1:00p Meeting of Work-Study People, Volunteers, Site Coordinators: 2:00p Check-in Begins: Thurs 4:00- Early Bird Bluegrass Jam: Have Your Fretted Instrument or Set-Up Evaluated Early Bird Old-Time Jam 5:00p by MBC Co-Director Stan Werbin, Owner of Elderly Instruments

5:30-6:45 Faculty Dinner Meeting: Oak Dining Rm. At Kirk Cafeteria 5:45-6:45 Thursday Dinner: Kirk Cafeteria 7:00-7:45 Student Orientation: Auditorium Thurs 8:00- Bluegrass Demo. Bluegrass Demo. Multi-Styles Demo. Multi-Styles Demo. Old-Time Demo. Old-Time Demo. 19th Century : Fingerstyle Fiddle- 9:15p Playing in a Band: “Instrumentals” Composed Singing with the Banjo Classic & Swing Jazz on Banjo-Fiddle Duets Celtic Fiddle Tunes, Minstrel, Early Fingerstyle Guitar Technique Concepts & Techniques for 5-String Banjo 4-String & Clawhammer Style & Classic Q&A Q&A Demos 5-String Bowness Furtado Fink Andrade F. Evans Adams & Blount Dowling Knupfer Cahill Munde Marxer Barnes Baugus Perlman Dumas Sumner Newberry Baumann Hurt Walsh Eubanks Trischka Wade Cavanaugh, Rothfield L. Pool Faris McKinney Vappie

Host: Cahill Host: Trischka Host: Newberry Host: Cavanaugh Host: Hurt Host: Perlman

Thurs. Bluegrass Bluegrass Bluegrass Bluegrass All Styles Special Presentation. Old-Time Old-Time Old-Time 19th - Century Classic Jazz Jam Guitar Circle 9:30-10:30p “Regular” Jam Intermediate Intermediate Slow Jam Vocal Jam Introducing the Banjo “Regular” Jam Intermediate Slow Jam Banjo (1920s & 30s Jam Jam Jam Repertoire Repertoire) Jams 9:30-10:00. Introducing Barnes, Cavanaugh, Bowness, Sumner Beazley, Bluegrass Banjo Baugus, Hartness, Hurt, Andrade Adams & Blount Baumann & Dowling Eubanks, Munde Dumas & Cahill, Faris & Fink & Marxer (Furtado) Rothfield & Newberry & L. Vappie & Trischka McKinney Knupfer -- Walsh Pool 10:00-10:30. Introducing Old-time Banjo (F. Evans)

10:30 - ? Jam on Your Own: Any Classroom or Other Space in Mott

Friday Schedule Begins Next Page

(Note: Locations & levels for classes are at top of each column, unless stated in the table cells) Types & Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Jam Skills Old-Time Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: 19th- 4-String Old-Time Guitar: Guitar: Bass Levels Advanced Upper In- Upper In- Middle In- Lower In- Lower In- Novice & Special Fingerstyle Advanced Upper In- Upper In- Lower In- Lower In- Novice Century Banjo Fiddle Fingerstyle Flatpicking termediate termediate termediate termediate termediate Classes & More termediate termediate termediate termediate Banjo

