Kevin Bloody Wilson Youtube Santa Claus
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Our Speakers This Evening Are Janet Segall and Ivana Mitchell. Thank
Our Speakers this evening are Janet Segall and Ivana Mitchell. Thank you for joining us today! The call today will focus on mental health and chronic disease like pemphigus and pemphigoid Ivana Mitchell holds a Masters Degree in Social Work and is a Registered Social Worker in Toronto, Canada. She provides psychotherapy in a primary care clinic and in private practice, assisting youth and adults struggling with a wide spectrum of challenges including: abuse, trauma, loss, relationship problems, chronic illness, and mental illness. Ivana is a Certified Daring Way Facilitator, offering a psycho-educational workshop created by Dr. Brené Brown, aimed at helping individuals embrace vulnerability and live with connection, compassion, and courage. Her education and training came in handy when she was diagnosed with Pemphigus Vulgaris. Through personal and professional experience, Ivana is aware of the challenges that accompany chronic illness, as well as the mind, body, and soul practices that may assist and empower those with an autoimmune disorder to live a wholehearted life. Janet is the Founder of the IPPF. She was diagnosed in 1983 and started the Foundation in 1994 with the express purpose of giving people living with this very rare disease a place go to find information and others also living with pemphigus. Janet graduated with a Bachelor of Science degree in Psychology. After college she worked at Pilgrim State Mental Institution on Long Island. Upon moving to San Francisco she volunteered at the San Francisco Mental Health Department assisting the psychiatrist in the psychodrama group. She also worked at the Women’s Refuge in Berkeley, CA. -
Platinum Master Songlist
Platinum Master Songlist A B C D E 1 STANDARDS/ JAZZ VOCALS/SWING BALLADS/ E.L. -CONT 2 Ain't Misbehavin' Nat King Cole Over The Rainbow Israel Kamakawiwo'ole 3 Ain't I Good Too You Various Artists Paradise Sade 4 All Of Me Various Artists Purple Rain Prince 5 At Last Etta James Say John Mayer 6 Blue Moon Various Artists Saving All My Love Whitney Houston 7 Blue Skies Eva Cassidy Shower The People James Taylor 8 Don't Get Around Much Anymore Nat King Cole Stay With Me Sam Smith 9 Don't Know Why Nora Jones Sunrise, Sunset Fiddler On The Roof 10 Fly Me To The Moon Frank Sinatra The First Time ( Ever I Saw You Face)Roberta Flack 11 Georgia On My Mind Ray Charles Thinking Out Loud Ed Sheeren 12 Girl From Impanema Various Artists Time After Time Cyndi Lauper 13 Haven't Met You Yet Michael Buble' Trouble Ray LaMontagne 14 Home Michael Buble' Tupelo Honey Van Morrison 15 I Get A Kick Out Of You Frank Sinatra Unforgettable Nat King Cole 16 It Don’t Mean A Thing Various Artists When You Say Nothing At All Alison Krause 17 It Had To Be You Harry Connick Jr. You Are The Best Thing Ray LaMontagne 18 Jump, Jive & Wail Brian Setzer Orchestra You Are The Sunshine Of My Life Stevie Wonder 19 La Vie En Rose Louis Armstrong You Look Wonderful Tonight Eric Clapton 20 Let The Good Times Roll Louie Jordan 21 LOVE Various Artists 22 My Funny Valentine Various Artists JAZZ INSTRUMENTAL 23 Oranged Colored Sky Natalie Cole Birdland Joe Zawinul 24 Paper Moon Nat King Cole Breezin' George Benson 25 Route 66 Nat King Cole Chicago Song David Sanborn 26 Satin Doll Nancy Wilson Fragile Sting 27 She's No Lady Various Artists Just The Two Of Us Grover Washington Jr. -
2018 ASCAP Jazz Awards Program Book
2018 2018 PAUL WILLIAMS PRESIDENT & CHAIRMAN ELIZABETH MATTHEWS CHIEF EXECUTIVE OFFICER ASCAP BOARD OF DIRECTORS WRITERS JOEL BECKERMAN | RICHARD BELLIS | BRUCE BROUGHTON | DESMOND CHILD | DAN FOLIART | MICHELLE LEWIS MARCUS MILLER | RUDY PÉREZ | ALEX SHAPIRO | JIMMY WEBB | PAUL WILLIAMS | DOUG WOOD PUBLISHERS MARTIN BANDIER | CAROLINE BIENSTOCK | BARRY COBURN | JODY GERSON | ZACH KATZ | DEAN KAY JAMES M. KENDRICK | LEEDS LEVY | MARY MEGAN PEER | JON PLATT | IRWIN Z. ROBINSON THE FOUNDERS AWARD Roscoe Mitchell is an internationally renowned musician, composer, and innovator. His role in the resurrection of long neglected woodwind instruments of extreme register, his innovation as a solo woodwind performer, and his reassertion of the composer into what has traditionally been an improvisational form have placed him at the forefront of contemporary music for over five decades. Mr. Mitchell is a founding member of the Art Ensemble of Chicago, the