A Phone Call to the Future: New and Selected Poems Online

Total Page:16

File Type:pdf, Size:1020Kb

A Phone Call to the Future: New and Selected Poems Online ijX0t [Library ebook] A Phone Call to the Future: New and Selected Poems Online [ijX0t.ebook] A Phone Call to the Future: New and Selected Poems Pdf Free Mary Jo Salter audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #2215916 in eBooks 2013-11-06 2013-11-06File Name: B00FUZPRZI | File size: 41.Mb Mary Jo Salter : A Phone Call to the Future: New and Selected Poems before purchasing it in order to gage whether or not it would be worth my time, and all praised A Phone Call to the Future: New and Selected Poems: 1 of 1 people found the following review helpful. ExcellentBy Lawrence R. TaylorDr. Salter is one of the best writers alive. Her depth of language usage moves one emotionally and makes the reader a better person for the encounter.2 of 2 people found the following review helpful. Add my voice to those who loved this bookBy P. LasterMary Jo Salter's hardback book sat (with other poetry books) on Hastings' sale table. I'd only heard of her, never read her. The book sat in my own shelf for a year before I pulled it out. Add my voice to those who laud her work. I especially liked "Goodbye, Train." I underlined this phrase from "Musical Chair": "... in a pond now deepening to a shade that looks like bedtime...". Her villanelle, "Refrain" is full of slant rhyme--something more of us should perhaps consider using. Repetition in the "re-" and alliteration in "Inside the Midget" caught my eye, too: "...refurnished, refinished, refined...recognize--..."Alas, I promised it as a door prize for a poetry retreat, but if I ever see another one, it's mine. Highly recommended.0 of 0 people found the following review helpful. Beautiful prose. This depth of emotion is too heavy for every day reading. (At least for me).By K.w.Sorry if my review is super scattered.Bottom line: is she is a good writer.I would give it 5 stars if it wasn't such heavy material (depressing) for me.This may have value to you, however, and you should read it at least nice and judge for yourself. (Read on).So-- This book of poems was a bit heavy for me , .....but still- I recommend everyone take a look at Elegies for Etsuko. I think it is / will become a classic, if it hasn't already. I will never forget it. I love all artists that take a risk to try and make a stab at voicing the pain of losing a friend....of unmasking the cloak that is a suicide. A warning to others as a "Phone Call to the Future", as it were, to realize the pain and finality that death leaves as a trail behind itself. (Not a direct quote, --just my of tieing the title into my review. I'm not sure where in the book lies this expression explicitly, if at all).Elegies for Etsuko- I am so moved by this set of verses to Salter's friend, Etsuko Akai.When her name appears, haltingly, in one of the last of the eight parts, I am jilted to the reality-- This woman, described in the poem--she is, in fact dead. I know it seems obvious , but I guess it was so striking for me because it is the tradition classically to euphemistically dance around the sadness that is someone's death. Instead, she faces it, states it, names it. It's almost awkward to be present for the revelations that are so personal. It is a reflection, nonetheless, of our modern style of everything becoming public. We say it. We are shocking. Nothing is taboo.The taboo is th norm. To be the euphemistic, to cite a norm is the new taboo.But there is the classic sad emotions in this poetry. Like the musings of Keats on his own mortality or Odes to "blank"..Don't misunderstand me to be disparaging this work. I just have so much thought and emotion about it that. I think it has served its purpose , no?...Mary Jo salter. Wow. At first easy to underestimate as simplicity, she has so much to say and feel that it hurts me to read her too much. I recognize too well some of the emotions expressed here.maybe for a person given towards depression, it's less than ideal reading material for me, personally.she has such a gift of mingling modern language and tone with an elegance that belies her own humility in describing life.The author's nakedness is exposed, here, in "Phone Call..." in sharing such honest feelings, musings, broodings-- on losing a friend, a loved one, and on the pain that is inherent to the nagging urge to write, described in "Aubade to Brad".I'll confess I couldn't make it through all of the text because the emotions bared in this volume were too raw for me, personally; Though, I will forever be touched and moved by her humble expressions in "Elegies to