Interpretations of the Garden in the Work of Selected Artists
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Claude Monet : Seasons and Moments by William C
Claude Monet : seasons and moments By William C. Seitz Author Museum of Modern Art (New York, N.Y.) Date 1960 Publisher The Museum of Modern Art in collaboration with the Los Angeles County Museum: Distributed by Doubleday & Co. Exhibition URL www.moma.org/calendar/exhibitions/2842 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art The Museum of Modern Art, New York Seasons and Moments 64 pages, 50 illustrations (9 in color) $ 3.50 ''Mliili ^ 1* " CLAUDE MONET: Seasons and Moments LIBRARY by William C. Seitz Museumof MotfwnArt ARCHIVE Claude Monet was the purest and most characteristic master of Impressionism. The fundamental principle of his art was a new, wholly perceptual observation of the most fleeting aspects of nature — of moving clouds and water, sun and shadow, rain and snow, mist and fog, dawn and sunset. Over a period of almost seventy years, from the late 1850s to his death in 1926, Monet must have pro duced close to 3,000 paintings, the vast majority of which were landscapes, seascapes, and river scenes. As his involvement with nature became more com plete, he turned from general representations of season and light to paint more specific, momentary, and transitory effects of weather and atmosphere. Late in the seventies he began to repeat his subjects at different seasons of the year or moments of the day, and in the nineties this became a regular procedure that resulted in his well-known "series " — Haystacks, Poplars, Cathedrals, Views of the Thames, Water ERRATA Lilies, etc. -
Cairns Craig, Intending Scotland: Explorations in Scottish Culture Since the Enlightenment (Edinburgh: Edinburgh University Press, 2009)
Jessop, R. (2010) Cairns Craig, Intending Scotland: Explorations in Scottish Culture since the Enlightenment (Edinburgh: Edinburgh University Press, 2009). Journal of Scottish Philosophy, 8. pp. 225-231. ISSN 1479-6651 http://eprints.gla.ac.uk/44389/0B Deposited on: 16 March 2012 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Reviews struggle to accommodate events to a long-cherished narrative’ (140). None of this sounds very promising for the reader whose principal interest is in the philosophy of the Scottish Enlightenment. In recent years, a distorted picture in which Hume figured as Scotland’s only major philosopher has been corrected by renewed philosophical interest first in Reid, and then in Smith, both of whom are increasingly reckoned to be philosophers with a status comparable to Locke, Berkeley, or Mill. The judgments I have quoted from the contributors to this collection do not suggest that we can expect their celebrated contemporary, Adam Ferguson, to attract a similar re-assessment. At the same time, the essays in this collection cannot be said to show this to be the case. What they do show, perhaps, is that there is scope, and even need, for a further, different sort of volume, one devoted to seeing whether moral philosophy and social theory can still profitably engage with Ferguson. Gordon Graham Princeton Theological Seminary DOI: 10.3366/E1479665110000643 Cairns Craig, Intending Scotland: Explorations in Scottish Culture since the Enlightenment, Edinburgh: Edinburgh University Press, 2009. 280pp, £60 hb. ISBN 9780748637133. In recent decades in the United Kingdom, the Scottish Enlightenment has been recruited to nationalist, anti-nationalist, leftwing and rightwing political standpoints, and has been utilised to define Scottish history. -
COUNTRY GARDENS John Singer Sargent RA, Alfred Parsons RA, and Their Contemporaries
