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Azharos-Piyuttim Unique to Shavuos
dltzd z` oiadl Vol. 10 No. 17 Supplement b"ryz zereay zexdf`-miheit Unique To zereay The form of heit known as dxdf` is recited only on the holiday of 1zereay. An dxdf` literary means: a warning. As a form of heit, an dxdf` represents a poem in which the author weaves into the lines of the poem references to each of the zeevn b"ixz. Why did this form of heit become associated with the holiday of zereay? Is there a link between the zexdf` and the zexacd zxyr? To answer that question, we need to ask some additional questions. Should we be reciting the zexacd zxyr as part of our zelitz each day and why do we not? In truth, we should be reciting the zexacd zxyr as part of our zelitz. Such a recital would represent an affirmation that the dxez was given at ipiq xd and that G-d’s revelation occurred at that time. We already include one other affirmation in our zelitz; i.e. z`ixw rny. The devn of rny z`ixw is performed each day for two reasons; first, because the words in rny z`ixw include a command to recite these words twice each day, jakya jnewae, and second, because the first verse of rny z`ixw contains an affirmation; that G-d is the G-d of Israel and G-d is the one and only G-d. The recital of that line constitutes the Jewish Pledge of Allegiance. Because of that, some mixeciq include an instruction to recite the first weqt of rny z`ixw out loud. -
SHEMA YISRAEL II After the First Pasuk, We Recite “Baruch Shem Kevod Malchuso Leolam Vaed - Blessed Is the Name of His Glorious Kingdom for All Eternity
*Please respond describing if and how these Tefillah Tips are disseminated to members. Thank you* SHEMA YISRAEL II After the first pasuk, we recite “Baruch Shem Kevod Malchuso Leolam Vaed - Blessed is the Name of His glorious kingdom for all eternity. The simple understanding as to why we don’t say Baruch Shem out loud is because unlike the rest of the Shema, Baruch Shem is nowhere to be found in the written Torah and interrupts two Biblical sentences. It is however mentioned in the Talmud in tractate Pesachim 56A that our Father, Jacob said this sentence to his children before passing away (see last week’s edition). Therefore the Talmud concludes it should be said in an undertone. The Shema continues with the words “Veahavta Et Hashem Elokecha - And you shall love the Lord your G-d”. How exactly are you to express your love unto Him? “Bechol Levavecha, uvechol nafshecha, uvechol meodecha - with all of your heart, your soul, and your possessions”. The commentators ask, “How can the Torah command us to emote”?! We are commanded to don Tefillin, to eat kosher, and to observe the Shabbat, but to love G-d? Emotions are triggered and experienced but are not necessarily accessible at will. How then shall we understand - “Veahavta Et Hashem - You Shall love G-d”? HaRav Baruch HaLevi Epstein zt”l (1860-1941) in his work on the Siddur, The Baruch Sheamar advances two approaches to understanding this verse. The first approach maintains the literal translation of Veahavta – You shall love Him. He explains that the commandment of “Veahavta” must be seen in light of the previous prayer in the Siddur - “Ahava Rabbah”. -
Introduction to Birchot Kriyat Shema-2
dltzd z` oiadl Vol. 2 No. 24 d"qyz dnexz zyxt INTRODUCTION TO rny z`ixw zekxa-2 How many zekxa were recited before rny z`ixw at the time that the ycwnd zia stood? The `xnb in '` 'nr '`i sc zekxa zkqn discusses the issue: ,ekxa mde !zg` dkxa ekxa :dpennd mdl xn` ,1mzd opz-'` 'nr '`i sc zekxa zkqn zn` :zekxa yly mrd z` ekxae ,xn`ie ,reny m` dide ,rny ,zexacd zxyr e`xwe dkxa i`n .`veid xnynl zg` dkxa oitiqen zayae ,mipdk zkxae ,dceare ,aivie dkxa i`n :ediipn era ,`xz` `eddl erlw` `a` xa iqei iaxe `a` iaxc `d ik ?zg` ,dcedi axl edeliiy ez` .dicia ded `l ,dpzn axl edeliiy ez`e .ediicia ded `l ?zg` oa oerny iax xn` in` iax xn` `wixf iax xn`e .dax dad` l`eny xn` ikd :edl xn` `l` xnz` yexita e`l `wixf iaxc `d :xn` sqei xa wgvi ax `z` ik .xe` xvei :yiwl - zxne` z`f :yiwl oa oerny iax xn` in` iax xn` `wixf iax xn`c ,xnz` `llkn oi` zekxac epiid - ixn` eed ,xe` xvei `nlya zxn` i` .ef z` ef zeakrn oi` zekxa i`n - ixn` eed dax dad` zxn` i` `l` ;dax dad` ixn` `w `lc ,ef z` ef zeakrn xvei onf `hn `lc meyn - xe` xvei ixn` `lc i`d `nlc ?ef z` ef zeakrn oi` zekxa dad` mlerl ,`llkn i`c - ?i`n `llkn i`e - !ixn` eed - xe` xvei onf `hn ike ,xe` - ?ef z` ef zeakrn oi` zekxa i`ne ,dil ixn` eed - xe` xvei onf `hn ike ,ixn` eed dax .zekxa xcq The `xnb concludes that in the ycwnd zia the dkxa that was recited before z`ixw rny was dax dad` and that xe` xvei was recited later in the morning because the mipdk recited rny z`ixw earlier than the time at which to recite xe` xvei. -