Association for the Advancement of Creative Musicians and the Trio Space. Additionally, Mr. Mitchell is the founder of the Creative Arts Collective, The Roscoe Mitchell Sextet, The Roscoe Mitchell Quartet, The Roscoe Mitchell Art Ensemble, The Sound Ensemble, The New Chamber Ensemble and the Note Factory. He has recorded over 100 albums and has written hundreds of compositions. His compositions range from classical to contemporary, from passionate and forceful improvisations to ornate orchestral music. His most recent recording, Discussions, was counted among “The 25 Best Classical Music Recordings of 2017” by the New York Times. Also, for five decades, he has designed the Percussion Cage, an elaborate percussion instrument consisting of instruments from around the world, as well as many found instruments. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Disrupt Yourself Podcast
Disrupt Yourself Podcast E P ISODE 213: ELLEN BENNETT Welcome to the Disrupt Yourself podcast, where we provide strategies and advice on how to climb the S curve of Learning™ in your professional and personal life, disrupting who you are now to slingshot into who you want to be. I'm your host, Whitney Johnson. Today our guest is Ellen Bennett, CEO and founder of Hedley and Bennett. In 2012, Ellen Bennett was a line cook and a professional kitchen. When her boss was about to order new aprons, she said, "I'll make them instead." Ellen started with 40 aprons. A decade later, Hedley and Bennett has revenue of more than 20 million dollars. They sell to over 4,000 restaurants, and their clients include Martha Stewart, Mario Batali and Alton Brown. Currently in the sweet spot of her entrepreneurial S curve, Ellen has written a delightful book titled Dream First, Details Later, the book she wishes she would have had as a first-time entrepreneur. Ellen describes herself as half English, half Mexican. I would describe her as 100 percent disruptor. Whitney Johnson: Ellen, thanks for joining us. Ellen Bennett: Thank you, Whitney. Whitney Johnson: Tell us a little bit about the title of your book. Why did you title it the way that you did? Ellen Bennett: When I started Hedley and Bennett, I really wanted to find a book that resonated with me and it was really hard. Everything was very much black and white and not super descriptive, if you will. It was very businesslike, and I really wanted something that made me feel like I could do it and I could leap out into the world and make it happen, and it didn't exist. -
Beyond the Machine Photo by Claudio Papapietro
Beyond The Machine Photo by Claudio Papapietro Juilliard Scholarship Fund The Juilliard School is the vibrant home to more than 800 dancers, actors, and musicians, over 90 percent of whom are eligible for financial aid. With your help, we can offer the scholarship support that makes a world of difference—to them and to the global future of dance, drama, and music. Behind every Juilliard artist is all of Juilliard—including you. For more information please contact Tori Brand at (212) 799-5000, ext. 692, or [email protected]. Give online at giving.juilliard.edu/scholarship. The Juilliard School presents Center for Innovation in the Arts Edward Bilous, Founding Director Beyond the Machine 19.1 InterArts Workshop March 26 and 27, 2019, 7:30pm (Juilliard community only) March 28, 2019, 7pm Conversation with the artists, hosted by William F. Baker 7:30pm Performance Rosemary and Meredith Willson Theater The Man Who Loved the World Treyden Chiaravalloti, Director Eric Swanson, Actor John-Henry Crawford, Composer On film: Jared Brown, Dancer Sean Lammer, Dancer Barry Gans, Dancer Dylan Cory, Dancer Julian Elia, Dancer Javon Jones, Dancer Nicolas Noguera, Dancer Canaries Natasha Warner, Writer, Director, and Choreographer Pablo O'Connell, Composer Esmé Boyce, Choreographer Jasminn Johnson, Actor Gwendolyn Ellis, Actor Victoria Pollack, Actor Jessica Savage, Actor Phoebe Dunn, Actor David Rosenberg, Actor Intermission (Program continues) Please make certain that all electronic devices are turned off during the performance. The taking of photographs -
The CHARIOTEER ' a Quarterly Review of Modern Greek Culture Edited by Kimon Friar