COUNTRY GARDENS John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries Broadway Arts Festival 2012 COUNTRY GARDENS John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries CLARE A. P. WILLSDON Myles Birket Foster Ring a Ring a Roses COUNTRY GARDENS John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries at the premises of Haynes Fine Art Broadway Arts Festival Picton House 9th -17th June 2012 High Street Broadway Worcestershire WR12 7DT 9 - 17th June 2012 Exhibition opened by Sir Roy Strong BroadwayArtsFestival2012 BroadwayArtsFestival2012 Catalogue published by the Broadway Arts Festival Trust All rights reserved. No part of this catalogue may (Registered Charity Number 1137844), be reproduced, stored in any retrieval system, or 10 The Green, Broadway, WR12 7AA, United Kingdom, transmitted, in any form or by any means, without the for the exhibition: prior permission of the Broadway Arts Festival Trust and Dr. Clare A.P. Willsdon ‘Country Gardens: John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries’, 9th-17th June 2012 ISBN: 978-0-9572725-0-7 Academic Curator and Adviser: Clare A.P. Willsdon, British Library Cataloguing in Publication Data: CONTENTS PhD (Cantab), MA (Cantab), FRHistS, FRSA, FHEA, A catalogue record for the book is available from the Reader in History of Art, University of Glasgow British Library. Country Gardens: John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries ......................................................1 © Broadway Arts Festival Trust 2012 Front cover: Alfred Parsons RA, Orange Lilies, c.1911, © Text Clare A.P. Willsdon 2012 oil on canvas, 92 x 66cm, ©Royal Academy of Arts, Notes ............................................................................................................... 20 London; photographer: J. -
Journal of Irish and Scottish Studies Cultural Exchange: from Medieval
Journal of Irish and Scottish Studies Volume 1: Issue 1 Cultural Exchange: from Medieval to Modernity AHRC Centre for Irish and Scottish Studies JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 1, Issue 1 Cultural Exchange: Medieval to Modern Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative and The Stout Research Centre Irish-Scottish Studies Programme Victoria University of Wellington ISSN 1753-2396 Journal of Irish and Scottish Studies Issue Editor: Cairns Craig Associate Editors: Stephen Dornan, Michael Gardiner, Rosalyn Trigger Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Michael Brown, University of Aberdeen Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Brad Patterson, Victoria University of Wellington Ian Campbell Ross, Trinity College, Dublin The Journal of Irish and Scottish Studies is a peer reviewed journal, published twice yearly in September and March, by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. An electronic reviews section is available on the AHRC Centre’s website: http://www.abdn.ac.uk/riiss/ahrc- centre.shtml Editorial correspondence, including manuscripts for submission, should be addressed to The Editors,Journal of Irish and Scottish Studies, AHRC Centre for Irish and Scottish Studies, Humanity Manse, 19 College Bounds, University of Aberdeen, AB24 3UG or emailed to [email protected] Subscriptions and business correspondence should be address to The Administrator. -
Movers and Shakers Cactus and Succulent Plant World
MOVERS AND SHAKERS OF THE CACTUS AND SUCCULENT PLANT WORLD Chuck Staples, CSSA Historian, 23 June 2018 Here are some of the people that have had, or still have, an influence—some major—some minor—some in between—on the cactus and succulent plant hobby. Only people with references to biographical information (biodata) about them from English written books and periodicals have been included in this list. {Dr. Lawrence [Larry] Waldimer Mitich (1927-2000) gave Movers and Shakers programs about the some of the famous people of the Cactus and Succulent Plant World at various CSSA Affiliate Societies and at the Cactus and Succulent Society of America, Inc. (CSSA) Conventions of 1973, 1975, 1977, 1979, 1983, 1995, 1997 and 1999.} Abbey, Edward Paul (1927–1989) USA Staples CJ. 2013. A Historical Record of Authors of C&S Plant Names & Books for the Amateur Hobbyist. Vol 1: 9. Abbott, (Dr med) William Louis (1860–1936) USA Dorr LJ. 1997. Plant Collectors in Madagascar and Comoro Islands. 2. Staples CJ. 2013. A Historical Record of Authors of C&S Plant Names & Books for the Amateur Hobbyist. Vol 1: 9. Aberle, David Friend (1918–2004) USA to Canada Staples CJ. 2013. A Historical Record of Authors of C&S Plant Names & Books for the Amateur Hobbyist. Vol 1: 9. Abraham, Charles Christian (1851–1929) Germany to USA West J. 1929. In Memorium Charles C. Abraham. Cact Succ J (US) 1: 16–17. Abraham, Wolf-Rainer (1952–) Germany Staples CJ. 2013. A Historical Record of Authors of C&S Plant Names & Books for the Amateur Hobbyist. -
