Thurs.-Sun. JUNE 3-6, 2021

Total Page:16

File Type:pdf, Size:1020Kb

Thurs.-Sun. JUNE 3-6, 2021 MIDWEST Banjo Camp: Thurs.-Sun. JUNE 3-6, 2021 Thursday Schedule 1:00p Meeting of Work-Study People, Volunteers, Site Coordinators: 2:00p Check-in Begins: 3:30-4:45p Have Your Fretted Instrument or Fiddle Set-Up Evaluated by MBC Co-Director Stan Werbin, Owner of Elderly Instruments 4:00-5:00p Early Bird Bluegrass Jam Early Bird Old-Time Jam 5:30-6:45 Faculty Dinner Meeting: 5:45-6:45 Thursday Dinner: 7:00-7:45 Student Orientation: Thurs 8:00- Bluegrass Demo. Bluegrass Demo. Multi-Styles Demo. Multi-Styles Demo. Old-Time Demo. Old-Time Demo. Fingerstyle Guitar 9:15p Playing in a Bluegrass Band: Waltzes & Slow Tunes on Singing with the Banjo Classic & Swing Jazz on Banjo-Fiddle Duets Cool & Unusual Q&A Concepts & Techniques Bluegrass Banjo 4-String & 5-String Banjos Fiddle Tunes on Banjo Demos Banjo: Cahill & Hirshfeld Evans Davis McKinney Blount Carlin Dowling Bass: Ball Furtado Newberry Scroggins deGroot Perlman Dobro: Baumann Munde Schatz Vappie Hurt L. Pool Fiddle: I. Smith Sumner Wade Wellington Vigour Naiman Guitar: K. Smith Mandolin: Lester Host: Cahill Host: Furtado Host: Newberry Host: Vappie Host: Hurt Host: Perlman Thurs. Bluegrass Bluegrass Bluegrass How Bluegrass All Styles Special Presentation. Old-Time Old-Time Old-Time Old-Time Classic Jazz Jam Guitar Circle 9:30-10:30p “Regular” Jam Intermediate to Jam Slow Jam Vocal Jam Introducing the Banjo “Regular” Jam Intermediate How to Jam Slow Jam (1920s & 30s Jam Workshop Jam Workshop Repertoire) Instructor- (All Levels) 9:30-10:00. Introducing (All Levels) Led Jams Ball, Evans, Baumann, Sumner & Newberry Bluegrass Banjo Carlin & Vigour Hurt & L. Pool Naiman & Vappie Dowling Furtado, Lester McKinney, Cahill, Hirshfeld Wellington Blount & E. Pool & Munde Schatz & I. Smith & Davis deGroot Scroggins K. Smith -- 10:00-10:30. Introducing Old-time Banjo Wade 10:30 - ? Jam on Your Own: Friday Schedule Begins Next Page Midwest Banjo Camp: Friday-Sunday Schedule (Note: Class types and levels are at top of each column, unless stated in the table cells) Types & Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Special Old-Time Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: 4-String Old-Time Guitar: Guitar: Mandolin Dobro Levels Advanced Upper In- Upper In- Middle In- Lower In- Lower In- Novice Classes Fingerstyle Advanced Upper In- Upper In- Lower In- Lower In- Novice Banjo Fiddle Fingerstyle Flatpicking termediate termediate termediate termediate termediate & More termediate termediate termediate termediate 8-9:00a Friday Breakfast: Fri 9:15- The Creating Working Change Technical Jam Know Your Intro to Using the Exploring How to The Banjo Reviewing Know Your 4-String Old-Time Fingerstyle Flatpick Mandolin. Dobro. 10:30a Melodic Up-the- Up Chords Tune-up: Survival Banjo: Banjo Main- Entire Open-D Translate Style of the Basic Banjo, & Banjo. Fiddle. Guitar. Guitar. The Art of Tighten Up Style: Neck Scruggs- Like a Pro: Honing the 101: What Tuning, tenance & Finger- Tuning - Unfamiliar Odell Skills Getting Practice Intro to Blues Secrets of the Lyrical Your Classes Playing Arrange- Style Solos Tips, Basic Skills to Do When Basic Hand Repair board in f#DF#AD: Fiddle Thompson Started Techniques Old-Time Guitar Rhythm Mandolin: Technique: Fiddle ments for Tricks & You Don’t Positions & Clawham- Peach Tunes to of Mebane, deGroot with the for All