The CHARIOTEER ' A Quarterly Review of Modern Greek Culture Edited by Kimon Friar NUMBER 3 1961 PREFACE TO POPE JOAN by LAWRENCE DURRELL .from POPE JOAN by EMMANUEL RoYIDIS Small Anthologies of MICHAEL TOMBROS I. M. PANAYOTOPOULOS TAKIS PAPATZONIS DREAM AND REALITY IN SATIRE text and cartoons by Minos Argyrakis NAUSICAA AND ODYSSEUS by HOMER and by NIKOS KAZANTZAKIS TWO POEMS by c. A. TRYPANIS from the OEDIPUS plays by SoPHOCLES THE SPHINX'S RIDDLE TO OEDIPUS by RANDALL JARRELL OEDIPUS by RICHARD EBERHART Fiction and Essays by MINAS DIMAKIS GHIKA ZAHARIAS PAPANDONIOU EVANGELOS PAPANOUTSOS ANGHELOS PROKOPIOU CLEON PARASCHOS NELLY THEODOROU MICHAEL TOMBROS Published by Parnassos, Greek Cultural Society of New York Sr. so ACKNOWLEDGMENTS To The Anglo-Hellenic Review for excerpts The Odyssey, by Homer, copyright © 1961 from "The Poetry of Takis Papatzonis" by by Robert Fitzgerald. To E. P. Dutton and Cleon Paraschos. To The Arizona Quarterly, Company for "Preface," by Lawrence Dur Summer, 1955, for "Outline of Error," by rell and excerpts from Pope Joan, by Emman Takis Papatzonis, translation and copyright uel Royidis, translated from the Greek by ©by Kimon Friar. To Atheneum for "The Lawrence Durrell, revised edition, copy Sphinx's Riddle to Oedipus," from The right© 1961 by Lawrence Durrell. To Faber Woman at the Washington Zoo, copyright© & Faber Limited for excerpts from Oedipus 1960 by Randall Jarrell. To The Atlantic the King and Oedipus at Colonus, translation Monthly, June, 1955, for "Before the Ad and copyright© 1961 by C. P. Trypanis. vent," by Takis Papatzonis, translation and To The New Age for excerpts from "1. -
Episode Transcript
108. Taking the Next Best Step with Shannon Litton - Episode Transcript Leah Glover Hayes: Welcome to Her Story of Success, a podcast featuring stories of influential women trailblazers and business leaders who have defined and pursued their own versions of success and fulfillment. We hope these stories, lessons learned and celebrations inspire you to believe in yourself and your own journey a little bit more. I’m Leah Glover Hayes, CEO and podcast host of Her Story of Success women’s business and media collective. In today’s episode, I’m excited to be interviewing someone I’ve looked up to for many years now, Shannon Litton. Shannon is the president and CEO of 5by5, a marketing and digital agency which serves change makers and delivers messages with undeniable clarity, reach and results. Shannon Litton: If we're not looking out for other people and taking care of other people, we're missing probably the reason we're here on earth, and we're missing the greatest blessings in life. Leah Glover Hayes: She’s worked with hundreds of organizations throughout her career, including Tennessee Titans, Storybrand, LifeWay, the United Methodist Church, and many more in nonprofit, healthcare & sports & entertainment. Shannon Litton: You'd never could imagine how all the experiences could come together. And somehow in life they do at the end. Leah Glover Hayes: Shannon is also a speaker on leadership, marketing, branding and business strategy, hosts her own podcast called Change Makers and she serves on boards for the Christian Leadership Alliance, and she does all of this as a wife and mother of five. -
Top 100 Hits of 1968 Baby the Rain Must Fall— Glen Yarbrough 1
Deveraux — Music 67 to 70 1965 Top 100 Hits of 1968 Baby the Rain Must Fall— Glen Yarbrough 1. Hey Jude, The Beatles Top 100 Hits of 1967 3. Honey, Bobby Goldsboro 1. To Sir With Love, Lulu 4. (Sittin' On) The Dock of the Bay, Otis Redding 2. The Letter, The Box Tops 6. Sunshine of Your Love, Cream 3. Ode to Billie Joe, Bobby Gentry 7. This Guy's In Love With You, Herb Alpert & The Tijuana Brass 5. I'm a Believer, The Monkees 8. The Good, The Bad and the Ugly, Hugo Montenegro 6. Light My Fire, The Doors 9. Mrs. Robinson, Simon and Garfunkel 9. Groovin', The Young Rascals 11. Harper Valley P.T.A., Jeannie C. Riley 10. Can't Take My Eyes Off You, Frankie Valli 12. Little Green Apples, O.C. Smith 13. Respect, Aretha Franklin 13. Mony Mony, Tommy James and The Shondells 24. Ruby Tuesday, The Rolling Stones 14. Hello, I Love You, The Doors 25. It Must Be Him, Vicki Carr 20. Dance to the Music, Sly and The Family Stone 30. All You Need Is Love, The Beatles 25. Judy In Disguise (With Glasses), John Fred & His 31. Release Me (And Let Me Love Again), Engelbert Humperdinck Playboy Band 33. Somebody to Love, Jefferson Airplane 27. Love Child, Diana Ross and The Supremes 35. Brown Eyed Girl , Van Morrison 28. Angel of the Morning, Merrilee Rush 36. Jimmy Mack, Martha and The Vandellas 29. The Ballad of Bonnie & Clyde, Georgie Fame 37. I Got Rhythm, The Happenings 30. -
4. Melodic Musemes 5 & 6
