Appellate Jurisdiction
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Satyajit Ray
AU CINÉMA LE 9 DÉCEMBRE 2015 EN VERSION RESTAURÉE HD Galeshka Moravioff présente LLAA TTRRIILLOOGGIIEE DD’’AAPPUU 3 CHEFS-D’ŒUVRE DE SATYAJIT RAY LLAA CCOOMMPPLLAAIINNTTEE DDUU SSEENNTTIIEERR (PATHER PANCHALI - 1955) Prix du document humain - Festival de Cannes 1956 LL’’IINNVVAAIINNCCUU (APARAJITO - 1956) Lion d'or - Mostra de Venise 1957 LLEE MMOONNDDEE DD’’AAPPUU (APUR SANSAR - 1959) Musique de RAVI SHANKAR AU CINÉMA LE 9 DÉCEMBRE 2015 EN VERSION RESTAURÉE HD Photos et dossier de presse téléchargeables sur www.films-sans-frontieres.fr/trilogiedapu Presse et distribution FILMS SANS FRONTIERES Christophe CALMELS 70, bd Sébastopol - 75003 Paris Tel : 01 42 77 01 24 / 06 03 32 59 66 Fax : 01 42 77 42 66 Email : [email protected] 2 LLAA CCOOMMPPLLAAIINNTTEE DDUU SSEENNTTIIEERR ((PPAATTHHEERR PPAANNCCHHAALLII)) SYNOPSIS Dans un petit village du Bengale, vers 1910, Apu, un garçon de 7 ans, vit pauvrement avec sa famille dans la maison ancestrale. Son père, se réfugiant dans ses ambitions littéraires, laisse sa famille s’enfoncer dans la misère. Apu va alors découvrir le monde, avec ses deuils et ses fêtes, ses joies et ses drames. Sans jamais sombrer dans le désespoir, l’enfance du héros de la Trilogie d’Apu est racontée avec une simplicité émouvante. A la fois contemplatif et réaliste, ce film est un enchantement grâce à la sincérité des comédiens, la splendeur de la photo et la beauté de la musique de Ravi Shankar. Révélation du Festival de Cannes 1956, La Complainte du sentier (Pather Panchali) connut dès sa sortie un succès considérable. Prouvant qu’un autre cinéma, loin des grosses productions hindi, était possible en Inde, le film fit aussi découvrir au monde entier un auteur majeur et désormais incontournable : Satyajit Ray. -
Need to Provide Budgetary Support to the Government of West Bengal for Setting up Madarsas
an> Title: Need to provide budgetary support to the Government of West Bengal for setting up Madarsas. SHRI SUDIP BANDYOPADHYAY (KOLKATA UTTAR): In our State, West Bengal, minorities contribute 2.57 crore, that is 28.1 per cent of the total population. The present Government has increased the budgetary support for development of minorities by five times, from Rs.472 crore in 2010-11 to Rs.2,383 core during the current fiscal year. We met the hon. Minister, Shrimati Najma Heptulla with a delegation just two days back at her residence in the morning and discussed in detail. We have some issues. Firstly, scholarships are offered by the Central Government under the 15 point programme. In West Bengal, it was 20 lakhs, this year we have received applications of near about 30 lakhs. We would like to appeal to the Central Government to consider increase the quota from 20 lakhs to 30 lakhs. Secondly, Multi Sectoral Development Programme during 2015-16, the Government made an appeal for a grant of Rs.415 crore, and only Rs.100 crore has been allotted. The balance may kindly be delivered at the quickest possible time. About the clusters of minority areas outside NCBs, proposals for approval of minorities clusters under the MSDP are pending, approval may be given to the name. About Cyber Gram, the State has proposed to the Minister this. This Government has sanctioned 243 Madrasas, out of 615 Government-aided Madrasas. Balance may be released as per the proposal. The State Government has undertaken the project of Skill Development Programme with a project cost of Rs.86.46 crore under MSDP; Rs.6.02 crore has been sanctioned towards administrative cost for this purpose. -
