leon Ruiz August 2007 Stony Brook University The Graduate School Nicolas Elias Leon Ruiz We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Dr. Peter Manchester – Dissertation Advisor Associate Professor of Philosophy Dr. David Allison – Chairperson of Defense Professor of Philosophy Dr. Eduardo Mendieta Associate Professor of Philosophy Dr. Gregory Shaw Professor of Religious Studies Stonehill College This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Heraclitus and the Work of Awakening by Nicolas Elias Leon Ruiz Doctor of Philosophy in Philosophy Stony Brook University 2007 Heraclitus is regarded as one of the foundational figures of western philosophy. As such, he is typically read as some species of rational thinker: empiricist, materialist, metaphysician, dialectician, phenomenologist, etc. This dissertation argues that all of these views of Heraclitus and his work are based upon profoundly mistaken assumptions. Instead, Heraclitus is shown to be a thoroughly and consistently mystical writer whose work is organized around the recurring theme of awakening. He is thus much more akin to figures such as Buddha, Lao Tzu, and Empedocles than to Aristotle or Hegel. -
Universal War Version 1.7 Better Looking Edition
Universal War Version 1.7 Better Looking Edition The Universal War I haven’t much time to recount any ridiculous histories before our time runs short, little Human. I will explain what I can. I will start at the beginning. After GOD died by his own hand Heaven was left empty and the OLD LAW was slowly abandoned by the Angels. The Demiurges, the only children of GOD, rebuilt the great works of Heaven. All 7,777,777,777 worlds were connected and for a time they were content to remain apart. They learned many secrets from the universe and lived in enlightenment and virtuous philosophy. It was not to last, of course. Their hunger grew. The Demiurges were warriors, not fat poets. They built weapons so great and powerful that reality itself was torn apart. With the order of the Angels gone, the Demiurges were free to do as they pleased and soon the Age of Prosperity led to the Age of Conquest. Wealth bred indulgence and want. Want… the curse of life itself. So began The Universal War. 7,777,777,777 universes burned. Worlds burned. And they went mad. You wouldn’t understand it Human. One must see it but you will see it soon. The Universal War ended when the Prime Angels intervened. The OLD LAW was upheld but it was far too late… Vigintillions were slaughtered and entire galaxies were lost forever. The God Gates were shut down and the ancient secrets of the Universe were lost. How quickly they forget. That was 500,000,000 years ago. -
Asclepius and Epidaurus: the Sapiential Medicine As Divinatory Art Between Therapeutic Landscapes and Healing Dreams
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 15, no. 1, 2019 ASCLEPIUS AND EPIDAURUS: THE SAPIENTIAL MEDICINE AS DIVINATORY ART BETWEEN THERAPEUTIC LANDSCAPES AND HEALING DREAMS Nicola Luigi Bragazzi, Mariano Martini, Riccardo Zerbetto, Tania Simona Re ABSTRACT: Epidaurus was in the antiquity a therapeutic complex which included several buildings to which people came from every part of Greece to be cured by the god Asclepius, a deity venerated from 500 before Christ to the fourth-fifth century anno Domini, when many other pagan cults had already ceased to exist. Epidaurus was a very complex structure, a sort of city-state or sovereign state, able to host thousands of adepts. Here, patients were subject to ablution, purification and sporadic fasting. Asclepius appeared in a dream, in a sort a practice of magic-ritual and sapiential medicine. KEYWORDS: Asclepius; Epidaurus; Sapiential medicine; Templar medicine; Incubation sanctuary Originally, medicine was a divinatory art. Hoverer, the term "divination" has lost its original meaning throughout the centuries, with respect to the ancient times and, in particular, to the Greek archaic world, in which it held an enormous value. Divination, in fact, was the most genuine form of knowledge, a sort of half-closed door or bridge that connected the human world with the divine one. Apollo, a plague-dealer with a silver bow, is considered the father of medicine. We see him at the beginning of the Iliad with his poisoned arrows and darts disseminating illness and destruction to the Achaeans. The death www.cosmosandhistory.org 193 COSMOS AND HISTORY 194 inflicted by the divinity is terribly long and painful. -
Parmenides' Theistic Metaphysics
