Butt Chak-Cheung, Yondani
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Tchaikovsky Schumann
NI 6222 SYMPHONY NO.6 IN B MINOR Op.74 TCHAIKOVSKY PATHÉTIQUE Symphony no.6 Pathétique 1 Adagio, Allegro non troppo 20’26 2 Allegro con gracia 8’18 3 Allegro molto vivace 9’39 4 Finale: Adagio lamentoso 10’53 SCHUMANN Overture to Manfred 5 OVERTURE TO MANFRED Op.115 13’20 Total playing time: 62’36 2013 Wyastone Estate Ltd. Wyastone 2013 g London Symphony Orchestra Yondani Butt 2013 Wyastone Estate Ltd. Wyastone 2013 Produced by Chris Craker by Produced Haram Simon Rhodes, edited by Simon by Engineered 2012 London on 16th & 19th November, Studios, Road at Abbey Recorded P Yondani Butt ~ conductor In February 1893, after an intense but hugely successful tour in the Russian city of Odessa, Tchaikovsky embarked on the composition of his Sixth Symphony. He was in Yondani Butt was born in Macau. He studied music at Indiana University and the ebullient mood, having been treated as a celebrity in Odessa. Back in Klin, Tchaikovsky University of Michigan. He also has a Ph.D. in Chemistry, on which subject he has wrote to his brother Anatoly in mid February: ‘It seems that the best of all my works is published numerous research papers. As founder of Symphonie Canadiana, he has led the coming forth from me.’ There are many who would agree with this appraisal: the Sixth orchestra on major tours throughout North America. In addition, since 1983, he has held Symphony is one of Tchaikovsky’s greatest achievements, marrying a sweeping structure the position of Resident Conductor of the Victoria International Festival, creating the with exquisite emotional depth. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre -
August 2020 Vol.22, No. 2 the Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected]
Journal August 2020 Vol.22, No. 2 The Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected] August 2020 Vol. 22, No. 2 Editorial 3 Sir Adrian Boult CH. 5 President Andrew Neill Sir Mark Elder CH CBE Sir John Barbirolli, CH: An Elgarian Perspective 16 David L. Jones Vice-Presidents Diana McVeagh Elgar - Views From and For the Continent 27 Dame Janet Baker, CH, DBE Christopher Redwood Leonard Slatkin Sir Andrew Davis, CBE Elgar and Dan 30 Christopher Robinson, CVO, CBE Arthur Reynolds Andrew Neill Martyn Brabbins ‘“Gerontius” with M.S. notes by Elgar’: R. J. Buckley’s Vocal Score of 36 Tasmin Little, OBE The Dream of Gerontius in the Borthwick Institute for Archives at the Julian Lloyd Webber University of York Professor Jonathan Wainwright Music Review 58 Chairman Neil Mantle MBE Book Review 61 Vice-Chairman CD Reviews 64 Stuart Freed Recent CD Releases 74 Treasurer Peter Smith 100 Years Ago... 76 Secretary George Smart The Editors do not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Adrian Boult by Jonathan Trowell (loaned by the Bowerman Charitable Trust). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained. Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
LUDWIG VAN NI 6147 LUDWIG VAN BEETHOVEN the London Symphony Orchestra BEETHOVEN Yondani Butt London Symphony Orchestra Yondani Butt
LUDWIG VAN NI 6147 LUDWIG VAN BEETHOVEN The London Symphony Orchestra BEETHOVEN Yondani Butt London Symphony Orchestra Yondani Butt SYMPHONY NO. 4 IN B FLAT MAJOR OP. 60 1 Adagio ~ Allegro vivace 9’20 2 Adagio 10’44 3 Allegro vivace 6’14 4 Allegro ma non troppo 5’35 SYMPHONY NO. 5 IN C MINOR OP. 67 5 Allegro con brio 7’58 6 Andante con moto 10’36 7 Scherzo ~ Allegro 5’18 8 Allegro 9’40 Symphony No. 4 Total playing time: 65’15 in B flat major Symphony No. 5 in C minor Produced by Simon Rhodes Engineered by Simon Rhodes, edited by Simon Haram Recorded at Abbey Road Studios on 29th October, and at Henry Wood Hall, London on 2nd and 3rd November, 2011 P 2012 Wyastone Estate Ltd. g 2012 Wyastone Estate Ltd. While working on his ‘Razumovsky’ Quartets in 1806, Beethoven travelled with Prince Lichnowsky to his castle in Silesia, not far from the estate of Count Franz von Oppersdorff. Beethoven