The Cinema of Satyajit Ray Between Tradition and Modernity
The Cinema of Satyajit Ray Between Tradition and Modernity DARIUS COOPER San Diego Mesa College PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge cb2 2ru, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written perrnission of Cambridge University Press. First published 2000 Printed in the United States of America Typeface Sabon 10/13 pt. System QuarkXpress® [mg] A catalog record for this book is available from the British Library Library of Congress Cataloging in Publication Data Cooper, Darius, 1949– The cinema of Satyajit Ray : between tradition and modernity / Darius Cooper p. cm. – (Cambridge studies in film) Filmography: p. Includes bibliographical references and index. isbn 0 521 62026 0 (hb). – isbn 0 521 62980 2 (pb) 1. Ray, Satyajit, 1921–1992 – Criticism and interpretation. I. Title. II. Series pn1998.3.r4c88 1999 791.43´0233´092 – dc21 99–24768 cip isbn 0 521 62026 0 hardback isbn 0 521 62980 2 paperback Contents List of Illustrations page ix Acknowledgments xi Introduction 1 1. Between Wonder, Intuition, and Suggestion: Rasa in Satyajit Ray’s The Apu Trilogy and Jalsaghar 15 Rasa Theory: An Overview 15 The Excellence Implicit in the Classical Aesthetic Form of Rasa: Three Principles 24 Rasa in Pather Panchali (1955) 26 Rasa in Aparajito (1956) 40 Rasa in Apur Sansar (1959) 50 Jalsaghar (1958): A Critical Evaluation Rendered through Rasa 64 Concluding Remarks 72 2. -
Hold Your Story
HOLD YOUR STORY HOLD YOUR STORY REFLECTIONS ON THE NEWS OF SEXUAL VIOLENCE IN INDIA Edited by Chindu Sreedharan, Einar Thorsen and Asavari Singh Hold your story: reflections on the news of sexual violence in India Edited by Chindu Sreedharan, Einar Thorsen, and Asavari Singh For enquiries, please contact Chindu Sreedharan Email: [email protected] First published by the Centre for the Study of Conflict, Emotion & Social Justice, Bournemouth University https://www.bournemouth.ac.uk/research/centres-institutes/centre-study- conflict-emotion-social-justice ISBN: 978-1-910042-28-1 [print/softcover] ISBN: 978-1-910042-29-8 [ebook-PDF] ISBN: 978-1-910042-30-4 [ebook-epub] BIC Subject Classification Codes: GTC / JFD / KNT/ 1FKA /JFFE2 CC-BY 4.0 Chindu Sreedharan, Einar Thorsen, and Asavari Singh Individual chapters CC-BY 4.0 Contributors Cover design: Create Cluster Editoral coordinator: Shivani Agarwal Printed in India CONTENTS Acknowledgements ix Foreword 1 Ammu Joseph Introduction 6 Chindu Sreedharan, Einar Thorsen, and Asavari Singh PART I MEDIA ETHICS AND RESPONSIBILITIES 1. The recipe for irresponsible coverage 17 Sourya Reddy 2. Just ‘facts’ are not enough 24 Tejaswini Srihari 3. When numbers become ‘just’ numbers 30 Anunaya Rajhans 4. What journalists owe survivors 36 ‘Anitha’, interviewed by Tasmin Kurien 5. Towards undoing silences 46 Urvashi Butalia, interviewed by Sanya Chandra, Maanya Saran, Biplob K Das, and Yamini Krishnan 6. An ethos of fearlessness 52 Nisha Susan, interviewed by Meghna Anand 7. A lack of knowledge mars LGBTQ+ reporting 57 Bindumadhav Khire, interviewed by Pranati Narayan Visweswaran 8. Journalists need more subject expertise 62 Jagadeesh Narayana Reddy, interviewed by Spurthi Venkatesh 9. -
World Cultural Review 100
