STAGE Vol. 1 No. 7 Jun 2015
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DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
David Rivett
DAVID RIVETT: FIGHTER FOR AUSTRALIAN SCIENCE OTHER WORKS OF ROHAN RIVETT Behind Bamboo. 1946 Three Cricket Booklets. 1948-52 The Community and the Migrant. 1957 Australian Citizen: Herbert Brookes 1867-1963. 1966 Australia (The Oxford Modern World Series). 1968 Writing About Australia. 1970 This page intentionally left blank David Rivett as painted by Max Meldrum. This portrait hangs at the Commonwealth Scientific and Industrial Research Organisation's headquarters in Canberra. ROHAN RIVETT David Rivett: FIGHTER FOR AUSTRALIAN SCIENCE RIVETT First published 1972 All rights reserved No part of this book may be reproduced in any form without permission © Rohan Rivett, 1972 Printed in Australia at The Dominion Press, North Blackburn, Victoria Registered in Australia for transmission by post as a book Contents Foreword Vll Acknowledgments Xl The Attack 1 Carving the Path 15 Australian at Edwardian Oxford 28 1912 to 1925 54 Launching C.S.I.R. for Australia 81 Interludes Without Playtime 120 The Thirties 126 Through the War-And Afterwards 172 Index 219 v This page intentionally left blank Foreword By Baron Casey of Berwick and of the City of Westminster K.G., P.C., G.C.M.G., C.H., D.S.a., M.C., M.A., F.A.A. The framework and content of David Rivett's life, unusual though it was, can be briefly stated as it was dominated by some simple and most unusual principles. He and I met frequently in the early 1930's and discussed what we were both aiming to do in our respective fields. He was a man of the most rigid integrity and way of life. -
From the Old to the New World: Cinematic Offers of Spiritually
FROM THE OLD TO THE NEW WORLD: CINEMATIC OFFERS OF SPIRITUALLY RECUPERATIVE TRIPS TO THE EMERALD ISLE* Rosa González Casademont Universitat de Barcelona Abstract The recuperative retreat undertaken by Yeats in “The Lake Isle of Innisfree”The ( Rose, 1893) from the drab reality of London’s “pavements grey” to an Irish scenery of solitude and natural harmony where he would find “some peace,” has being persistently rehearsed by Irish expatriates. However, it is in the cinematic portrayals of Ireland, often made by outsiders, where, notwithstanding the changed economic, political and social circumstances experienced by the Republic, the idealisation of rural Ireland and the healing powers of the island’s supposedly primitive lifestyle and values that people escaping from the stresses of urban life and competitive environments have endured longer. By considering the presence, and frequently random use, of anachronistic and clichéd cinematic signifiers of Irishness, the paper highlights both the recent proliferation of offerings of an Emerald Isle that does not exist beyond the screen and a regret concerning the films’ missed opportunity of inter- rogating and building on the vast corpus of the Irish diaspora’s narrativised history. Key words: Cinematic Irish clichés, Ireland as an Arcadia, exogenous expectations of Ireland, Celtic spirituality, romcoms, travel cinema. 119 Resumen La restauradora escapada que Yeats hiciera en “La isla del lago de Innisfree” (The Rose, 1893) desde la realidad monótona de las “aceras grises” de Londres a un paisaje irlandés de soledad y armonía natural donde encontrar “un poco de paz,” ha sido persistentemente emprendida por generaciones de expatriados irlandeses. No obstante, es en las representaciones cinema- tográficas de Irlanda, realizadas a menudo por extranjeros, donde han perdurado por más tiempo la idealización de la Irlanda rural y de los poderes curativos que los supuestamente arcaicos valores y estilo de vida de la isla aportan a las personas que huyen de entornos competitivos y del estrés de la vida urbana. -
YAI Anthology Cover Page
