DOCSLIB.ORG

Facultad De Filosofía, Letras Y Ciencias De La Educación

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Facultad De Filosofía, Letras Y Ciencias De La Educación UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFÍA, LETRAS Y CIENCIAS DE LA EDUCACIÓN CARRERA DE CINE Y AUDIOVISUALES TEMA: “GUÍA DE PRODUCCIÓN Y BUENAS PRÁCTICAS PARA PRODUCCIÓN DE CONTENIDO WEB BASADAS EN LA PRIMERA TEMPORADA DE ENCHUFE.TV” TRABAJO DE TITULACIÓN PREVIO A LA OBTENCIÓN DEL TÍTULO DE LICENCIADO EN CINE Y AUDIOVISUALES. AUTOR: SERGIO MARTÍN DOMÍNGUEZ CHÁVEZ CI 171241202-0 DIRECTOR: MAG. JUAN SEBASTIÁN LAZO SERRANO CI 010378970-7 CUENCA – ECUADOR 2017 Martín Domínguez Chávez 1 UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFÍA, LETRAS Y CIENCIAS DE LA EDUCACIÓN RESUMEN La literatura en lo referente a cine es bastante limitada dentro del país, tanto en selección como en idioma. La literatura sobre Producción de Cine y Audiovisuales es aún más limitada, siendo virtualmente imposible encontrar libros del tema dentro del país en nuestro idioma. Es necesario elaborar literatura sobre Producción para los estudiantes de la carrera de Audiovisuales, para que ellos puedan expandir su conocimiento sobre Producción más allá de la malla curricular. El autor ha optado por contribuir con la realización de una GUÍA DE PRODUCCIÓN Y BUENAS PRÁCTICAS PARA AUDIOVISUAL WEB basado en su experiencia dentro del proyecto web ecuatoriano, Enchufe.tv. El propósito de hacerlo sobre un tema no muy general como el audiovisual web es poder incentivar a los estudiantes, que lean este trabajo de grado, a emprender sus propios proyectos similares. Para determinar los contenidos se realizó una pequeña encuesta a estudiantes de 6to semestre de la carrera, y se la usó como base para realizar una guía comprensiva que enfrente los vacíos sobre Producción que pudiesen tener. También se recopiló todo el material audiovisual y se evaluó las metodologías de las dos primeras temporadas de Enchufe.tv para poder extraer un guía de buenas prácticas. La GUÍA DE PRODUCCIÓN Y BUENAS PRÁCTICAS PARA PRODUCCIÓN DE CONTENIDO WEB BASADAS EN LA PRIMERA TEMPORADA DE ENCHUFE.TV comprende todo: tanto los vacíos de conocimiento de Producción de los estudiantes que se pudo analizar de la encuesta, como las mejores prácticas y aprendizajes del proyecto web Enchufe.tv. El documento es accesible tanto a estudiantes como a profesionales y ofrece un panorama bastante completo de los inicios del proyecto para poder sustraer aprendizajes del mismo. Palabras Clave Martín Domínguez, Enchufe.tv, Producción, buenas prácticas, encuesta, INCINE, Universidad de Cuenca, audiovisual, audiovisual web, video online, YouTube, Touché Films, rodaje, temporada, monetización, coordinación, dirección, actuación, Ecuador, formatos, análisis, Playbook, Creator Academy Martín Domínguez Chávez 2 UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFÍA, LETRAS Y CIENCIAS DE LA EDUCACIÓN ABSTRACT Literature regarding the topic of cinema is quite limited within Ecuador, both in breath and scope, and even Language. Furthermore literature regarding Audiovisual Production is even more limited, making it virtually impossible to obtain books on the subject within our country. It is necessary to produce more literature regarding production for it to be available to the students of the audiovisuals major so they can expand their knowledge beyond the curriculum. The author has opted to contribute by making a BEST PRACTICES AND PRODUCTION GUIDE FOR ONLINE VIDEO based on his experience on the audiovisual web project Enchufe.tv. The reason of making it about a modern niche topic is so that it inspires students to start their own web projects. To determine the contents of the guide a small survey was carried out with the 6th semester students of the audiovisuals major in order to determine what blind spots about production had to be addressed by the guide. All relevant production materials of the first two seasons of Enchufe.tv