8-9:00a Friday Breakfast: Kirk Cafeteria Fri 9:15- Playing Three Intro to The Joys Under- Technical Know The Great Intro to Learn Intro to How to Reviewing Getting 19th- 4-String Old-Time Fingerstyle Flatpick Mandolin. Bass. Jam 10:30a Blues on Strategies Melodic of standing Tune-Up: Your 3-Finger Celtic Little Billy Round Pick Up the Basic Started at Century Banjo. Fiddle. Guitar. Guitar. The Chop Session Banjo: for Banjo Jamming: Chord Honing the Banjo: Style of Tunes, Wilson, Peak Unfamiliar Skills Clawham- Banjo. Basic Demysti- Blues Nailing & Beyond: Repertoire Classes Concepts Bluegrass Review & Theory via Basic Tuning, Early Clawham- & Some Clawham- Tunes on mer 19th- Chords & fying Guitar Down Become a & & Licks Backup: McKinney Practice Fretboard Skills Basic Grand Old mer Style: Cool mer the Fly L. Pool Century Extensions Old-Time Tool Box: Rock- Solid, Etiquette: Combining Basic Shapes Hand Opry Star Reels, Clawham- Andrade Strokestyle Rhythm & Licks, Solid Driving Dealing Trischka Chord Jamming Bowness Positions Uncle Hornpipes, mer Tricks Baugus F. Evans & Vappie Bowing Tricks & Rhythm Rhythm With Both Shapes, Skills Cavanaugh & Simple Dave Jigs Etc. for Both Fingerstyle Soloing Player Familiar & Licks & Chords Macon Hands Techniques Rothfield Tips Faris Unfamiliar Rolls Beazley Walsh Dumas Tunes Sumner Wade Fink Adams & Dowling Munde Blount Eubanks Fri 10:45- Some Integrating The Jam Roll Get Right- Intro to Using the Tunes Mastering How to Intro to First 19th- 4-String Old-Time Fingerstyle Flatpick Mandolin. Bass. 1200n Great Melodic Single- Survival: Logic: Started at Hand Banjo Entire from East Alternate- Put Drive Drop- & Chords, Century Banjo. Fiddle. Guitar. Guitar. Dynamics: Bluegrass Fretting- Riffs Into String Concepts the Basic Improvis- Technique Mainten- Finger- Kentucky String in Your Double- Getting Banjo. Jazz Alternative Cool Become a Using Rhythmic Classes Hand Your Style of for Playing Rolls & ing on & Rolls ance & board in Fiddler Pull-offs: Clawham- Thumbing Right with How Best Comping Tunings: Fingerstyle Rhythm- Different Tech- Exercises Solos Banjo Along with How 5-String: Repair Clawham- Buddy on Open mer Stroke (Plucking the Right to Learn?: in Various- High Bass -Friendly Boss: Accents niques: That Get Pioneer Songs You Melodies Tips & Sumner mer: Thomas Strings & the Long Hand Old Banjo- Sized (AEAE) & Chords for Bass Runs, To Create Slapping, You Furtado Don Reno Don’t Fit Into Techniques Reinsmith Coleman’s for Claw- on Fretted Newberry Strings of Method Bands Calico Fresh Synco- Tasteful Runs, & Playing in Know Them March hammer Strings the Banjo Andrade Books, Tab, (AEAC#) Sounds Up pation & Backup & Muting All 12 McKinney Bowness In Two with the Ear…? Vappie the Neck Chord Rhythm Keys Cahill Munde Octaves F. Evans Hurt Thumb) Rothfield Substitution Eubanks Adams & Dowling Dumas Barnes L. Pool Perlman Blount Faris 10:45a Check-In Begins for “Weekend Only” Students: Front Desk 12:15-1:15 Friday Lunch: Kirk Cafeteria Fri Dawg Right- Diatonic Playing it The Circle Controlling More Jam Skills The Round- Play in Rhythmic Songs & Playing More 19th- 4-String Old-Time Fingerstyle Flatpick Mandolin. Bass. 1:30- Music for Hand Chords: Cool with of Fifths & Your Focus on Help for 2-finger & Peak Several Antici- Tunes with Other Right-Hand Century Banjo.. Fiddle. Guitar. Guitar. Fiddle How to 2:45p Banjo: Improv- Opening a few licks the Tone & Picking- All. Learn 3-Finger Master Keys, pation: from Instru- Work, Banjo. Chord- Picking Bridging Hunting Tunes on Approach Play David isation: Up the from J.D. Nashville Dynamics Hand to Sing Styles Fred Clawham- Dragging Grandpa ments: First 19th- Melody Up Tunes the Gap for the Mandolin Swing & Classes Grisman’s Make Up Neck in a Crowe, Numbering Skills Bluegrass Banjo Cocker- mer Style the Jones & Capos, Fiddle Century Style on the Fly: from Blues Melody: Blues EMD Your Own Million Alan System Furtado & Find Styles of ham’s Using Downbeat Ramona Chords & Tunes Banjo Using Tips & to Jazz: A How to Dumas Tunes in Rolls for Ways Shelton Beazley Your Sam & Roustabout Open Back Jones the Synco- Chord- Techniques Doorway Listen to the Barnes Different and Others Cahill Authentic Kirk G-Tuning, Across the Nashville Newberry pation Inversions to Essential Songs & Bluegrass Musical Trischka Bluegrass McGee Baugus Bar Line Fink Numbering Rothfield Chords & Pick Apart Repertoire Contexts Baumann Voice Walsh to Create System Adams & Vappie Techniques Melodies Wade Excitement Blount Eubanks Cavanaugh Loring Hurt Dowling Faris Perlman Fri. 3:00p Tour of Olivet College for Non-Playing Spouses & Companions Fri. 3:00- Bluegrass Jam Bluegrass Demo. Bluegrass Demo. Bluegrass Demo. Vocal Harmony Appalachian Multi-Instruments Multi-Styles Demo. Multi-Styles Demo. Old-Time Demo. Old-Time Demo. Old-time Jam 4:15p Workshop for All Secrets of Things You Ain’t Tips on Arranging Workshop: Clogging Workshop: Demo. Classic & Old-Time Songs from the Fiddle Tunes with a Pushing Out the Workshop for All Instruments & Single-String Supposed to Play on Songs for Bluegrass (Also Open to Non- (Also Open to Exploring the Blues Fingerpicking “Hill Billy” Blues or Ragtime Boundaries of Instruments & Levels: Etiquette, Banjo Performance, from Playing Spouses, Non-Playing Recording Era & Flavor Clawhammer Levels: Etiquette, Demos Instrument Roles & Special Consensus Etc.) Spouses, Etc.) Grand Ole Opry Instrument Roles &