Etsuko".Overall, the sadness within the whole book of poems was too dark for me to be able to bear at one setting. I gave my copy away and -- in some respects wishing I still had it to re-read on rare occasion. I Iike being able to empathize with someone else who feels the way that i do sometimes....it minimizes the loneliness of the human experience. Instead, though, I chose to let this gem pass on to the next reader as a donation. I hope they will enjoy the book.Like other dense material of this depth and intensity, I love to visit it from time to time, like an old friend . But I can not, nor should I -- go there too often. Thank you, Ms, Salter for sharing so generously --I hope they have written Etsuko Akai's name in the sky, and that she is remembered always for who she was :) ! This “wholly attractive volume” that brings together twenty-five years of “elegantly shaped and voiced creations” (William Pritchard, The Boston Globe) offers a generous sampling of Mary Jo Salter’s five previous award-winning volumes and a collection of superb new poems. A mid-career retrospective of one of the major poets of her generation.From the Trade Paperback edition. From Publishers WeeklyCelebrated since the 1980s for her deftly articulate, often wittily rhymed lyric poems, Salter demonstrates those strengths and others in this sixth volume. From the start, Salter's verse can sound urbane and serious, ceremonious and supple: a nine-part elegy for a friend who died young contains a villanelle with the refrain I know you're gone for good. And this is how:/ were you alive, you would have called by now. Other poems react to the death of Salter's mother, to her own experience of parenthood, and to life with her husband, poet and critic Brad Leithauser. Salter may be the most gifted mid-career disciple of James Merrill's work, and her detractors may say she still works in his shadow. Yet her loosely syllabic stanzas owe as much to Marianne Moore, and her best poems stand apart for their careful sensitivity both to works of art and to her own family life, sounding as much herself when sighing, you reach an age when classics// are what you must have read as when she imagines the synchronized operations/ across the neighborhood:/ putting the children to bed;/ laying out clean clothes. (Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. “Only a few poets transcend the history of taste to participate in the history of art–and only in a handful of poems. Salter has been struck by lightning more than once… ‘Another Session’ is, like “Elegies for Etsuko,’ a disorienting work of art.” —James Longenbach, The New York Times Book “Celebrated since the 1980’s for her deftly articulate, often wittily rhymed lyric poems, Salter demonstrates those strengths and others in this sixth volume . Salter may be the most gifted mid-career disciple of James Merrill’s work . yet her loosely syllabic stanzas owe as much to Marianne Moore, and her best poems stand apart for their careful sensitivity both to works of art and to her own family life.” —Publishers Weekly“Marked by a very conscious sense of craft, Salter’s work is precise and artful, composed with a decided sensitivity toward formal poetic tradition . There are no extraordinary events here, just the business of day-to-day living, with its little highs and lows, recounted in poems that are deeply human, brilliantly realized and refreshingly perceptive.” —Julie Hale, Bookpage About the AuthorMary Jo Salter was born in Grand Rapids, Michigan, and grew up in Detroit and Baltimore. She was educated at Harvard and Cambridge and worked as a staff editor at The Atlantic Monthly and as poetry editor of The New Republic. She is also a coeditor of The Norton Anthology of Poetry. In addition to her five previous poetry collections, she is the author of a children’s book, The Moon Comes Home, and is a playwright and lyricist. After many years of teaching at Mount Holyoke College, she is now Professor in The Writing Seminars at Johns Hopkins University. She and her husband, the writer Brad Leithauser, divide their time between Amherst, Massachusetts, and Baltimore, Maryland. [ijX0t.ebook] A Phone Call to the Future: New and Selected Poems By Mary Jo Salter PDF [ijX0t.ebook] A Phone Call to the Future: New and Selected Poems By Mary Jo Salter Epub [ijX0t.ebook] A Phone Call to the Future: New and Selected Poems By Mary Jo Salter Ebook [ijX0t.ebook] A Phone Call to the Future: New and Selected Poems By Mary Jo Salter Rar [ijX0t.ebook] A Phone Call to the Future: New and Selected Poems By Mary Jo Salter Zip [ijX0t.ebook] A Phone Call to the Future: New and Selected Poems By Mary Jo Salter Read Online.
