Perspectives on Synchronicity, Inspiration, and the Soul
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Pauli on Synchronicity
Pauli on Synchronicity Teun Lammers 11922583 Supervisor: Prof. Dr. Wouter Hanegraaff Second Examiner: Dr. Carolina Ivanescu Religious Studies Master Thesis Western Esotericism August 2019 Index Introduction 2 Why Pauli? 5 Die Geiβel Gottes 6 The other Pauli 8 The Problem 11 The Psychophysical Problem 17 No Scientific Picture 18 The Measurement Problem 20 Detached Observer 22 The ‘Cut’ 24 Opposites Unite 25 The Psyche 26 The Cosmic Order 30 The Symbolic Wave Function 31 The Conscious Order 32 Mathematical Reality 32 Archetype 34 Synchronicity 38 Everyday World 38 Pauli-effect 40 Meaning-Correspondence 41 Statistical Correspondence 43 The General Acausal Order 44 Conclusion 46 Bibliography 48 1 Introduction The first poem I ever text messaged my soon to be girlfriend was ‘Roll the dice’ by Charles Bukowski. With its strong appeal on following your own course through life no matter the consequences, and lines like ‘You will be alone with the gods, and the nights will flame with fire’ it served me as a small mantra when I was in fact changing my life for the better. On our second date we went to the nearest café from her house, appropriately named ‘Bukowksi’, when she mentioned there was one poem hanging from an old typewriter next to the bar. Surprisingly it turned out to be ‘Roll the dice’. This remarkable coincidence gave the poem some special meaning for the both of us. However the climax came, when after some time of proper courtship, we were making love for the first time and suddenly out of nowhere the raw voice of Bukowksi started reciting our poem with its epic first lines ‘if you’re going to try, go all the way, otherwise don’t even start’. -
Ancient Egypt
Cosmology & Culture Lecture 3 Wednesday April 15, 2009 Medieval & Renaissance Cosmology, Stuff of the Universe UCSC Physics 80C Medieval Period 524 Boethius’s Consolation of Philosophy summarizes classical heritage 622 Muhammad flees Mecca, begins preaching Islam 732 Martel halts Muslim invasion at Tours; Bede’s History 800 Chalemagne crowned Holy Roman Emperor 1066 Norman conquest of England 1086 Domesday Book – census of all taxable property in England 1095 First Crusade 1170 University of Paris, then Oxford; rediscovery of Aristotle 1215 King John of England signs Magna Carta at Runnymede 1270 Thomas Aquinas, Summa Theologica 1280 Jean de Meun, Roman de la Rose; Moses de Leon, Zohar ~1320 Dante, Divine Comedy; Meister Eckhart, Christian mystic 1335 First public striking clock, in Milan; William of Ockham, philosopher 1347-51 Black Death sweeps Europe ~1350 Petrarch, Italian humanist scholar ~1400 Chaucer, Canterbury Tales Renaissance 1455 Gutenberg Bible – printing revolution c.1500 Leonardo, Michangelo, Raphael, Machiavelli, Erasmus, More 1517 Luther’s 95 Theses begins Reformation 1543 Copernicus, De Revolutionibus 1600 Bruno burned at stake in Rome; Shakespeare, F. Bacon, Gilbert 1600-1700 Galileo, Kepler, Descartes, Leeuwenhoek, Hooke, Newton, … THE SCIENTIFIC REVOLUTION Dante’s Cosmos Monastic Life 10 Medieval Monk’s Contemplation Imagine that it is the year 1200 CE, and you are a monk in a monastery somewhere in Europe. You have just awakened in your cell. It is pitch black and very cold. You wrap yourself tightly in your woolen habit and fling open the window. The moon has not yet set. The world outside is silent and the sky sparkles with stars. -
Feminist Theory and the Frankfurt School: Introduction
wendy brown Feminist Theory and the Frankfurt School: Introduction Feminism is a revolt against decaying capitalism. —Marcuse There is a quaintness to Herbert Marcuse’s manifesto on behalf of “feminist socialism,” here reprinted for the first time since its appearance thirty years ago in Women’s Studies. It is not only an open- hearted and hopeful little effort at theoretically codifying the expansive revolutionary promise of the second wave of the Women’s Movement, a promise that would soon be dashed from within and without. Marcuse’s political and philosophical assumptions were also vulnerable to emerg- ing postfoundational