took the opportunity to visit the Count, who, having been impressed by Beethoven’s Second Symphony, commissioned a new work. Beethoven set aside the quartets to write his Fourth Symphony, which he produced quickly, first alluding to it in a letter to his publishers, Breitkopf und Härtel, in a letter dated 3 September. Oppersdorff offered Beethoven 500 florins for exclusive use of the work for six months. It seems he may have received a score by November; in any case, the fee was paid the following February. Beethoven’s Symphony No.4 in B flat, Op.60, was premiered in March 1807 alongside the Coriolan Overture and the Fourth Piano Concerto. -
GERMAN & AUSTRIAN SYMPHONIES from the 19Th
GERMAN & AUSTRIAN SYMPHONIES From The 19th Century To The Present Composers other than Beethoven, Brahms, Bruckner, Mahler, Mendelssohn, Schubert & Schumann A Discography of CDs and LPs Prepared by Michael Herman Composers A-L JOHANN JOSEPH ABERT (1832-1915) A Sudeten German, he was born in Kochowitz, Bohemia (now Kochovice, Czech Republic). He studied double bass at the Prague Conservatory with Josef Hrabe and also received lessons in theory from Johann Friedrich Kittl and August Wilhelm Ambros. He became a double bassist for the Court Orchestra at Stuttgart and later was appointed Kapellmeister. He composed orchestral and chamber works as well as lieder and several successful operas. His unrecorded Symphonies are: Nos. 1 in B minor (1852), 2 in C minor (1854), 3 in A major (1856), 5 in C minor (1870), 6 in D minor "Lyric Symphony" (1890) and 7 in C major "Spring Symphony" (1894). Symphony No. 4 in D major, Op. 31 "Columbus, A Musical Portrait of the Sea in the Form of a Symphony" (1863) Werner Stiefel/Bohuslav Martinu Philharmonic Orchestra ( + Concerto for Double Bass and Variations for Double Bass and Orchestra) BAYER RECORDS 100160 (1996) AUGUST RITTER VON ADELBURG (1830-1873) Born in Pera, Turkey. The son of a diplomat, he spent his early years in Istanbul before going to Vienna to study music with Joseph Mayseder for violin and with Hoffmann for composition. He then toured Europe as a violinist. He later returned to Istanbul where he played the violin before the Sultan to whom he dedicated this Symphony. He mostly composed operas, chamber, instrumental and vocal works. -
Mahler's First Symphony – a Comparative Survey
Mahler’s First Symphony – A Comparative Survey By Lee Denham Apparently, some of the most visited web pages on MusicWeb International are of the late Tony Duggan’s comprehensive survey of Gustav Mahler’s symphonies. Sadly, we lost Tony in 2012 and it says much about his legacy that it is only now, some eight years after, that it has been decided that his work needs to be updated. When the request came round, I was rather quick to raise my hand to do the First symphony – only to then realise that the discography on the Mahler Foundation website lists some 250 or so recordings, both live and in the studio, which needed to be considered. I strongly suspect mine was the only hand that went up ! That said, it has been a significant challenge, therefore, to try and be both comprehensive as well as concise, entertaining as well as enlightening, without producing a text rivalling War and Peace, but I have done my best and do apologise in advance for what rapidly turned out to be quite a lengthy article. What follows is not designed to be a replacement of Tony’s work, nor can it be a comprehensive review of every issue of Mahler’s First Symphony ever made. Instead, it is an article which can broadly be split into three sections: the first deals with the various transcriptions and arrangements the work has received, followed by a brief history of its composition and different editions of the score with an analysis of the recordings made of the “original” score(s), until the main narrative, which is of the very many recordings this work has received I have managed to get my hands on – good, bad, indifferent, in poor sound or otherwise, where I have tried to give the reader an idea of the various merits of each and perhaps to provide guidance on which ones best to seek out for further investigation. -