Recommended publications
  • Hammer Langdon Cv18.Pdf
    LANGDON HAMMER Department of English [email protected] Yale University jamesmerrillweb.com New Haven CT 06520-8302 yale.edu bio page USA EDUCATION Ph.D., English Language and Literature, Yale University B.A., English Major, summa cum laude, Yale University ACADEMIC APPOINTMENT Niel Gray, Jr., Professor of English and American Studies, Yale University Appointments in the English Department at Yale: Lecturer Convertible, 1987; Assistant Professor, 1989; Associate Professor with tenure, 1996; Professor, 2001; Department Chair, 2005-fall 2008, Acting Department Chair, fall 2011 and fall 2013, Department Chair, 2014-17 and 2017-19 PUBLICATIONS Books In progress: Elizabeth Bishop: Life & Works, A Critical Biography (under contract to Farrar Straus Giroux) The Oxford History of Poetry in English (Oxford UP), 18 volumes, Patrick Cheney general editor; LH coordinating editor for Volumes 10-12 on American Poetry, and editor for Volume 12 The Oxford History of American Poetry Since 1939 The Selected Letters of James Merrill, edited by LH, J. D. McClatchy, and Stephen Yenser (under contract to Alfred A. Knopf) Published: James Merrill: Poems, Everyman’s Library Pocket Poets, selected and edited with a foreword by LH (Penguin RandomHouse, 2017), 256 pp James Merrill: Life and Art (Alfred A. Knopf, 2015), 944 pp, 32 pp images, and jamesmerrillweb.com, a website companion with more images, bibliography, documents, linked reviews, and blog Winner, Lambda Literary Award for Gay Memoir/Biography, 2016. Finalist for the Poetry 2 Foundation’s Pegasus Award for Poetry Criticism, 2015. Named a Times Literary Supplement “Book of the Year, 2015” (two nominations, November 25). New York Times, “Top Books of 2015” (December 11).
    [Show full text]
  • HECHT, ANTHONY, 1923-2004. Anthony Hecht Papers, 1894-2005
    HECHT, ANTHONY, 1923-2004. Anthony Hecht papers, 1894-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Hecht, Anthony, 1923-2004. Title: Anthony Hecht papers, 1894-2005 Call Number: Manuscript Collection No. 926 Extent: 96.5 linear feet (187 boxes), 3 oversized papers boxes and 3 oversized papers folders (OP), 7 bound volumes (BV), 4 oversized bound volumes (OBV), 1 extra oversized paper (XOP) and AV Masters: 1 linear foot (2 boxes) Abstract: Papers of American poet Anthony Hecht, including correspondence, manuscripts and typescripts of writings, personal files, academic files, printed material, subject files, a small group of audiovisual materials, photographs, scrapbooks, and artwork. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Subseries 1.1, Family Correspondence and Subseries 1.2, General Correspondence, contains some correspondence that is closed to researchers. Some personal files in the Series 4 are also closed to researchers. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection.
    [Show full text]
  • 20Th Annual Conference 2016, Washington, DC (PDF)
    ALSCW Association of Literary Scholars, Critics, and Writers 20th Annual Conference Oct. 27 –30, 2016 The Catholic University of America Washington, D.C. CONFERENCE COMMITTEE John Briggs , University of California-Riverside Lee Oser , College of the Holy Cross Ernest Suarez , Catholic Univeristy Rosanna Warren , University of Chicago SPECIAL THANKS TO Jeffrey Peters , Catholic University Joan Romano Shifflett , United States Naval Academy Ryan Wilson , Catholic University ALSCW The 20th Annual Conference of the Association of Literary Scholars, Critics, and Writers Oct. 27 –30, 2016 SCHEDULE OF EVENTS . .2 CONFERENCE PARTICIPANTS . .11 SUGGESTED LOCAL RESTAURANTS . .27 CAMPUS MAP . .28 Thursday, Oct. 27 4–7:15 p.m. AN EVENING OF READINGS Caldwell Hall Auditorium Cash bar and hors d’oeuvres beginning at 4 p.m., followed by readings by conference participants and this year’s Meringoff Fiction and Essay Award winners at 5 p.m. 7:30 –9 p.m. PLENARY READINGS (Open to the public) Caldwell Hall Auditorium Brad Leithauser , Johns Hopkins University Rosanna Warren , University of Chicago Friday, Oct. 28 7:15 a.m. REGISTRATION Caldwell Hall Foyer Registration with continental breakfast. 