2020-2021 Anthology Table of Contents 5th Grade Dover “Autumn’s Adventure” by Charlee Metclaff, Illustrated by Kiley VanSickle………. 3 “Riley’s Mythical Markers” by Annie McConaha, Illustrated by Jaylyn Pellen.… 17 “Spy Kids” by Savanah Huston, Illustrated by Selena Toj Muz………………………. 29 “The Scarlet Rose” by Cassidy McKee, Illustrated by Mason Locke………………... 36 East Guernsey “Untitled” by Lilah Ellerbee……………………………………………………………………….. 65 New Philadelphia “A Week to Remember” by Samantha Johnson and Lila Kinkade………………….. 70 Tuscarawas Valley “Christmas Chaos” by Piper Symons, Illustrated by Emilee Grafe………………….. 83 “Destiny” by Addisyn Ward, Illustrate by Natalie Renicker…………………………... 85 “Empty Sheep’s Origin Story” by Brook Inboden, Illustrated by Elsee Koury…. 87 “Finding Your Pack” by Claire Corder, Illustrated by Nicole Knous….………….... 94 “Height” by Gracie Penrod, Illustrated by Alaina Jones………………………………. 109 “Purpose” by Natalie Armstrong, Illustrated by Rylee Adams………………………. 112 “The Creepy Corn Maze” by Zavier Olbeter, Illustrated by Henry Dixon……….. 118 9th Grade Dover “A Villain’s Best Friend” by Emma Copple, Illustrated by Caleb German………. 124 “Fear Fear” by Brynn Blickensderfer, Illustrated by Anika Walter………………... 131 New Philadelphia “A Girl to Be Remembered” by Riane Rine, Illustrated by Jose Tzip………….…. 144 Chapter One: The Sound “Come on boy!” Yelled Autumn Smith from downstairs. This ginormous husky ran down the stairs, “Good boy, Koda!” Autumn put on Koda’s leash and made their way outside. As they were walking outside Autumn’s big brother Nick stopped them on the porch, “Where are you going? You know we have the Wilkins coming over to check on us.” Autumn sighed and said “I know, we’ll be back by noon. -
Dislocating the Frontier Essaying the Mystique of the Outback
Dislocating the frontier Essaying the mystique of the outback Dislocating the frontier Essaying the mystique of the outback Edited by Deborah Bird Rose and Richard Davis Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Dislocating the frontier : essaying the mystique of the outback. Includes index ISBN 1 920942 36 X ISBN 1 920942 37 8 (online) 1. Frontier and pioneer life - Australia. 2. Australia - Historiography. 3. Australia - History - Philosophy. I. Rose, Deborah Bird. II. Davis, Richard, 1965- . 994.0072 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Indexed by Barry Howarth. Cover design by Brendon McKinley with a photograph by Jeff Carter, ‘Dismounted, Saxby Roundup’, http://nla.gov.au/nla.pic-vn3108448, National Library of Australia. Reproduced by kind permission of the photographer. This edition © 2005 ANU E Press Table of Contents I. Preface, Introduction and Historical Overview ......................................... 1 Preface: Deborah Bird Rose and Richard Davis .................................... iii 1. Introduction: transforming the frontier in contemporary Australia: Richard Davis .................................................................................... 7 2. -
David Rivett: FIGHTER for AUSTRALIAN SCIENCE
DAVID RIVETT: FIGHTER FOR AUSTRALIAN SCIENCE OTHER WORKS OF ROHAN RIVETT Behind Bamboo. 1946 Three Cricket Booklets. 1948-52 The Community and the Migrant. 1957 Australian Citizen: Herbert Brookes 1867-1963. 1966 Australia (The Oxford Modern World Series). 1968 Writing About Australia. 