were collected as well in order to extract the best practices from those experiences. The PRODUCTION AND BEST PRACTICES FOR ONLINE VIDEO PRODUCTION BASED ON THE FIRST SEASON OF ENCHFUE.TV addresses key blindspots of the students from the major and it collects the best knowledge and practices from the web project Enchufe.tv. The document is approachable to both students and professionals and offers a complete snapshot of the beginnings of the Enchufe.tv project in order to extract its best learning experiences. Keywords Martín Domínguez, Enchufe.tv, Production, Best practices, survey, INCINE, Universidad de Cuenca, audiovisuals, web audiovisual, online video, YouTube, Touché Films, shoot, season, monetization, coordination, directing, acting, Ecuador, formats, analysis, Playbook, Creator Academy. Martín Domínguez Chávez 3 UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFÍA, LETRAS Y CIENCIAS DE LA EDUCACIÓN ÍNDICE RESUMEN .......................................................................................................................................... 2 ABSTRACT ......................................................................................................................................... 3 INTRODUCCIÓN ............................................................................................................................................... 8 CAPÍTULO 1 .................................................................................................................................................... 10 PRODUCCION CINEMATOGRAFICA, PRODUCCION CINEMATOGRAFICA EN EL ECUADOR, PRODUCCION DIGITAL DE ENCHUFE.TV EN LA WEB .............................................................................................................. 10 1.1. PRODUCCIÓN CINEMATOGRÁFICA ......................................................................................................................................... 11 1.2. LA PRODUCCIÓN CINEMATOGRÁFICA EN EL ECUADOR ......................................................................................................... 14 1.3. PRODUCCIÓN DIGITAL ............................................................................................................................................................ 15 1.4. PRODUCCIÓN DIGITAL EN EL ECUADOR ................................................................................................................................. 17 1.5. PRODUCCIÓN DIGITAL DE ENCHUFE.TV EN LA WEB ............................................................................................................. 19 CAPÍTULO 2 .................................................................................................................................................... 23 ANÁLISIS DE LA PRIMERA TEMPORADA DE ENCHUFE.TV (2011-2012) ........................................................... 23 2.1. ORÍGENES DEL PROYECTO ENCHUFE.TV (2011-2012) .................................................................................... 24 2.2. ANÁLISIS DEL EQUIPO Y ELENCO DE LA PRIMERA TEMPORADA DE ENCHUFE.TV (2011-2012) ................................. 26 2.3. ANÁLISIS DE LA PREPRODUCCIÓN DE LA PRIMERA TEMPORADA DE ENCHUFE.TV (2011-2012) ............................... 28 2.4. ANÁLISIS DEL RODAJE DE LA PRIMERA TEMPORADA DE ENCHUFE.TV (2011-2012) ............................................... 29 2.5. ANÁLISIS DE LA POSPRODUCCIÓN DE LA TEMPORADA 2011-2012 DE ENCHUFE.TV ......................................................... 31 CAPÍTULO 3 .................................................................................................................................................... 33 ANÁLISIS DE LA TEMPORADA 2012-2013 DE ENCHUFE.TV ............................................................................. 33 3.1. MEJORAS Y CORRECCIONES IMPLEMENTADAS A LA SEGUNDA TEMPORADA DE ENCHUFE.TV (2012 – 2013) BASADAS EN LA EXPERIENCIA DE LA PRIMERA TEMPORADA DE ENCHUFE.TV (2011-2012) ...................................................... 