Survival Skills Furtado Barnes Baumann Adams Baugus F. Evans Survival Skills McKinney Bowness Cahill, Dumas, Beazley & Loring Graziano Dowling Blount Fink Perlman Hurt Burke, Knupfer Munde Cavanaugh Eubanks & Vappie Wade Marxer L. Pool Walsh Andrade & Sumner Trischka Faris Newberry Rothfield E. Pool Hartness Host: Burke Host: Munde Host: Cavanaugh Host: Cahill Host: Baumann Host: Adams Host: Newberry Host: Baugus Host: Walsh Host: Andrade

Fri 4:30- Friday Free Period: Jam on Your Own 5:45p Or: Have Your Fretted-Instrument or Fiddle Set-Up Evaluated by MBC Co-Director Stan Werbin, Head of Elderly Instruments (Rm. 109) 6-7:00p Friday Dinner: Kirk Cafeteria 7:15-9:35 Friday Faculty Concert (Featuring Half the Faculty): Auditorium Fri.9:50- Bluegrass Bluegrass Inter- Bluegrass Inter- Bluegrass Inter- Bluegrass Bluegrass All Styles Song Circle Old-Time Old-Time Inter- Old-Time Inter- Old-Time 19th-Century Classic Jazz Guitar Circle 11:00p “Regular” Jam mediate Jam mediate Jam mediate Jam Slow Jam Slow Jam Vocal Jam “Regular” Jam mediate Jam mediate Jam Slow Jam Banjo Jam Jam

Jams Ball, Cavanaugh Cahill, Dumas Faris, Furtado & Barnes, Beazley Sumner Marxer & Wade Fink, Hartness Baugus, Andrade L. Pool Adams & Baumann & Dowling & Bowness & Eubanks Munde McKinney & Newberry & Hurt F. Evans & & Walsh Blount Vappie Knupfer Rothfield

11:00 Snack Time: Mott Main Entrance (2nd Floor) 11:30p- Jam on Your Own: Any Classroom or Other Space in Mott 8-9:00a Saturday Breakfast: Kirk Cafeteria Types & Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Jam Skills Old-Time Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: 19th- 4-String Old-Time Guitar: Guitar: Mandolin Bass Levels Advanced Upper In- Upper In- Middle In- Lower In- Lower In- Novice & Special Fingerstyle Advanced Upper In- Upper In- Lower In- Lower In- Novice Century Banjo Fiddle Fingerstyle Flatpicking termediate termediate termediate termediate termediate Classes & More termediate termediate termediate termediate Banjo