Parmenides’ Theistic Metaphysics BY ©2016 Jeremy C. DeLong Submitted to the graduate degree program in Philosophy and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson: Tom Tuozzo ________________________________ Eileen Nutting ________________________________ Scott Jenkins ________________________________ John Symons ________________________________ John Younger Date Defended: May 6th, 2016 ii The Dissertation Committee for Jeremy C. DeLong certifies that this is the approved version of the following thesis: Parmenides’ Theistic Metaphysics ________________________________ Chairperson: Thomas Tuozzo Date Defended: May 6th, 2016 iii Abstract: The primary interpretative challenge for understanding Parmenides’ poem revolves around explaining both the meaning of, and the relationship between, its two primary sections: a) the positively endorsed metaphysical arguments which describe some unified, unchanging, motionless, and eternal “reality” (Aletheia), and b) the ensuing cosmology (Doxa), which incorporates the very principles explicitly denied in Aletheia. I will refer to this problem as the “A-D Paradox.” I advocate resolving this paradoxical relationship by reading Parmenides’ poem as a ring-composition, and incorporating a modified version of Palmer’s modal interpretation of Aletheia. On my interpretation, Parmenides’ thesis in Aletheia is not a counter-intuitive description of how all the world (or its fundamental, genuine entities) must truly be, but rather a radical rethinking of divine nature. Understanding Aletheia in this way, the ensuing “cosmology” (Doxa) can be straightforwardly rejected as an exposition of how traditional, mythopoetic accounts have misled mortals in their understanding of divinity. Not only does this interpretative view provide a resolution to the A-D Paradox, it offers a more holistic account of the poem by making the opening lines of introduction (Proem) integral to understanding Parmenides’ message. -
Francis Bacon Our Shake-Speare
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com WIDENER HN LCYQ4 10 . 454 . 32 . 10 RDIANA HARVAR CADEMIA E NOV . VM IN AC TUOLD HO N ONY Harvard College Library Bought with Money received from Library Fines . FRANCIS BACON OUR SHAKE - SPEARE By the Same Author UNIFORM WITH THIS Volume BACON VS . SHAKSPERE Brief for Plaintiff Eighth Edition , Illustrated , Revised , and Enlarged CONTENTS Introductory Preface to Second Edition Preface to Fourth Edition List of Books for Consultation Chapter 1 . The Attainments of the Author of the Plays II . William Shakspere of Stratford - upon - Avon III . Francis Bacon IV . Ben Jonson V . Objections considered VI . Common Studies VII . Disillusion , a Gain VIII . Biography of Shakspere IX . The Birthplace at Stratford - upon - Avon X . Anne Hathaway ' s Cottage XI . New Place XII . The Mulberry Tree XIII . The Death - Mask XIV . Summary Index BACON AND SHAKE - SPEARE PARALLELISMS MW 1 li FE . TR . BACONIS De VERVLAM . Angliæ Cancellarii SAVGMENTIS SCIENTIARVM Lib . cx . AMSTEL ADAMI , Sumptibus Joannis Ravelteiny 1662 ) Brisri . ER BACONS r11 امو انا ةيلاع SAYGMENTIS SENTLARIZ Lib . IX FRANCIS BACON OUR SHAKE - SPEARE BY EDWIN REED , A . M . AUTHOR OF “ BACON US . SHAKSPERE , BRIEF FOR PLAINTIFF ” AND “ BACON AND SHAKE - SPEARE PARALLELISMS " Fabian . – I will prove it legitimate , sir , upon the oaths of judgment and reason . Sir Toby . — And they have been grand - jurymen , since before Noah was a sailor . Twelfth Night , iii . 2 . BOSTON CHARLES E . -
Chaos in the Old World Free
FREE CHAOS IN THE OLD WORLD PDF Fantasy Flight Games | none | 01 Jan 2015 | Fantasy Flight Games | 9781589946514 | English | United States Old Chaos | Dark Souls 2 Wiki Chaos in the Old World makes you a god. Yet, as you and your fellow powers of Chaos seek domination by corruption and conquest, you must vie Chaos in the Old World only against each other, but also against the desperate denizens of the Old World Chaos in the Old World fight to banish you back to the maelstrom of the Realm of Chaos. Chaos in the Old World features three ways to win, and gives you an unparalleled opportunity to reshape the world in your image. Every turn you corrupt the landscape, dominating its inhabitants, and battle with the depraved followers of rival gods. Each god has a unique deck of gifts and abilities, and can upgrade their followers into deadly foes. Summon forth living manifestations of Chaos, debased and hidden cultists, and the horrifying greater daemons - beings capable of destroying near everything in their path. Sign In Don't have an account? Start a Wiki. Chaos in the Old World is a board game for players set in the Warhammer Fantasy setting. Khorne, the Blood God, the Skulltaker, lusts for death and battle. Nurgle, the Plaguelord, the Father of Corruption, luxuriates in filth Chaos in the Old World disease. Tzeentch, the Changer of Ways, the Great Conspirator, plots the fate of the universe. Slaanesh, the Prince of Pleasure and Pain, the Lord of Temptations, lures even the most steadfast to his six deadly seductions. -
Chaos (Cosmogony)