8–10 a.m. SEMINAR SESSION I SEMINAR 1 Robert Penn Warren and Time Caldwell Hall Auditorium MODERATORS Joan Romano Shifflett, U.S. Naval Academy Ryan Wilson , The Catholic University of America > Christine Casson , Emerson College, “Time and History in the Lyric Sequence: Robert Penn Warren’s Audubon: A Vision ” > William Bedford Clark , Texas A&M University, “Time,
    [Show full text]
  • Leithauser-CV-2012
    BRAD LEITHAUSER Curriculum Vitae ADDRESS 44 Blossom Lane Amherst MA 01002 PERSONAL STATISTICS Born February 27, 1953, in Detroit, Michigan. U.S. citizen. Two children. EDUCATION 1980 J.D., Harvard Law School 1975 B.A. magna cum laude, Harvard College EMPLOYMENT 2008-present: Professor, The Writing Seminars, Johns Hopkins University 1995-2007: Emily Dickinson Senior Lecturer in the Humanities, Mount Holyoke College Fall 2001, Spring 1996: Guest faculty, Columbia University School of the Arts 1995: Theater Critic, Time Magazine 1987-1995: Lecturer in English, Mount Holyoke College 1990-1993: Editorial Board, Book-of-the-Month Club June 1990 and June 1991: Instructor in fiction, Columbia University School of the Arts Spring 1989: Fulbright Lecturer, English Department, University of Iceland 1984-1985: Visiting Writer, Amherst College 1982-1983: Lecturer, Asahi Culture Center, Osaka, Japan 1980-1983: Research Fellow, Kyoto Comparative Law Center, Kyoto, Japan BOOK PUBLICATIONS The Art Student’s War (novel, Knopf, 2009) Toad to a Nightingale (light verse, David R. Godine; 2007) Curves and Angles (poems, Knopf; 2006) Lettered Creatures (light verse, David R. Godine; 2004) Darlington’s Fall (novel in verse, Knopf; 2002) A Few Corrections (novel, Knopf; 2001) No Other Book: Selected Essays of Randall Jarrell (editor; Harper-Collins, 1999) The Odd Last Thing She Did (poems; Knopf; 1998) The Friends of Freeland (novel, Knopf; 1997) Penchants and Places (essays, Knopf; 1995) The Norton Book of Ghost Stories (editor; Norton; 1994) Seaward (novel; Knopf; 1993) The Mail from Anywhere (poems; Knopf; 1990) Hence (novel; Knopf; 1989) Cats of the Temple (poems; Knopf; 1986) Equal Distance (novel; Knopf; 1985) Hundreds of Fireflies (poems; Knopf; 1982) I have also published two books of poems in England, Between Leaps: Poems 1972-1985 and The Mail from Anywhere, with the Oxford University Press.
    [Show full text]
  • 2016 Conference Program
    ALSCWprogram_text.qxp_Layout 1 10/14/16 4:12 PM Page 1 ALSCW The 20th Annual Conference of the Association of Literary Scholars, Critics, and Writers Oct. 27–30, 2016 SCHEDULE OF EVENTS . .2 CONFERENCE PARTICIPANTS . .11 SUGGESTED LOCAL RESTAURANTS . .27 CAMPUS MAP . .28 ALSCWprogram_text.qxp_Layout 1 10/14/16 4:12 PM Page 2 Thursday, Oct. 27 4–7:15 p.m. AN EVENING OF READINGS Caldwell Hall Auditorium Cash bar and hors d’oeuvres beginning at 4 p.m., followed by readings by conference participants and this year’s Meringoff Fiction and Essay Award winners at 5 p.m. 7:30–9 p.m. PLENARY READINGS (Open to the public) Caldwell Hall Auditorium Brad Leithauser, Johns Hopkins University Rosanna Warren, University of Chicago Friday, Oct. 28 7:15 a.m. REGISTRATION Caldwell Hall Foyer Registration with continental breakfast. 8–10 a.m. SEMINAR SESSION I SEMINAR 1 Robert Penn Warren and Time Caldwell Hall Auditorium MODERATORS Joan Romano Shifflett, U.S. Naval Academy Ryan Wilson, The Catholic University of America > Christine Casson, Emerson College, “Time and History in the Lyric Sequence: Robert Penn Warren’s Audubon: A Vision” > William Bedford Clark, Texas A&M University, “Time, Eternity, and Memory: Warrenesque Variations on Augustinian Themes” > Mary E. Cuff, The Catholic University of America, “‘Sniffing the Dead Rat’: Herman Melville’s Influence on Robert Penn Warren” > Matthew Buckley Smith, Independent Scholar, “Practice for Eternity: Impermanence and the Poems of Robert Penn Warren” > Victor Strandberg, Duke University, “Robert Penn Warren