34 3.2. ANÁLISIS DE LOS MATERIALES DE PRODUCCIÓN DE LA SEGUNDA TEMPORADA DE ENCHUFE.TV (2012 – 2013) CON RESPECTO A LA PRIMERA TEMPORADA DE ENCHUFE.TV (2011-2012) ............................................................... 35 3.3. ANÁLISIS DEL EQUIPO Y ELENCO DE LA SEGUNDA TEMPORADA DE ENCHUFE.TV (2012 – 2013) CON RESPECTO A LA PRIMERA TEMPORADA DE ENCHUFE.TV (2011-2012) ................................................................................... 37 3.4. BOSQUEJO DE LA GUÍA DE PRODUCCIÓN IMPLEMENTADA EN LA TEMPORADA (2012-2013) ................................... 38 CAPÍTULO 4 .................................................................................................................................................... 42 DISEÑO DE LA GUÍA DE PRODUCCIÓN WEB .................................................................................................... 42 TO 4.1. RESULTADOS DE LAS ENCUESTAS A ESTUDIANTES DE 6 SEMESTRE DE INCINE SOBRE PRODUCCIÓN .............................. 43 4.2. ESQUEMA DE DESARROLLO DE PRODUCCIÓN MASIVA PARA CONTENIDO AUDIOVISUAL WEB ............................................. 44 4.3. ORGANIGRAMA PARA PRODUCCIÓN DE CONTENIDO WEB .................................................................................................... 48 4.4. FORMATOS DE DOCUMENTACIÓN PARA UNA PRODUCCIÓN WEB ......................................................................................... 49 4.5. BUENAS PRÁCTICAS PARA LA ASIGNACIÓN DE RECURSOS ..................................................................................................... 52 4.6. BUENAS PRÁCTICAS PARA LA BÚSQUEDA DE FINANCIAMIENTO ............................................................................................ 53 4.7. DIRECTRICES
Load more

Recommended publications
  • Pocket Product Guide 2006
    THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment.
    [Show full text]
  • " Who Controls the Vocabulary, Controls the Knowledge"
    Acronyms from Future-Based Consultancy & Solutions "Translation" of some Business, Finance, ICDT acronyms (including several SAP ones), initialims, tech term oddities and techronyms, loaded words and buzzwords to ease the reading of courses, books, magazines and papers: see "anacronym", "ASS" and many others ... (third main version since 1997) ( www.fbc-e.com , updated & corrected twice a month. Release 02-10-2009) " Who controls the vocabulary , 6170+ controls the knowledge " George ORWELL in "1984" Instruction To ease your researches , we are inviting you to use the " search " function within the Menu " edit " Pour faciliter vos recherches, utilisez la fonction " rechercher " disponible dans le menu " Edition " Information Underligned names are identifying authors, editors and / or copyrighted applications ©, ®, ™ FBWPA Free Business White Page Available (www.fbc-e.com ) Acronym Rose salmon is related to acronyms and assimilated terms and concepts. IL / InLin Internet Lingo also called " PC talk" Intelligence Light green color is related to intelligence, business intelligence ( BI , CI ) FBC>s Yellow color is related to FBC>s concepts and methodologies (more on www.fbc-e.com ) Finance Deep blue color is related to Finance and Accounting ( FI ) Note: BOLD acronyms KM Deep green color is related to Knowledge Management ( KM ) and texts are "translated" HR & R Lemon green color is related to HR and recruitment in the list. Mobility Light blue color is related to mobile communication ( MoMo ) Security Red color is related to security and risks management ( RM ) Note : US spelling Virtual Pink color is related to virtual / virtuality ( VR ) & ampersand $$$ temporary files Feel free to copy and distribute this "computer-babble *.001 Hayes JT Fax translator" provided that it is distributed only in its 0 Day FTP server supposed to be moved within original and unmodified state with our name, address, the next 24 hours to another IP .