Sat. 9:15- The Styles Where’d Intro to “Winging” Practicing Getting Left-Hand . Making Tommy Composing Introducing Adding Singing Introducing 19th- 4-String Old-Time Fingerstyle Flatpick Mandolin. Bass. 10:30a of Three Everybody Chord- Breaks in Well: That Tech- Getting the Banjo Jarrell’s New Tunes High Bass Variation with the Hammers, Century Banjo. Fiddle. Guitar. Guitar. Focus on Fiddle Great Go?: Melody Jams: How Structuring Profes- niques: Into the Talk, Round for Claw- Tuning for & Texture Banjo: Pulls, & Banjo. Strumming Advanced Arranging Flatpicking Tone & Tunes on Classes Banjoists: Playing Style to Solo on an Effective sional Chords & Dobro: 2-finger Peak hammer: Banjo to Tunes How to Slides 17th - & Technique: Bowing 101: with Clarity: Bass: Rudy Lyle, Bluegrass Playing on Common & Efficient Sound Note Get Style: Clawham- Tune (aAEAE) You Know Make 18th - The Basics Tech- Adapting Feeling: Become a Learn to Walter Without 5-String Chord Practice Placement Started or Train mer Style Structure for & Love, Your Andrade Century & niques: Favorites from Smoother, Play Lead Hensley, & the Band Progres- Routine Trischka Learn Sounds, & How to Key-of-A Clawham- Banjo a Caribbean Variations Accents, from Touch & Cleaner Paul Craft Cavanaugh sions Sumner More Bird Calls Hurt Develop Tunes with mer Style Duet & Colonial Drones, Standard- Clarity to Player Eubanks Barnes Bowness & More Musical a Wide Partner Connec- Vappie Pulses & Tuning to Power & Munde Beazley Baumann Ideas Range L. Pool tions Slurs Open Authority Dumas Wade Newberry Tunings Fink Perlman Adams & Rothfield Faris Blount Dowling

Saturday Schedule Continues, Next Page

Types & Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Jam Skills Old-Time Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: 19th- 4-String Old-Time Guitar: Guitar: Mandolin Bass Levels Advanced Upper In- Upper In- Middle In- Lower In- Lower In- Novice & Special Fingerstyle Advanced Upper In- Upper In- Lower In- Lower In- Novice Century Banjo Fiddle Fingerstyle Flatpicking termediate termediate termediate termediate termediate Classes & More termediate termediate termediate termediate Banjo