Fiddling: Grab Bag: Technique: Making Proper Tunes & Songs You Evans Exercises Hirshfeld Know the Simple Reinsmith mer: Bottom Clawham- NC Clawham- Four Getting that Licks, Becoming Your Picking & How to Already Tune Chords Whiskey Creek, Gold mer on the mer Stroke fingers Authentic Tricks, a Solid Mandolin Bar Hand View the Know McKinney (Simple Before Tone Blues, Fly Blount Sound Intros, Rhythm Sing Fundamen- Fretboard to Rolls Over Sumner Breakfast Etc. Naiman Vappie Endings & Player tals Perform Scroggins Chord in Two Hurt Vigour Turnarounds Lester Them Shapes) Octaves Carlin K. Smith Baumann Dowling Munde Davis L. Pool Fri 10:45- Improv- Three Intro to Creating The Circle Jam Right-Hand Bass Class. The Ballads of How to Claw- Just Hit the Intro to Using the 4-String Old-Time Fingerstyle Flatpick Mandolin. Dobro. 1200n isation in Strategies Single- Licks from of 5ths & Survival: Technique Open Fingerstyle Love & Create hammer Danged Drop- & Basic Banjo. Fiddle. Guitar. Guitar. Creative Using Rolls the Style of for String Scales & How to Use Tips & & Rolls: Positions, Banjo of Death: Fiddle Tune Backup: Thing!: Double- Stroke; Picking Basic The Basics The Mandolin To Achieve Classes Scott Bluegrass Style Roll It in Your Tricks to Forward, & Working Etta Baker Clawham- Variations Chords, Learning to Thumbing Working Techniques: Bowing of Ergonomics Back-Up: Drive in Vestal: His Backup: Patterns Playing Make Backward, with mer Songs & Sequence Strumming Play with (Plucking with Tab; Holding the Patterns: Alternating of Tone: Rhythm Open And Influences, Combining Scroggins Jamming Alternating Closed Blount from Buell Them into Patterns & More the Long First Tune Pick, Tone Saw-Stroke -Thumb Economy Types, Closed General Chord Cahill McKinney Easier for & Pinch Notes in Kazee, an Effective Fills in G Confidence Strings of Color, & Simple Finger- of Motion Counter- Positions Approach, Shapes, Everyone Different Cousin Arrange- & Double- the Banjo Naiman Alternate Shuffles picking & Optimal Melody & & Attack Licks & Sumner Time Emmy, Etc. ment C Tunings Newberry with the Picking vs. Finger- Chord Baumann Rolls Furtado Signatures Thumb) Sweep Vigour Dowling Pressure Voicings Wellington Wade deGroot Schatz picking. Munde Ball Perlman K. Smith Lester Vappie 10:45a Check-In Begins for “Weekend Only” Students: 12:15-1:15 Friday Lunch: Fri Combining Become a Intro to The Basics 4-3-5: Mechanics Left-Hand Jam Skills Kentucky Fiddle The Songs Playing Tunes from Some More 4-String Old-Time Fingerstyle Flatpick Mandolin. Dobro. 1:30- Scruggs & Good Improvising of Use This of Good Techniques: Help for Bard Dick Tunes from of Roscoe Tunes in the NC Classic Right-Hand Banjo. Fiddle. Guitar. Guitar. The Layout Hammer-ons 2:45p Melodic Bandmate: in the Key Bluegrass Simple Tone: Left- Major & All Instru- Burnett’s the Ozarks, Holcombe, Clawham- Piedmont Old-Time Work, First Guitar Playing “Plays How to & Logic of & Pull-offs Techniques: Techniques of C: All Banjo Formula to & Right- Minor ments. Hybrid Clawham- Clawham- mer That Shared in Fiddle Fiddle Tuning Tunes in Well with Find the on Dobro: Classes the Style of for Backing You Need Set-Up Find the 3 Hand Chords, & Developing 2-Finger & mer Style mer Style Switch Common Tunes in Tunes (DGBE) Calico Others”: Arpeggios Mandolin Developing Ben Up Each Is One Roll Basic Major Strategies Note Ear Skills & 3 - Finger Keys Mid - by White & Double - C vs. Tenor