Robert De Niro: A Preliminary Inventory of His Costumes and Props at the Harry Ransom Center Descriptive Summary Creator: De Niro, Robert , 1943- Title: Robert De Niro Costumes and Props Dates: 1967-2005 (bulk 1990-2005) Extent: Approximately 8,000 items Abstract: The Robert De Niro Costumes and Props, 1967-2005 (bulk 1990-2005), consist of approximately 8,000 costume, prop, and makeup items from fifty-six motion pictures and two theater productions. Included are items from unidentified productions for which the genre and date are unknown. The costumes and props were acquired in 2006 along with De Niro’s personal papers, moving image materials, and personal effects, which are described separately and housed in Manuscript, Film, and Personal Effects collections within the Ransom Center. Language: English Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Part or all of this collection is housed off-site and may require up to three business days’ notice for access in the Ransom Center’s Reading and Viewing Room. Materials may be viewed in the Center’s Reading and Viewing Rooms during regular hours. An appointment is required. Please note that materials stored off-site are not available for viewing except for educational purposes. Please contact the Center before requesting this material: [email protected] Item-level descriptions are available in a searchable database which is accessible by production, actor, and costume designer. Administrative Information Acquisition: Gift of Robert De Niro, 2006-2008 (G12588), except for three items donated by Paul Schrader in 2006 (G12503) Processed by: Darnelle Vanghel, Leanda Gahegan, Helen Adair, Jill Morena, De Niro, Robert , 1943- Processed by: Darnelle Vanghel, Leanda Gahegan, Helen Adair, Jill Morena, Nicole Kern, Emilio Banda, and Alan Carrier, 2006-2009 Repository: The University of Texas at Austin, Harry Ransom Center 2 De Niro, Robert , 1943- Scope and Contents The American actor, producer, and director Robert De Niro (born 1943) is one of the most respected actors of his generation. He is best known for his roles as the young Vito Corleone in The Godfather, Part II (1974), cab driver Travis Bickle in Taxi Driver (1976), Michael Vronsky in The Deer Hunter (1978), casino director Sam “Ace” Rothstein in Casino (1995), and more recently as Jack Byrnes in Meet the Parents (2000) and Meet the Fockers (2004). De Niro has produced more than thirty films, many of which he starred in, and directed two films, A Bronx Tale (1993) and The Good Shepherd (2006). The Robert De Niro Costumes and Props, 1967-2005 (bulk 1990-2005), consist of approximately 8,000 costume, prop, and makeup items from fifty-six motion pictures and two theater productions. Included are items from unidentified productions for which the genre and date are unknown. The costumes and props were acquired in 2006 along with De Niro’s personal papers, moving image materials, and personal effects, which are described separately and housed in Manuscript, Film, and Personal Effects collections within the Ransom Center. The materials in this collection provide evidence of decisions made and/or implemented by the costume designer, the wardrobe department, the property master, and the makeup artist. The collection is arranged by production title and, within each production, by item number, reflecting the order in which the material was received and/or cataloged. A list of represented productions is appended to this description. Item-level descriptions are available in a searchable database which is accessible by production, actor, and costume designer. The collection contains 5,100 costumes, 2,350 props, 350 makeup items such as colored contact lenses and fake teeth, and 200 production accessories, a category which includes items used by De Niro in conjunction with a production but not visible on film, such as padding worn in fight scenes. Also included are about thirty personal effects such as De Niro’s personal trailer slippers used on the set of Godsend (2004). Of the roughly 300 different types of objects in the collection, shirts, pants, jackets, shoes, socks, neckties, and belts are the most prevalent. Coverage varies from one or two items to hundreds of objects per production. Generally, older productions are represented by fewer items. With 1,000 items, A Bronx Tale (1993) is by far the most thoroughly documented production. For this film, in addition to more than 200 items worn by De Niro in the character of Lorenzo, the collection