    [Show full text]
  • Episode #264 the Listener Appreciation Show
    Episode #264 The Listener Appreciation Show Ray Edwards: Ray Edwards Show Episode 264: The Listener Appreciation Show Announcer: The Ray Edwards Show. Live your destiny by design. Start, run and grow your own Internet-based business and create the life of your dreams. You can do it. This is the Ray Edwards Show. [music] Ray: Well finally, it's here. Sean Edwards: It's here. We've talked about it a lot. Ray: Well a lot. Sean: A lot. It actually became a fable. Ray: It was apocryphal. Sean: Yes, the mythical. Ray: The mythical listener appreciation show. Sean: [laughs] Ray: We kept saying -- for those of you who don't know what we're talking about, we said at the end of every episode- Sean: Well, for those of you who don't know what we're talking about, you're not listening to the podcast or you're not listening to the end. Ray: That's correct. Sean: It is. It is. Ray: You need some counseling. Sean: [laughs] Ray: So we would say at the end of every podcast, if you want to get promoted on this show, just leave us a rating and a review on iTunes- Sean: And we'll read it out. Ray: And you pointed out one day, we've never done that. Sean: We never done that. File name: REP264.mp3 1 Ray: Then every week, it actually became, one of these days, we're actually going to do it. At the end of the year, when we are in need of material to fill a podcast episode- Sean: [laughs] Ray: Don't let that make you feel bad.
    [Show full text]
  • El Caso De La Youtuber Zoella
    Facultat de Ciències de la Comunicació Treball de fi de grau Títol Autor/a Tutor/a Departament Grau Tipus de TFG Data Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full resum del TFG Títol del Treball Fi de Grau: Català: Castellà: Anglès: Autor/a: Tutor/a: Curs: Grau: Paraules clau (mínim 3) Català: Castellà: Anglès: Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Castellà: Anglès: Universitat Autònoma de Barcelona ANÁLISIS DE UN CANAL DE YOUTUBE El caso de la youtuber Zoella Nuria Lite Muñoz Tutor: Ezequiel Ramón Trabajo de Final de Grado - Periodismo Índice del trabajo 1. Introducción…………………………………………………...…………………….página 1 1.1 Objeto de estudio…………………………………………………...………….página 2 1.2 Objetivos…………………………………………………………………..…….página 2 1.3 Preguntas iniciales e hipótesis…………………………………………….….página 3 2. Marco teórico………………………………………………………………………..página 4 2.1 ¿Qué es YouTube? ………………………………….………………………...página 4 2.1.1 La historia de YouTube……………………………………..…...….página 6 2.1.2 Factores del crecimiento de YouTube…………………………….página 8 2.1.2.1 Google compra YouTube……………………………..….página 8 2.1.3 Público objetivo de YouTube……………………………………….página 9 2.1.4 YouTube vs. Televisión planetaria………………………………...página 9 2.1.5 YouTube como modelo de negocios………………………….....página 11 2.1.5.1 ¿Cómo gana un usuario dinero en YouTube?....…….página 12 2.2 ¿Qué es un youtuber? ………………………………………………….…....página 13 3. Metodología…………………………………………………………….……….….página 21 4. Investigación de campo……………………………………………….…….…….página 25 4.1
    [Show full text]
  • Julian Smith CS
    Fabrizio Cilento What Julian Smith Hates (and Loves) About Facebook: Social Media Parody As Self-Promotion YouTube is the third most trafficked site on the Internet, after Google and Facebook. Each month over one billion unique users watch six billion hours of video, with one hundred hours of video being uploaded every minute. The YouTube Partner Program launched in 2007 has allowed more than a million creators to earn money from their YouTube videos, with the result that the number of people subscribing daily has more than tripled in the last year.1 As a consequence of this exponential acceleration of production and consumption, the modality through which users experience humor online has transformed, creating a scene of young comedians who are especially skilled in circulating their own content. Through the case study of humorist Julian Smith, this essay investigates what makes YouTube comedians/entrepreneurs successful. In order to understand and critique the channel juliansmith87 and its connections to various social media platforms, I adopt two strategies. On one hand, I focus on a specific video from the channel called 25 Things I Hate About Facebook; on the other I discuss the channel on a macro-level, looking at it from inception to current state. While 25 Things has not achieved the viral success of other videos by Smith,2 it created an aesthetic formula characterized by two elements: a self-reflexive approach to digital media and a high production value. Today Smith’s channel has an average of two and a half million views per video, with peaks of thirteen million, and his visual style has become widely imitated.