Sat 10:45- Improv- A Veritable Up the Vamping Learn Up Some Some Jam Skills Be the From Slow Ragtime Deep in The Joys Modal How to 19th- 4-String Old-Time Fingerstyle Flatpick Mandolin. Bass. 1200n isation: Load of Neck & Where the Neck Basic Beginner Help for Banjo Rap to Fiddle the Heart of Playing Tunes Sing Century Banjo. Fiddle. Guitar. Guitar. The Todd Concepts Licks – in Back-Up to Find Soloing Single- Songs All Instru- Player in Double- Tunes for of Round Slow: The from WV Along Banjo.20th- Technique Virginia Intro to Putting the Tasteful Philips & Classes for G, C & D : Earl’s Vamp- Positions String ments. An Old- Noting: Claw- Peak: Ins & Outs Fiddler with the Century for Tunes Bottleneck Blues in Tremolo: his Work Opening – to Fire Best Chords for Fireball Phrases for Sumner Developing Time Trio: The Claw- hammer Advanced of Waltzes Edden Banjo for Echoes: Improvis- from the Guitar Bluegrass: Making with Tony Up Your Your Advanced Mall & Blues Ear Skills Take Turns hammer Round-Peak & Airs, Hammons Novice The Styles ing Single- Playing of Pentatonic Slow Rice & JD Playing Imagination Licks Furtado Cumber- & Teaming Styles of L. Pool Tunes & Clawham - for Claw - Pickers of Nathan String Uncle Dowling Improv. Bluegrass Crowe in land Gap Cavanaugh Graduating up with . . . Hobart Techniques mer Style hammer Frazier & Solos Norm in the Classics the Trischka Munde McKinney from Tab Smith Andrade Murph Edmonds Style of Come Bluegrass Cahill Hurt & Baugus Walsh F. Evans Gribble Vappie Tony Rice Alive Album Burke Hartness Wade Rothfield Band Adams & Faris Dumas Blount Eubanks 12:15-1p Saturday Lunch: Kirk Cafeteria 1:15-1:45 Camp Photo: Sat. Beyond Impro- Intro to Tips for Change Roll It’s All in Jam Skills Hot Licks, From Doc Arranging Getting Improving Get 19th- 4-String Old-Time Fingerstyle Flatpick Mandolin. Bass. 2:00- Bluegrass vising on a Linear Banjo Chords Review & the Wrist: Help for Clawham- Britain to Watson’s a Song & Around the Started Century Banjo. Fiddle. Guitar. Guitar. Crafting Closed 3:00p Banjo: Fiddle- Melodic Playing Like a Pro: Drill: Finding All Instru- mer Style: Bulgaria: Unique Its Accom- the Finger- Accuracy Playing Banjo. Western Midwestern Inner Fiddle Solos: Positions Taking the Tune: Style: Singers Tips, Funda- Your ments. How to Unusual Approach paniment, board: of Your with Finding Swing: Fiddle Voices: Tunes Tips & on Bass & Classes 5-String Melodic & Using Tricks & mental Optimal Soloing & Thrive at a Time to Claw- Clawham- a Few Clawham- Others the Fiddle Working Tunes Chord from Techniques How That into Single- 3-Finger Beazley Exercises Patterns Left- & Finding the Bluegrass Signatures hammer mer Style Helpful mer in 19th- Up Forms C-Position: Helps Country, String Rolls for Everyone Right-Hand Melody Jam - 6/8, 7/8, Hints Picking Newberry Century Rhythm & Hurt That Melt Chinese Dumas Enhance Rock & Approaches Single- McKinney Should Positions [Upper Int] 11/8, Etc., Andrade Fink Hand Banjo Solos Together Breakdown Your Pop String Master Burke Clawham- Perlman Tunes & Rachel Sessions Bowness Licks Cahill F. Evans mer Style Baugus Baumann Rietz Barnes Furtado Adams & Marxer Ball Cavanaugh Walsh Blount Sat 3:15- Rice on Backup In with the Eleven Creating Developing Playing Jam Skills Fretless Play an Play Banjo North Making a Learning Some 19th- 4-String Bluegrass Fingerstyle Flatpick Mandolin. Bass. 4:15p Banjo: Licks Up- Good Ways to Solos to Right- with Good Help for Mountain Advanced Bill Carolina Simple Melodies Simple Century Banjo. Fiddle Guitar. Guitar. Old Intro to Translating & Down- Notes & Leave Songs: Hand Tone & All. Intro to Banjo: The Version of Cornett’s Fiddle Melody by Ear: Songs in Banjo. Understan- Class. Make Even Western- Danger- “Arco”: Tony the Neck Out with Your Level: Combining Dexterity Rhythm Bluegrass 2-Finger Snowdrop Barbry Tunes, into an How to Standard Mixing ding the Finding Simple Swing field & Bowing Classes Rice’s the Bad: Some Rolls & Harmony Styles & with Chord Allen Clawham- Effective Hear Core C-Tuning Stroke- Jazz Double- Tunes & Rhythm Southern the Bass Guitar Cahill Under- Great Ways Melodies Furtado Barnes Singing Songs of Substitu- mer Style Claw- Tones & Style & Approach Stops & Licks Guitar: Flavor: Licks to tanding & to Get Convin- [Non- Frank tions & Baugus hammer Fill Fink Fingerstyle to Music How to Sound Chord Exploring Eubanks 5-String Using the Unstuck cingly Playing Proffitt & Enhanced Newberry Arrange- Between in the Same Use Them Cool with Shapes & the Sound Modes Spouses His North Right-Hand ment Them Piece Vappie in Your Solid Progres- of Bill Bowness Trischka Munde Welcome] Carolina Techniques Playing Funda- sions Monroe McKinney Neighbors Walsh L. Pool Adams & mentals Beazley F. Evans Blount Knupfer Faris Baumann Wade Dowling

4:30-5:45 Saturday Free Period: Jam on Your Own 6:00-7:00 Saturday Dinner: Kirk Cafeteria 7:15-9:40 Saturday Faculty Concert (Featuring the Rest of Faculty): Auditorium Sat.10:00- Bluegrass Bluegrass Bluegrass Bluegrass Slow Bluegrass Slow All Styles All Styles Song Circle Celtic & Old-Time Old-Time Old-Time Old-Time Slow 19th- Century 11:00p “Regular” Jam Intermediate Jam Intermediate Jam Jam Jam Blues Jam Vocal Jam Northern Tunes “Regular” Jam Intermediate Jam Intermediate Jam Jam Banjo Jam Dumas, Jam Jams Cavanaugh, Ball, Faris Barnes, Bowness Cahill Beazley Baumann, Sumner Wade Andrade, Baugus, F. Evans, Fink & Rothfield L. Pool Adams & Blount Knupfer & Furtado & Eubanks, & Dowling & Walsh & E. Pool & Newberry Hartness, & Hurt McKinney Trischka Marxer Vappie m. 103 11:00p Snack Time: Mott Main Entrance (2nd Floor) 11:30p-? Jam on Your Own: Any Classroom or Other Space in Mott 8-9:00a Sunday Breakfast: Kirk Cafeteria Types & Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Jam Skills Old-Time Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: 19th- 4-String Old-Time Guitar: Guitar: Mandolin Bass Levels Advanced Upper In- Upper In- Middle In- Lower In- Lower In- Novice & Special Fingerstyle Advanced Upper In- Upper In- Lower In- Lower In- Novice Century Banjo Fiddle Fingerstyle Flatpicking termediate termediate termediate termediate termediate Classes & More termediate termediate termediate termediate Banjo