Vol-1; Issue-4 January - February 2020 Delhi RNI No.: DELENG/2019/78107 WORLD CULTURAL REVIEW www.worldcultureforum.org.in 100 OVER A ABOUT US World Culture Forum is an international Cultural Organization who initiates peacebuilding and engages in extensive research on contemporary cultural trends across the globe. We firmly believe that peace can be attained through dialogue, discussion and even just listening. In this spirit, we honor individuals and groups who are engaged in peacebuilding process, striving to establish a boundless global filmmaking network, we invite everyone to learn about and appreciate authentic local cultures and value cultural diversity in film. Keeping in line with our mission, we create festivals and conferences along with extensively researched papers to cheer creative thought and innovation in the field of culture as our belief lies in the idea – “Culture Binds Humanity. and any step towards it is a step towards a secure future. VISION We envisage the creation of a world which rests on the fundamentals of connected and harmonious co-existence which creates a platform for connecting culture and perseverance to build solidarity by inter-cultural interactions. MISSION We are committed to providing a free, fair and equal platform to all cultures so as to build a relationship of mutual trust, respect, and cooperation which can achieve harmony and understand different cultures by inter-cultural interactions and effective communications. RNI. No.: DELENG/2019/78107 World Cultural Review CONTENTS Vol-1; Issue-4, January-February 2020 100 Editor Prahlad Narayan Singh [email protected] Executive Editor Ankush Bharadwaj [email protected] Managing Editor Shiva Kumar [email protected] Associate Ankit Roy [email protected] Legal Adviser Dr. -
Two Films: Devi and Subarnarekha and Two Masters of Cinema / Partha Chatterjee
Two Films: Devi and Subarnarekha and Two Masters of Cinema / Partha Chatterjee Satyajit Ray and Ritwik Ghatak were two masters from the Bengali cinema of the 1950s. They were temperamentally dissimilar and yet they shared a common cultural inheritance left behind by Rabindranath Tagore. An inheritance that was a judicious mix of tradition and modernity. Ray’s cinema, like his personality, was outwardly sophisticated but with deep roots in his own culture, particularly that of the reformist Brahmo Samaj founded by Raja Ram Mohan Roy to challenge the bigotry of the upper caste Hindu Society in Bengal in the early and mid-nineteenth century. Ghatak’s rugged, home- spun exterior hid an innate sophistication that found a synthesis in the deep-rooted Vaishnav culture of Bengal and the teachings of western philosophers like Hegel, Engels and Marx. Satyajit Ray’s Debi (1960) was made with the intention of examining the disintegration of a late 19th century Bengali Zamidar family whose patriarch (played powerfully by Chabi Biswas) very foolishly believes that his student son’s teenaged wife (Sharmila Tagore) is blessed by the Mother Goddess (Durga and Kali) so as able to cure people suffering from various ailments. The son (Soumitra Chatterjee) is a good-hearted, ineffectual son of a rich father. He is in and out of his ancestral house because he is a student in Calcutta, a city that symbolizes a modern, scientific (read British) approach to life. The daughter-in-law named Doyamoyee, ironically in retrospect, for she is victimized by her vain, ignorant father-in-law, as it to justify the generous, giving quality suggested by her name. -
Barrenness and Bengali Cinema