Tuning How to & Turn Fretboard: Speed And Eldridge of Instrument & Some Hirshfeld Chord to Get Placement Graduating Style L. Pool Ne wberry Stream: African - Tuning: Naiman Tuning (AEAC#): Jam with Them into Mappings, Accuracy the Seldom in a Two-Finger Shapes Your Best from Tab Richmond American Rock the (CGDA) Get Started Another Music Patterns & Scene Bluegrass Chords Around the Possible Sumner Wade Cotillion & Musicians Cradle, Joe or Learn Guitarist Positions Baumann Setting Neck Sound Burke Others. & Others Vappie More K. Smith Bill Evans Davis Carlin Dowling Lester Furtado Cahill Wellington Perlman Schatz Hurt Fri. 3:00p Tour of Olivet College for Non-Playing Spouses & Companions: Fri. 3:00- Bluegrass Jam Bluegrass Demo. Bluegrass Demo. Multi-Styles Demo. Multi-Instruments Appalachian Vocal Harmony Old-Time Demo. Old-Time Demo. Old-Time Demo. Old-time Jam Attend Live 4:15p Workshop for All Secrets of Single- Stanley Brothers Tunes Composed for Demo. Clogging Workshop: Workshop: Round Peak Traditional Songs Celtic Tunes, Workshop for All Interviews of Instruments & String Retrospective Banjo Exploring the Blues (Also Open to Non- (Also Open to Non- Roundup from the Clawhammer Style Instruments & MBC Instructors Levels: Etiquette, Playing Spouses, Playing Spouses, Appalachians Levels: Etiquette, for Demos Instrument Roles & Hirshfeld Ball Furtado Baumann Etc.) Etc.) Carlin deGroot Instrument Roles & the Picky Fingers Survival Skills McKinney Cahill Munde Dowling Hurt Blount L. Pool Survival Skills Radio Show, Scroggins Evans Naiman Lester Vigour Newberry Perlman conducted by Burke & Sumner Wellington Davis Schatz Vappie Graziano Loring Wade Hartness & E. Pool Host Keith Billik I. Smith & K. Smith Host: McKinney Host: Evans Host: Munde Host: Baumann Host: Carlin Host: Newberry Host: L. Pool Fri 4:30- Friday Free Period: Jam on Your Own 5:45p Or: Have Your Fretted-Instrument or Fiddle Set-Up Evaluated by MBC Co-Director Stan Werbin, Head of Elderly Instruments Or: Attend Live Interviews of MBC Instructors for the Picky Fingers Radio Show, conducted by Host Keith Billik 6-7:00p Friday Dinner: Kirk Cafeteria 7:15-9:35 Friday Faculty Concert (Featuring Half the Faculty): Auditorium Fri.9:50- Bluegrass Bluegrass Inter- Bluegrass Inter- Bluegrass Inter- Bluegrass Bluegrass All Styles Old-Time Old-Time Inter- Old-Time Inter- Old-Time Song Circle All Styles Guitar Circle Classic Jazz 11:00p “Regular” Jam mediate Jam mediate Jam mediate Jam Slow Jam Slow Jam Vocal Jam “Regular” Jam mediate Jam mediate Jam Slow Jam Beginners’ Jam Jam (Strumming & Instruc- Hirshfeld, Cahill & Lester Baumann, Ball, McKinney Davis Sumner Schatz Carlin, Hurt & deGroot & Blount & L. Pool & Wade Simple Chords) Dowling Vappie tor Led Scroggins, & Furtado, Julin & I. Smith & Newberry Vigour Naiman E. Pool Jams K. Smith Munde Wellington Nichols 11:00 Snack Time: Mott Main Entrance 11:30p- Jam on Your Own: 8-9:00a Saturday Breakfast: Types & Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Bluegrass: Special Old-Time Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: Old-Time: 4-String Old-Time Guitar: Guitar: Mandolin Dobro Levels Advanced Upper In- Upper In- Middle In- Lower In- Lower In- Novice Classes Fingerstyle Advanced Upper In- Upper In- Lower In- Lower In- Novice Banjo Fiddle Fingerstyle Flatpicking termediate termediate termediate termediate termediate & More termediate termediate termediate termediate Sat.