Tagg: Fernando the Flute (IV) 123 4. Melodic musemes 5 & 6 m5: legato sincerity Museme 5 comes in two guises. One is m5a, the appoggiatura chains (ex. 65)1 that dominate the vocal line in Fernando’s verses. The other is m5b, the legato string fill that occurs just twice in each refrain (p. 162). m5a: appoggiaturas Structural description Please first note the difference between APPOGGIATURA , a ‘lean- Frn04-MusemAnal2.fm. 2017-11-07, 13:48 2017-11-07, Frn04-MusemAnal2.fm. ing note’ (from Italian appoggiarsi = to lean, ®l), and ACCIACCATURA [], a ‘smudged’ or ‘bruised’ note (schiaccare = to bruise, crush, ¬l ). There are many appoggiaturas in Fernando, no acciaccaturas. Ex. 65. Occurrences of m5a appoggiaturas in Fernando, b.14-15, 27-28, 63-67 and 22-23, 34-37, 73-74: (a) solo vocal; (b) written as euroclassical grace notes; (c) vocals in parallel thirds; (d) flutes in interlude. Each variant of museme 5a in example 65 consists of between two and seven consecutive pairs of legato-slurred neighbouring notes chained together in scalar sequence. Each pair of slurred notes in each sequence constitutes an appoggiatura. Except for example 65d, Fernando’s m5a is an entirely vocal fea- ture, solo in verse 1 (ex. 65a), in parallel thirds in verses 2 and 3 (ex. 65c). Ex- ample 65b sounds exactly the same as 65a: alternative notation is presented merely to show that note 2 in each pair was, in eighteenth-century euroclas- sical circles, heard as tonally more significant (the ‘l’ in ‘®l’), even though it is articulated as a weaker ‘offbeat’ preceded by the appoggiatura’s stronger 1. -
Encore Songlist
west coast music Encore Please find attached the Encore Band song list for your review. SPECIAL DANCES for Weddings: Please note that we will need to have your special dance requests, (I.E. First Dance, F/D Dance, etc) FOUR WEEKS prior to your event so that we can confirm the band will be able to perform the song(s) and so that we have time to locate sheet music and audio of the song(s). In some cases where sheet music is not available or an arrangement for the full band is needed, this gives us time to properly prepare the music. Clients are not obligated to submit a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and/or avoided. If you desire the highest degree of control (asking the band to only play within the margin of songs requested), we would ask for a minimum 80 requests from the band’s songlist. Please feel free to call us at the office should you have any questions. – West Coast Music SONGLIST: At Last – Etta James 1,2,3,4 – Plain White T’s Baby Got Back – Sir Mix A Lot 24K Magic – Bruno Mars Back at One – Boyz II Men A Thousand Years – Christina Bad Day – Daniel Powter Perri Ballad Of John & Yoko Ain’t too Proud to Beg – Bamboleo – Gipsy Kings Temptations Bang my Head – David Guetta/Sia Adventure of a Lifetime – Beast of Burden – Rolling Stones Coldplay Beautiful Day – U2 After All – Peter Cetera/Cher -
Those Days in Muramatsu
Those Days in Muramatsu Diary by Mrs. Yumi Goto Publications of the Center for East Asian Studies University of Kansas Electronic Series, Number 2 Center for East Asian Studies Map of Japan 2 Map of Muramatsu 3 Introduction Grant K. Goodman "It's disconcerting that people who behaved so badly in war can behave so admirably in defeat."1 Neither any historical document nor any scholarly account has been able to recapture the mood of Japanese-American grassroots interaction in 1945 in the way that Mrs. Yumi Goto does in Those Days in Muramatsu. As one who was there in Japan as a member of the American forces in 1945-1946 and as a trained historian of Japan, I feel especially qualified to evaluate the remarkable evocation of an era which Mrs. Goto recounts. Certainly memories dim and memory plays tricks on all of us, but, since Mrs. Goto recorded her experiences contemporaneously, one feels the profound veracity of her writing. Moreover, the most unusual phenomenon of a Japanese woman purposefully recording her impressions in English so that some day they might be read by Americans reinforces her credibility. I am particularly pleased to attest to my great personal delight as well as my intense response when Mrs. Goto's work first came to my attention. Indeed, it was her son, Kenichi, the distinguished scholar of modern Indonesia and my colleague and friend of many years, who was kind enough to share his mother's manuscript with me. In fact, he himself had not known of the existence of Those Days in Muramatsu until about ten years ago at the time of Mrs.