1 “May You Be the Mother of A Hundred Sons!”: Barrenness vs. Motherhood in Bengali Cinema” Somdatta Mandal Department of English & Other Modern European Languages Visva-Bharati, Santiniketan Borrowing from the recently published novel The Palace of Illusions, Chitra Banerjee Divakaruni’s reimagining of the world-famous epic Mahabharata, let me begin with a well-known story. “Gandhari’s marriage, although she’d given up so much for its sake, was – like Kunti’s – not a happy one. Dhritarashtra was a bitter man. He never got over the fact that he’d been passed over by the elders – just because he was blind – when they decided which of the brothers should be king… The goal of Dhritarashtra’s life was to have a son who could inherit the throne after him. But here a problem arose, for in spite of his assiduous attempts Gandhari didn’t conceive for many years. When she finally did, it was too late. Kunti was already pregnant with Judhisthir. A year came. A year went. Yudhisthir was born. As the first male child of the next generation, the elders declared, the throne would be his. Dhritarashtra’s spies brought more bad news. Kunti was pregnant again. Now there were two obstacles between Dhritarashtra and his desire. Gandhari’s stomach grew large as a giant beehive, but her body refused to go into labor. Perhaps the frustrated king berated her, or perhaps the fact that he’d taken one of her waiting women as his mistress drove Gandhari to her act of desperation. She struck her stomach again and again until she bled, and bleeding gave birth to a huge, unformed ball of flesh. -
4 (16Th LOK SABHA )
Election Commission of India, General Elections, 2014 (16th LOK SABHA ) 4 - LIST OF SUCCESSFUL CANDIDATES CONSTITUENCY Category WINNER Social Category PARTY PARTY SYMBOL MARGIN Andaman & Nicobar Islands 1 Andaman & GEN Bishnu Pada Ray GEN BJP Lotus 7812 Nicobar Islands ( 4.14 %) Andhra Pradesh 2 Adilabad ST Godam Nagesh ST TRS Car 171290 ( 16.65 %) 3 Amalapuram SC Dr Pandula Ravindra SC TDP Bicycle 120576 Babu ( 10.82 %) 4 Anakapalli GEN Muttamsetti Srinivasa GEN TDP Bicycle 47932 Rao (Avanthi) ( 4.21 %) 5 Anantapur GEN J.C. Divakar Reddi GEN TDP Bicycle 61991 ( 5.15 %) 6 Aruku ST Kothapalli Geetha ST YSRCP Ceiling Fan 91398 ( 10.23 %) 7 Bapatla SC Malyadri Sriram SC TDP Bicycle 32754 ( 2.78 %) 8 Bhongir GEN Dr. Boora Narsaiah GEN TRS Car 30544 Goud ( 2.54 %) 9 Chelvella GEN Konda Vishweshwar GEN TRS Car 73023 Reddy ( 5.59 %) 10 Chittoor SC Naramalli Sivaprasad SC TDP Bicycle 44138 ( 3.70 %) 11 Eluru GEN Maganti Venkateswara GEN TDP Bicycle 101926 Rao (Babu) ( 8.54 %) 12 Guntur GEN Jayadev Galla GEN TDP Bicycle 69111 ( 5.59 %) 13 Hindupur GEN Kristappa Nimmala GEN TDP Bicycle 97325 ( 8.33 %) 14 Hyderabad GEN Asaduddin Owaisi GEN AIMIM Kite 202454 ( 20.95 %) 15 Kadapa GEN Y.S. Avinash Reddy GEN YSRCP Ceiling Fan 190323 ( 15.93 %) 16 Kakinada GEN Thota Narasimham GEN TDP Bicycle 3431 ( 0.31 %) 17 Karimnagar GEN Vinod Kumar GEN TRS Car 204652 Boinapally ( 18.28 %) 18 Khammam GEN Ponguleti Srinivasa GEN YSRCP Ceiling Fan 12204 Reddy ( 1.04 %) 19 Kurnool GEN Butta Renuka GEN YSRCP Ceiling Fan 44131 ( 4.18 %) 20 Machilipatnam GEN Konakalla Narayana GEN TDP Bicycle 81057 Rao ( 7.15 %) 21 Mahabubabad ST Prof. -
Lok Sabha Secretariat