1970 This page intentionally left blank David Rivett as painted by Max Meldrum. This portrait hangs at the Commonwealth Scientific and Industrial Research Organisation's headquarters in Canberra. ROHAN RIVETT David Rivett: FIGHTER FOR AUSTRALIAN SCIENCE RIVETT First published 1972 All rights reserved No part of this book may be reproduced in any form without permission © Rohan Rivett, 1972 Printed in Australia at The Dominion Press, North Blackburn, Victoria Registered in Australia for transmission by post as a book Contents Foreword Vll Acknowledgments Xl The Attack 1 Carving the Path 15 Australian at Edwardian Oxford 28 1912 to 1925 54 Launching C.S.I.R. for Australia 81 Interludes Without Playtime 120 The Thirties 126 Through the War-And Afterwards 172 Index 219 v This page intentionally left blank Foreword By Baron Casey of Berwick and of the City of Westminster K.G., P.C., G.C.M.G., C.H., D.S.a., M.C., M.A., F.A.A. The framework and content of David Rivett's life, unusual though it was, can be briefly stated as it was dominated by some simple and most unusual principles. He and I met frequently in the early 1930's and discussed what we were both aiming to do in our respective fields. He was a man of the most rigid integrity and way of life. -
Spring 2021 Nonfiction Rights Guide
Spring 2021 Nonfiction Rights Guide 19 West 21st St. Suite 501, New York, NY 10010 / Telephone: (212) 765-6900 / E-mail: [email protected] TABLE OF CONTENTS SCIENCE, BUSINESS & CURRENT AFFAIRS HOUSE OF STICKS THE BIG HURT BRAIN INFLAMMED HORSE GIRLS FIRST STEPS YOU HAD ME AT PET NAT RUNNER’S HIGH MY BODY TALENT MUHAMMAD, THE WORLD-CHANGER WINNING THE RIGHT GAME VIVIAN MAIER DEVELOPED SUPERSIGHT THE SUM OF TRIFLES THE KINGDOM OF CHARACTERS AUGUST WILSON WHO IS BLACK, AND WHY? CRYING IN THE BATHROOM PROJECT TOTAL RECALL I REGRET I AM ABLE TO ATTEND BLACK SKINHEAD REBEL TO AMERICA CHANGING GENDER KIKI MAN RAY EVER GREEN MURDER BOOK RADICAL RADIANCE DOT DOT DOT FREEDOM IS NOT ENOUGH HOW TO SAY BABYLON THE RISE OF THE MAMMALS THE RECKONING RECOVERY GUCCI TO GOATS TINDERBOX RHAPSODY AMERICAN RESISTANCE SWOLE APOCALYPSE ONBOARDING WEATHERING CONQUERING ALEXANDER VIRAL JUSTICE UNTITLED TOM SELLECK MEMOIR UNTITLED ON AI THE GLASS OF FASHION IT’S ALL TALK CHANGE BEGINS WITH A QUESTION UNTITLED ON CLASSICAL MUSIC MEMOIRS & BIOGRAPHIES STORIES I MIGHT REGRET TELLING YOU FIERCE POISE THE WIVES BEAUTIFUL THINGS PLEASE DON’T KILL MY BLACK SON PLEASE THE SPARE ROOM TANAQUIL NOTHING PERSONAL THE ROARING GIRL PROOF OF LIFE CITIZEN KIM BRAT DON’T THINK, DEAR TABLE OF CONTENTS, CONT. MINDFULNESS & SELF-HELP KILLING THATCHER EDITING MY EVERYTHING WE DON’T EVEN KNOW YOU ANYMORE SOUL THERAPY THE SCIENCE AND TECHNOLOGY OF GROWING YOUNG HISTORY TRUE AGE THE SECRETS OF SILENCE WILD MINDS THE SORCERER’S APPRENTICE INTELLIGENT LOVE THE POWER OF THE DOWNSTATE -
Imagereal Capture
ARTICLES The Hon Justice Michoel Kirby AC CMG* BLACK AND WHITE LESSONS FOR THE AUSTRALIAN JUDICIARY ABSTRACT Using the 'celluloid metaphor' of the new Australian film Black and White, the author describes the features of the case of Rupert Max Stuart that reached the High Court in 1959. He outlines the imperfections of the legal process and acknowledges that the prisoner's life was ultimately saved not by the legal system or the judicial process but by a dedicated group of journalists and other citizens who shared the High Court's expressed 'anxiety' about the case but were more determined to give effect to that 'anxiety'. The author describes improvements in the criminal justice system since 1959. These include legal protections for indigenous people; the requirements of legal representation as expressed in Dietrich; the rigorous rule for confessions to police adopted in McKinnej.; the stricter rules governing criminal appeals: the larger insistence on prosecutorial impartiality; the enforcement of requirements for competence of lawyers; and the advent of DNA and other scientific * Justice of the High Court of Australia. This article is based on a lecture given at the Law School, The University of Adelaide, 12 August 2002. 196 KIRBY - BLACK AND WHITE LESSONS FOR THE JUDICIARY evidence to reduce the risks of miscarriages of justice. The author suggests that the Stuart affair illustrates how cleverness is not enough in the law. There must also be a commitment to justice. t seems that everyone who lived in South Australia in the late 1950s and 1960s was touched by the Stuart affair.' Most have a story to tell. -
