The Poetry of Life Openmike Right Brain Vs
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Hammer Langdon Cv18.Pdf
LANGDON HAMMER Department of English [email protected] Yale University jamesmerrillweb.com New Haven CT 06520-8302 yale.edu bio page USA EDUCATION Ph.D., English Language and Literature, Yale University B.A., English Major, summa cum laude, Yale University ACADEMIC APPOINTMENT Niel Gray, Jr., Professor of English and American Studies, Yale University Appointments in the English Department at Yale: Lecturer Convertible, 1987; Assistant Professor, 1989; Associate Professor with tenure, 1996; Professor, 2001; Department Chair, 2005-fall 2008, Acting Department Chair, fall 2011 and fall 2013, Department Chair, 2014-17 and 2017-19 PUBLICATIONS Books In progress: Elizabeth Bishop: Life & Works, A Critical Biography (under contract to Farrar Straus Giroux) The Oxford History of Poetry in English (Oxford UP), 18 volumes, Patrick Cheney general editor; LH coordinating editor for Volumes 10-12 on American Poetry, and editor for Volume 12 The Oxford History of American Poetry Since 1939 The Selected Letters of James Merrill, edited by LH, J. D. McClatchy, and Stephen Yenser (under contract to Alfred A. Knopf) Published: James Merrill: Poems, Everyman’s Library Pocket Poets, selected and edited with a foreword by LH (Penguin RandomHouse, 2017), 256 pp James Merrill: Life and Art (Alfred A. Knopf, 2015), 944 pp, 32 pp images, and jamesmerrillweb.com, a website companion with more images, bibliography, documents, linked reviews, and blog Winner, Lambda Literary Award for Gay Memoir/Biography, 2016. Finalist for the Poetry 2 Foundation’s Pegasus Award for Poetry Criticism, 2015. Named a Times Literary Supplement “Book of the Year, 2015” (two nominations, November 25). New York Times, “Top Books of 2015” (December 11). -
A Case of Netsuke Di Salter (In Unfinished Painting, 1989)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library Bertoli, Mariacristina Natalia. “Anamorfosi e trompe-l’œil. Un’introduzione alla poesia di Mary Jo Salter” Semicerchio 40.1 (2009): 59-71. In occasione della recente pubblicazione dell’antologia poetica di Mary Jo Salter, A Phone Call to the Future (New York: Alfred A. Knopf, 2008), presentiamo un florilegio di sei poesie esemplificative dello stile di questa autrice americana. Come molti tra i suoi connazionali (soprattutto contemporanei), Mary Jo Salter è un nome poco noto al pubblico italiano nonostante il ruolo di prestigio ricoperto all’interno del panorama letterario americano. Parte dell’anonimità di quest’autrice in Italia va ascritta alla scarsità di traduzioni in circolazione, dal momento che le sue poesie sono state tradotte solo episodicamente in riviste ed antologie1. Il presente contributo si prefigge quindi lo scopo di omaggiare la carriera pluridecennale di questa poetessa e, allo stesso tempo, di fornire al pubblico italiano un corpus di testi rappresentativo – attraverso il suo stile – di alcune tra le tendenze di maggior rilievo della poesia americana contemporanea. La carriera letteraria di Mary Jo Salter comincia dopo gli studi ad Harvard (1976) e a Cambridge (1978), all’epoca del lavoro come editore presso la celebre rivista letteraria bostoniana The Atlantic Monthly. È proprio grazie a questo ruolo che la giovane Salter entra in contatto con Amy Clampitt, che – pur avendo superato da tempo le soglie della mezza età – a quell’epoca si affaccia al mondo letterario inviando le proprie poesie a riviste come l’Atlantic. -
A Phone Call to the Future: New and Selected Poems Online
ijX0t [Library ebook] A Phone Call to the Future: New and Selected Poems Online [ijX0t.ebook] A Phone Call to the Future: New and Selected Poems Pdf Free Mary Jo Salter audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #2215916 in eBooks 2013-11-06 2013-11-06File Name: B00FUZPRZI | File size: 41.Mb Mary Jo Salter : A Phone Call to the Future: New and Selected Poems before purchasing it in order to gage whether or not it would be worth my time, and all praised A Phone Call to the Future: New and Selected Poems: 1 of 1 people found the following review helpful. ExcellentBy Lawrence R. TaylorDr. Salter is one of the best writers alive. Her depth of language