LOK SABHA SECRETARIAT Details of expenditure incurred on HS/HDS/LOP/MP(s)* During the Period From 01/11/2014 To 30/11/2014 Office Salary for Arrears(if SL ICNO Name of MP/ Salary Constituency Travelling/ Expense/ Available) State Allowance Secretarial daily Sumptury Assistant Allowence Allowance 160001 Shri Godam Nagesh 1 50000 45000 15000 30000 0 0 Andhra Pradesh 160002 Shri Balka Suman 2 50000 45000 15000 30000 0 0 Andhra Pradesh 160003 Shri Vinod kumar 3 50000 45000 15000 30000 140605 Boianapalli 0 Andhra Pradesh 160004 Smt. Kalvakuntla Kavitha 4 50000 45000 15000 30000 1064644 0 Andhra Pradesh 160005 Shri Bheemrao 5 50000 45000 15000 30000 498828 Baswanthrao Patil 0 Andhra Pradesh 160006 Shri Kotha Prabhakar 6 50000 45000 15000 75000 0 Reddy 0 Andhra Pradesh 160007 Ch.Malla Reddy 7 50000 45000 15000 30000 25986 0 Andhra Pradesh 160008 Shri Bandaru Dattatreya 8 0 0 0 0 0 0 Andhra Pradesh 160009 Shri Owaisi Asaduddin 9 50000 45000 15000 30000 0 0 Andhra Pradesh 160010 Shri Konda Vishweshar 10 50000 45000 15000 30000 0 Reddy 0 Andhra Pradesh 160011 Shri A.P.Jithender Reddy 11 50000 45000 15000 30000 425466 0 Andhra Pradesh 160012 Shri Yellaiah Nandi 12 50000 45000 15000 30000 0 0 Andhra Pradesh 160013 Shri Guntha Sukender 13 50000 45000 15000 30000 425437 Reddy 0 Andhra Pradesh 160014 Dr.Boora Narsaiah Goud 14 50000 45000 15000 30000 68974 0 Andhra Pradesh 160015 Shri Kadiyam Srihari 15 50000 45000 15000 30000 112775 0 Andhra Pradesh 160016 Prof. Azmeera Seetaram 16 50000 45000 15000 30000 326937 Naik 0 Andhra Pradesh 160017 ShriPonguleti Srinivasa 17 50000 45000 15000 30000 298637 Reddy 0 Andhra Pradesh LOK SABHA SECRETARIAT Details of expenditure incurred on HS/HDS/LOP/MP(s)* During the Period From 01/11/2014 To 30/11/2014 Office Salary for Arrears(if SL ICNO Name of MP/ Salary Constituency Travelling/ Expense/ Available) State Allowance Secretarial daily Sumptury Assistant Allowence Allowance 160018 Smt. -
(1): Special Issue 100 Years of Indian Cinema the Changing World Of
1 MediaWatch Volume 4 (1): Special Issue 100 Years of Indian Cinema The Changing World of Satyajit Ray: Reflections on Anthropology and History MICHELANGELO PAGANOPOULOS University of London, UK Abstract The visionary Satyajit Ray (1921-1992) is India’s most famous director. His visual style fused the aesthetics of European realism with evocative symbolic realism, which was based on classic Indian iconography, the aesthetic and narrative principles of rasa, the energies of shakti and shakta, the principles of dharma, and the practice of darsha dena/ darsha lena, all of which he incorporated in a self-reflective way as the means of observing and recording the human condition in a rapidly changing world. This unique amalgam of self-expression expanded over four decades that cover three periods of Bengali history, offering a fictional ethnography of a nation in transition from agricultural, feudal societies to a capitalist economy. His films show the emotional impact of the social, economic, and political changes, on the personal lives of his characters. They expand from the Indian declaration of Independence (1947) and the period of industrialization and secularization of the 1950s and 1960s, to the rise of nationalism and Marxism in the 1970s, followed by the rapid transformation of India in the 1980s. Ray’s films reflect upon the changes in the conscious collective of the society and the time they were produced, while offering a historical record of this transformation of his imagined India, the ‘India’ that I got to know while watching his films; an ‘India’ that I can relate to. The paper highlights an affinity between Ray’s method of film-making with ethnography and amateur anthropology. -
Panel of Chairpersons Cabinet Ministers