Botanical Explorers
BOTANICAL EXPLORERS PEOPLE, PLACES & PLANT NAMES HOW it all began PRIOR TO 1450 ´ ROMAN EMPIRE extended around entire Mediterranean Sea ´ Provided overland trade route to the east ´ Fall of Constantinople to Ottoman Turks in 1453, impeding overland travel THE AGE OF DISCOVERY 1450-1750 Europeans continued to trade through Constantinople into 16th century High prices, bandits, tolls, taxes propelled search for sea routes EASTERN COMMODITIES Tea, spices, silks, silver, porcelain ´ Still life with peaches and a ´ Offering pepper to the king lemon, 1636 (Chinese ´ from Livre des Merveilles du Monde, 15th c porcelain), Jurian van Streek Bibliotheque Nationale, Paris THE AGE OF DISCOVERY Europe Portuguese/Spanish pioneer new trade routes to the Indies by sea Commercial expeditions sponsored by European monarchies First voyages sailed south around tip of Africa and then east toward India THE AGE OF DISCOVERY America ´1492-1502 Columbus and others believed they would reach Asia by sailing west ´Discovery of the ”New World” AGE OF DISCOVERY Japan Japan had no incentive to explore; Wealthy trade partners, China and Korea AGE OF DISCOVERY Japan ´1543 1st Portuguese ship arrives ´Daimyo (feudal lord) allows Portuguese into Japanese ports to promote trade and Christianity ´Portuguese trade ships sail from home port of Indian colony, Goa, to Japan other Far East ports, returning to Goa after 3- year journeys AGE OF DISCOVERY China Treasure ships under command of Zheng He (in white) Hongnian Zhang, oil painting of China’s naval hero Inland threats led -
Claude Monet (1820-1910) Claude Monet Was a French Impressionist Painter
1899 Claude Monet (1820-1910) Claude Monet was a French Impressionist painter. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career, and it is fitting that one of his pictures-Impression: Sunrise (Musee Marmottan, Paris, 1872) gave the group its name. His youth was spent in Le Havre, where he first excelled as a caricaturist but was then converted to landscape painting by his early mentor Boudin, from whom he derived his firm predilection for painting out of doors: 'By the single example of this painter devoted to his art with such independence, my destiny as a painter opened out to me.' Impression Soleil Levant (Impression, sunrise) showing Le Havre harbour at dawn. Lithograph after “Impression, soleil levant” 1872; the painting that gave its name to the style. o In 1859 he studied in Paris at the Atelier Suisse and formed a friendship with Pissarro. After two years' military service in Algiers, he returned to Le Havre and met Jongkind, to whom he said he owed 'the definitive education of my eye'. He then, in 1862, entered the studio of Gleyre in Paris and there met Renoir, Sisley, and Bazille, with whom he was to form the nucleus of the Impressionist group. Monet's devotion to painting out of doors is illustrated by the famous story concerning one of his most ambitious early works, Women in the Garden (Musee d' Orsay, Paris, 1866-7). The picture is about 2.5 m. high and to enable him to paint all of it outside he had a trench dug in the garden so the canvas could be raised or lowered by pulleys to the height he required. -
Francis Masson
