Reflections on Sartre's Réflexions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kırmızı Çızgı
JAMESBARR KIRMIZI ÇIZGI• • Paylaşılamayan Toprakların Yakın Tarihi İngilizceden Çeviren: EKİN CAN GÖKSOY PEGASUS YAYıNLARı Britanya ve Fransa Arasında 20. Yüzyıla Yön Veren Güç Oyunları 1916'da, İngilizlerin Kut'ül Amare'de bozguna uğramasının hemen ardından iki adam, öngörü lü bir politikacı olan Sir Mark Sykes ile hınç dolu bir diplomat olan François Georges- Picot Orta Doğu'yu paylaşma planlarını görüşmek üzere gizlice buluştu. İki adamın vardığı anlaşma bir yandan İngiliz-Fransız Dostluk Antlaşması'nı tehlikeye sokacak gerilimleri hafifletmeyi amaç larken bir yandan da Akdeniz'den İran sınırına uzanan bir hat çiziyordu. Bu keskin hattın ku zeyindeki bölge Fransaya, güneyindeki bölge ise Britanya'ya gidecekti. İngiltere'nin Filistin, Mavera-i Ürdün ve Irak'taki mandaları ile Fran sanın Lübnan ve Suriye'deki mandaları iki büyük güç arasında bir huzursuzluk doğuracaktı. Gele cek otuz yıla damgasını vuracak bu sıkıntı, Orta Doğu'nun da onarılmaz bir biçimde şekillenme sine neden olacaktı. T. E. Lawrence, Winston Churchill ve Charles de Gaulle gibi siyasetçiler, diplomatlar, ajanlar ve askerlerden oluşan yıldız kadrosuyla Kırmızı Çizgi bizlere İngiliz ve Fransızların Orta Doğu'yu yönettiği, kısa ama -çok önemli bir dönemin hikayesini canlı bir biçimde anlatıyor. Kitap aynı zamanda bu iki güç arasındaki eski çekişmenin bugün bizim için çok daha tanıdık olan, Araplar ile Yahudiler arasındaki çatışmayı nasıl ateşledi ğini ve en nihayetinde 1941 'de İngilizler ile Fran sızlar, 1948'de de Araplar ile Yahudiler arasında ki savaşlara nasıl vesile olduğunu net bir şekilde ortaya koyuyor. James Barr'ın, Orta Doğu'nun kaderine yön veren ve bugün bölgenin adeta gayya kuyusu na dönüşmesinde hatırı sayılır bir rol oynayan İngilizler ile Fransızlar arasındaki gizli kapaklı mücadeleyi kaleme aldığı Kırmızı Çizgi, Orta Doğu'nun yakın tarihine ilgi duyan herkesin mutlaka okuması gereken bir kitap. -
Moses Hayim Luzzatto's Quest for Providence
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 'Like Iron to a Magnet': Moses Hayim Luzzatto's Quest for Providence David Sclar Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/380 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “Like Iron to a Magnet”: Moses Hayim Luzzatto’s Quest for Providence By David Sclar A Dissertation Submitted to the Graduate Faculty in History in Partial Fulfillment of the Requirement for the Degree of Doctor of Philosophy The City University of New York 2014 © 2014 David Sclar All Rights Reserved This Manuscript has been read and accepted by the Graduate Faculty in History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy Prof. Jane S. Gerber _______________ ____________________________________ Date Chair of the Examining Committee Prof. Helena Rosenblatt _______________ ____________________________________ Date Executive Officer Prof. Francesca Bregoli _______________________________________ Prof. Elisheva Carlebach ________________________________________ Prof. Robert Seltzer ________________________________________ Prof. David Sorkin ________________________________________ Supervisory Committee iii Abstract “Like Iron to a Magnet”: Moses Hayim Luzzatto’s Quest for Providence by David Sclar Advisor: Prof. Jane S. Gerber This dissertation is a biographical study of Moses Hayim Luzzatto (1707–1746 or 1747). It presents the social and religious context in which Luzzatto was variously celebrated as the leader of a kabbalistic-messianic confraternity in Padua, condemned as a deviant threat by rabbis in Venice and central and eastern Europe, and accepted by the Portuguese Jewish community after relocating to Amsterdam. -
Review of Being and Nothingness
Being and Nothingness: An Essay in Phenomenological Ontology by Jean-Paul Sartre, translated by Sarah Richmond. Abingdon: Routledge, 2018. Jonathan Webber Review published in Mind 2019 Author’s post-print. Please cite only published version. Legend has it that when Jean-Paul Sartre’s first epic tome L’Être et le néant appeared in 1943 the publishers were rather surprised by how well it sold. Who were all these people in the midst of war yet eager to read a 722-page philosophical analysis of the structures of human existence? They discovered that the book, which weighed exactly one kilo, was mostly selling to greengrocers, who were using it to replace the kilo weights that had been confiscated by the Nazis to be melted down for munitions. Sarah Richmond’s superb new translation weighs in at nearly a kilo and a half. The text itself is supplemented by a wealth of explanatory and analytical material. Richmond has taken full advantage of the extensive scholarly and critical analyses of Sartre’s book published over the past three-quarters of a century. The book has been translated into English only once before, by Hazel Barnes over sixty years ago. Richmond’s strategy has not been to edit that version, but to translate the text anew, informed by its reception in both its original form and its Barnes translation. Richmond traces the main contours of this reception in her introduction to the book, which relates the text to the main currents of anglophone and European thought since the war and, in so doing, indicates the influences on her own reading of the text. -