Recommended publications
  • Membership Renewal at the Festival
    Kent County June 26-27 JuneGrass Festival News Fairgrounds, 2015! June 26 and 27, 2015! Lowell, MI presented by West Michigan Bluegrass Music Association JuneGrassJuneGrass PerformersPerformers && Pickers!Pickers! JuneGrass 2015 is delighted to welcome top-notch re- Godfather Mark “Foose” gional and local talent to the stage! Take note that, not Zickefoose is rounding only do these bands boast seasoned stage veterans, but up the Michigan Mafia also they’ve been known to be avid campground pickers. String Band “hit men” Oooh, this is going to be fun! and they’ll be storming the Headlining this JuneGrass stage armed year’s event is with instruments and a Harbourtown hit list of talent. Foose’s Bluegrass. “hitmen,” include Jeff This group Sipe, Brent Bell and Scott needs no intro- “Buck” Robinson. duction to the tri-state area. Playing festi- vals, cruises Save the Dates! and numerous venues, this group brings wit and talent FallFest Camp and Jam! to the stage. With powerful vocals that blend smoothly, September 18 & 19, 2015 they perform many great original songs by the group’s leader, Tony Hickman, who formed Harbourtown in 1970. Harbourtown has tremendous stage presence and they’re Preliminary Festival Schedule sure to make you smile! When the Harbourtown bus rolls in, the fun begins! Thursday, June 25 5:00 pm – 7:00 pm Pot Luck, Jam, and Band Scramble Sign Up 7:00 pm Lowell Showboat Sizzlin’ Summer Concert New Outlook Downtown Lowell Friday, June 26 of Ohio is 3:00 pm – 10:00 pm Silent Auction Opens quickly becom- 3:00 pm – 10:00 pm Vendor Area Open ing a Michigan 3:00 pm – 4:00 pm Slow Jam favorite.
    [Show full text]
  • Becoming Acquainted with Your Mandolin
    Chapter 1 Becoming Acquainted with Your Mandolin In This Chapter ▶ Discovering the mandolin ▶ Bringing the family ▶ Exploring the mandolin’s anatomy n March 1979, I was fresh out of high school — wondering what my future Iwould be — when I met my first mandolin. The event changed my life and sent me on an amazing mandolin journey. Since then I’ve been playing, composing, travelling, teaching, recording and now writing about mandolins – because the mandolin is such a wonderful instrument. In this chapter, I show you just why the mandolin is such a wonderful instrument (as if you didn’t already know), describing among other things its great sound, sexy looks (steady, Don!), friendly extended family and musical flexibility. Riding the Mandolin Wave In today’sCOPYRIGHTED world of synthesised pop music, MATERIAL smartphone apps and video games, the mandolin is an oasis of low-tech, organic simplicity. Made of wood and strung with steel strings, the mandolin can bring players and listeners enjoyment without the use of the Internet or even electricity. The mandolin is the perfect desert-island instrument as well as one that city-dwellers can use to (re)discover a simpler time with simpler pleasures. Mandolins have some great advantages, not least of which is that they’re small enough to fit in an overhead compartment in a plane. What better way to unwind after a stressful business meeting than to go back to your hotel room and play some mandolin music (quietly, of course, unless you’re sure the adjoining rooms are also occupied by mandolin fans!).