includes items worn or used by two dozen actors including Chazz Palminteri, Taral Hicks, and Joe Pesci. Other well documented productions are Goodfellas (1990), Cape Fear (1991), Guilty by Suspicion (1991), Night and the City (1992), Mad Dog and Glory (1993), Casino (1995), Heat (1995), Flawless (1999), Men of Honor (2000), Meet the Parents (2000), The Score (2001), Showtime (2002), Godsend (2004), and Hide and Seek (2005). Of the forty costume designers credited in this collection, the best represented are Rita Ryack, Aude Bronson-Howard, Richard Bruno, John A. Dunn, and Daniel Orlandi. Many items were received at the Ransom Center with wardrobe tags attached indicating 3 De Niro, Robert , 1943- Many items were received at the Ransom Center with wardrobe tags attached indicating the name of the actor, the scene number, and/or change number in which the item was used, and whether the item was actually worn or used. Apart from materials representing A Bronx Tale, nearly all items were worn or used by Robert De Niro. Some items in the collection were used by De Niro’s stunt doubles or photo doubles. If an item does not have a wardrobe tag, it is very difficult to determine the exact circumstances of its use, even with the aid of wardrobe continuity books and Polaroids located in the Robert De Niro Papers. Similarly, the sources of items in this collection are poorly documented. Most contemporary costumes were purchased off-the-rack from mainstream retailers. Some period costumes were fabricated by tailors for specific productions, notably the archbishop’s vestments from The Bridge of San Luis Rey (2004). Domonic Gherardi, Anto, and Cosprop are the best represented tailors. Vintage items may have been obtained from suppliers who specialized in providing vintage clothing to the motion picture industry. Props for stunt doubles tended to be fabricated using De Niro’s prop as a model. The manufacturer’s label is often the best, and only, indication of the source of an item if it is not indicated in the wardrobe continuity book. Separated Material De Niro’s personal papers, moving image materials, and personal effects are described separately and housed in Manuscript, Film, and Personal Effects collections within the Ransom Center. 4 De Niro, Robert , 1943- List of Productions The following productions are represented in the De Niro Costumes and Props. All are motion pictures unless otherwise indicated. Please note that while a small number of items are attributed to 1900 (1976), Hi, Mom! (1970), and Schubert’s Last Serenade (Manhattan Theatre Club, 1973), the attributions for these productions are uncertain. Wardrobe continuity books are described separately and located in the Robert De Niro Papers. 15 Minutes (2001) *wardrobe continuity book available 1900 (1976) The Adventures of Rocky & Bullwinkle (2000) Analyze That (2002) *wardrobe continuity book available Analyze This (1999) *wardrobe continuity book available Angel Heart (1987) Awakenings (1990) Backdraft (1991) Bang the Drum Slowly (1973) The Bridge of San Luis Rey (2004) A Bronx Tale (1993) Cape Fear (1991) Casino (1995) City by the Sea (2002) Cop Land (1997) Cuba and His Teddy Bear (Longacre Theatre, 1986) The Deer Hunter (1978) Falling in Love (1984) The Fan (1996) Flawless (1999) *wardrobe continuity book available Frankenstein (1994) The Gang that Couldn’t Shoot Straight (1971) The Godfather, Part II (1974) Godsend (2004) Goodfellas (1990) Great Expectations (1998) Guilty by Suspicion (1991) Heat (1995) Hi, Mom! (1970) Hide and Seek (2005) *wardrobe continuity book available Jackie Brown (1997) Jacknife (1989) The King of Comedy (1982) The Last Tycoon (1976) Mad Dog and Glory (1993) Marvin’s Room (1996) Mean Streets (1973) Meet the Fockers (2004) Meet the Parents (2000) *wardrobe continuity book available Men of Honor (2000) *wardrobe continuity book available Midnight Run (1988) Mistress (1992) New York, New York (1977) 5 De Niro, Robert , 1943- New York, New York (1977) Night and the City (1992) Once upon a Time in America (1984) Raging Bull (1980) Ronin (1998) Schubert’s Last Serenade (Manhattan Theatre Club, 1973) The Score (2001) *wardrobe continuity book available Shark Tale (2004) Showtime (2002) *wardrobe continuity book available Sleepers (1996) Stanley & Iris (1990) Taxi Driver (1976) This Boy’s Life (1993) The Untouchables (1987) Wag the Dog (1997) *wardrobe continuity book available We're No Angels (1989) unidentified production (genre and date unknown) 6.