critiques of the humanist subject, progressive his- toriography, and their entailments: essentialized identities, totalizing identities, undeconstructed binary oppositions, faith in emancipation, and revolution. Openhearted, hopeful, vulnerable, imaginative, revolution- ary: precisely the qualities Marcuse thought feminism brought to the unyielding and ultimately unemancipatory rationality of a masculinist radical politics, on the one hand, and a dreamless liberal egalitarianism, on the other. This unemancipatory rationality was the terrain that the Frankfurt School worked from every direction, as it upturned the myth of Volume 17, Number 1 doi 10.1215/10407391-2005-001 © 2006 by Brown University and d i f f e r e n c e s : A Journal of Feminist Cultural Studies Downloaded from http://read.dukeupress.edu/differences/article-pdf/17/1/1/405311/diff17-01_02BrownFpp.pdf by guest on 29 September 2021 Feminist Theory and the Frankfurt School Enlightenment reason, integrated psychoanalysis into political philosophy, pressed Nietzsche and Weber into Marx, attacked positivism as an ideology of capitalism, theorized the revolutionary potential of high art, plumbed the authoritarian ethos and structure of the nuclear family, mapped cultural and social effects of capital, thought and rethought dialectical materialism, and took philosophies of aesthetics, reason, and history to places they had never gone before. -
The Radical Roots of the Alt-Right
Gale Primary Sources Start at the source. The Radical Roots of the Alt-Right Josh Vandiver Ball State University Various source media, Political Extremism and Radicalism in the Twentieth Century EMPOWER™ RESEARCH The radical political movement known as the Alt-Right Revolution, and Evolian Traditionalism – for an is, without question, a twenty-first century American audience. phenomenon.1 As the hipster-esque ‘alt’ prefix 3. A refined and intensified gender politics, a suggests, the movement aspires to offer a youthful form of ‘ultra-masculinism.’ alternative to conservatism or the Establishment Right, a clean break and a fresh start for the new century and .2 the Millennial and ‘Z’ generations While the first has long been a feature of American political life (albeit a highly marginal one), and the second has been paralleled elsewhere on the Unlike earlier radical right movements, the Alt-Right transnational right, together the three make for an operates natively within the political medium of late unusual fusion. modernity – cyberspace – because it emerged within that medium and has been continuously shaped by its ongoing development. This operational innovation will Seminal Alt-Right figures, such as Andrew Anglin,4 continue to have far-reaching and unpredictable Richard Spencer,5 and Greg Johnson,6 have been active effects, but researchers should take care to precisely for less than a decade. While none has continuously delineate the Alt-Right’s broader uniqueness. designated the movement as ‘Alt-Right’ (including Investigating the Alt-Right’s incipient ideology – the Spencer, who coined the term), each has consistently ferment of political discourses, images, and ideas with returned to it as demarcating the ideological territory which it seeks to define itself – one finds numerous they share. -
Qualitative Freedom
Claus Dierksmeier Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Translated by Richard Fincham Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Claus Dierksmeier Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Claus Dierksmeier Institute of Political Science University of Tübingen Tübingen, Baden-Württemberg, Germany Translated by Richard Fincham American University in Cairo New Cairo, Egypt Published in German by Published by Transcript Qualitative Freiheit – Selbstbestimmung in weltbürgerlicher Verantwortung, 2016. ISBN 978-3-030-04722-1 ISBN 978-3-030-04723-8 (eBook) https://doi.org/10.1007/978-3-030-04723-8 Library of Congress Control Number: 2018964905 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Simone Weil, Fanny Howe and Alice Walker