Queer Friendship and Erotic Bonds a Dissertation Submitted in Partial Sa
UNIVERSITY OF CALIFORNIA RIVERSIDE Anarchic Intimacies: Queer Friendship and Erotic Bonds A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Laurence Hilary Dumortier March 2017 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Steven Gould Axelrod Dr. George E. Haggerty Copyright by Laurence Hilary Dumortier 2017 The Dissertation of Laurence Hilary Dumortier is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to acknowledge the tremendous support and guidance of my dissertation committee, Jennifer Doyle, Steven Gould Axelrod and George E. Haggerty. Their advice, suggestions and encouragement have been invaluable. I also want to recognize how inspiring they have been to me as examples of brilliant scholarship, dedicated teaching, and personal integrity. I’m also grateful to Stephen Koch who granted me several lengthy personal interviews about his recollections of Peter Hujar and David Wojnarowicz, and who allowed me to study previously unpublished photographs and contact sheets from the Peter Hujar Archive. iv ABSTRACT OF THE DISSERTATION Anarchic Intimacies: Queer Friendship and Erotic Bonds by Laurence Hilary Dumortier Doctor of Philosophy, Graduate Program in English University of California, Riverside, March 2017 Dr. Jennifer Doyle, Chairperson What makes a friendship “queer”? The queerness of the friendships I will explore in this project is, in part related to, but not co-extensive with, the sexual orientation of its participants. In all of the pairings I examine, at least one, if not both, of the friends is non- heterosexual. However, what makes the “queerness” of each of these friendships is not only the orientation of its participants, but the relationship’s exceeding of the conventional boundaries and definitions of friendships. -
Government Emblems, Embodied Discourse and Ideology: an Artefact-Led History of Governance in Victoria, Australia
Government Emblems, Embodied Discourse and Ideology: An Artefact-led History of Governance in Victoria, Australia Katherine Hepworth Doctor of Philosophy 2012 ii iii Abstract Government emblems are a rich source of historical information. This thesis examines the evidence of past governance discourses embodied in government emblems. Embodied discourses are found within an archive of 282 emblems used by local governments in Victoria, Australia in the nineteenth and twentieth centuries. They form the basis of a history of governance in the State of Victoria from first British exploration in 1803 to the present day. This history of governance was written to test the main contribution of this thesis: a new graphic design history method called discursive method. This new method facilitates collecting an archive of artefacts, identifying discourses embodied within those artefacts, and forming a historical narrative of broader societal discourses and ideologies surrounding their use. A strength of discursive method, relative to other design history methods, is that it allows the historian to seriously investigate how artefacts relate to the power networks in which they are enmeshed. Discursive method can theoretically be applied to any artefacts, although government emblems were chosen for this study precisely because they are difficult to study, and rarely studied, within existing methodological frameworks. This thesis demonstrates that even the least glamorous of graphic design history artefacts can be the source of compelling historical narratives. iv Acknowledgements This thesis would not have been written without the support of many people. Fellow students, other friends and extended family have helped in many small ways for which I am so grateful.