'To The Point' Newsletter of CSSA March-April 1999, Vol. 71, No. 2. PRESIDENT'S COMMENTS a relatively short one from December 1772 to January 1773. His second and third Francis Masson—Gardener, Explorer, expeditions were made jointly with Carl Pe• Botanical Collector, Artist, and Author ter Thunberg, the "Father of South African Botany." During the second expedition, he "Francis Masson may not have been the made excursions to Namaqualand, where he boldest, most romantic or even the most im• observed the peasantry extracting aloe sap. portant of the 18th century botanical explor• Masson made the first description in Eng• ers in South Africa yet the influence his lish of any extensive expedition into the in• work has had on the lives of ordinary peo• terior of South Africa, and he was probably ple has been vastly greater than that of all the first person from the British Isles to his distinguished fellow travelers at the travel any considerable distance from the Cape. " -Frank R. Bradlow, Francis Mas- original settlement. Masson collected over son 's Account of Three Journeys at the 400 species of living plants, including Erica Cape of Good Hope, 1994 and Protea, which now made Kew foremost among botanical gardens. Many plants like Francis Masson was born in Aberdeen, the pelargoniums, freesias, and gladioli be• Scotland, in August 1741. In an account of came widely cultivated and hybridized. Af• his life and work in Rees's Cyclopedia ter his return to Cape Town, Masson spent (1819), Sir James Smith wrote, "Masson several months preparing and sending quan• was of mild temper, persevering in his pur• tities of plants and seeds to Kew. -
Century Botanical Networks1
Easterby-Smith, Reputation in a box April 2014 Reputation in a box. Objects, communication and trust in late eighteenth- 1 century botanical networks Sarah Easterby-Smith, University of St Andrews [email protected] Author final version. This article was published in History of Science 53(2) (June 2015), pp. 180-208. Please cite from the published version: DOI: http://hos.sagepub.com/content/53/2/180 Some time in 1782 or 1783, Philippe-Victoire Lévêque de Vilmorin (1715-1804), a French nurseryman and botanist, sent a box of kitchen-garden seeds to America. The tinplate box, with a tightly fitting lid to keep out the noxious sea air as well as insects, heat, and water, was despatched to one of Vilmorin’s correspondents, a Philadelphian plant hunter called William Young (or Yong) (1742-1785).2 This parcel of seeds is 1 I wish to express my thanks to Maxine Berg, Jorge Flores, Katherine Foxhall, Oliver Fulton, Colin Jones, Neil Safier, Penny Summerfield, Koji Yamamoto and the editor and anonymous reviewers of History of Science – who all kindly read and gave helpful feedback on earlier versions of this paper. Research was supported by a Max Weber Fellowship at the European University Institute, and a Dibner Fellowship in the History of Science at the Huntington Library. 2 For more on Philippe-Victoire Lévêque de Vilmorin, see: Augustin-François de Silvestre, “Notice Bibliographique sur P.-V.-L. de Vilmorin,” Séance publique de la Société d’Agriculture (Paris: Société d’Agriculture, 26 Brumaire an XIV [17 November 1805]); Gustav Heuzé, Les Vilmorin (1746-1899) (Paris: Libraire Agricole de la Maison Rustique, 1899). -
Early Cultivation of Macaronesian Plants in Three European Botanic Gardens
Rev. Acad. Canar. Cicnc, XXIII (Num. 3), 1 13-143 (201 1) (publicado en abril de 2012) EARLY CULTIVATION OF MACARONESIAN PLANTS IN THREE EUROPEAN BOTANIC GARDENS - J. Francisco-Ortega' -, A. Santos-Guerra\ L. Sanchez-Pinto\ & M. Maunder' Department of Biological Sciences, Florida International University, University Park, Miami, FL 33199, U.S.A. e-mail: ortegajrafiu.edu (correspondence) ^Center for Tropical Plant Conservation, Fairchild Tropical Botanic Garden 1 1935 Old Cutler Road. Coral Gables (Miami), FL 33 156, U.S.A. ^ Unidad de Botanica, Instituto Canario de Investigaciones Agrarias Calle Retama, num. 2, Puerto de la Cruz, 38400 Tenerife. Spain * Museo de la Naturaleza y el Hombre, Calle Fuente Morales, num. 2 Santa Cruz de Tenerife, 38003 Tenerife, Spain ABSTRACT The Chelsea Physic Garden (London) (established in 1673), the Botanic Garden of Amsterdam (established in 1682), and the Clifford's Hartekamp Gardens (the Netherlands, es- tablished in 1 709 by George Clifford II) were