    [Show full text]
  • ALEXIAD (!7+=3!G) $2.00 This Year the Stores Began Dragging out Christmas Decorations Before Halloween
    Vol. 12 No. 6 December 2013 ALEXIAD (!7+=3!G) $2.00 This year the stores began dragging out Christmas decorations before Halloween. With September 19, 2013 at the Delaware County Fair in Delaware, Ohio. Vegas Vacation a supreme effort of self control I refrained from singing the Grinch song every time I went won over his stablemate Lucan Hanover, while Captaintreacherous was absent, heading into a store playing Christmas carols before Thanksgiving. Come on, people, let’s at least get for the Red Mile. through Thanksgiving before we start preparing for Christmas. I don’t have anything against The 58th Running of the Messenger Stakes (3rd leg of the Pacing Triple Crown) was Christmas carols. I enjoy them in their proper time, which is no earlier than the day after November 2, 2013 at Yonkers Raceway in Yonkers, New York. Ronny Bugatti won, a Thanksgiving. The stores make huge efforts to sell us things. I understand that Christmas is purse which was twice his previous winnings all together. (Ronny Bugatti’s sire is named a huge deal for them. I, however, do not like seeing the season turned into one huge market. Art Major. Really.) It should be about more than that. Oh, I will buy presents for people. But I am not going to be sold a lot of hype. I give presents through the year and I refuse to yield to the marketing Trivia:.. 19 hype. Art: — Lisa Sheryl L. Birkhead. 9 Brad W. Foster. 3 Table of Contents Paul Gadzikowski.. 19 Editorial. 1 Alexis A. Gilliland.
    [Show full text]
  • Ff Clexa Inglese I.Pdf
    CLEXA Copyright © <2017> <paginerosa.tv e Clexa-Elycia-Lexark - Gruppo di Supporto Italiano> All rights reserved. ISBN: —— ISBN-13: —— 1 I_A - I_D I Airport You a: DreamsAreMyWords 25/03/2020 Completed Lexa's a useless lesbian who instantly falls for a pretty blonde at the airport who happens to be deaf. If only Lexa could stop mixing up her signs, she might have a chance of scoring her number. From an anonymous prompt on tumblr: the sign for airport and the sign for i love you in ASL are the same handshape and location in the body with different motions. Concept: “I airport you.” https://archiveofourown.org/works/23312962 I Am Become (commander of) Death a: Scarlettnova 14/09/2020 In progress Part 1 of Tale of Two Commanders Clarke would do anything to save her people. Even if it meant giving up her soul…or leaving the love of her life. It’s been two months since Clarke returned to Arkadia and the barricade went into effect. Two months of living under the terrifying rule of Chancellor Pike, who will stop at nothing to get vengeance. When the barricade falls Clarke finds herself summoned back to Polis. Back to Lexa. But Clarke isn’t the same person she was when she left, she’s lost her way. When new and deadly threats rear their head Clarke must figure out, without the mask of Wanheda, just who she truly is. https://archiveofourown.org/works/26466868/chapters/64490380 I am become death, destroyer of worlds a: JPuzzle 05/04/2016 Completed Part 2 of Angst drabbles Clarke and Octavia team up and murder everyone.