Edith Halpert & Her Artists
Telling Stories: Edith Halpert & Her Artists October 9 – December 18, 2020 Charles Sheeler (1883-1965), Home Sweet Home, 1931, conte crayon and watercolor on paper, 11 x 9 in. For Edith Halpert, no passion was merely a hobby. Inspired by the collections of artists like Elie Nadelman, Robert Laurent, and Hamilton Easter Field, Halpert’s interest in American folk art quickly became a part of the Downtown Gallery’s ethos. From the start, she furnished the gallery with folk art to highlight the “Americanness” of her artists. Halpert stated, “the fascinating thing is that folk art pulls in cultures from all over the world which we have utilized and made our own…the fascinating thing about America is that it’s the greatest conglomeration” (AAA interview, p. 172). Halpert shared her love of folk art with Charles Sheeler and curator Holger Cahill, who was the original owner of this watercolor, Home Sweet Home, 1931. The Sheelers filled their home with early American rugs and Shaker furniture, some of which are depicted in Home Sweet Home, and helped Halpert find a saltbox summer home nearby, which she also filled with folk art. As Halpert recalled years later, Sheeler joined her on trips to Bennington cemetery to look at tombstones she considered to be the “first folk art”: I used to die. I’d go to the Bennington Cemetery. Everybody thought I was a queer duck. People used to look at me. That didn’t bother me. I went to that goddamn cemetery, and I went to Bennington at least four times every summer…I’d go into that cemetery and go over those tombstones, and it’s great sculpture. -
Oral History Interview with Edith Gregor Halpert, 1965 Jan. 20
Oral history interview with Edith Gregor Halpert, 1965 Jan. 20 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview HP: HARLAN PHILLIPS EH: EDITH HALPERT HP: We're in business. EH: I have to get all those papers? HP: Let me turn her off. EH: Let met get a package of cigarettes, incidentally. [Looking over papers, correspondence, etc.] This was the same year, 1936. I quit in September. I was in Newtown; let's see, it must have been July. In those days, I had a four months vacation. It was before that. Well, in any event, sometime probably in late May, or early in June, Holger Cahill and Dorothy Miller, his wife -- they were married then, I think -- came to see me. She has a house. She inherited a house near Pittsfield, Massachusetts, and on the way back they stopped off and very excited that through Audrey McMahon he was offered a job to take charge of the WPA in Washington. He was quite scared because he had never been in charge of anything. He worked by himself as a PR for the Newark Museum for many years, and that's all he did. He sent out publicity releases that Dana gave him, or Miss Winsor, you know, told him what to say, and he was very good at it. He also got the press. -
Oral History Interview with Katherine Schmidt, 1969 December 8-15
Oral history interview with Katherine Schmidt, 1969 December 8-15 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Katherine Schmidt on December 8 & 16, 1969. The interview took place in New York City, and was conducted by Paul Cummings for the Archives of American Art, Smithsonian Institution. Interview DECEMBER 8, 1969 [session l] PAUL CUMMINGS: Okay. It's December 8, 1969. Paul Cummings talking to Katherine Schubert. KATHERINE SCHMIDT: Schmidt. That is my professional name. I've been married twice and I've never used the name of my husband in my professional work. I've always been Katherine Schmidt. PAUL CUMMINGS: Well, could we start in 0hio and tell me something about your family and how they got there? KATHERINE SCHMIDT: Certainly. My people on both sides were German refugees of a sort. I would think you would call them from the troubles in Germany in 1848. My mother's family went to Lancaster, Ohio. My father's family went to Xenia, Ohio. When my father as a young man first started out in business and was traveling he was asked to go to see an old friend of his father's in Lancaster. And there he met my mother, and they were married. My mother then returned with him to Xenia where my sister and I were born. -
Ohio Valley's RCVP Network Packet!