    [Show full text]
  • You Want to Play What?: Banjo Basics
    Chapter 1 You Want to Play What?: Banjo Basics In This Chapter ▶ Connecting to the world-wide banjo community ▶ Getting to know different kinds of banjos ▶ Exploring the banjo and all its parts ▶ Starting on the road to becoming a great player efore you begin any trip, you probably like to know where you’ re going. BIf you ’ re new to the banjo and don’ t yet own an instrument or if you ’ re wondering about your eventual musical destination, this chapter is definitely the place to start your Banjo For Dummies excursion. The key is in the ignition, so put this thing in drive! In this chapter, you spread out your banjo road map and start planning what I hope will be a wonderful, lifelong musical journey with the five-string banjo. You see what makes the five-string banjo different from other kinds of stringed instruments, and you get to take a look at some of the various kinds of banjos available today. I name the parts of the banjo and preview the musi- cal skills you ’ ll master in this book on the way to becoming a great banjo player. COPYRIGHTED MATERIAL Getting into Banjo There ’ s something about the five-string banjo that brings out strong feelings in people. Folks who like the banjo usually really like it, sometimes to the mystery, confusion, and even chagrin of those loved ones around them. What is it about this instrument that inspires such passion, and how can you tell if you ’ ve been bitten by the banjo bug? This section explores some answers to these questions.
    [Show full text]
  • The Irish Tenor Banjo by Don Meade
    The Irish Tenor Banjo by Don Meade The tenor banjo is only about a century old and Early banjos were not standardized instruments was not widely played in Ireland before the but typically had a soundbox made from a dried 1960s. Until recently, in fact, the instrument had gourd with one end cut off. A small drumhead a fairly poor reputation among traditional music made from the skin of a raccoon, groundhog or cognoscenti. Times (and banjo players) have other animal was tied or tacked in place over this changed, however, and the oft-maligned opening. The neck was fretless, sometimes little “bodhrán on a stick” is now one of the most more than a stick thrust through the gourd body. popular “traditional” instruments in Irish music. Strings might be made from braided horse hair, According to banjo virtuoso Mick Moloney, thread, gut, hemp or any other tough fiber. Irish banjo maker Tom Cussen’s contact list of Unlike African lutes, on which the strings are Irish tenor players now includes some 7,000 attached to sliding tuning rings set around the names! There are now more people playing Irish neck, American banjos were, from an early point dance music on the tenor banjo than are using in their evolution, tuned with violin-style pegs. the instrument for anything else. Before going into details of Irish banjo style, a bit of a history The banjo in its classic form has a short, high- lesson is required to explain this development. pitched string (“chanterelle”) that terminates at a peg on the side of the neck, as well as several African Roots full-length strings.
    [Show full text]
  • Custom and Tradition in a Modern Early Banjo Revival
    ABSTRACT Title of Document: NINETEENTH-CENTURY BANJOS IN THE TWENTY-FIRST CENTURY: CUSTOM AND TRADITION IN A MODERN EARLY BANJO REVIVAL Greg C. Adams, M.A., 2012 Directed By: Professor J. Lawrence Witzleben, School of Music This thesis demonstrates how members of a modern music revival use the banjo to create a counter narrative to America’s whiteness. Within this revival, nineteenth- century banjos are central to a growing interest in antebellum, early minstrel, and Civil War era music and culture. As researchers, collectors, musicians, and instrument builders pursue this interest, they explore the dissonances of the legacies surrounding slavery, blackface minstrelsy, and the traumas of the American Civil War. Framing this phenomenon within Eric Hobsbawm’s theories of custom and tradition and Thomas Turino’s concepts of habits, socialization, and cultural cohort relationships, I argue that this modern revival supports a form of critical ethnography aimed for advocacy on three fronts—advocacy that challenges marginalizing stereotypes, promotes opportunities to rethink the banjo’s cultural significance as a national instrument of whiteness, and creates greater infrastructure for the knowledge and material culture amassed by members of the banjo community. NINETEENTH-CENTURY BANJOS IN THE TWENTY-FIRST CENTURY: CUSTOM AND TRADITION IN A MODERN EARLY BANJO REVIVAL By Greg C. Adams Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2012 Advisory Committee: Professor J. Lawrence Witzleben, Chair Assistant Professor Fernando Rios Assistant Professor Patrick Warfield © Copyright by Greg C. Adams 2012 Dedication To my wife, mother, family, and friends— some of the world’s most supportive enablers To those members of the banjo community who tirelessly seek to illuminate the banjo’s cultural relevance ii Acknowledgements I would like to thank my committee—Dr.