    [Show full text]
  • The Poetry of Life Openmike Right Brain Vs
    DEATH AND DATA • DEATH AND LIFESPAN • DEATH AND LEARNING nonprofit organization u.s. postage paid Bloomberg School of Public Health permit #1608 615 N. Wolfe Street, E2132 Baltimore, md Baltimore, MD 21205 Change Service Requested SPECIAL THE MAGAZINE OF THE JOHNS HOPKINS BLOOMBERG SCHOOL OF PUBLIC HEALTH WWW.JHSPH.EDU ISSUE $350 MILLION INVESTMENT 2013 Philanthropist and New York City Mayor Michael R. Bloomberg has committed $350 million to Johns Hopkins University, anchoring a major initiative aimed at bringing significant innovation to U.S. higher education. More: ow.ly/h9Ruw CELEBRATING OUR CENTENNIAL How do you celebrate 100 years of lifesaving achievements? What are the priorities for the next 100? Send us your ideas as we begin planning for the Bloomberg School’s 50% Total Recycled Fiber Centennial in 2016: [email protected]. 20% Post-consumer Fiber NEXT ISSUE PIONEERING HPV VISIONARY VIROLOGIST A virus causes cervical cancer? The concept intrigued Keerti Shah who began his revolutionary studies of the human papillomavirus in the late 1970s. In our Spring 2013 issue, Shah and his protégés discuss past, present and future of HPV. “ BECAUSE I COULD NOT STOP FOR DEATH” Photo by Chris Hartlove the poetry of life OpenMike Right Brain vs. Left Brain Dean Michael J. Klag, MD, MPH One day when he was 9 years old, Amartya Sen’s worldview changed. receive. Important drivers of the health of populations include factors First one, then thousands of starving people streamed through the like where we are born, what environmental exposures we experience, campus of his elite school on the way to Calcutta in search of food.
    [Show full text]
  • A Case of Netsuke Di Salter (In Unfinished Painting, 1989)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library Bertoli, Mariacristina Natalia. “Anamorfosi e trompe-l’œil. Un’introduzione alla poesia di Mary Jo Salter” Semicerchio 40.1 (2009): 59-71. In occasione della recente pubblicazione dell’antologia poetica di Mary Jo Salter, A Phone Call to the Future (New York: Alfred A. Knopf, 2008), presentiamo un florilegio di sei poesie esemplificative dello stile di questa autrice americana. Come molti tra i suoi connazionali (soprattutto contemporanei), Mary Jo Salter è un nome poco noto al pubblico italiano nonostante il ruolo di prestigio ricoperto all’interno del panorama letterario americano. Parte dell’anonimità di quest’autrice in Italia va ascritta alla scarsità di traduzioni in circolazione, dal momento che le sue poesie sono state tradotte solo episodicamente in riviste ed antologie1. Il presente contributo si prefigge quindi lo scopo di omaggiare la carriera pluridecennale di questa poetessa e, allo stesso tempo, di fornire al pubblico italiano un corpus di testi rappresentativo – attraverso il suo stile – di alcune tra le tendenze di maggior rilievo della poesia americana contemporanea. La carriera letteraria di Mary Jo Salter comincia dopo gli studi ad Harvard (1976) e a Cambridge (1978), all’epoca del lavoro come editore presso la celebre rivista letteraria bostoniana The Atlantic Monthly. È proprio grazie a questo ruolo che la giovane Salter entra in contatto con Amy Clampitt, che – pur avendo superato da tempo le soglie della mezza età – a quell’epoca si affaccia al mondo letterario inviando le proprie poesie a riviste come l’Atlantic.