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Schumann-Journal Begründet 2012 von Dr. Ingrid Bodsch Publikation des Schumann-Netzwerks / Schumann-Forums A Publication of the Schumann Network / Schumann Forum Herausgegeben im Auftrag der Projektleitung des Schumann-Netzwerks von Irmgard Knechtges-Obrecht Nr. 4 / Frühjahr 2015 Mit Unterstützung der Beauftragten der Bundesregierung für Kultur und Medien Bibliografische Informationen der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d.-nb.de abrufbar. Herausgegeben im Auftrag und unter Mitarbeit der Projektleitung des Schumann-Netzwerks (Ingrid Bodsch) von Irmgard Knechtges-Obrecht Redaktion Dr. Irmgard Knechtges-Obrecht Horbacher Straße 366A . D 52072 Aachen Tel.: 0049 (0) 2407 / 90 26 39 Fax: 0049 (0) 3212 / 1 02 12 55 E-Mail: [email protected] Satz und Lektorat Dr. Ingrid Bodsch und Dr. Sigrid Lange Bildredaktion, Bearbeitung und druckfertiges Layout Dr. Ingrid Bodsch Umschlaggestaltung: phVision konzeptwerbung, Christa Polch Druck: bonndruck GmbH, Bonn © Verlag StadtMuseum Bonn 2015 Alle Rechte, auch das des auszugsweisen Nachdruckes, der auszugsweisen oder vollständigen Wiedergabe, der Speicherung in Datenverarbeitungsan- lagen und der Übersetzung, vorbehalten. Printed in Germany by bonndruck GmbH, Bonn ISBN 978-3-931878-45-0 Verlag StadtMuseum Bonn . Stadt Bonn, Amt 41-5 . D 53103 Bonn Tel.: 0049 (0) 772094, Fax: 0049 (0) 774298 E-Mail: [email protected] Inhalt Editorial 6 «Ich tue es zu meiner Freude». Bernard Haitink über seinen Luzerner Schumann-Zyklus Im Gespräch mit Erich Singer 11 “I do it for my own pleasure”. Bernard Haitink on his Lucerne Schumann cycle In a talk with Erich Singer 17 Ottavia Maria Maceratini im Gespräch mit Rainer Aschemeier über Robert Schumann 25 Ottavavia Maria Maceratini in conversation with Rainer Aschemeier about Robert Schumann 43 Franz Willnauer: Gustav Mahler und Robert Schumann. -
GERMAN & AUSTRIAN SYMPHONIES from the 19Th
GERMAN & AUSTRIAN SYMPHONIES From The 19th Century To The Present Composers other than Beethoven, Brahms, Bruckner, Mahler, Mendelssohn, Schubert & Schumann A Discography of CDs and LPs Prepared by Michael Herman Composers M-Z ERICH MARCKHL (1902-1980) Born in Celje, Styria, Austria-Hungary (now in Slovenia). He studied composition studies with Franz Schmidt. He was the state music director of the Province of Styria and also the Province of Styria Conservatory in Graz and professor as well as president of the Graz Academy of Music. He composed orchestral, chamber, piano and organ works as well as lieder and church music. His other Symphonies are: Nos. 2 in G sharp minor (1955-8), 3 in A minor (1946, rev. 1952-61), 4 "Kapfenberger Symphonie" (1955), 5 in E minor "Tragic" (1940-59) and 6 (1974). Symphony (No. 1) in C sharp minor (1931, rev. 1957) Ernst Märzendorfer/Austrian Radio Symphony Orchestra ( + Rubin: Symphony No.5) AMADEO AVRS 5065 ST (1970s) JOSEPH MARX (1882-1964) Born in Graz. He attended the Johann Buwa Piano Academy where he developed his virtuosic piano talents and also taught himself to play the cello and violin at that time. At the University of Graz, he studied with Erich Degner and took courses in musicology. He later taught theory and composition at the Vienna Academy of Music (afterwards the Hochschule für Musik) and became its director and taught there for the next 30 years. He was also an inflential music critic. He composed orchestral, chamber, choral and a vast number of vocal works. Autumn Symphony “Herbstsymphonie” (1921) Johannes Wildner/Graz Philharmonic CPO 7773202-2 (2019) Sinfonia "In Modo Classico" for String Orchestra (1944) Steven Sloane/Bochum Symphony Orchestra ( + Alt-Wiener Serenaden and Partita for String Orchestra "In Modo Antico") NAXOS 8.573832 (2019) (original CD release: ASV CD DCA 1158) (2005) MusicWeb International Updated: August 2020 German & Austrian Symphonies M-Z SIEGFRIED MATTHUS (b.