    [Show full text]
  • The John and Rudy Dopyera Collection
    The John and Rudy Dopyera Collection "T"Thehe world's most trusted source for new and vintvintageage fretted instruments" www.elderly.com Click on the logo to go to the Elderly Instruments home page. We are very proud to offer for sale the combined collection of John and Rudy Dopyera. Few instrument makers represent the American Dream quite as completely as these two inventors, innovators, marketers, and all-around creative force behind both the National and Dobro companies. The unique twelve instrument Dopyera collection. Click for a more detailed photo. The Dopyera brothers were born in what is now Slovakia, and came to the U.S. with the wave of Eastern European immigrants around the beginning of the 20th century. (In fact, the word Dobro is both a contraction of DOpyera BROthers and the word for good in their native tongue.) Engineers, tinkerers, businessmen, and accomplished musicians (their family had a history of violin making going back centuries, and Rudy was by many accounts an exceptionally talented and soulful Gypsy-style violinist), the two Dopyera brothers combined their Old World skills and traditions with the booming technology and futuristic tastes in art of L to R: Emil, John, and Rudy during the 1970s pre-WWII America. Who else thought that spun aluminum might be a good material for sound projection? Who else engraved beautiful Art Deco designs on the bodies of their guitars? Only the Dopyeras. The unusual, experimental, and mostly one-of-a-kind instruments in this collection Johns unusual (and spectacular sounding!) resophonic violin, Rudys balalaika-inspired Lullabyka, the Art Deco-influenced steel body uke and tenor guitar, even the actual workbench on which John perfected the fabled tri-cone resonator system are uniquely American (and uniquely Dopyera) innovations.
    [Show full text]
  • Resource Guide
    RESOURCE GUIDE The Power of Music: Photographic Portraits of Americans and Their Musical Instruments, 1860-1915 Prepared By Mark L. Gardner www.SongOfTheWest.com Pre-Visit Classroom Discussion and Projects The Power of Music exhibit provides an opportunity to explore both the history of American popular music and the history of photography. Students can research online and through encyclopedias the lives of American composers such as Stephen Foster or African-American James A. Bland. Original sheet music and even recordings are also available online at the web sites provided in this resource guide. There is also much good information available online on the history of photography. Try to find out who the early photographers were in your community. Do students have family photographs taken by these photographers? The lives of the photographers themselves can be quite interesting. A visit or call to the local library or historical society, which generally hold early city directories, is a good start. Ask students if they have musical instruments at home. What are they, and what musical family do they belong to (stringed, brass, woodwind, percussion)? Who plays these instruments and why? Listen to the music samples available on the web sites listed in this resource guide. Try to distinguish the sounds of the different instruments. How is this historic music different from the music heard today on the radio or TV? Ask students if they could pick one item to be photographed with, what would it be? A bicycle? Doll? Pet? When was the last time students went to a photography studio to have their portrait taken? 2 Gallery Activity Help students "read" photographs.
    [Show full text]
  • The Association of Stringed Instrument Artisans BOARD MEMBERS
    The Association Of Stringed Instrument Artisans BOARD MEMBERS A ssociation of If you have input, concerns or suggestions about the association, you are welcome to contact any of the board members to discuss your ideas: tringed Dick Boak; President c/o Church Of Art, 14 South Broad Street Nazareth, PA 18064 nstrum ent (215) 759-7100 home ; (215) 759-2837 work James Rickard; Treasurer 600 Wildcat Hill Road rtisans Harwinton, CT 06791 (203) 485-9809 shop PURPOSE Duane Waterman; Membership Chairperson The Association Of Stringed Instrument Artisans is a 1027 S. Sierra Madre non-profit trade organization established in 1988 to help Colorado Springs, CO 80903 provide a sense of community and professionalism to the (719) 473-8444 shop field of stringed musical instrument making and repair. The goals of the association provide for but are not limited to: William Cumpiano; Secretary the establishment of a comprehensive database of resources, c/o The Luthier’s Collaborative supplies, and technical information; a means of providing 31 Campus Plaza Road multi-level education within the profession, assistance in Hadley MA 01035 marketing and promotion, health and insurance packages at (413) 253-9574 work group rates, a repair or service certification, an advertiser’s marketplace, and the publication of informative newsletters William Laskin; Activities Chairperson and journals. 192 DuPont Street (rear) Toronto, Ontario, CANADA M5R 2E6 Annual membership is $50.00. (416) 923-5801 work (Membership application on inside back cover) CREDITS Layout Assistance by: A.S.I.A. Newletter (Volume 1; Number 5) Jeff Pickering; Pickering Graphics Copywrite © 1989 "A.S.I.A." ("Association of Stringed Instrument Artisans") HONORARY MEMBERSHIPS All rights including editorial are reserved.