European Academic Research
EUROPEAN ACADEMIC RESEARCH Vol. II, Issue 9/ December 2014 Impact Factor: 3.1 (UIF) ISSN 2286-4822 DRJI Value: 5.9 (B+) www.euacademic.org Condemned to be Free: Orestes in Sartre’s The Flies MOHSIN HASSAN KHAN Research Scholar Department of English A.M.U., Aligarh, India Abstract: Jean Paul Sartre’s Orestes’ is one of the strong characters as far as literary sketch of any existential character is concerned. Embodiment of Sartrean philosophy, Orestes, in the play The Flies (1943) is a representation of the philosophy of freedom in which Sartre has put his literary thesis with the philosophic. In doing so with the character of Orestes, he comes back again to his lifelong pursuit of freedom and tries to explore it in the most possible and natural sense making freedom as an absolute and a strong value. The idea of freedom has been smoothly sketched in the play and its strident treatment matches the doctrines of freedom by the playwright. In this play, Sartre expresses the idea of condemned freedom and an attempt has been made in this paper to show this particular Sartrean brand of freedom expressed in Orestes. Key words: Existentialism, Existence, Freedom, Condemned, Absolute, No. Enlightenment Jean Paul Sartre, an avowed existentialist and a militant atheist, being at the centre of the modern philosophy is a very important figure in French existentialism. Truly a philosopher in the traditional sense like Heidegger and also a political figure protesting in the student’s revolution of 1968 in which he was almost close to becoming a rebel, he is a fine amalgamation of 20th century thought in which letters and actions go together 11954 Mohsin Hassan Khan- Condemned to be Free: Orestes in Sartre’s The Flies simultaneously. -
Existential Aspect of Being: Interpreting J. P. Sartre's Philosophy
Existential aspect of Being: Interpreting J. P. Sartre’s Philosophy Ivan V. Kuzin, Alexander A. Drikker & Eugene A. Makovetsky Saint Petersburg State University, Russia Abstract The article discusses rationalistic and existential approaches to the problem of existence. The comparison of Sartre's pre-reflective cogito and Descartes' reflective cogito makes it possible to define how Sartre’s thought moves from the thing to consciousness and from consciousness to the thing. At the same time, in Being and Nothingness Sartre does not only define the existence of the thing in its passivity—which in many respects corresponds to Descartes' philosophy, but also as an open orientation towards consciousness, the latter concept not being fully developed by him. This statement may be regarded as a hidden component of Sartre’s key thesis about the role of the Other in the verification of our existence. The most important factor in understanding this is the concept of the look. Detailed analysis of Sartre’s theses in Being and Nothingness enables us to demonstrate that the concept of the look makes it possible to consider the identity of being-in-itself and being-for-itself (consciousness). Keywords: Sartre, rationalism, existentialism, thing, being, the look, existence, nothingness, consciousness, the Other 1. Introduction E. Husserl said that being of the object is such “that it is cognisable in itself” (“daß es in seinem Wesen liegt, erkennbar zu sein”). (Ingarden 1992: 176) This statement is important if we are to accept the fact that the possibility of looking at the object correlates with being of the object itself. -
Anti-Semite And
This Page Intentionally No Longer Blank Anti‐Semite and Jew JeanPaul Sartre [1944] Translated by George J. Becker Schocken Books ∙ New York Copyright © 1948 by Schocken Books Inc. Copyright renewed 1976 by Schocken Books Inc. All rights reserved under international and Pan‐American Copyright conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House Inc., New York. Originally published in France as Réflexions sur la Question Juive by Éditions‐Morihien. Copyright 1946 by Paul Morihien. Paris. Library of Congress Cataloging‐in‐Publication Data Sartre, Jean‐Paul. 1905— [Réflexions sur la Question Juive. English] Anti‐Semite and Jew / Jean‐Paul Sartre : Translated by George J. Becker : with a new preface my Michael Walzer. p. em. Previously published: New York, Schocken Books, 1948. ISBN 0‐8052‐1047‐4 I. Antisemitism. I. Title. DSI45.S2713 1995 305.8924—de20 95‐1929 CIP Manufactured in the United States of America First Schocken paperback edition published 1965. [‘95] 9 8 7 PREFACE Sometime in the second half of 1944, as the war in Europe drew to a close, Jean-Paul Sartre noticed that in discussions about postwar France, the imminent return of French Jews deported by the Nazis was never men tioned. Some of the speakers, he guessed, were not pleased by the prospect; others, friends of the Jews, thought it best to he silent. (Neither they nor Sartre knew how many of the deported Jews would never return.) Thinking about these discussions, Sartre decided to write a critique of anti-Semitism. Both the occasion and the subject of the critique were French. -