Chaos (cosmogony) Chaos (Ancient Greek: χάος, romanized: khaos) refers to the void state preceding the creation of the universe or cosmos in the Greek creation myths, or to the initial "gap" created by the original separation of heaven and earth.[1][2][3] Contents Etymology Greco-Roman tradition Chaoskampf Biblical tradition Alchemy and Hermeticism Modern usage See also Notes References Etymology Greek χάος means "emptiness, vast void, chasm,[4] abyss", from the verb χαίνω, "gape, be wide open, etc.", h [5] [6] from Proto-Indo-European *ǵ eh2n-, cognate to Old English geanian, "to gape", whence English yawn. It may also mean space, the expanse of air, the nether abyss or infinite darkness.[7] Pherecydes of Syros (fl. 6th century BC) interprets chaos as water, like something formless which can be differentiated.[8] Greco-Roman tradition Hesiod and the Pre-Socratics use the Greek term in the context of cosmogony. Hesiod's Chaos has been interpreted as either "the gaping void above the Earth created when Earth and Sky are separated from their primordial unity" or "the gaping space below [9] the Earth on which Earth rests". Chaos by George Frederic Watts In Hesiod's Theogony, Chaos was the first thing to exist: "at first Chaos came to be" (or was)[10] but next (possibly out of Chaos) came Gaia, Tartarus and Eros (elsewhere the son of Aphrodite).[11] Unambiguously "born" from Chaos were Erebus and Nyx.[12] For Hesiod, Chaos, like Tartarus, though personified enough to have borne children, was also a place, far away, underground and "gloomy", beyond which lived the Titans.[13] And, like the earth, the ocean, and the upper air, it was also capable of being affected by Zeus' thunderbolts.[14] Passages in Hesiod's Theogony suggest that Chaos was located below Earth but above Tartarus.[15] Primal Chaos was sometimes said to be the true foundation of reality, particularly by philosophers such as Heraclitus. -
Heroic Furies: Spirituality and Nihilism in European Thought
Heroic Enthusiasts: Spirituality and Nihilism in European Thought Dr. Melanie J. Van Oort - Hall The separation of philosophy from religion, but also of religion from spirituality is a recent phenomenon. In our postmodern, subject oriented civilization, oftentimes, religion is associated with ‘overbearing dogma,’ ‘authoritarianism,’ while spirituality is associated with ‘freedom,’ ‘creativity,’ ‘harmony,’ etc. Nevertheless, there is another side to spirituality in the history of European thought that rather celebrates the opposite of harmony and is more nihilistic. This more nihilistic side of spirituality is probably particular to Modernity in that it tends to celebrate the self over against the community and sometimes advocates the self’s necessary destruction or annihilation in an attempt to recreate itself – a project with a questionable ratio of success. In order to better understand the development of the rise of nihilistic spirituality in modern European thought, we will focus on the philosophical background to Giordano Bruno’s suicidal figures in Gli eroici furori or The Heroic Enthusiasts. As perhaps one of the first ‘modern’ thinkers, who attempted to re-vitalize the philosophy and religion of the Presocratic philosophers within the framework of Renaissance Neoplatonism and Hermetism, Bruno represents a new understanding of the self in relation to the Cosmos that by nature becomes nihilistic. The word nihilism, which Friedrich Nietzsche characterized as the spirit of modernity, is derived from the Latin term, nihil or “nothing.” In Zur Genealogie der Moral or On the Genealogy of Morals, he deemed nihilism as a form of spirituality, a detail important for this paper. In his posthumously published Will to Power, notes he wrote around the same time he published Genealogie (1887), Nietzsche says that “Radical nihilism is the conviction of an absolute untenability of existence when it comes to the highest values one recognizes...”1 Significantly for Nietzsche, nihilism is a devaluation of this existence. -
Poetry and Chemistry, 1770-1830: Mingling Exploded Systems
POETRY AND CHEMISTRY, 1770-1830: MINGLING EXPLODED SYSTEMS by KURTIS HESSEL B.S.C. University of Miami, 2005 M.A. Southern Illinois University Carbondale, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English 2017 ii This thesis entitled: Poetry and Chemistry, 1770-1830: Mingling Exploded Systems written by Kurtis Hessel has been approved for the Department of English _________________________________________ (Jill Heydt-Stevenson) _________________________________________ (Jeffrey Cox) Date_____________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii ABSTRACT Hessel, Kurtis (Ph.D., English) Poetry and Chemistry, 1770-1830: Mingling Exploded Systems Dissertation directed by Associate Professor Jill Heydt-Stevenson Poetry and Chemistry, 1770-1830: Mingling Exploded Systems argues that changes in how scientists understood and practiced chemistry influenced how literary writers defined their field. These changes also contributed to a profound transformation occurring between 1770 and 1830: the separation of the arts and sciences into disciplines. I examine the establishment of chemistry as a branch of physical science, the relationship between poetic criticism and scientific theory, and the growing estrangement during the period among humanistic, aesthetic and scientific pursuits. Authors including Anna Barbauld, Samuel Taylor Coleridge, John Keats, and Humphry Davy responded to the specialization of knowledge ambivalently, embracing the capacity of new methods of order to intensify intellectual scrutiny, but resisting the tendency of disciplines to produce epistemological stability.