    [Show full text]
  • Old Time Banjo Resources
    OLD TIME BANJO RELATED RESOURCES Compiled by Cathy Fink www.cathymarcy.com This list is neither academic or all inclusive, but may help you on your banjo journey! NEW CD’s: THE OLD TIME BANJO FESTIVAL and BANJO TALKIN’ Selected List of Banjo Builders & History http://www.enochbanjos.com - Banjo maker Kevin Enoch’s website http://gourdbanjo.com - Gourd banjo maker Bob Thornburg’s website http://banjopete.com - Gourd banjo maker Pete Ross’ website. Includes some history http://wunderbanjo.com - Banjo maker George Wunderluch’s site, specializing in minstrel and civil war era replica banjos http://blackbanjo.com - Launched at the Black Banjo Players’ Gathering in 2005, this organization aims to promote and support African and African American banjo history and players. Where to find banjos: (in addition to the sites above) http://www.elderly.com - Elderly Instruments, Lansing, MI http://www.hmtrad.com - House of Musical Traditions, Takoma Park, MD http://www.turtlehillbanjo.com - Turtle Hill Banjos, Bryantown, MD http://www.deeringbanjos.com - Deering Banjo Company, Spring Valley, CA Music Camps and Weekend Workshops with Old Time Banjo Instruction http://www.augustaheritage.com - Augusta Heritage Workshops, Elkins, WV http://www.swangathering.org - Swannanoa Gathering, Asheville, NC http://www.flatpik.com - Steve Kaufman’s Acoustic Camp, Maryville, TN http://www.midwestbanjocamp.com - Midwest Banjo Camp, Lansing, MI AND many more-just google Banjo Camp! Other resources: Banjo Newsletter Magazine http://www.banjonews.com http://www.BanjoHangout.org - Meet banjo players, read about tunes, tunings, songs, etc. http://www.oldtimebanjofestival.com - Download liner notes and see pictures of artists from THE OLD TIME BANJO FESTIVAL CD www.http://homespuntapes.com - Homespun Tapes offers DVD and DC lessons by excellent instructors.
    [Show full text]
  • Now on Stage!
    a newspaper for the rest of us www.lansingcitypulse.com July 11 - 17, 2018 NOW ON STAGE! WHARTONCENTER.COM THRU JULY 29 1-800-WHARTON ONLY ©Disney 92349 / LANSING CITY PULSE EAST LANSING/ C M Y K RUN DATE: WEDNESDAY, JULY 11 10.25”W X 2”H PICK UP DATE: WEDNESDAY, JULY 18 2 www.lansingcitypulse.com City Pulse • July 11, 2018 ARTS JULY 13, 2018 VENUES Absolute Gallery Arts Council of Greater Lansing Capital City Reprographics Clark Hill PLC Elderly Instruments Great Lakes Art & Gifts Katalyst Gallery Metro Retro Mother & Earth Baby Boutique Old Town General Store Polka Dots Boutique Preuss Pets Redhead Design Studio Sweet Custom Jewelry Where the Wild Things Bloom And More! Arts Night Out 2018 Arts Night Out returns to Old Town Lansing on July 13, 2018 from 5-8pm! Experience a variety of unique venues — from one block to the next — alive with music, art, demonstrations and a whole lot more. Come explore, meet the artists, wine and dine. Arts Night Out has something for everyone! For more information, visit #MyArtsNightOut www.MyArtsNightOut.com WFMK City Pulse • July 11, 2018 www.lansingcitypulse.com 3 Hear what you love! 1 TRY IT no up-front cost Call us to set up your 2 WEAR IT no risk or commitment complimentary 3 LOVE IT hearing aid trial! then decide to buy • Birthday Parties • Bachelorette Parties • Team Building Events • Family Get Together Kathy Debler M.A.,CCC-A, FAAA 6512 Centurion Drive • Suite 340 • Girls’ Night Out • Private Party Certified Audiologist Lansing, MI 48917 [email protected] (517) 323-6222 www.audiohearingservices.com Fax (517) 323-6279 PUBLIC CLASSES 7 DAYS A WEEK! Michigan cherries and berries, distilled.