Ohio Valley’s RCVP Network Packet! Created by Emma Zelkind, the RCVP of NFTY’s Ohio Valley 2018-2019 with the help of past NFTY and RCVP’s resources. In order to reach me: Phone number: (513)-444-5812 Email: [email protected] Twitter: ov_rcvp Instagram: emma_zelkind Snapchat: emma_zelkind Dear RCVP’s for the 5778-5779 year, Hey! And welcome to your RCVP network (it’s an awesome one)! It is important to remember that we are all here since we are Jewish and that it is what connects all of us together. With this in mind it it is our job as RCVP’s to ask the question “what about this program is Jewish?” Amd if there isn’t one it is our jobs to create one. This packet, throughout the year, will aid you in doing so. You will need to put in work in order to create amazing programs, but trust me when you see your impact on the Jewish teens around you, you will know that it was all worth it! Since we only have a handful of regional events every year it is all of your jobs to make sure that NFTY makes a huge impact throughout the year! An RCVP’s job is to not only plan amazing and unique service and cultural programs, but to find a religious connection to every program that you TYG creates. You will find that even though there are so many amazing values in judaism you might find a program that doesn’t fit into a specific Jewish value, but that is okay! Continue working with your board on the rest of the programs to find their Jewish components. -
The Ohio Valley RCVP Network Packet ✡✡✡✡✡✡✡✡✡✡ Compiled by Micah Kraus, RCVP of NFTY Ohio Valley 2017-2018 with Help from Past RCVP’S and NFTY Resources
1 The Ohio Valley RCVP Network Packet ✡✡✡✡✡✡✡✡✡✡ Compiled by Micah Kraus, RCVP of NFTY Ohio Valley 2017-2018 with help from past RCVP’s and NFTY resources Contact info and Social Media Phone: (513)503-4171 Email: [email protected] Twitter: @ov_rcvp Instagram: @mikraus1999 Facebook:Micah Kraus ✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡✡ Don’t forget to follow NFTY-OV on Facebook, Twitter, and Instagram! Join the NFTY-OV Facebook group! Information on Holidays, Torah, and Judaism in general The URJ website The NFTY website, has lots and lots of resources 2 Dear Wonderful RCVPs of NFTY Ohio Valley, Welcome to the best network! NFTY is a Jewish organization, so it is our job, whatever the event or program is, to add some Jewishness to all of it, and help the rest of our board to incorporate Judaism into their programming. This packet will discuss what it is we all can do to make our experiences Jewish in a meaningful way throughout the year. This job is whatever you make it to be, as with any TYG board position. If you put in the work, you can see incredible results and a huge impact on your fellow Jewish teens, and even the community as a whole. Regional events are only several times a year; in order for our movement to make as big of a difference as it can, we all have to be the leaders we were chosen to be, and make NFTY’s impact a year round process. Often times, the RCVP is viewed as a position where you just plan services and cultural programs. -
0 the High Holyday Madrikh
