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A Long, Long Time
June 7 – 11 ETTALONG BEACH NSW Proudly supported by ASC wishes to acknowledge the Darkinyung people who are the Traditional Custodians of the land upon which this event is taking place. We pay our respect to Elders past and present, and extend that respect to all indigenous people joining us at ASC this year. Message from the Founder Welcome to the 2018 Australian Songwriters Conference. To think it almost didn’t happen! How do I begin to say “Thank you” to everyone who has made ASC2018 possible? I have to begin with a huge shout out to the group of ASCers who rallied together to make sure ASC2018 would go ahead this year, most especially Elizabeth Usher, Renee Jonas, Terri Rowe, Mary Harrison, Tiffany Gow and Christine Kerr - you are my heroes! Thank you for going above and beyond to get the crowd funding campaign up and running, and for supporting and assisting me all the way through the past few months of event preparation. To everyone who supported the crowd funding campaign and helped to make it a success – thank you so much for believing in this event and funding our campaign. Finally, thank you to the amazing industry professionals, particularly the ‘Core’ Faculty members, for being so incredibly generous and supportive by turning up every year, sharing your time, knowledge and wisdom and being so incredibly humble and easy to work with. This year couldn’t have happened without you all, so I thank you and appreciate you more than words can say. ASC also wouldn’t be possible without the support of our wonderful partners. -
An Interview with Megan Washington by Megan Spencer Australian Musician Magazine, November 2010
‘Fireflies in a jar’ - an interview with Megan Washington By Megan Spencer Australian Musician Magazine, November 2010. There are those among us whose minds work differently when it comes to storytelling. Rather than sit down and ‘tell a story’, they sit down and and ‘tell a song’. These people are ‘hardwired’ for song. When stories start spinning in their heads and hearts, poetry spills out (not prose) which, coupled with music, become ‘lyrics’. Spontaneously and simultaneously music generates from within their imaginations to accompany each word. Melody and rhythm entwine themselves around phrases, until they fuse to form verses, choruses, repeat; and then become… song. Megan Washington aka ‘Washington’ is one of these enviable ‘right-brained people’, a latter- day songstress or “chanteuse” as she is often referred to, not only in the media but by herself as well. (On Washington’s MySpace under ‘About Me’ you will find, “Chanteuse: noun (literary): a female singer, especially one who sings on the stage in a theatre or bar, where elegant people fall about in frantic and frenzied splendour.”) Since emerging onto the national stage just over 12 months ago, people have been swooning over the sound of Washington’s voice and music. But it is her songwriting that leaves its mark; strong, poetic, narrative, with a distinct emotional tone. It smacks of a discipline in advance of her 24 years and defines her presence within the Australian musical landscape. “Songwriting for me sits somewhere between therapy, memory and fantasy,” says Megan, fresh from her first stint at Splendour In The Grass, where she got to belt out songs from her just-released debut album, ‘I Believe You Liar’. -
Songs by Artist
DJ Song list Songs by Artist DJ Song list Title Versions Title Versions Title Versions Title Versions -- 360 Ft Pez 50 Cent Adam & The Ants Al Green -- 360 Ft Pez - Live It Up DJ 21 Questions DJ Ant Music DJ Let's Stay Together We -- Chris Brown Ft Lil Wayne Candy Shop DJ Goody Two Shoes DJ Al Stuart -- Chris Brown Ft Lil Wayne - DJ Hustler's Ambition DJ Stand And Deliver DJ Year Of The Cat DJ Loyal If I Can't DJ Adam Clayton & Larry Mullen Alan Jackson -- Illy In Da Club DJ Theme From Mission DJ Hi Chattahoochee DJ -- Illy - Tightrope (Clean) DJ Just A Li'l Bit DJ Impossible Don't Rock The Jukebox DJ -- Jason Derulo Ft Snoop Dog 50 Cent Feat Justin Timberlake Adam Faith Gone Country DJ -- Jason Derulo Ft Snoop Dog DJ Ayo Technology DJ Poor Me DJ Livin' On Love DJ - Wiggle 50 Cent Feat Mobb Deep Adam Lambert Alan Parsons Project -- Th Amity Afflication Outta Control DJ Adam Lambert - Better Than I DJ Eye In The Sky 2010 Remix DJ -- Th Amity Afflication - Dont DJ Know Myself 50 Cent Ft Eminem & Adam Levin Alanis Morissette Lean On Me(Warning) If I Had You DJ 50 Cent Ft Eminem & Adam DJ Hand In My Pocket DJ - The Potbelleez Whataya Want From Me Ch Levine - My Life (Edited) Ironic DJ Shake It - The Potbelleez DJ Adam Sandler 50Cent Feat Ne-Yo You Oughta Know DJ (Beyonce V Eurythmics Remix (The Wedding Singer) I DJ Baby By Me DJ Alannah Myles Sweet Dreams DJ Wanna Grow Old With You 60 Ft Gossling Black Velvet DJ 01 - Count On Me - Bruno Marrs Adele 360 Ft Gossling - Price Of DJ Albert Lennard Count On Me - Bruno Marrs DJ Fame Adele - Skyfall DJ Springtime In L.A. -
Top 4000 Is Marco De Best Vertegenwoordigde Nederlandse Artiest in De Grootste Hitlijst Aller Tijden!