A bronx tale netflix click here to download A father becomes worried when a local gangster befriends his son in the Bronx in the s. Robert De Niro and Chazz Palminteri give captivating performances in this intense drama about a boy torn between his tough, hard-working father and a violent yet charismatic crime boss. Robert De Niro. Robert De Niro, Chazz Palminteri, Lillo Brancato. Here is the current availability status of A Bronx Tale () on Netflix USA, as well as 30 other Netflix countries worldwide. Last checked: TODAY. Results for 'A Bronx Tale'. Get Help. Help Center · Questions? Call Company. Blog · #DVD20 · Jobs · Investor Relations · Contact Details. Information page about 'A Bronx Tale' (starring Francis Capra, Robert De Niro, Chazz Palminteri and more) on Netflix UK:: from MaFt's NewOnNetflixUK. Netflixable has all the Netflix countries that A Bronx Tale is available in Worldwide!. A young man comes of age in an Italian-American neighborhood in the Bronx, guided by conflicting influences: his straight-arrow father (Robert De Niro) and the. Critics Consensus: A Bronx Tale sets itself apart from other coming-of-age dramas thanks to a solid script, a terrific cast, and director Robert De Niro's sensitive. Find out where to watch, buy, and rent A Bronx Tale Online on Moviefone. Looking to watch A Bronx Tale? Find out where A Bronx Tale is streaming, if A Bronx Tale is on Netflix, and get news and updates, on Decider. A Bronx Tale is available on Netflix UK. www.doorway.ru has complete Movie Lists, TV Show Lists, and what's newly added to Netflix Worldwide!.
20 2ANNUAL0 REPORT 1 LETTER FROM EXECUTIVE DIRECTOR AND BOARD CHAIR DEAR FRIENDS: 2020 was a challenging year for everyone – and especially challenging for organizations like ours. The dual pandemics of COVID-19 and systemic racism disproportionally impacted Solid Ground families. Families with limited income, criminal histories, poor credit and other barriers have always been extremely challenged to find affordable housing, and the pandemic only exacerbated these issues, as parents lost their jobs or put themselves at greater risk of illness while working low-skill, high-contact jobs. Connecting with families was also challenging. We missed being able to visit with them face-to-face, as parents were busy with children who were distance learning at home, concerned with extended family members who had fallen ill, or too preoccupied by the enormous stresses of daily life in the pandemic to connect virtually. Despite these overwhelming challenges, Solid Ground continued to move families out of homelessness and into housing and to help them maintain their homes. Our success is rooted in our Housing First approach – get people into housing first, and then provide the help they need to increase their income, address their health, and achieve academic success. We took our services and our classes virtual; distributed food, diapers and cleaning supplies to meet families’ basic needs, and offered support and healing, particularly to our participants of color, as our community and the nation grappled with the impact of systemic racism. As we write this letter in July 2021, we are pleased to continue with and augment our services, reinstituting in-home visits, reestablishing community meals, and reengaging our participants and volunteers through face-to-face service.
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Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J
Bridgewater Review Volume 1 | Issue 2 Article 9 Dec-1982 Cultural Commentary: Affectional Preference on Film: Giggle and Lib Joseph J. Liggera Bridgewater State College Recommended Citation Liggera, Joseph J. (1982). Cultural Commentary: Affectional Preference on Film: Giggle and Lib. Bridgewater Review, 1(2), 21-22. Available at: http://vc.bridgew.edu/br_rev/vol1/iss2/9 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. CULTURAL COMMENTARY Affectional Preference on Film: Giggle and Lib omantic attachments on screen the romantic man whose passionate desire With the great artist abandoning R these days require at least a hint of is for a person unquestionably of the romantic love--Bergman has lately something kinky to draw the pop audience opposite sex. So straight are his lusts that announced that his next two films will be his which in the days of yesteryear thrilled to no one seemed to notice the dilemma posed last--leaving the field to an oddity like Allen Bogart and Bacall, but which now winks in Manhattan of a man in his mid-forties or television's "Love Boat", the pop knowingly at Julie Andrews in drag. having physical congress with a fifteen year audience, which never warmed to Bergman Something equally aberrant, in fact moreso, old. This year, A -Midsummer Night's Sex or his like anyway, might find solace in Blake more blatant and proselytizing, quickens Comedy renders two points of sexual Edwards, an intriguing director whose last the mental loins of the liberal film-going metaphysics for those still lost in memories three films and his wife's, Julie Andrews, mind; anything less denies the backbone of a gender-differentiated past, the first changing image in them illustrate a syn upon which liberal sentiments are oddly enough insisted upon by the women: if thesis of audience demands with a structured.