among the most important pre-Linnaean botanic gardens in Europe and were famous because of their living collections of exotic plants. There is relatively extensive documentation of what plant material was grown in these botanic gar- dens prior to Linnaeus establishing the now generally accepted binomial system for naming plants. A study of these documents pertinent to species originally from the Macaronesian Is- lands is presented as a contribution to the history of European plant collections and the in- troduction of new exotics to European horticulture. A total of 29 taxa from the region w ere cultivated in at least one of these gardens between 1689 and 1751. -
Download PDF Title Sheet
Key title information A Walled Garden Product Details A History of the Spandau Garden in the Time of the Architect Albert Speer £75.00 Artist(s) Ian Gardner, Ian Hamilton-Finlay Author(s) Ross Hair Publisher Coracle A highly collectable, limited edition artists’ book, A Walled Garden ISBN 9780906630600 reproduces for the first time the complete set of watercolours that Ian Format hardback Gardner made in collaboration with Ian Hamilton Finlay for the Pages 196 unpublished book, A Walled Garden: A History of the Spandau Garden in the Time of the Architect Albert Speer. Illustrations 36 colour Dimensions 230mm x 170mm Finlay conceived the project after corresponding with the former Third Weight 440 Reich architect in the late 1970s, shortly after the publication of Clara and Richard Winston’s English translation of, Spandau: The Secret Publication Date: Feb 2020 Diaries (1976), Speer’s clandestine record of his twenty-year imprisonment in west Berlin’s Spandau prison from 1946 to 1966. Co-published with St Paulinus and printed in a Limited Edition of 500. IAN GARDNER (1944–2019). Lancaster-born artist who taught in the School of Art and Design at Bradford College. His paintings were championed by art critic, Edward Lucie-Smith and have been purchased for many gallery collections throughout Britain, including the Ashmolean Museum (Oxford), The Walker Art Gallery (Liverpool), The Victoria and Albert Museum (London), Chatsworth House, as well as the Getty Foundation in California. During the 1990s, the allotment garden of his wife, Diane became the inspiration for his later work. IAN HAMILTON-FINLAY (1925–2006). -
Botanic Gardens and the Aesthetics of Artifice Cairns Craig
Botanic Gardens and the Aesthetics of Artifice Cairns Craig In 1651 Andrew Balfour, later one of the founders of the Edinburgh Botanic Garden, visited Blois in France, where the physic garden developed by Robert Morison, then physician to the Duc d’Orléans, had become famous for its col- lection of plants that could be exploited for medicinal purposes. Morison, from Aberdeen, had left Scotland after being wounded fighting on the Royalist side against Cromwell’s forces in the battle of the Bridge of Dee in 1639. Having, like many other royalist exiles, taken up residence in France, he obtained a doctorate in medicine at Angers and went on to study botany in Paris with Vespasian Robin, then prominent in the introduction of North American plants into European horticulture. Balfour’s meeting with Morison was to lead to a lifelong friendship in which each supported the other’s botanical studies. Morison returned to Britain with Charles II in 1660, to become the King’s physician and subsequently Professor of Botany at Oxford; Balfour, having developed a reputation as a doctor first in St Andrews and then in Edinburgh, extended his medical practice by establishing, along with his cousin Robert Sibbald, who had also trained in France, a ‘physic garden’ to emulate those on the Continent, many of which Balfour had visited while on a ‘grand tour’ with the young Earl of Rochester during the years 1661–4. Balfour and Sibbald’s physic garden was transformed into a botanic garden after the unexpected death in 1671 of one of Balfour’s protégés, Patrick Murray (or Morray), Baron of Livingston (or Levengstone), who had been on a tour of the gardens of France.