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Towards a poetics of hope: Simone Weil, Fanny Howe and Alice Walker Christine Howe University of Wollongong Howe, Christine, Towards a poetics of hope: Simone Weil, Fanny Howe and Al- ice Walker, PhD thesis, Faculty of Creative Arts, University of Wollongong, 2008. http://ro.uow.edu.au/theses/548 This paper is posted at Research Online. http://ro.uow.edu.au/theses/548 TOWARDS A POETICS OF HOPE: SIMONE WEIL, FANNY HOWE AND ALICE WALKER A thesis submitted in partial fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by CHRISTINE HOWE, BCA (Hons I) FACULTY OF CREATIVE ARTS 2008 Howe Towards a Poetics of Hope i CERTIFICATION I, Christine Howe, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Christine Howe 15 August 2008 ii Howe Towards a Poetics of Hope TABLE OF CONTENTS Abstract………………………………………………………………………………v Acknowledgements…………………………………………………………………vii Introduction………………………………………………………………………….. 1 Hope in the Harlem Renaissance and the Negritude Movement………………… 3 Future Versus Present Oriented Hope: the Argument between Jean-Paul Sartre and Albert Camus…………………………………………………………... 7 Simone Weil’s Politics and Aesthetics………………………………………….. 16 Uprootedness and Hope in the Fiction of Fanny Howe and Alice Walker……… 24 Thesis Outline……………………………………………………………………. 29 Chapter 1. Simone Weil’s Poetics: Literature, Hope and Metaxu………………. -
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction -
Historiography and Remembrance: on Walter Benjamin's Concept Of
religions Essay Historiography and Remembrance: On Walter Benjamin’s Concept of Eingedenken Charlotte Odilia Bohn Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna, 1010 Vienna, Austria; [email protected] Received: 15 November 2018; Accepted: 5 January 2019; Published: 10 January 2019 Abstract: Engaging with Walter Benjamin’s concept of Eingedenken (remembrance), this article explores the pivotal role that remembrance plays in his attempt to develop a radically new vision of history, temporality, and human agency. Building on his essay “On Some Motifs in Baudelaire” and on his last written text, “Theses on the Philosophy of History”, it will trace how memory and historiography are brought together in a curious fusion of materialist and messianic thinking. Emerging from a critique of modernity and its ideology of progress that is cast as crisis—the practice of remembrance promises a ‘way out’. Many of Benjamin’s secular Marxist critics such as Max Horkheimer and Rolf Tiedemann, however, denied the political significance of Eingedenken—dismissing it as theological or banishing it to the realm of aesthetics. Rejecting this critique, I suggest that the radical ethical aspects of Eingedenken can be grasped only once the theological dimension is embraced in its own right and that it is in precisely this blend of materialist and messianic thought that revolutionary hope may be found. Keywords: Benjamin; Baudelaire; modernity; progress and catastrophe; materialism and mysticism; remembrance and historiography Only our momentary and accidental knowledge makes something rounded and changeless of the past. The smallest modification of that knowledge, such as any accident may occasion, sheds new light upon the “unchangeable” past, and suddenly, in that new light, everything acquires a different meaning and actually becomes different. -
Gregory Moore
Gregory Moore Associate Professor Department of History College of Arts and Sciences Georgia State University EDUCATION PhD, University of Cambridge, 2000 MA, Anglo-German Cultural Relations, University of Leeds, 1996 BA (hons), German and Philosophy, University of Leeds, 1995 PROFESSIONAL CREDENTIALS Associate Professor, Departments of History and Philosophy, Georgia State University, 2015 – present Assistant Professor, Departments of History and Philosophy, Georgia State University, 2012 – present Lecturer, Department of German, University of St Andrews, 2005 – 2012 Lecturer, Department of European Languages, University of Wales Aberystwyth, 2002 – 2005 Junior Research Fellow, Sidney Sussex College, University of Cambridge, 1999 – 2002 SCHOLARSHIP Books A. Monographs 2. Herder and Philosophy (Princeton University Press). Under contract. 