Vanaf 1 december t/m 24 december luister je van 07.00 tot 21.00 uur naar de Top 4OOO op Radio 1O! NR Artiest Titel Jaar 4000 THE O’JAYS I LOVE MUSIC 1976 3999 KANE GANG CLOSEST THING TO HEAVEN 1984 3998 WILL DOWNING A LOVE SUPREME 1988 3997 THE BEATLES DAY TRIPPER 1965 3996 THE J. GEILS BAND CENTERFOLD 1982 3995 THE JUDDS WHY NOT ME 1989 3994 ROBBIE WILLIAMS SOMETHING BEAUTIFUL 2002 3993 DAVID DUNDAS JEANS ON 1977 3992 SHANIA TWAIN I’M GONNA GETCHA GOOD 2002 3991 MICHAEL JACKSON GONE TOO SOON 1993 3990 STEVE WINWOOD WHILE YOU SEE A CHANCE 1981 3989 LOS DEL RIO MACARENA 1996 In 1993 kwam ´Macarena´ van het Spaanse zangduo Los Del Río voor het eerst uit. Het nummer brak echter pas echt door toen de Bayside Boys er in 1996 een remix van maakten en het een wereldwijde zomerhit werd. Helaas is het daar ook bij gebleven. 3988 TIME BANDITS I’M SPECIALIZED IN YOU 1983 3987 ROD STEWART I DON’T WANT TO TALK ABOUT IT 1977 3986 A-HA THE LIVING DAYLIGHTS 1987 3985 TAMMY WYNETTE STAND BY YOUR MAN 1975 3984 KOOL & THE GANG TOO HOT 1980 3983 WENDY & LISA ARE YOU MY BABY 1989 3982 QUEEN HEAVEN FOR EVERYONE 1995 3981 KIM WILDE NEVER TRUST A STRANGER 1988 3980 ENGLAND DAN & JOHN FORD-COLEY I’D REALLY LOVE TO SEE YOU TONIGHT 1976 3979 EURYTHMICS IT’S ALRIGHT 1986 3978 THE REAL THING CAN YOU FEEL THE FORCE 1979 3977 UB40 HOMELY GIRL 1989 3976 JAKI GRAHAM BREAKING AWAY 1986 3975 THE BEACH BOYS DARLIN’ 1968 3974 THE CORRS BREATHLESS 2000 3973 JULIAN LENNON TOO LATE FOR GOODBYES 1984 3972 MARVIN GAYE LET’S GET IT ON 1973 3971 I.O.S. -
STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Caron Wheeler Beach of the War Goddess = 戦いの女神の海辺 Mp3, Flac, Wma
Caron Wheeler Beach Of The War Goddess = 戦いの女神の海辺 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Reggae Album: Beach Of The War Goddess = 戦いの女神の海辺 Country: Japan Released: 1993 Style: RnB/Swing, Dub, Acid Jazz, Reggae-Pop MP3 version RAR size: 1969 mb FLAC version RAR size: 1264 mb WMA version RAR size: 1798 mb Rating: 4.1 Votes: 407 Other Formats: MIDI RA AUD TTA WMA AHX WAV Tracklist Hide Credits 1 Respect To The Motherland In Our Love 2 Producer – Heavy Love I Adore You 3 Producer – Jimmy Jam & Terry Lewis Wonder 4 Co-producer – Jazzie B Gotta Give It Up 5 Producer – Mikey Bennett Beach Of The War Goddess 6 Co-producer – Derek Johnson , Twilight Firm 7 Soul Street 8 Lite As A Feather Need A Man 9 Co-producer – Heavy Love, Jimi Randolph 10 Father Naughty Eyes 11 Producer – Mikey Bennett Wind Cries Mary 12 Producer – Derek Johnson Do You Care 13 Co-producer – Keith Crouch Land Of Life 14 Producer – Derek Johnson In Our Love (Club Remix) 15 Producer – Heavy Love Companies, etc. Manufactured By – Toshiba EMI Ltd Phonographic Copyright (p) – EMI Records USA Credits Producer – Caron Wheeler (tracks: 1, 4, 6 to 10, 13) Notes Track 15 is a bonus track. Barcode and Other Identifiers Barcode: 4 988006 683327 ASIN: B00005GKNS Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year 0777 7 97879 2 Caron Beach Of The War 0777 7 97879 2 EMI USA US 1992 0 Wheeler Goddess (CD) 0 0777 7 97879 4 Caron Beach Of The War 0777 7 97879 4 EMI USA US 1992 4 Wheeler Goddess (Cass, Album) 4 Beach Of The War Caron D 10269 Goddess (CD, Album, EMI USA D 10269 US 1992 Wheeler Club) EMI 0777 7 97879 2 Caron Beach Of The War 0777 7 97879 2 Records Europe 1992 0 Wheeler Goddess (CD, Album) 0 USA Related Music albums to Beach Of The War Goddess = 戦いの女神 の海辺 by Caron Wheeler Jay King - Helen's Son Derek & The Dominos - Why Does Love Got To Be So Sad Caron Wheeler - U.K Blak Debbie Johnson - Everlasting Love / So Excited Mikey Jarrett / J. -
![COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]](https://docslib.b-cdn.net/cover/5125/complete-music-list-by-artist-no-of-tunes-6773-465125.webp)
COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
[ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION -
"A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes
University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Arts, Social Sciences & Humanities 2014 "A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes Sarah Taylor Royal Melbourne Institute of Technology Colin Arrowsmith Royal Melbourne Institute of Technology, [email protected] Nicole T. Cook University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/sspapers Part of the Education Commons, and the Social and Behavioral Sciences Commons Recommended Citation Taylor, Sarah; Arrowsmith, Colin; and Cook, Nicole T., ""A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes" (2014). Faculty of Social Sciences - Papers. 3071. https://ro.uow.edu.au/sspapers/3071 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes Abstract This paper demonstrates the use of historical Geographic Information Systems (historical GIS) to investigate live music in Sydney and Melbourne. It describes the creation of a tailored historical geodatabase built from samples of gig listings (comprising dates, locations, and performer names), and how this historical geodatabase offers insight into the changing dynamics of performers and venue locations. The major findings from the analyses using the developed historical geodatabase are that neither city showed a decline in live music performance or performer numbers, but Melbourne increased at a greater rate than Sydney. -
21St September 2018 Submission to the House Standing Committee on Communications and the Arts Inquiry Into Factors Contributing
21st September 2018 Submission to the House Standing Committee on Communications and The Arts Inquiry into factors contributing to the growth and sustainability of the Australian Music Industry https://www.aph.gov.au/Parliamentary_Business/Committees/House/Communications/ Australianmusicindustry INTRODUCTION Thank you for considering this submission, which is in collaboration with the Australian Association of Musicians (AM). My name is Andrew Barnum, as a PhD candidate at UTS in the Faculty of Arts and Social Science, my study is investigating the cultural contexts of Identity, Artifact and Change through the lens of Australian Song in the age of digital music. To date I’ve interviewed thirty-five Australian songwriters (genders and music genres) to understand the conditions in which their practice exists in Australia. In consideration of the terms of reference stated for this inquiry, it’s important to start with some unifying statements as drivers of purpose for this submission. WHAT ARE OUR COMMON BELIEFS AS AUSTRALIANS? As a community of Australian artists and citizens, we are informed by the belief that our nation should strive to be a productive nation - empathic, respectful, imaginative, industrious, adaptive, open and successful. (Creative Australia 2013) In this submission we are considering the reasons why our Association should support these beliefs as central to our strategy to re-invigorate The Australian music Industry, which is both a cultural and commercial Australian enterprise, locally and globally. This submission considers the factors that will grow and sustain our uniquely Australian Music Industry, as a proud Cultural and Creative Industry, and in doing so, confirm our sense of self as Australian musical entrepreneurs, our desire to feel we belong here in our birthplace as Australian artists, producers and copyright holders, and can sustain livelihood and opportunity at home, as productive members of the field of cultural production in Australia. -