Existentialism in Two Plays of Jean-Paul Sartre
Journal of English and Literature Vol. 3(3), 50-54, March 2012 Available online at http://www.academicjournals.org/IJEL DOI:10.5897/IJEL11.042 ISSN 2141-2626 ©2012 Academic Journals Review Existentialism in two plays of Jean-Paul Sartre Cagri Tugrul Mart Department of Languages, Ishik University, Erbil, Iraq. E-mail: [email protected]. Tel: (964) 7503086122. Accepted 26 January, 2012 Existentialism is the movement in the nineteenth and twentieth century philosophy that addresses fundamental problems of human existence: death, anxiety, political, religious and sexual commitment, freedom and responsibility, the meaning of existence itself (Priest, 2001: 10). This study tries to define what existentialism is and stresses themes of existentialism. This research finally points out these themes of existentialism by studying on two existentialist drama plays written by Jean-Paul Sartre who was a prominent existentialist writer. The plays by Sartre studied in this research are ‘The Flies’ and ‘Dirty Hands’. Key words: Existentialism, freedom, absurdity, anguish, despair, nothingness. INTRODUCTION Existentialism is the philosophy that makes an religious, political, or sexual commitment? How should authentically human life possible in a meaningless and we face death? (Priest, 2001: 29). We can briefly define absurd world (Panza and Gale, 2008: 28). It is essentially existentialism as: ‘existentialism maintains that, in man, the search of the condition of man, the state of being and in man alone, existence precedes essence’. This free, and man's always using his freedom. Existentialism simply means that man first is, and only subsequently is, is to say that something exists, is to say that it is. -
Nausea and the Adventures of the Narrative Self Ben Roth1
How Sartre, Philosopher, Misreads Sartre, Novelist: Nausea and the Adventures of the Narrative Self Ben Roth1 Besides, art is fun and for fun, it has innumerable intentions and charms. Literature interests us on different levels in different fashions. It is full of tricks and magic and deliberate mystification. Literature entertains, it does many things, and philosophy does one thing. Iris Murdoch (1997, p. 4) If there is something comforting—religious, if you want—about paranoia, there is still also anti-paranoia, where nothing is connected to anything, a condition not many of us can bear for long. Thomas Pynchon, Gravity's Rainbow (p. 434) Both those who write in favor of and against the notion of the narrative self cite Sartre and his novel Nausea as exemplary opponents of it. Alasdair MacIntyre, a central proponent of the narrative self, writes: “Sartre makes Antoine Roquentin argue not just [...] that narrative is very different from life, but that to present human life in the form of a narrative is always to falsify it” (1984, p. 214). Galen Strawson, a critic of narrativity, writes that “Sartre sees the narrative, story-telling impulse as a defect, regrettable. [...] He thinks human Narrativity is essentially a matter of bad faith, of radical (and typically irremediable) inauthenticity” (2004, p. 435). I think that this type of interpretation of Nausea is blindered and bad and relies on an impoverished approach to reading fiction typical of philosophers: of taking one character at one moment as mouthpiece for both a novel as a whole and author behind it. Beginning as it does in description, the novel challenges these conceptual orders rather than taking one side or the other; it thus invites us to rethink the terrain of narrativity. -
Jean-Paul Sartre
From the Routledge Encyclopedia of Philosophy Jean-Paul Sartre Christina Howells Biography Sartre was a philosopher of paradox: an existentialist who attempted a reconciliation with Marxism, a theorist of freedom who explored the notion of predestination. From the mid-1930s to the late-1940s, Sartre was in his ‘classical’ period. He explored the history of theories of imagination leading up to that of Husserl, and developed his own phenomenological account of imagination as the key to the freedom of consciousness. He analysed human emotions, arguing that emotion is a freely chosen mode of relationship to the outside world. In his major philosophical work, L’Être et le Néant (Being and Nothingness)(1943a), Sartre distinguished between consciousness and all other beings: consciousness is always at least tacitly conscious of itself, hence it is essentially ‘for itself’ (pour-soi) – free, mobile and spontaneous. Everything else, lacking this self-consciousness, is just what it is ‘in-itself’ (en-soi); it is ‘solid’ and lacks freedom. Consciousness is always engaged in the world of which it is conscious, and in relationships with other consciousnesses. These relationships are conflictual: they involve a battle to maintain the position of subject and to make the other into an object. This battle is inescapable. Although Sartre was indeed a philosopher of freedom, his conception of freedom is often misunderstood. Already in Being and Nothingness human freedom operates against a background of facticity and situation. My facticity is all the facts about myself which cannot be changed – my age, sex, class of origin, race and so on; my situation may be modified, but it still constitutes the starting point for change and roots consciousness firmly in the world. -