    [Show full text]
  • The Disorienting Language & Landscapes Of
    Traveling Proprieties: the Disorienting Language & Landscapes of Elizabeth Bishop in Brazil By Katrina Kim Dodson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Anne-Lise François, Co-Chair Professor José Luiz Passos, Co-Chair Professor Melinda Y. Chen Professor Lyn Hejinian Professor Barbara Spackman Fall 2015 Traveling Proprieties: the Disorienting Language & Landscapes of Elizabeth Bishop in Brazil © 2015 by Katrina Kim Dodson Abstract Traveling Proprieties: the Disorienting Language & Landscapes of Elizabeth Bishop in Brazil by Katrina Kim Dodson Doctor of Philosophy in Comparative Literature Designated Emphasis in Gender, Women and Sexuality University of California, Berkeley Professor Anne-Lise François, Co-Chair Professor José Luiz Passo, Co-Chair This dissertation locates in the work of twentieth-century North American poet Elizabeth Bishop a collision between questions of propriety and questions of travel that emerge from the poet’s unintended exile in Brazil. Drawing on a much more comparative, intertextual archive of Brazilian and travel literature than existing Bishop scholarship, I explore how the poet’s experience of traveling to Brazil and residing there for nearly two decades, from 1951 to 1971, produces the disorienting effect of the “contact zone,” as Mary Louise Pratt characterizes these spaces of cross- cultural, cross-temporal negotiation. These contact zones arise in Bishop’s work as not only geographical-cultural spaces, but also as lyric and linguistic sites of contestation between norms.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE Helen Hennessy Vendler A. Kingsley Porter University Professor Harvard University 12 Quincy Street - Barker Center Room 205 Cambridge, MA 02138 Telephone: (617) 496-6028 Fax: (617) 496-8737 http://scholar.harvard.edu/vendler Home Address: 58 Trowbridge Street Cambridge, MA 02138 Telephone: (617) 547-9197 Education A.B.s.c.l.: Emmanuel College, 1954 (Chemistry) University of Louvain, 1954-55 (French, Italian; Fulbright Fellow) Boston University, 1955-56 (English Literature; Special Student) Ph.D. Harvard University, 1960 (English and American Literature) Honorary Degrees Litt.D. Smith College, 1980 Ph.D. University of Oslo, 1981 Litt.D. Kenyon College, 1982 D.L. University of Hartford, 1985 D.H.L. Union College, l986 D.L. Columbia University, l987 D.L. Marlboro College, 1989 D.H.L. Fitchburg State University, 1990 D.H.L. Washington University, 1991 D.L. Bates College, 1992 D.L. Dartmouth College, 1992 D.H.L. University of Massachusetts-Amherst, 1992 D.L. University of Massachusetts-Boston, 1992 D.L. University of Toronto, 1992 D.L. Trinity College, Dublin, Ireland, 1993 D.L. University of Cambridge, Cambridge, England, 1997 Litt.D. National University of Ireland, 1998 Litt.D. Wabash College, 1998 D.L. University of Massachusetts-Dartmouth, 2000 -1- D.L. Yale University, 2000 D.L. Tufts University, 2001 D.L. University of Aberdeen, 2001 D.L. Amherst College, 2002 D.L. Colby College, 2003 D.L. Bard College, 2005 D.L. Willamette University, 2008 D.L. Queen’s University Belfast, 2010 D.H.L. Brandeis University, 2015 Teaching Full-Time Harvard University, Visiting Professor, 1981-85; Professor, 1985-1990; A.
    [Show full text]
  • The Ever-Evolving Atlas of Amy Clampitt: Mapping Two Centuries of British and American Ecopoetry
    Audrey Abbott Cockrum Johns Hopkins University The Ever-Evolving Atlas of Amy Clampitt: Mapping Two Centuries of British and American Ecopoetry “Caught on the move—no knowing what year it was—” – Amy Clampitt So begins the poem “Sed de Correr,” and so began my poetry collection. It could have been any year, but it was 2014, and Professor Mary Jo Salter had just introduced the students in her ‘Four Women Poets’ class to Amy Clampitt’s Selected Poems. As upper-level undergraduates studying poetry, we were already familiar with the first three women on the syllabus—Emily Dickinson, Marianne Moore, and Elizabeth Bishop. Amy Clampitt, however, offered an entirely new, fresh voice that excited us, myself in particular. I found her rich vocabulary intoxicating, and I was enthralled by the ways in which she fluently incorporated such lush, ornate language into her work.1 Equally provocative for me were Clampitt’s thematic tones, which echoed those of Dickinson, Moore, and Bishop. A self-proclaimed “poet of displacement” and ardent national and world traveller, Clampitt wrote extensively on matters of geography, place, environment, and nature. She used her experiences abroad and at home to address more nuanced themes in her writing. Indeed, much of her work explores our innate human desire to travel and its consequences, such as the ways in which different locations and landscapes affect us. Needless to say, I was hooked. In the weeks that followed, I read anything by Clampitt that I could get my hands on, from her uncollected later works to William Spiegelman’s compilation of her correspondences: Love, Amy: The Selected Letters of Amy Clampitt.
    [Show full text]