Sun 9:15- Bela Sub- Stealing Classic Composing Developing Creating Intro to For All The 3:3:2 Creating “Dotted” Songs of Learn Chord 19th- 4-String Old-Time Fingerstyle Flatpick Mandolin. Bass. 10:30a Divisions: Licks for Fiddle Tunes or Speed Your Own the Most Banjoists!! Banjo- Synco- Up the Celtic 1940s-50s Tater Shapes & Century Banjo. Fiddle. Guitar. Guitar. Optimize 3/4, or Dividing Banjo from Tunes: Fire “Instru- Solos from Basic Plugging Fiddle pation, & Neck Tunes in Country Patch, Common Banjo. Mastering Fiddle Kentucky Fiddle Your Pick Waltz- Classes Two Other on the Mtn, mentals” McKinney the Backup In: Enhance Partner- How It Solos in Clawham- Music Star from Early Chord 20th- Cent- Intros, Tunes Thumb- Tunes from Usage: Time in Measures- Instruments Bill for Banjo: Ground Skills Your ship: Helps You Double-C mer Style: Cousin Round- Progres- ury Echoes. Turn- from East Style: The G-Position: How to Bluegrass Worth of Cheatham, Tips & Up Sound on Take Turns Craft Tuning, Hornpipes, Emmy Peak sions The Styles Arounds & Tennessee Playing of Seneca Select Just & Beyond Eighth- Furtado &/or Old Techniques Sumner Stage & in Playing Authentic Clawham- Marches & Banjoist of Lucius Endings Mose Square- the Right Notes into Joe Clark Bowness Recording Duets Old-Time mer Style Strathspeys Newberry Charlie Hurt Smith & Andrade Rager, dance & Direction Ball Groupings Barnes Studios via with Your Banjo Lowe Dink Baumann Ike Everly Tippin’ &/or of 3, 5 & 7 Munde Electronics Instructor Arrange- L. Pool Walsh Roberts & Merle Back the Pattern for ments Baugus Travis Corn Any Tune Trischka Cavanaugh Rothfield Adams & Perlman Blount Rietz Marxer Dumas

Sun Learn a Playing Irish Playing Making Solid Signature Banjo Blackberry Banjo Crooked Tune- Get Review, 19th- 4-String Old-Time Fingerstyle Flatpick Mandolin. Bass. 10:45- Soulful, with Tunes on Backup in Scales Timing: Bluegrass Songs: Blossom: Pickin' Tunes for Specific Started Sugges- Century Banjo.. Fiddle. Guitar. Guitar. Swing How & 1200n Jazzy Confidence 5-String , Different More Tips & Banjo Music Fretting Girls: Clawham- Tunings: Creating tions for Banjo. The Tips for East What to Playing Chords & What to Version in the Key Played Musical Musical & Techniques Techniques Made for the 5th Songs mer Last Variations the Future Legacy of Learning Kentucky Do When Breaks Up Texas Practice: Classes of the Pop of D from 3-Finger Settings: Fun Banjo in String & from the Chance, on a Minstrelsy & Memo- Tunes the Singer the Neck: Style Make Standard, Open Style Finding Beazley Sumner Claw- Other Coon Creek Hurt Cumber- Melody Andrade in Old- rizing from the Says, Scales, Backup Yourself a Autumn G-Tuning Just the Trischka hammer or Methods Girls & land Gap Time & Songs playing of “Take It!” Licks & Better Leaves Cahill Right 2-Finger for Playing More & More Walsh Bluegrass Owen “Comfort Baumann Bassist for Approach Style Up- the- Music Vappie “Snake” Dowling Boxes” All Kinds Cavanaugh Furtado Neck Fink Newberry Chapman of Music Bowness Wade Adams & Faris F. Evans Blount Rothfield Eubanks

12:15-1 Sunday Lunch: Kirk Cafeteria 1:00-1:30 Last Call for Artists’ Store 2:00p Camp Ends