The Phenomenological Ontologies of Kierkegaard and Sartre: an Existential Theory of Addiction
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1994 Love and Addiction: The Phenomenological Ontologies of Kierkegaard and Sartre: An Existential Theory of Addiction Ross Channing Reed Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Philosophy Commons Recommended Citation Reed, Ross Channing, "Love and Addiction: The Phenomenological Ontologies of Kierkegaard and Sartre: An Existential Theory of Addiction" (1994). Dissertations. 3461. https://ecommons.luc.edu/luc_diss/3461 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1994 Ross Channing Reed LOYOLA UNIVERSITY CHICAGO "LOVE" AND ADDICTION: THE PHENOMENOLOGICAL ONTOLOGIES OF KIERKEGAARD AND SARTRE AN EXISTENTIAL THEORY OF ADDICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF PHILOSOPHY BY ROSS CHANNING REED CHICAGO, ILLINOIS MAY 1994 Copyright by Ross Channing Reed, 1994 All rights reserved. ii ACKNOWLEDGEMENTS I wish to thank the following people and institutions for their support, encouragement, and prayer during the many years that led up to the production of this dissertation, as well as its actual writing: Texas A&M University Library, Millersville University Library, Franklin and Marshall College Library, Dr. John Ellsworth Winter, John Albert Cavin III, Christopher John Broniak, Richard J. Westley, John D. -
Cosmopolitan Ethics and the Limits of Tolerance: Representing the Holocaust in Young Adult Literature
COSMOPOLITAN ETHICS AND THE LIMITS OF TOLERANCE: REPRESENTING THE HOLOCAUST IN YOUNG ADULT LITERATURE Rachel L. Dean-Ruzicka A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Committee: Dr. Beth Greich-Polelle, Advisor Dr. Nancy W. Fordham Graduate Faculty Representative Dr. Kimberly Coates Dr. Vivian Patraka © 2011 Rachel L. Dean-Ruzicka All Rights Reserved iii ABSTRACT Beth Greich-Polelle, Advisor This dissertation critically evaluates the concepts of tolerance and toleration and how these two ideas are often deployed as the appropriate response to any perceived difference in American culture. Using young adult literature about the Holocaust as a case study, this project illustrates how idealizing tolerance merely serves to maintain existing systems of power and privilege. Instead of using adolescent Holocaust literature to promote tolerance in educational institutions, I argue that a more effective goal is to encourage readers’ engagement and acceptance of difference. The dissertation examines approximately forty young adult novels and memoirs on the subject of the Holocaust. Through close readings of the texts, I illustrate how they succeed or fail at presenting characters that young adults can recognize as different from themselves in ways that will help to destabilize existing systems of power and privilege. I argue this sort of destabilization takes place through imaginative investment with a literary “Other” in order to develop a more cosmopolitan worldview. Using the theories of Judith Butler, Kwame Anthony Appiah, and Gerard Delanty I contended that engagement with and appreciation of difference is possible when reading young adult Holocaust literature. -
Jews and the Sources of Religious Freedom in Early Pennsylvania
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 4-3-2018 Jews and the Sources of Religious Freedom in Early Pennsylvania Jonathon Derek Awtrey Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Cultural History Commons, History of Religion Commons, Political History Commons, Social History Commons, and the United States History Commons Recommended Citation Awtrey, Jonathon Derek, "Jews and the Sources of Religious Freedom in Early Pennsylvania" (2018). LSU Doctoral Dissertations. 4544. https://digitalcommons.lsu.edu/gradschool_dissertations/4544 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JEWS AND THE SOURCES OF RELIGIOUS FREEDOM IN EARLY PENNSYLVANIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy in The Department of History by Jonathon Derek Awtrey B.S. University of West Georgia, 2007 M.A. University of West Georgia, 2009 May 2018 For Christina, Sandra, Cole, Val, Suzy, April, Les, Carolyn, John, Nita, Kevin, and families ii ACKNOWLEDGEMENTS The years of research, writing, and revision that resulted in this dissertation derived from conversations with family members, friends, colleagues, trusted mentors, and other scholars, archivists, and editors. My entire family, but especially my mother and sisters, have sustained my intellectual curiosity from an early age.