an> Title: Newly elected members of 16th Lok Sabha took the oath or made the affirmation, signed the Roll of members and took their seats in the House. HON.SPEAKER: Now I call hon. Members to make oath orsubscribe affirmation. Shri Narendra Damodardas Modi (Varanasi) - Oath - Hindi Shri L.K. Advani (Gandhinagar) - Oath - Hindi Shrimati Sonia Gandhi (Rae Bareli) - Affirmation - Hindi HON. SPEAKER : Now I request the Secretary-General to call the names. SECRETARY GENERAL: Now panel of Chairpersons. PANEL OF CHAIRPERSONS 1. Shri Arjun Charan Sethi (Bhadrak) - Oath - English 2. Shri Purno Agitok Sangma (Tura) - Oath - English 3. Shri Biren Singh Engti (Autonomous - Oath - English District) CABINET MINISTERS 4. Shri Raj Nath Singh (Lucknow) - Oath - Hindi 5. Shrimati Sushma Swaraj (Vidisha) - Oath - Sanskrit 6. Shri Nitin Jairam Gadkari (Nagpur) - Oath - Hindi 7. Shri D.V. Sadananda Gowda - Oath - Kannada (Bangalore North ) 8. Ms. Uma Bharti (Jhansi) - Oath - Sanskrit 9. Shri Ramvilas Paswan (Hajipur) - Affirmation - Hindi 10. Shri Kalraj Mishra (Deoria) - Oath - Hindi 11. 12. Shrimati Maneka Sanjay Gandhi - Oath - English (Pilibhit) Shri Ananth Kumar (Bangalore South) - Oath - Kannada 13. Shri Ashok Gajapathi Raju Pusapati - Oath - Hindi (Vizianagaram) 14. Shri Anant Geete (Raigad) - Oath - Hindi 15. Shrimati Harsimrat Kaur Badal - Oath - Punjabi (Bathinda) 16. Shri Narendra Singh Tomar (Gwalior) - Oath - Hindi 17. Shri Jual Oram (Sundargarh) - Oath - Odia 18. Shri Radha Mohan Singh (Purvi - Oath - Hindi Champaran) 19. Dr. Harsh Vardhan (Chandni Chowk) - Oath - Sanskrit MINISTERS OF STATES (Independent Charge) 20. General (Retd.) Vijay Kumar Singh - Oath - Hindi (Ghaziabad) 21. Shri Rao Inderjit Singh (Gurgaon) - Oath - Hindi 22. Shri Santosh Kumar Gangwar (Bareilly) - Oath - Hindi 23. -
PENDING POSITION of MATTERS RAISED UNDER RULE 377 in SIXTEENTH LOK SABHA AS on 10.01.2017 Sl. No. Ministries Pending Matter
PENDING POSITION OF MATTERS RAISED UNDER RULE 377 IN SIXTEENTH LOK SABHA AS ON 10.01.2017 Sl. Ministries Pending No. matters 1. Ministry of Agriculture and Farmers Welfare 39 2. Ministry of Ayush 06 3. Ministry of Chemicals and Fertilizers 20 4. Ministry of Civil Aviation 07 5. Ministry of Coal 09 6. Ministry of Commerce and Industry 15 7. Ministry of Communications and Information Technology 23 8. Ministry of Consumer Affairs, Food and Public Distribution 11 9. Ministry of Corporate Affairs 01 10. Ministry of Culture 15 11. Ministry of Defence 10 12. Ministry of Development of North Eastern Region 00 13. Ministry Drinking Water Supply and Sanitation 53 14. Ministry of Earth Science 00 15. Ministry of Environment and Forests and Climate Change 97 16. Ministry of External Affairs 02 17. Ministry of Finance 49 18. Ministry of Food Processing Industries 01 19. Ministry Health and Family Welfare 85 20. Ministry of Heavy industries and Public Enterprises 08 21. Ministry of Home Affairs 35 22. Ministry of Housing and Urban and Poverty Alleviation 01 23. Ministry of Human Resources Development 120 24. Ministry of Information and Broadcasting 04 25. Ministry of Labour and Employment 26 26. Ministry of Law and Justice 18 27. Ministry of Micro, Small and Medium Enterprises 04 28. Ministry of Mines 06 29. Ministry of Minority Affairs 01 30. Ministry of New and Renewable Energy 04 31. Ministry of Overseas Indian Affairs 01 32. Ministry of Panchayati Raj 03 33. Ministry of Parliamentary Affairs 01 34. Ministry of Personnel, Public Grievance and Pension 11 35.