usage moves one emotionally and makes the reader a better person for the encounter.2 of 2 people found the following review helpful. Add my voice to those who loved this bookBy P. LasterMary Jo Salter's hardback book sat (with other poetry books) on Hastings' sale table. I'd only heard of her, never read her. The book sat in my own shelf for a year before I pulled it out. Add my voice to those who laud her work. I especially liked "Goodbye, Train." I underlined this phrase from "Musical Chair": "... in a pond now deepening to a shade that looks like bedtime...". Her villanelle, "Refrain" is full of slant rhyme--something more of us should perhaps consider using. Repetition in the "re-" and alliteration in "Inside the Midget" caught my eye, too: "...refurnished, refinished, refined...recognize--..."Alas, I promised it as a door prize for a poetry retreat, but if I ever see another one, it's mine. -
The Disorienting Language & Landscapes Of
Traveling Proprieties: the Disorienting Language & Landscapes of Elizabeth Bishop in Brazil By Katrina Kim Dodson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Anne-Lise François, Co-Chair Professor José Luiz Passos, Co-Chair Professor Melinda Y. Chen Professor Lyn Hejinian Professor Barbara Spackman Fall 2015 Traveling Proprieties: the Disorienting Language & Landscapes of Elizabeth Bishop in Brazil © 2015 by Katrina Kim Dodson Abstract Traveling Proprieties: the Disorienting Language & Landscapes of Elizabeth Bishop in Brazil by Katrina Kim Dodson Doctor of Philosophy in Comparative Literature Designated Emphasis in Gender, Women and Sexuality University of California, Berkeley Professor Anne-Lise François, Co-Chair Professor José Luiz Passo, Co-Chair This dissertation locates in the work of twentieth-century North American poet Elizabeth Bishop a collision between questions of propriety and questions of travel that emerge from the poet’s unintended exile in Brazil. Drawing on a much more comparative, intertextual archive of Brazilian and travel literature than existing Bishop scholarship, I explore how the poet’s experience of traveling to Brazil and residing there for nearly two decades, from 1951 to 1971, produces the disorienting effect of the “contact zone,” as Mary Louise Pratt characterizes these spaces of cross- cultural, cross-temporal negotiation. These contact zones arise in Bishop’s work as not only geographical-cultural spaces, but also as lyric and linguistic sites of contestation between norms. -
The Ever-Evolving Atlas of Amy Clampitt: Mapping Two Centuries of British and American Ecopoetry
Audrey Abbott Cockrum Johns Hopkins University The Ever-Evolving Atlas of Amy Clampitt: Mapping Two Centuries of British and American Ecopoetry “Caught on the move—no knowing what year it was—” – Amy Clampitt So begins the poem “Sed de Correr,” and so began my poetry collection. It could have been any year, but it was 2014, and Professor Mary Jo Salter had just introduced the students in her ‘Four Women Poets’ class to Amy Clampitt’s Selected Poems. As upper-level undergraduates studying poetry, we were already familiar with the first three women on the syllabus—Emily Dickinson, Marianne Moore, and Elizabeth Bishop. Amy Clampitt, however, offered an entirely new, fresh voice that excited us, myself in particular. I found her rich vocabulary intoxicating, and I was enthralled by the ways in which she fluently incorporated such lush, ornate language into her work.1 Equally provocative for me were Clampitt’s thematic tones, which echoed those of Dickinson, Moore, and Bishop. A self-proclaimed “poet of displacement” and ardent national and world traveller, Clampitt wrote extensively on matters of geography, place, environment, and nature. She used her experiences abroad and at home to address more nuanced themes in her writing. Indeed, much of her work explores our innate human desire to travel and its consequences, such as the ways in which different locations and landscapes affect us. Needless to say, I was hooked. In the weeks that followed, I read anything by Clampitt that I could get my hands on, from her uncollected later works to William Spiegelman’s compilation of her correspondences: Love, Amy: The Selected Letters of Amy Clampitt.