    [Show full text]
  • Friday Schedule Begins Next Page
    1:00p Meeting of Work-Study People, Volunteers, Site Coordinators: 2:00p Check-in Begins: Thurs 4:00- Early Bird Bluegrass Jam: Have Your Fretted Instrument or Fiddle Set-Up Evaluated Early Bird Old-Time Jam 5:00p by MBC Co-Director Stan Werbin, Owner of Elderly Instruments 5:30-6:45 Faculty Dinner Meeting: Oak Dining Rm. At Kirk Cafeteria 5:45-6:45 Thursday Dinner: Kirk Cafeteria 7:00-7:45 Student Orientation: Auditorium Thurs 8:00- Bluegrass Demo. Bluegrass Demo. Multi-Styles Demo. Multi-Styles Demo. Old-Time Demo. Old-Time Demo. 19th Century Banjo: Fingerstyle Fiddle- 9:15p Playing in a Band: “Instrumentals” Composed Singing with the Banjo Classic & Swing Jazz on Banjo-Fiddle Duets Celtic Fiddle Tunes, Minstrel, Early Fingerstyle Guitar Technique Concepts & Techniques for 5-String Banjo 4-String & Clawhammer Style & Classic Q&A Q&A Demos 5-String Banjos Bowness Furtado Fink Andrade F. Evans Adams & Blount Dowling Knupfer Cahill Munde Marxer Barnes Baugus Perlman Dumas Sumner Newberry Baumann Hurt Walsh Eubanks Trischka Wade Cavanaugh, Rothfield L. Pool Faris McKinney Vappie Host: Cahill Host: Trischka Host: Newberry Host: Cavanaugh Host: Hurt Host: Perlman Thurs. Bluegrass Bluegrass Bluegrass Bluegrass All Styles Special Presentation. Old-Time Old-Time Old-Time 19th - Century Classic Jazz Jam Guitar Circle 9:30-10:30p “Regular” Jam Intermediate Intermediate Slow Jam Vocal Jam Introducing the Banjo “Regular” Jam Intermediate Slow Jam Banjo (1920s & 30s Jam Jam Jam Repertoire Repertoire) Jams 9:30-10:00. Introducing Barnes, Cavanaugh, Bowness, Sumner Beazley, Bluegrass Banjo Baugus, Hartness, Hurt, Andrade Adams & Blount Baumann & Dowling Eubanks, Munde Dumas & Cahill, Faris & Fink & Marxer (Furtado) Rothfield & Newberry & L.
    [Show full text]
  • Article About Old Time Mandolin
    Matthew Spencer THAT OLD-TIME MANDOLIN by Cary Fagan veryone knows that in much of old-time music, the fid- dle leads while the banjo is its close companion. The guitar might be a later addition but its steady rhythm and arpeggio runs make it a welcome member. And if a bass player comes along—well, a good, steady thumping adds a Egreat foundation. But the mandolin player? What is he or she supposed to be do- ing? If you watch closely enough you’ll catch a glimpse of one at a jam here and there. But where exactly does the mandolin belong in old-time? That’s a question that has surprised none of the mandolin players I’ve asked lately. Unlike other in- struments, the role of the small, eight-string instru- ment has not been spelled out as clearly by time and tradition. The association with Bill Monroe has en- couraged the notion that the mandolin belongs only in bluegrass music. However, the mandolin has been a part of what we now call old-time music for about a hundred and twenty years. In 1880 a mandolin craze began in America when a band called the Estudiantina Fí- garo, also known as the Spanish Students, arrived in New York, played at the Booth Theater for four months, and then went on an extensive tour. They weren’t actually playing mandolins but bandur- rias; however, they were so wildly received that lo- cal groups began to imitate the Students using the instrument they were more familiar with. Before long there were mandolin players, teach- ers, clubs, and “orchestras” in American towns and cities, in high schools, and on college campus- es.
    [Show full text]