    [Show full text]
  • The Amazing Spider-Stan Theme Song That Almost Was
    The Amazing Spider-Stan Theme Song That Almost Was Somewhere, tucked away on a server – perhaps on a Helicarrier adrift above Manhattan – are the doleful tones of Stan Lee singing “Spider-Stan.” It’s likely we’ll never hear it, and really, we’re not positive it still exists, but we know that for one glorious moment in time it was a thing, a song sung to the Spider-Man Saturday morning cartoon theme music, created for the credits of LEGO® Marvel Super Heroes, and then killed off, as if by a single snap. “We had a recording of Stan Lee singing ‘Spider-Stan, Spider-Stan, does whatever a Spider-Stan can,’ and it was just magic,” said Arthur Parsons, who was the creative director at TT Games for LEGO Marvel Super Heroes. “But we couldn’t seal the deal on that.” Perhaps it shouldn’t be surprising that a game stacked with content from seemingly every facet of the Marvelverse would be home to a few hidden, even unreleased gems. In the most recent episode of the LEGO Bits N’ Bricks podcast, Parsons is joined by Andy Dolan, who oversaw animation for the game at TT, and Chris Baker, who was the manager of licensed games at Marvel, to discuss one of the top-selling LEGO video games of all time and how it came together. Parsons, who had just worked on LEGO Batman 2 and two Harry Potter titles at TT Games, said he couldn’t believe his luck when he heard that the studio would get to create a LEGO video game set in the Marvel universe.
    [Show full text]
  • Platform Papers Quarterly Essays on the Performing Arts from Currency House
    PLATFORM PAPERS QUARTERLY ESSAYS ON THE PERFORMING ARTS FROM CURRENCY HOUSE No. 37 November 2013 Platform Papers Partners We acknowledge with gratitude our Partners in con- tinuing support of Platform Papers and its mission to widen understanding of performing arts practice and encourage change where it is needed: Gil Appleton Jane Bridge Katharine Brisbane Larry Galbraith Tony Grierson Cathy Hunt Rod MGeogh To them and to all subscribers and Friends of Currency House we extend our grateful thanks. Contents 1 NOT AT A CINEMA NEAR YOU: Australia’s film distribution problem LAUREN CARROLL HARRIS 79 Readers’ Forum Nicole Beyer and Patricia Hoffie on David Pledger’s Re-Valuing the Artist in the New World Order (Platform Papers 36) AVAILABILITY Platform Papers, quarterly essays on the performing arts, is published every February, May, August and November and is available through bookshops, by subscription or online. For details see our website at www.currencyhouse.org.au. LETTERS Currency House invites readers to submit letters of 400–1,000 words in response to the essays. Letters should be emailed to the Editor at [email protected] or posted to Currency House at PO Box 2270, Strawberry Hills, NSW 2012, Australia. To be considered for the next issue, the letters must be received by 30 December. Not at a Cinema Near You Australia’s film distribution problem LAUREN CARROLL HARRIS About the Author Lauren Carroll Harris is a writer and artist. Her film and arts reviews have appeared in RealTime, Screen Hub, Time Out and online magazines like Das Platforms. On Sydney’s leading independent radio station, FBi 94.5, she is a regular contributor to The Picture Show and formerly wrote and produced documentaries for the award-winning program All the Best.
    [Show full text]
  • Pocket Product Guide 2006
    THENew Digital Platform MIPTV 2011 tm MIPTV M L POCKET I F ISSUE & F PRODUCT O GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product MIPTVDaily Editions April 4-7, 2011 - Unabridged MIPTV Product Guide + Stills The Tequila Effect - Media Luna New Films STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2011 YU-GI-OH! 4KIDS Animated Series (236 x 30-min) Delivery Status: Complete ENTERTAINMENT Country of Origin: Japan 4Kids Entertainment, 53 West 23rd Street, Meet Yugi, an eager young freshman at 11th Floor, New York, NY, 10010, USA. Tel: Domino High School. Yugi and his best 1.212.590.2100. Fax: 1.212.590.2211. friends, Joey, Tristan, and Tea share a love http://www.4kidsentertainment.com for cool new game that is sweeping the Distributor At MIPTV: Brian Lacey (Executive VP, nation. Duel Monsters! International), Sandra Vauthier-Cellier YU-GI-OH! GX (Managing Director, International Sales), Animated Series (155 x 30-min) Thea Westmoreland (Marketing Assistant) Delivery Status: Complete Office: R32.24, Tel: 33(0)4.92.99.88.23 Country of Origin: Japan Jaden and his friends are officially upper- ROCKET MONKEYS Animated Series (26 x 30-min) classman, as they enter their third year at Language: English Duel Academy, the world’s most presti- Wally and Gus are best friends and NOSA- gious dueling prep school! trained monkeynauts who blast into strange CHAOTIC new worlds on a specially equipped rocket Animated Series (40 x 30-min) to experiment with new technologies and Delivery Status: Complete discover alien species.