THECLIP LIST.. Patit
AS OF APRIL 6, 1991 A SAMPLING OF PLAYLISTS AT NATIONAL VIDEO MUSIC OUTLETS. MUSIC VIDEO Billboard® Lists do not include videos in THECLIP LIST.. recurrent or oldies rotation. VIDEO TRACK NEW YORK f )TNN. ANGELES Wig LOS forthcoming KOOL MOE DEE's The Nashville Network Blacki Entertainment Television "Rise And Shine" video features Continuous programming Continuous programming 30 Hours Weekly IMAGO RECORDING CO. artists guest performances by Boogie 1515 Broadway, New York,NY 10036 1515 Broadway, New York,NY 10036 14 hours daily 2806 Opryland Dr, Nashville,TN Baby Animals linked with VIVID Down Productions' KRS -One and 1899 9th St NE, Washington,DC 37214 EXCLUSIVE ADDS 20018 Productions director Burk Uzzle to Public Enemy's Chuck D. Jim ADDS Morning," the debut vid- directed the clip, which Rolling Stones, Highwire Londonbeat, I've Been Thinking... reel "Early Swaffield Roxette, Joyride The Dells, A Heart Is A House For Love Rob Crosby, She's A Natural eo from the band's debut album on comes from the rapper's Jive album, Rod Stewart, Rhythm Of My Heart ADDS Ray Kennedy, Scars Sting, The Soul Cages VH -1 TO WATCH Highway 101, Bing Bang Boom this brand -new record label. Krista "Funky Wisdom." Joseph F. Nar- Keith Washington, Kissing You Joe Diffie, If The Devil Danced Nils Lofgren, Valentine Lisa Fischer, How Can I Ease The Pain Montagna produced the clip. delli produced for New Generation BUZZ BIN Davis Daniel, Picture Me Brand New Heavies , Dream... Lome Morgan, We Both Walk I OF THE Mark Freedman Productions di- Pictures. Divinyls, Touch Myself ARTIST MONTH Chubb Rock, Treat 'Em Right Vaughan Brothers, The Ballad.. -
Songs in the Key of Melbourne; Melbourne in the Key of Song
Songs in the key of Melbourne; Melbourne In the Key of Song. Research assignment SRA744 - Urban Patterns and Precedents Matt Novacevski, 2013 “Representations of a city and its life in the arts can be narrative ‘portraits’, local or ‘synoptic’ descriptions, ac- cording to Shapiro. Choosing a particular city—[...your A1 city ?...]— as the object of such representation, examine and discuss what can be learned about the nature of that city from any of those descriptions. Use specific examples for you inferences to give them credibility.” It has been claimed that Melbourne is the subject of popular song more than any Australian city (1). Since the 1970s, the city has been an incubator for the Australian music scene, growing some of Australia’s biggest artists and music industry players (2). In this context, it is natural that this music would that tell us much about the nature of Melbourne. Melbourne has been a muse to musicians and songwriters, which have in turn left to the city a series of cultural portraits in their songs that have not only described Melbourne; they have shaped its reality. Melbourne and its songwriters can be seen to have developed a symbiotic relationship where songwriters are inspired by the many faces of the city, while their songs are cultural documents that influence the way people view and interact with the city. As Keeling says, music acts “as a mirror to and for society, and it plays a very important role in shaping both our social identity and the identity of places” (3). While this project demonstrates the importance of popular music in reflecting and shaping the Melbourne’s sense of place, it does not seek to provide a comprehensive account of all this material - partly because songwriting focused on and inspired by Melbourne has been so prolific.