1. Nietzsche, Biology and Metaphor (Cambridge: Cambridge University Press, 2002 [paperback reprint 2006]), pp. 236. B. Edited volumes Nietzsche and Science (Aldershot: Ashgate, 2004), pp. 246 (with Thomas H. Brobjer; introduction by Moore). C. Translations 5. Johann Gottfried Herder, Ideas toward the Philosophy of History of Mankind (Princeton University Press). Under contract. 4. Johann Gottlieb Fichte, Addresses to the German Nation [Cambridge Texts in the History of Political Thought], translated, edited and with an introduction by Gregory Moore (Cambridge: Cambridge University Press, 2008), pp. 254. 3. Johann Gottfried Herder, Shakespeare, translated, edited and with an introduction by Gregory Moore (Princeton, NJ: Princeton University Press, 2008), pp. 86. 2. Johann Gottfried Herder, Selected Writings on Aesthetics, translated, edited and with an introduction by Gregory Moore (Princeton, NJ: Princeton University Press, 2006), pp. 455. 1. Hans Joas, The Genesis of Values, translated by Gregory Moore (Cambridge: Polity Press; Chicago: University of Chicago Press, 2000), pp. -
European Journal of Pragmatism and American Philosophy
European Journal of Pragmatism and American Philosophy XI-2 | 2019 Pragmatism and Theories of Emergence The Throne of Mnemosyne Pragmatism and Emergence as Aspects of Organic Memory Kermit Snelson Electronic version URL: http://journals.openedition.org/ejpap/1628 DOI: 10.4000/ejpap.1628 ISSN: 2036-4091 Publisher Associazione Pragma Electronic reference Kermit Snelson, « The Throne of Mnemosyne », European Journal of Pragmatism and American Philosophy [Online], XI-2 | 2019, Online since 24 December 2019, connection on 16 June 2020. URL : http://journals.openedition.org/ejpap/1628 ; DOI : https://doi.org/10.4000/ejpap.1628 This text was automatically generated on 16 June 2020. Author retains copyright and grants the European Journal of Pragmatism and American Philosophy right of first publication with the work simultaneously licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. The Throne of Mnemosyne 1 The Throne of Mnemosyne Pragmatism and Emergence as Aspects of Organic Memory Kermit Snelson Introduction 1 This paper will argue that Peirce was a strong emergentist and that his pragmaticism was a corollary of this underlying cosmological commitment. Before proceeding with this argument, however, it is necessary to explain the methodology used. First, the methodology itself seeks to illustrate the close relationship between emergence and pragmatism by recognizing that the significance of inquiry lies not in “results,” which are always provisional, but rather in the vitality of the semiotic processes of which these results are emergent properties. Second, any claims that this paper makes to originality do not depend on its observation that Peirce’s pragmaticism results from his strong emergentist cosmology, a conclusion which is arguably self-evident, but on its analysis of this cosmology in terms of the historical context. -
D H Lawrence, John Thomas, and Dionysos Eric Russell Bentley
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of New Mexico New Mexico Quarterly Volume 12 | Issue 2 Article 3 1942 D H Lawrence, John Thomas, and Dionysos Eric Russell Bentley Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Bentley, Eric Russell. "D H Lawrence, John Thomas, and Dionysos." New Mexico Quarterly 12, 2 (1942). https://digitalrepository.unm.edu/nmq/vol12/iss2/3 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Bentley: D H Lawrence, John Thomas, and Dionysos . , D.' H .. LAWRENC'E, JOHN THOMAS, . ' ·AND DIONYSOS t 'Eric Russell. Bentley . Sayings:of D. H. ~awrence: . r , 'Let us submit to the knowlt;dge that there are aristocrats and plebeians born. not made. ',' . Some amongst us are born tit to gove:rn and some are born only to be governed. '. The sight of a true lord, a noble, a na.ture-hero, puts the sun into the hea.rt of the ordinary m~m. ,'" .' . The hero is obsolete imq the leader of men is -a backnumber... /The leader cum-follower relationship is a bore. And tJ1e new relationship will be some sort of, tenderness, sensitive, between men and men and men and women, and not the -one up one 'down, lead on I follow, ich dien sortof business.