לְ(רַדַהמּ םַהָמְיִי ִי וֹנּר ָא םיִָ נּ THE HPCT-CAE@HOME HIGH HOLYDAY MANUAL שת פ א״ 5781 Rabbi Eliot Malomet The Officers and Board of Trustees of the Highland Park Conservative Temple – Congregation Anshe Emeth extends its warmest wishes to the Temple family for a Shanah Tovah u-Metukah! A sweet and healthy New Year! EXECUTIVE COMMITTEE AUXILIARY ORGANIZATIONS Stuart Feinblatt, President Marcia Klioze, Sisterhood Barbara Parkoff, President-Elect Spencer Brooks, Men’s Club Carrie Mitnick, 1st Vice President Linda Diamond, 2nd Vice President PAST PRESIDENTS Philip Kibel, Treasurer Arthur Cohen Seth Gross, Financial Secretary Sheldon Freidenreich Susan Winter, Recording Secretary Edward Guttenplan Samuel Kamens Rabbi Eliot I. Malomet Zoltan Kemeny Linda Tondow, Executive Director Gertrude Klaus Carl Levy TRUSTEES Stuart Mitnick Susan Baron Gayle Brill Mittler Dave Cohen Fred Morgan Ira Cohen Mitchel Rosen Debbie Gerber Dr. Peter Schild Carey Glass Dr. Theodore Stahl Mindy Golden Roy Tanzman Phil Goldwasser Linda Tondow Simone Gore Eugene Gottlieb HONORARY TRUSTEE David Greenblatt Marlene Herman Ira Kizner Joy Kuchinsky Jerry Langer Sherri Lerner Steven Polinsky Joanne Rosenberg Terry Chazan Rothberg Michael Schoeffler Leonard Seader Daniel Shifrin Marlene Tarshish 2 ה״ב September 2020 Elul 5780 Dear Friends, When the pandemic struck six months ago, our lives changed. Worried for our health and safety, we were no longer able to gather together in large numbers to pray, study and live out the rhythms of Jewish life. This “Great Disruption” took a great toll on us as our lives ground to a halt. Some in our community lost loved ones due to Covid-19, others became sick and thankfully recovered. -
Yeshiva University • a To-Go Series• Nissan 5772
1 Yeshiva University • A To-Go Series• Nissan 5772 Richard M. Joel, President, Yeshiva University Rabbi Kenneth Brander, The David Mitzner Dean, Center for the Jewish Future Rabbi Joshua Flug, General Editor Rabbi Michael Dubitsky, Editor Copyright © 2012 All rights reserved by Yeshiva University Yeshiva University Center for the Jewish Future 500 West 185th Street, Suite 419, New York, NY 10033 [email protected] • 212.960.5263 This publication contains words of Torah. Please treat it with appropriate respect. For sponsorship opportunities, please contact Genene Kaye at 212.960.5852 or [email protected]. 2 Yeshiva University • A To-Go Series• Nissan 5772 Table of Contents Pesach 2012/5772 The Defining Moment: Once and Again Rabbi Reuven Brand. Page 5 Sippur Yetzias Mitzrayim as a Special Form of Talmud Torah Rabbi Menachem Genack. Page 11 The Reality of Freedom Dr. Naomi Grunhaus. Page 21 Celebrating Pesach in the Land of the Pharaohs Dr. Jill Katz . Page 25 The Freedom of Family Rabbi Yona Reiss . Page 29 Pesach: The Festival of Liberty and Love Rabbi Eliav Silverman. Page 33 Geared To Go: She'eilat Keilim Mrs. Natalie Taylor. Page 36 Haggadah Discussions for the Family: A Collection from Yeshiva University’s Community Kollelim . Page 41 3 Yeshiva University • A To-Go Series• Nissan 5772 On this Chag of v’hegadata l’bincha, of telling the story of our people, we take special pride in sharing with you our Pesach-To Go. Through sharing the torah of various Yeshiva personalities, we hope to add vivid color to your Torah thoughts around the seder and holiday table. -
Faces of the League Portraits from the Permanent Collection