    [Show full text]
  • Deputy Facing Internal Investigation the Taylor County Force During a Recent Arrest
    Taylor County Strong Look for the Helpers! Page A-6 Page A-7 50¢ Friday/ Saturday April 17-18, 2020 www.perrynewspapers.com For excessive use of force Deputy facing internal investigation The Taylor County force during a recent arrest. is being withheld until around possible improper Public Information Officer “The U.S. Supreme Court Sheriff’s Office (TCSO) According to TCSO Chief completion of the internal or excessive use of force Lt. Gina Deeson, the TCSO said in Graham v. Connor, has suspended a deputy Deputy Marty Tompkins, investigation, as set forth and conduct unbecoming of Use of Force policy states: 490 U.S. 386 (1989), that with pay pending the the deputy has been placed under the Law Enforcement an officer, and will include “Reasonable force is the the reasonableness of a outcome of an internal on paid administrative leave Officers’ Bill of Rights. a review of body camera amount of force reasonably particular use of force investigation launched until the internal affairs According to Tompkins, footage, as well as other necessary to make an arrest. must be judged from Wednesday surrounding the investigation is completed. the ongoing internal video. This is called ‘objective ➟ Please see page 2 officer’s actions and use of The name of the deputy investigation centers According to TCSO reasonableness.’ Suspect leads officers on chase through Perry with toddler in back seat By CAITLYN BURCHETT without great bodily harm, Staff writer a violation of injunction for A Taylor County man protection against domestic is behind bars after he violence and operating a reportedly led police officers vehicle without a valid on a dangerous car chase license.
    [Show full text]
  • TFG Ros Morejon Pau.Pdf
    Facultat de Ciències de la Comunicació Treball de fi de grau Títol Autor/a Tutor/a Grau Data Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full Resum del TFG Títol del Treball Fi de Grau: Autor/a: Tutor/a: Any: Titulació: Paraules clau (mínim 3) Català: Castellà: Anglès: Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Castellà: Anglès Universitat Autònoma de Barcelona El fenomen de l’animació a Youtube: anàlisi i producció Pau Ros Morejón Agraeixo la col·laboració de Victor “Pazos” Matute, sense la qual aquest treball no hauria pogut existir des de bon principi. Per una banda per crear i cedir el contingut sobre el qual es basa la part pràctica del treball i per altra banda per ajudar a difondre de manera absolutament altruista l’animació que hem produït. Agraeixo també l’ajuda constant de Xavier Ribes Guardia, que ha estat el tutor del treball. Pels seus valuosos comentaris i suggeriments que han fet que aquest treball sigui molt més ric i comprensible. Finalment agraeixo a Sagrament Torné, la meva àvia, la seva inestimable col·laboració en forma de correcció ortogràfica i gramatical de la totalitat del treball, a més dels seus deliciosos dinars dels quals he gaudit cada dimecres durant tot el procés de redacció i producció del treball. 1 El fenomen de l’animació a Youtube: anàlisi i producció Pau Ros Morejón Índex INTRODUCCIÓ ............................................................................................................................... 3 OBJECTIUS ....................................................................................................................................
    [Show full text]