THE ART STUDENTS LEAGUE PRESENTS Faces of the League Portraits from the Permanent Collection Peggy Bacon Laurent Charcoal on paper, 16 ¾” x 13 ¾” Margaret Frances "Peggy" Bacon (b. 1895-d. 1987), an American artist specializing in illustration, painting, and writing. Born in Ridgefield, Connecticut, she began drawing as a toddler (around eighteen months), and by the age of 10 she was writing and illustrating her own books. Bacon studied at the Art Students League from 1915-1920, where her artistic talents truly blossomed under the tutelage of her teacher John Sloan. Artists Reginald Marsh and Alexander Brook (whom she would go on to marry) were part of her artistic circle during her time at the League. Bacon was famous for her humorous caricatures and ironic etchings and drawings of celebrities of the 1920s and 1930s. She both wrote and illustrated many books, and provided artworks for many other people’s publications, in addition to regularly exhibiting her drawings, paintings, prints, and pastels. In addition to her work as a graphic designer, Bacon was a highly accomplished teacher for over thirty years. Her works appeared in numerous magazine publications including Vanity Fair, Mademoiselle, Harper’s Bazaar, Vogue, Dial, the Yale Review, and the New Yorker. Her vast output of work included etchings, lithographs, and her favorite printmaking technique, drypoint. Bacon’s illustrations have been included in more than 64 children books, including The Lionhearted Kitten. Bacon’s prints are in the collections of the Whitney Museum of American Art, the Brooklyn Museum, and the Museum of Modern Art, all in New York. -
B'nai Mitzvah Resources T'filot - PRAYERS
Congregation B'nai Jeshurun B'nai Mitzvah Resources T'FILOT - PRAYERS FRIDAY EVENING Candle Blessing Kiddush Motzi SATURDAY MORNING Torah Blessings Haftarah Blessings Memorize Page SHABBAT PRAYERS: Yotzeir Or Shema Veahavta Avot G'vurot FRIDAY NIGHT CANDLE BLESSING READ BY PARENT'S OF THE B'NAI MITZVAH Ba-ruch A-tah A-do-nai E-lo-hei-nu Me-lech Ha-O-lam A-sher kid’sha-nu b’mitz-vo-tav V’tzi-va-nu l’had-lik ner shel Sha-bbat (Amen) On Friday night, parents will be invited up to read an associated English Blessing, after which they will light the Shabbat candles & recite the Hebrew blessing. *REQUIRED MATERIAL FOR ALL B'NAI MITZVAH FAMILIES KIDDUSH & MOTZI FRIDAY NIGHT KIDDUSH Chanted by B’nai Mitzvah Ba-ruch A-tah A-do-nai E-lo-hei-nu Me-lech Ha-O-lam Bo-rei p’ri ha-ga-fen (Amen) Friday Night ONLY: Ba-ruch A-tah A-do-nai E-lo-hei-nu Me-lech Ha-O-lam Asher kid’sha-nu b’mitz-vo-tav V’ratzah va-nu V’sha-bbat Kod-sho B’ahava u-v’ra-tzon hinchilanu Zi-ka-ron l’ma-aseh v’rei-sheet Ki hu yom t’chi-lah L’mi-kra-eh ko-desh Ze-cher li-tziat mitz-ra-yim Congregation Joins: Ki va-nu va-char-ta V’o-ta-nu ki-dash-ta Mi-kol ha’a-mim V’sha-bbat kod-she-cha B’ahava u-v’ratzon Hin-chal-tanu Ba-ruch A-tah A-do-nai M’ka-deish ha-Sha-bbat HAMOTZI Ba-ruch A-tah A-do-nai E-lo-hei-nu me-lech ha-o-lam Ha-mo-tzi le-chem min ha-a-retz *REQUIRED MATERIAL FOR ALL B'NAI MITZVAH FAMILIES MORNING BLESSINGS B/M Reads: YOTZER OR: "We continue on page 199" AHAVA RABBAH: B/M Reads: Congregation Reads: B/M Reads SH'MA & V'AHAVTA "We continue on page 203"" AMIDAH Also referred to as "T'filah" - prayer, the Amidah is the centerpiece of the Jewish service.